Travel: Animals

160222reindeerFrom the grand howdah-backed elephant to the plodding pack pony, from the solitary stallion to the caravan of a thousand camels, animals are often a part of how our characters get around. In previous entries to the travel series we’ve considered small and large groups traveling on foot. This time we bring animals into the mix.

Animals can be useful for travel, but they also bring their own challenges with them. The first thing we need to consider is what kinds of animals are useful for long-distance travel. Then we’ll look at the three main ways of using animals for travel: riding, pack, and draft. Finally, a word on the care and feeding of transport animals. As usual in this series, we are looking at real-world history: no griffins or dragon-drawn chariots. Take the information here and adjust as necessary for whatever setting you happen to be writing.

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Making A Farewell Feast in Bag End

Here’s a look at how we made yesterday’s Farewell Feast in Bag End.

The menu

  • Fish and chips
  • Boiled cabbage wedges with rosemary mint sauce
  • Blueberry soup

erikchef1As with last month’s party, we have very little to go on in the text for an actual menu. Once again, this requires some imagination, but this time I’m trying to imagine a small, intimate dinner for friends, not a grand party.

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Fantasy Religions: Religious Sites

So, you’re creating a fantasy religion for a story or game. When your characters need to interact with their gods, where do they go—if anywhere at all? Down the street to the local temple? To the top of a windswept mountain? To a corner of their kitchen? Today we look at religious sites in historical cultures to inspire our imaginations.

We can start by looking at religion in today’s world. Look at the religious life of a modern western community and you will find some people attending their local church, synagogue, or mosque, some people praying quietly in their own homes, some feeling inspired by solitary walks in the woods, some debating points of theology over the internet, some participating in celebrations of religious holidays, and some not involved at all. Many people will do more than one of the above. No culture or religious tradition is monolithic, and this is just as true in the past as the present. The history of religious expression is one of incredible variety both across and within cultures.

In this variety, though, there are some patterns that recur in varying forms. People use different kinds of religious sites for different  needs. Many different traditions have used similar kinds of religious sites, and within any given tradition different sites are used for different purposes. Today we will look at four common types of religious site out of the wide variety of possibilities: assemblies, temples, household shrines, and natural spaces.

Assembly

The “assembly” type of religious space will be recognizable to anyone familiar with major variants of the modern monotheistic religions. It is a space where a community of believers gathers to perform collective rituals such as praying, singing hymns, hearing sermons, feasting, and witnessing or participating in ritual enactments.

Grand Mosque, Djenne, photograph by BluesyPete via Wikimedia
Grand Mosque, Djenne, photograph by BluesyPete via Wikimedia

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Proud and Prejudiced Zombies

160212ppzI’m really the wrong person to say anything about Pride and Prejudice and Zombies, since I am not a fan of zombie stories to begin with, but having a fondness for Jane Austen I went to the movie hoping for something entertaining. I was not entirely disappointed, but something about the movie bothers me.

It’s not just that it feels like a joke that has gone on too long without getting to a punchline. It is Pride and Prejudice with zombies added, exactly as advertised. The confined and unvarying quality of the movie is a feature, not a bug, and I can live with that. What bothers me about it is what it does to Austen’s characters and in particular the female characters.

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The Misuses of Myth

160208sphinxMyths, legends, fairy tales, and other stories passed down through the generations are at the root of our storytelling tradition. They are the earliest stories in our literature and some of the first stories we learn as children. It is no wonder that we keep going back to mythology looking for deeper meanings. The drive to find hidden meaning in myth leads to some misguided interpretations. Two common mistakes are Freudian theory and the “forgotten history” theory.

Freudian slips

Freudian theory holds that myths are expressions of universal human drives which we have suppressed in the name of civilization. As the things that we cannot talk about openly come out in our stories, we can hold up mythology as a mirror to our own subconscious in order to see our hidden impulses better. Sigmund Freud’s attempts to explain the human psyche by reference to dreams, myths, and other supposed insights into the unconscious are at the root of this approach, but there are other classic exemplars, such as Bruno Bettelheim’s The Uses of Enchantment, which applies the theory to the Grimms’ fairy tales. (Note that I am speaking of Freudian theory as a way of interpreting myth; I am not in any position to judge Freudianism as a psychological theory.)

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Third Person

I have to write a biographical paragraph for a conference. Ugh. I hate writing about myself in the third person.

I’m trying to be all

160205Caesarbut feeling more like

160205jonesOh well. It goes with the territory, I guess. I like to think that being awkward about your own accomplishments is one of the tests of being a decent person. (But, then, does congratulating myself on being a decent person mean I’m actually not..? Argh! Why is it so hard?!)

Oh well. That’s my dose of self-pity for the day.

Images: Bust of Caesar, photograph by Andrea Wahra via Wikimedia (Naples; 1st c. BCE; marble) and text from Caesar, Gallic War 1.54, collage by Erik Jensen. Harriet Jones via brittaperry

When the suckage just sucks too much.

The Kindness of Sherlock Holmes

It’s a good time to be a Sherlock Holmes fan. There are now plenty of adaptations to choose from. There’s the BBC’s Sherlock if you like visual inventiveness and whip-crack dialogue. For a more traditional procedural that does interesting things with characters, there’s CBS’s Elementary. For Hollywood thrills you can go back a few years to the films starring Robert Downey Jr. as the great detective. For series in the Holmesian spirit without the same characters there’s the medical drama House or the mystery/comedy Psych.

