Rating: Murdoch Mysteries, Season 5

Season 5 of Murdoch Mysteries sees a new addition to the cast, ongoing relationship drama, and the return of some of our favorite and least favorite recurring characters. Here’s how we rated the season’s episodes:

  1. “Murdoch of the Klondike” – 7
  2. “Back and to the Left” – 8
  3. “Evil Eye of Egypt” – 6
  4. “War on Terror” – 6
  5. “Murdoch at the Opera” – 4
  6. “Who Killed the Electric Carriage” – 7
  7. “Stroll on the Wild Side, Part 1” – 5.5
  8. “Stroll on the Wild Side, Part 2” – 4
  9. “Invention Convention” – 8.5
  10. “Staircase to Heaven” – 4
  11. “Murdoch in Toyland” – 2
  12. “Murdoch Night in Canada” – 4.5
  13. “Twentieth Century Murdoch” – 5

The average rating this season is 5.5, a little weak but still decent. This season has a lot going for it, but at the same time has some problems that weigh it down. The season starts off strong with “Murdoch of the Klondike” in which a disillusioned Murdoch turned prospector decides to take up the badge once again, and “Back and to the Left,” an ingenious case of political intrigue which plays with the tropes of Kennedy assassination conspiracy theories. The latter half of the season drags a bit under the weight of a few too many recurring characters whose stories get in the way of Murdoch doing what Murdoch does best.

Our least favorite episode of the season is “Murdoch in Toyland,” which we gave a 2. James Gillies, from season 2‘s “Big Murderer on Campus” returns with an overdone and rather absurd plot to annoy Murdoch. We have absolutely had our fill of clever serial killers who follow detectives around like puppies pooping on the furniture for attention. No more.

At the top, we rated “Invention Convention” an 8.5. In this episode, an ingenious device used to murder a competitive inventor seems to have been a collaborative effort by his rivals, but turns out to have been even more insidious. This episode features Alexander Graham Bell and lets Murdoch geek out over some before-their-time inventions ranging from the Lazy Susan to e-mail.

One of the best features of this season is the introduction of Dr. Emily Grace as Dr. Ogden’s assistant-on-the-way-to-replacement in the morgue. We enjoy Dr. Grace’s fresh and sometimes shockingly modern (for 1899) perspective, and she has great onscreen chemistry with the established characters. For a series that in the past has struggled to even nominally pass the Bechdel test, adding a second regular female character is also very welcome (although quite a few of this season’s episodes still fail the test, or squeak by on technicalities).

Many familiar guest stars return for another go this season, some more welcome than others. James Gillies we have already mentioned—he worked well for one episode, but he should have ended there. Canadian secret agent Terrence Myers makes a return appearance, as does his American counterpart Allen Clegg. Both actors are always wonderful to watch, but their episode falls a bit flat. Anna Fulford, who helped Murdoch when he was on the run in England and suffering from amnesia back in season 3, makes a welcome return, but her double episode doesn’t use the character nearly as well. On the other hand, James Pendrick is back Pendricking things up with a solar-powered electric car and a gentleman’s feud with Henry Ford that makes for an entertaining episode.

How about the rest of you? What did you love (or not) from this season?

Image: Murdoch Mysteries ladies doing science via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

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Miss Sherlock Is Now Available – Thoughts?

I first heard about Miss Sherlock in the spring of 2018, but wasn’t able to track it down then. In December, I found a review by Kaisu Tervonen in Helsingin Sanomat, the largest Finnish daily. (NB. Finnish only.)

HS HBO Miss Sherlock Playing Cello

The Sherlock character is called Sara Shelly Futaba (played by Yūko Takeuchi). She’s a consultant specializing in criminal psychology. Our Sherlock / Futaba meets her Doctor Watson or Wato Tachibana (Shihori Kanjiya) at a murder scene of a good colleague of Wato’s after the doctor returned from Syria.

In a familiar manner, the two end up solving mysteries, one per episode. What the series is really about, apparently, is first building and then endangering their friendship.

