Fahrenheit 451 Reboot Trailer

The rebooted Fahrenheit 451 trailer is out:

Fahrenheit 451 (2018) Official Trailer ft. Michael B. Jordan & Michael Shannon | HBO on YouTube

This new movie adaptation of Ray Bradbury’s novel is by writer, director, and producer Ramin Bahrani. The flick stars Michael B. Jordan (lately appearing e.g. in Black Panther and Fantastic Four) and Michael Shannon (e.g. The Shape of Water, Batman v Superman: Dawn of Justice, and Man of Steel). It’s set to come out May 19, 2018.

My first snarky comment solely on the basis of the trailer is “Do you think this movie has something to do with fire?” and the second “My goodness, so many men doing man things—where are the women?” Then again, I know that trailers always lie, and that may be the case here. According to IMDB, at least, the cast does have a number of women, including Sofia Boutella, whom I remember from Kingsman: The Secret Service. It remains to be seen how much of a role they’re given. And I hope Michael B. Jordan is given space to show his depth.

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80s Pop Improved by Fight Scene from Thor: Ragnarok

Incredibly, a fight scene from Thor: Ragnarok kind of goes with an 80s pop track:

Thor Ragnarok – I NEED A HERO!!! FUNNY via Locus on YouTube

The song in the background is “Holding out for a Hero” by Bonnie Tyler. Impressive job matching some of the punches on screen to the music.

Then I made the mistake of looking up the original music video. Oh, boy…!

WTF Is This Cat

Found via N. K. Jemisin on Tumblr.

Image: Confused cat via Meme Binge on Flickr (CC BY 2.0)

This post has been edited to correct a typo.

Some things are just too silly not to share!

Downloadable Pattern for Nakia’s Scarf from Black Panther

Ruth E. Carter, costume designer for Black Panther, tweeted the knitting pattern for Nakia’s scarf. The pattern and scarf were created by Jeff Gillies.

 

Ravelry Black-Panther-Nakia_medium

Ravelry Nakia_s_Scarf_2_medium2

Since the pattern didn’t come through in full on Twitter, Gillies made the whole pattern available for download at Ravelry, including gauge information and recommended yarns.

Squee! How awesome!

Images by Walt Disney Pictures, Marvel Entertainment via Jeff Gillies at Ravelry

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

British Library’s Exhibition Harry Potter: A History of Magic Now Online

The British Library has partnered with Google Arts & Culture to bring online their physical exhibition Harry Potter: A History of Magic.

British Library Google Harry Potter A History of Magic Exhibition

Apart from various aspects of the story and the movie series, the exhibition covers for example illustrations, the history of real-world magic, and early sketches and notes by J.K. Rowling. In addition, on display are a number of items from the Museum of Witchcraft and Magic.

My favorite feature is perhaps the section covering the real-world history of various Hogwarts classes, closely followed by the animals and fantastical beasts section.

Found via Helsingin Sanomat.

Image: screencap from the Google Arts & Culture page for the Harry Potter: A History of Magic exhibition

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Black Panther Reaction Links

Sharing links to and quotes from some reaction pieces on the Black Panther movie adaptation.

Brandon O’Brien at Tor.com: “Building Bridges: Black Panther and the Difference Between Rage and Revolution”

“[Nakia]’s been doing it all alone, with no backup, even insisting on not being disturbed as she trots about the globe, righting capitalist neo-imperialist wrongs through her own wits. Nakia sees the value of providing a more lasting sense of peace for the disenfranchised, and knows that the late stage of that goal requires the commitment of Wakanda—not to wage war on other countries, but to seek out the downtrodden and lift them up and out of struggle. In her first scene in the film, she even has the empathy to see a child soldier as a boy first and an aggressor second, preferring to send him back home than to fight him.”

 

Brandon O’Brien at Tor.com: “‘Who are you?’: Black Panther and the Politics of Belonging”

Black Panther, however, is a revolution. Not merely in the sense that “it is revolutionary to see blackness this way,” though it is. But also in the sense that this movie is a revolutionary dialogue. […]

“Most of the introductions in the film happen in a very particular way. When Wakandans ask each other ‘Who are you?’, it happens not with any distrust or confusion, but with a display of pride. They are asking you to confess yourself, to admit that you are one of their own with the gusto of someone who deeply values what that means. You get to be someone. You get to be.”

 

Bridget Boakye at Face 2 Face Africa: “The Legendary Dahomey Amazons Are the Real-Life All-Women’s Army in Black Panther

“In the 1800s, there was an all-female army in modern-day Benin that pledged a similar loyalty to the throne [as Dora Milaje did]. They were known as the Dahomey Warriors and were praised for their bravery and strength by local leaders and European colonizers alike who encountered them.”