However the setting may change, there are some key elements of Sherlock Holmes’s character that remain the same: the keen powers of observation and deduction, the cycles of intense focus on a problem and lethargic dissipation, the antisocial habits that make him near impossible to live with.

Oh, and Sherlock Holmes is a total jerk-ass.

160204sociopath

The standard interpretation of Holmes in modern media is that he is an asshole with no patience for anyone else, either because he’s not neurotypical in some fashion or because he just can’t be bothered to care about anything so pedestrian as decent manners. He gets away with it because he’s just so brilliant.

Well, lately I’ve been rereading the original Sherlock Holmes stories by Conan Doyle, something I’ve been meaning to do for years. I’ve gotten very used to the modern Holmes, so I was surprised to rediscover that the original Holmes wasn’t like that at all. In fact, Conan Doyle’s Holmes is compassionate and generous.

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Great Zimbabwe

Aerial view of part of the Great Zimbabwe complex. Photograph by Janice Bell
Aerial view of part of the Great Zimbabwe complex, photograph by Janice Bell via Wikimedia

Great Zimbabwe is a ruined city in Zimbabwe (and in fact has given the modern country its name). Built over centuries beginning in the 9th century, the site was a center of power for the medieval Shona (or Kalanga) kingdom and part of the trade networks that spanned the Indian Ocean. It was abandoned in the 15th century and stands in ruins today, but even in its ruined state it is impressive.

Wall of the great enclosure. Photograph by Jens Klinzing.
Wall of the great enclosure, photograph by Jens Klinzing via Wikimedia

The remains of numerous stone enclosures spread over hundreds of hectares. At its height, Great Zimbabwe may have housed between 15,000 and 20,000 people. The surviving walls reach heights of five meters and are built of stone blocks assembled without mortar. Several different complexes occupy different positions ranging from hills to near the river. The significance of these different complexes remains unclear, but it may indicate that the center of settlement gradually moved over time, away from the more defensible hill sites to the more accessible valley sites, perhaps to better engage with the oceanic trade networks. Ivory and gold were Great Zimbabwe’s major international exports and trade goods from the Arabian peninsula and China have been found at the site.

Interior walkway showing the quality of the stonework. Uploaded by Vinz.
Interior walkway showing the quality of the stonework via Wikimedia

One noteworthy feature of the enclosures is their shape: neither rectangular nor circular but irregular curved shapes adapted to the forms of the landscape on which they sit.

In the colonial period, popular theories held that the site must have been built by ancient European or Asian colonizers. The biblical Queen of Sheba was often mentioned in connection with the site. Although archaeologists realized as early as the early twentieth century that Great Zimbabwe had been built by Africans, the colonial administration in what was then Rhodesia suppressed any such claim. The assertion that Africans were incapable of building such a complex site and needed European guidance to achieve any level of civilization was key to the justification of imperial domination. Colonial authorities could not tolerate any evidence that Africans were capable of creating sophisticated works of art and architecture on their own.

Part of the hill complex seen from the valley below. Photograph by Macvivo.
Part of the hill complex seen from the valley below, photograph by Macvivo via Wikimedia

Thoughts for writers

I have two reasons for sharing a little bit of Great Zimbabwe.

First, it is another example of architecture that does not depend on European examples. When doing our worldbuilding as writers, it is easy to fall back on the things that are familiar: European castles, Egyptian pyramids, Greek temples, and the other things we’ve seen before. Let yourself be inspired by the other amazing things people have built. I’d love to see a city inspired by Great Zimbabwe at its height turn up in a fantasy story, even one not set in an explicitly African-inspired world.

Second, this is another example of how politics can screw up good historical scholarship and so why you need to read broadly and get outside familiar frames of reference. Even today, while the Queen of Sheba is generally left out of it, claims that Great Zimbabwe was built by Arabs or Phoenicians still occasionally creep into popular histories.

History for Writers is a weekly feature which looks at how history can be a fiction writer’s most useful tool. From worldbuilding to dialogue, history helps you write. Check out the introduction to History for Writers here.

Making A Long-Expected Party

Here’s a look at how we made yesterday’s A Long-Expected Party.

The menu

  • Potato and cream soup
  • Roast pork with apples, root vegetables, and ginger gravy
  • Roasted asparagus
  • Stuffed pears
  • Red wine

erikchef1As Elves love song and Dwarves love the gems of the earth, so Hobbits love their food. We know more about Hobbit food than about the cuisine of any other culture on Middle Earth, so it is a surprise to find that in the description of the festivities for Bilbo Baggins’s 111th birthday, we learn nothing about what was actually on the table. (Though clearly there was plenty of it, whatever it was.) That means that for our very first Middle Earth dinner, we have to use a little imagination. Fortunately, there’s a lot to go on.

Since this is a party of special magnificence (with supplies brought in all the way from Dale), I’ve tried to make a combination of typical Hobbit fare with a few special or exotic twists.

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Travel: Large Groups on Foot

160118legionSometimes writing fiction means not just moving a few characters around the map but planning entire campaigns for massive armies. In previous entries in the travel series we looked at some basic issues and how small groups travel on foot. For large groups on foot, much of what we discussed in those entries is relevant, but large groups of people, like armies or mass migrations, bring with them their own set of problems. Today we’ll look at some basic questions in the movement of large groups: How large is “large?” What did it take to make the journey successfully? How far could they travel? And how fast?

This post is written with a particular focus on armies, since they are the best-studied large groups that traveled in the pre-industrial world, but any sufficiently large group of people traveling by foot would face the same basic problems.

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