Since I last wrote, also the IMDB entry for Miss Sherlock has been updated and the episode descriptions added.

With regard to U.S. viewing, I’ve found out that you can stream (for a fee) all of the season 1 (8 episodes) at Hulu with English subtitles, but I haven’t had the time to check that out.

The HS reviewer wasn’t very impressed, so I’m a little dubious. Have you seen any episodes at all? Please chime in!

Image: HBO Miss Sherlock / HBO via Helsingin Sanomat

P.S. Twitter users have uploaded some screencaps.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Rating: Murdoch Mysteries, Season 4

The adventures of Victorian Toronto’s most scientifically-minded detective continue in Murdoch Mysteries season 4, and we’re here to rate them.

  1. “Tattered and Torn” – 4
  2. “Kommando” – 5
  3. “Buffalo Shuffle” – 5.5
  4. “Downstairs, Upstairs” – 6.5
  5. “Monsieur Murdoch” – 4
  6. “Dead End Street” – 10
  7. “Confederate Treasure” – 7.5
  8. “Dial M for Murdoch” – 5
  9. “The Black Hand” – 5.5
  10. “Voices” – 6
  11. “Bloodlust” – 7
  12. “The Kissing Bandit” – 6
  13. “Murdoch in Wonderland” – 5.5

The average rating for this season is 6, down a little bit from last season’s 6.6, but still perfectly respectable. This season represents a good mix of the usual Murdoch fare: there’s a Victorian-flavored version of a contemporary-feeling story (“Kommando,” about soldiers experiencing frightening side effects of experimental drugs), Murdoch-ized takes on popular modern shows and movies (“Downstairs, Upstairs,” about a murder in a house full of servants, and “Dial M for Murdoch” about a telephone operator who thinks she overhears a murder), nineteenth-century international intrigue (“Confederate Treasure,” about the hunt for a missing fortune in gold from the time of the American Civil War), and Murdoch inventing modern technologies (sonar in “Confederate Treasure,” image scanning in “Monsieur Murdoch”). This season also brings us a tedious new turn in the will-they-or-won’t-they tease of Murdoch and Dr. Julia Ogden, as Dr. Ogden moves away from Toronto, moves back, and marries her new beau Dr. Darcy Garland, while Detective Murdoch wallows in uninteresting tongue-tied despair. Still, all in all, a solid season of Murdoch.

The lowest-rating episodes this season are a couple of 4s: “Tattered and Torn,” in which the discovery of multiple mutilated bodies encased in concrete leads Detective Murdoch to revisit an old rape and murder case, and “Monsieur Murdoch,” in which Murdoch investigates the disappearance of a young French woman who may not be who claimed to be at all. There is nothing particularly wrong with either of these episodes. Both are perfectly competent, but they are also both a little lacking. The pacing sags a bit, the casting is a little off, and the conclusions don’t entirely live up to the promise of the opening mysteries. Still, even these lesser efforts of Murdoch are fun to watch and worth coming back to now and then.

On the other hand, this season has one outstanding episode that gets a full 10 from us: “Dead End Street,” in which Murdoch discovers the clues to a murder in an intricate model of a neighborhood made by a woman who does not communicate in any other way. This case unfolds quietly but intricately as Murdoch faces the challenge of learning about the crime from a witness with an extraordinarily detailed recall of events, but whom he cannot question. Liisa Repo-Martell delivers a powerful guest performance as the model-building woman, conveying the deep intelligence and sensitivity of a person who relates to the world around her in a way very unlike her neighbors.

All in all, an excellent season of Murdcoh, with a lot worth coming back to.