 

Chika Oduah at The Root: “Audiences Across Africa Hail Black Panther for Humanizing Black Characters”

“For many Africans, the film brought to the big screen a reality that they see every day—the Basotho blankets the warriors used as a protective shield, the queen’s Zulu hat, the ochre-dyed locks of the Himba, the flowing fabrics of the Wolof. It was the sheer Pan-Africanism of it all that astounded me. The cinematic display of the diversity of Africanness was beautiful.”

 

Damon Young at Very Smart Brothas / The Root: “Yet Another Reason Why Shuri From Black Panther Is the Greatest Disney Princess Ever”

“In the last half of the movie alone, [Shuri] saved a man’s life—even if the man was ‘another broken white boy.’ She guided said primitive white boy on how to use the advanced technology she created, which ultimately helped save the entire planet from mass war and anarchy. And then she went out and literally fought (and held her own for a while) against a supervillain. Cinderella ain’t got shit on her. [original emphasis]”

 

Emily Asher-Perrin at Tor.com: “Why Are You Reading Reviews About Black Panther When You Could Be Watching Black Panther?”

“You could call it Shakespearean, you could call it mythic, but that’s not where the film lives. It’s not about the broad strokes, it’s about the details. It’s about all the little choices in concert, creating something brand new, and creating it on a scale that cinema has never seen before.”

 

Karlton Jahmal at Hot New Hip Hop: Black Panther‘s Killmonger Is the Best Supervillain Since The Dark Knight‘s Joker”

“[T]he emotion that Michael B. Jordan left me with was more powerful than anything I’ve felt at the movies. That painful rage, that feeling of angst that builds up when the topic of slavery or Jim Crown is brought up. That acrimonious tension that resonates in my gut when I see videos of police brutality or ignorant politicians fueling a race war. That feeling was replaced. A resolve, a euphoric feeling of relief spread from inside me instead.”

 

Liz Bourke at Tor.com: “Sleeps With Monsters: The Women of Black Panther Are Amazing”

“It’s also a film that, while it centres on a man—and on questions of kingship, legitimacy, and responsibility—is the first superhero film I’ve ever seen to surround its main male character with women who are in many ways equally powerful, and who don’t depend on him for purpose or characterisation. No, seriously: this is the first superhero film I’ve ever seen—maybe the first SFF film I’ve ever seen—where pretty much the hero’s entire back-up team, his entire support network, were women. Women who teased him and challenged him and demanded he do better.”

 

Samuel James at Black Girl in Maine: “The Reality of Blackness in the Fiction of Black Panther

“[…] Black Panther shows Black characters in an unusual way. In the movie, not only are we not drug dealers and pimps and rapists, we are intellectuals and leaders and heroes—but not only are we intellectuals and leaders and heroes, we multifaceted and complicated. We are human. Black Panther celebrates the humanity of Blackness.”

 

Shay Stewart Bouley at Black Girl in Maine: “A Film and the Affirmation of Blackness… My Musings on Black Panther

“In a world that centers all things white, whiteness and proximity to whiteness, a blockbuster film that centers Blackness and uplifts Black women is a much-needed paradigm shift. It is not just a new way to re-envision our world through the lens of Afro-futurism but it is also an opportunity to take stock of the Nakia’s, Okoye’s and Shuri’s who are already in our midst but who are often overlooked. I imagine a world where a Black woman won’t feel that she is traveling life without a roadmap as an anomaly but instead will know that she is another in a long line of changemakers because Blackness will not be relegated to the margins.”

 

Finally, a great video clip where co-writer and director Ryan Coogler breaks down a section of the casino fight scene:

Black Panther’s Director Ryan Coogler Breaks Down a Fight Scene | Notes on a Scene | Vanity Fair

(Our random thoughts on the movie are here.)

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Pacific Rim Uprising Trailers

Pacific Rim Uprising opens in four weeks (March 23, 2018) and even the second trailer has been out for a few weeks now. First things first, though:

Pacific Rim Uprising – Official Trailer (HD) by Legendary

And here’s the second trailer:

Pacific Rim Uprising – Official Trailer 2 [HD] by Legendary

Pacific Rim Uprising is directed and co-written by Steven S. DeKnight; other writers credited with the screenplay are Emily Carmichael, Kira Snyder, and T.S. Nowlin. I have seen some of DeKnight’s writing and directing for Dollhouse and possibly even story editing for Buffy the Vampire Slayer. The rest of the writing team are entirely new to me however (apart from having at least heard of one of Snyder’s latest producing credits, The Handmaid’s Tale).

While I’m mostly not in the mood, now and then I like lots of smacking monsters around and busting buildings. But not only that—destruction without a reason gets tiresome faster than you can say marmalade sandwich. Among the falling skyscrapers and lurching jaegers in these trailers I’m left wondering about the human stories.