Image: Murdoch Mysteries main cast via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Rating: Murdoch Mysteries, Season 3

Onward to season 3 of Murdoch Mysteries we go, rewatching and rating each episode. Here’s our take:

  1. “The Murdoch Identity” – 8
  2. “The Great Wall” – 6
  3. “Victor, Victorian” – 6.5
  4. “Rich Boy, Poor Boy” – 6
  5. “Me, Myself & Murdoch” – 8.5
  6. “This One Goes to Eleven” – 7.5
  7. “Blood and Circuses” – 5
  8. “Future Imperfect” – 4
  9. “Love and Human Remains” – 9
  10. “The Curse of Beaton Manor” – 7
  11. “Hangman” – 6
  12. “In the Altogether” – 4
  13. “ The Tesla Effect” – 8

The average rating for this season is a strong 6.6, a bit up even from last season’s quite good 6.2. Season 3 continues to build on the series’ strengths—complex mysteries, whimsical humor, and an eye for finding Victorian equivalents to modern issues—while also striking out in some new ways. One innovation this season is the introduction of an ongoing plot surrounding the newly-introduced character of James Pendrick, a visionary inventor who keeps getting tangled up in Detective Murdoch’s investigations. Starting halfway through the season, Mr. Pendrick’s misadventures lead up to a surprise finale that changes our perception of him and the preceding episodes in clever ways.

Unfortunately, the Pendrick storyline also gives us the two lowest-rated episodes of this season, both rating 4: “Future Imperfect,” in which Murdoch and company intersect with H. G. Wells and the eugenics movement, and “In the Altogether,” in which prostitutes and pornographers are caught up in a blackmailing scandal. Each episode has its merits and good moments, but they are dragged down by the need to serve the unfolding Pendrick drama, which leaves too little room for their own individual stories to develop.

By contrast, the best episode of the season, “Love and Human Remains,” at 9, tells a story that, for all its small and self-contained scope, offers a bounty of human drama and investigative intrigue. When the bodies of a murdered couple turn up at a building site, Murdoch goes digging through the past, peeling back layers of time to uncover a story of cruelty, desperation, and, ultimately, the triumph of love over adversity. It is one of the rare mysteries where you want the crime to be solved, but you end up glad that it goes unpunished.

Honorable mention goes to “Me, Myself & Murdoch,” the second best episode of the season at 8.5, which offers a similarly tangled tale of murder, abuse, mental illness, and the unbreakable bonds of love. In this episode, which nods to the historical Lizzie Borden case, a young woman is suspected of having murdered her father with an axe, only to turn out to have multiple personalities whose different perspectives allow Murdoch to piece together an older, even more grisly crime. Guest star Anastasia Phillips gives a virtuoso performance as the young woman under suspicion, whose shifts in personality from terrified to terrifying are amazing to watch.

Murdoch Mysteries remains a pleasure to watch and rewatch.

Image: Murdoch Mysteries main cast via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Rating: Murdoch Mysteries, Season 2

Here we go, rewatching and rating season 2 of Murdoch Mysteries, the Canadian show about a scientifically-minded detective in Victorian Toronto.

  1. “Mild, Mild West” – 7.5
  2. “Snakes and Ladders” – 4
  3. “Dinosaur Fever” – 5.5
  4. “Houdini Whodunnit” – 4
  5. “The Green Muse” – 5
  6. “Shades of Grey” – 5
  7. “Big Murder on Campus” – 7.5
  8. “I, Murdoch” – 8
  9. “Convalescence” – 8
  10. “Murdoch.com” – 7
  11. “Let Us Ask the Maiden” – 6
  12. “Werewolves” – 6
  13. “Anything You Can Do…” – 7

Season 2 makes a strong showing with an average rating of 6.2, improving on season 1’s 5.3. While there are no truly outstanding episodes this season, there are none that really falter, either. Everything works pretty well. The characters continue to develop, building on the strengths of the first season, and this season offers further opportunities for Murdoch to tinker with technology that’s ahead of its time, for Dr. Ogden to assert herself in a man’s world, and for Constable Crabtree to pursue outlandish theories.

The lowest-rated episodes this season are a pair of 4s, “Snakes and Ladders,” about a serial killer who may be Jack the Ripper in Toronto, and “Houdini Whodunnit,” in which the titular magician is suspected of plotting a bank robbery. Neither of these episodes is really bad, but both suffer from some weaknesses. “Snakes and Ladders” turns us off because we’ve really lost interest in serial killer narratives, but it still works as an episode. “Houdini Whodunnit” has a clever heist for Murdoch to unravel, but is hampered by some uninspired guest performances, especially in the role of the great magician himself. Still, even these episodes have their moments.

The best of the season is a pair of 8s, “I, Murdoch,” in which a daring assassination in the streets of Toronto leads to an international conspiracy and an early attempt at robotics, and “Convalescence,” in which Detective Murdoch uncovers a daring plot while laid up in bed after a fall off a rooftop. Each of these episodes offers a great example of something Murdoch Mysteries does well: “I, Murdoch” gives us a steampunk-ish Victorian story of intrigue with a twist (and a clever nod to Marvel’s Iron Man franchise), while “Convalescence” lets us watch Murdoch think and tinker in a tale that is no less thrilling for being slow-paced.

This season throws a wrench into the budding romance between William Murdoch and Julia Ogden, as the devout Murdoch, who hopes to some day be a father, discovers that Dr. Ogden had an abortion when she was younger and now cannot have children. Unlike most such will-they-or-won’t-they narrative ploys, this one taps into real emotional issues and treats both characters with dignity and respect.

This season also adds some side characters to the series, some of whom we’ll see again and some we won’t. Dr. Ogden’s sister Ruby will pop up again now and then, though Detective Murdoch’s half brother Jasper Linney won’t. Physics student James Gillies makes his first appearance here, only to reappear a few times in later seasons.

Season 2 is a worthy continuation of season 1, and it prepares the way for more great adventures yet to come.

Image: Murdoch Mysteries main cast via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Chance to Watch Coverage of InSight’s Mars Landing

On Monday, November 26, 2018, NASA Television is bringing coverage of InSight’s Mars landing to a website or social media near you!

NASA JPL-Caltech Simulated InSight Landing on Mars

From NASA’s press release:

“NASA’s Mars Interior Exploration using Seismic Investigations, Geodesy and Heat Transport (InSight) lander is scheduled to touch down on the Red Planet at approximately 3 p.m. EST Nov. 26, and viewers everywhere can watch coverage of the event live on NASA Television, the agency’s website and social media platforms.”

There are a few pre-landing broadcasts, and on the landing day, coverage will start early in the morning. The landing itself is expected to take place from 2 to 3:30 p.m. EST, with post-landing news conference to wrap up the event.

Wow, sounds incredible. Even though the cameras are “only” inside JPL Mission Control and the mission itself will be covered by audio “only”, it’s the closest I can get to experiencing touching down on another celestial object. I will have to make time for this!

Found via File 770.

Image by NASA/JPL-Caltech.

A WoW Mole Machine in Murdoch Mysteries?

After months of working on it, we opened up Dark Iron Dwarves last week. Yay! I’ve been leveling my new DI paladin a bit, getting a sense of the new-to-me racial abilities. They include Mole Machine, a way to quickly change locations by tunneling through the earth.

We’ve been rewatcing and rating Murdoch Mysteries for our project for a while now. A seventh-season episode, “Journey to the Centre of Toronto”, has a burrowing or boring machine that should look very familiar to World of Warcraft players.

Murdoch Mysteries s7 e11 Burrowing Machine

It’s a mole machine, right? Right!?!

WoW Westfall Sentinel Hill w Dark Iron Dwarf Mole Machine

The episode doesn’t actually ever call the device mole machine, but some of the characters do talk about hypothetical mole people who live underground. I wonder whether there are any WoWers in the writers’ room? 😀

In any case, even though the series seems to otherwise strive towards reasonable accuracy, now and then they definitely veer into SSFnal or steampunk-ish. I love the tongue-firmly-in-cheek attitude!

Images: screenshot from the tv series Murdoch Mysteries, season 7, episode 11, “Journey to the Centre of Toronto”. World of Warcraft screencap with Dark Iron Dwarf mole machine in Westfall.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Rating: Murdoch Mysteries, Season 1

Our next series up for rewatching and rating is Murdoch Mysteries, a Canadian show about a scientifically-minded detective at the turn of the twentieth century. This show combines the spirit of Sherlock Holmes with a touch of steampunk as Detective Murdoch loves to tinker and invents everything from the lie detector to internet catfishing in the service of Victorian crimefighting. Here’s our take on the first season:

  1. “Power” – 6
  2. “The Glass Ceiling” – 4
  3. “The Knockdown” – 6
  4. “Elementary, My Dear Murdoch” – 4
  5. “Till Death Do Us Part” – 5.5
  6. “Let Loose the Dogs” – 4.5
  7. “Body Double” – 5.5
  8. “Still Waters” – 6
  9. “Belly Speaker” – 2
  10. “Child’s Play” – 5.5
  11. “Bad Medicine” – 5.5
  12. “The Rebel and the Prince” – 4.5
  13. “The Annoying Red Planet” – 10

Murdoch Mysteries gets off to a good start with an average rating of 5.3, modest but respectable. It takes the series a while to warm up as the actors find their roles, but by the end of the season our favorites are all on the screen: the thoughtful, soft-spoken Detective Murdoch; the erudite, self-assured medical examiner Dr. Ogden; the pugnacious Inspector Brackenreid; and the whimsical but good-hearted Constable Crabtree. This season mostly plays as a fairly standard police show, just set a century ago, but by the end of the season you can see the team starting to have fun with the series’ trademark of transposing modern ideas into a Victorian setting, suitably adapted to the society and technology of the time.

Most of this season’s episodes are solidly in the middle range from 4 to 6, competent but not always inspired, but there are two outliers, one in each direction. The lowest-rated episode is “Belly Speaker,” a 2, about a mentally disturbed ventriloquist who seems to be confessing to murder through his dummy. This episode was probably meant to be a tense psychological thriller that keeps the audience guessing, but it’s just a one-trick pony. One-trick ponies can be entertaining if the trick is good enough, but this one’s trick is a puppet with a bad attitude and a super annoying voice. It’s not enough.

On the other hand, the season goes out with a bang in “The Annoying Red Planet,” at a full 10, in which a dead body mysteriously lodged in a tree leads to fears of alien visitation and an international conspiracy. This episode deftly weaves together contemporary speculations about life on Mars and phantom airships with the tropes of modern political thrillers and UFO narratives. It also introduces one the series’ most delightful recurring characters in the mysterious man in (a) black (top hat), Terrence Myers.

It’s a good start to Murdoch Mysteries, showing the series’ potential while also leaving room to grow.

Are you a Murdoch fan? Got a take of your own on season 1? Let us know!

Image: Murdoch Mysteries main cast via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

A New Doctor with New Best Friends

The new Doctor Who season started this past weekend, on Sunday October 07, 2018. The big thing, of course, is that Jodie Whittaker makes her doctorial debut in season 11! I have some thoughts on it. But first, the official trailers:

Doctor Who: Series 11 Trailer by Doctor Who on YouTube

Doctor Who: Series 11 Trailer #2 by Doctor Who on YouTube

I get chills from both! 😀 Although the music choices for trailer 2 seem a little odd—I suspect I might be missing some cultural references here.

I haven’t seen the first episode yet, so I only have previously shared glimpses, various reports, and other people’s reactions to go by. Reading to the rescue, then! Below are quotes from some of the most interesting writeups I found.

Spoiler warning is in effect! (Also, because some quotes are quite long, I’ll pop the rest behind a cut.)

Read the whole post.

Is the New Doctor Who a WoW Gnome?

I was browsing some Doctor Who reading on the latest iteration of the Doctor herself when I saw this photo of Jodie Whittaker in costume:

TV Guide BBC Studios Sophie Mutevelian 13th Doctor Who 2018

The new Doctor Who is– a WoW gnome?!?

LiveJournal Cindy Love Is in the Air FGnome Cropped

😀

Images: Jodie Whittaker as the Doctor by Sophie Mutevelian / BBC Studios 2018 via TV Guide. World of Warcraft screencap cropped from one by Cindy on LiveJournal.

Some things are just too silly not to share!