The features of the first Pacific Rim that most strongly attracted me to the story were specifically that—human stories. One was Learning to Work Together and the other was the respect that Raleigh Becket showed Mako Mori. I’ve seen interviews with Guillermo del Toro and the design team where everyone kept calling Mako Raleigh’s “love interest”. Come on, dudes. Reducing a character to her gender and relationship to a male character is the worst kind of dismissal. She has a name and you know it, not to mention that Mako would kick your butt eight days in a week. (It’s sad when a fictional character has to take his creators to school on how to respect women as people.)

I really hope Uprising will be a case of Never Trust a Trailer, and the movie will be at minimum tolerable. Granted, the first trailer is more people- than fight-heavy, so that’s a reason to stay positive. At the very least we’ll see more of Rinko Kikuchi, John Boyega—looking forward to seeing what kind of depth he has—and Tian Jing, whose performance in The Great Wall I enjoyed but for whose character there was pitifully little to do in Kong: Skull Island.

This post has been edited for clarity.

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Two weeks to A Wrinkle in Time

It’s just over two weeks ’till A Wrinkle in Time opens at theaters (March 09, 2018). The movie is based on a young adult novel of the same name by Madeleine L’Engle. It was first published in 1962, and starts a series called Time Quintet.

While the book wasn’t for me, I have higher hopes for the screen adaptation. Here’s the U.S. teaser trailer…

A Wrinkle In Time Official US Teaser Trailer by Disney Movie Trailers

…and the official U.S. trailer:

A Wrinkle in Time Official US Trailer by Disney Movie Trailers

The adaptation was written by Jennifer Lee (of Frozen and Zootopia fame) and directed by Ava duVernay. A favorite actor I’m most looking forward to seeing is Gugu Mbatha-Raw, whom I loved in Doctor Who as Tish Jones (Martha’s sister) and Belle.

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Some Random Thoughts on Black Panther

In no particular order. Spoiler warnings in effect.

Erik’s random thoughts:

  • This is the movie that Thor was trying to be: a Shakespearean family drama about an exiled hero coming to terms with the destiny of his people and his father’s failures in the midst of a gorgeous futuristic city-state. (On a side note: does anyone actually remember the original Thor movie or have we collectively agreed that the franchise starts with number 3?)
  • I love the architecture of Wakanda. It looks like the product of thousands of years of African tradition with the highest of modern technology, just as it should.
  • Even for a fantasy of African exceptionalism, the story does not shy away from the bitter real history of imperialism, exploitation, slavery, and its modern-day consequences, and the movie is richer and stronger for it.
  • Shuri is awesome. Her combination of flippancy in the face of tradition, passion for technological tinkering, and powerful love for her family and home make her a delight to watch. I think she’s my favorite character in the whole movie, and that’s not an easy pick in this one.
  • Could we have T’Challa and Shuri take over the Tony Stark role in the Marvel Universe, please? I appreciate what Iron Man did to kickstart the MCU and hold the early installments together, but I’ve had enough of him now. I honestly don’t think I can handle one more movie about Tony Stark’s emotional issues. T’Challa can be the guy in the super suit who cracks wise while leading the fight and Shuri can be the tinkerer who keeps upgrading everybody’s gear.
  • Even in a franchise that includes a movie about waking up one morning to discover that literal Nazis have taken over the US government, Black Panther feels like the movie we most need in 2018: a meditation on the temptations of division, resentment, and revenge and the hard choice of embracing a flawed and fractured world with hope. As crucially as Black Panther contributes to the representation of black people in genre media—and by Bast it does—it has a lot to say outside the dialogue of race as well.
  • For the record: as a white man, I have no problem whatsoever identifying with the characters of this movie. I’m not talking about Martin Freeman’s Everett Ross, either—Zuri is my guy.

 

Eppu’s random thoughts:

Note: These thoughts are based on one viewing. I’m fully aware that some of them are just scratching the surface and that I need to see the move (at least!) a second time and mull things over properly.

  • If I had to use one word to describe Black Panther, on a meta level it would be confelicity: I am so, so, SO glad for those black people who are exited, overjoyed, and exhilarated over seeing a full cast of people that look like them acting with grace and agency, not minimized but celebrated! On a story level, I’d use equality.
  • I knew from reading non-spoiler reviews beforehand that the movie passes the Bechdel test, so I didn’t even bother tracking it. It was very nice not to have to care.
  • If it was nice not to have to care about whether the Bechdel test passes or not, it was outright GLORIOUS to see that WOMEN ARE PEOPLE in their own right, with their own interior lives, not just breasts and posteriors for men to ogle. And such a spread of different women, too, each doing their thing according to their interests and skills. Because that’s who we are, and what we do, and have done for millenia, and it’s damn time that the self-absorbed, able-bodied, white cis hetero men in Hollywood respected that. (Yes, I know that the Black Panther team behind the camera included many, many people of color, including women, but that’s not the default, is it.)
  • And of course it’s not just that women are people in their own right, but that there are so many diverse black women. Have you any idea what a disservice (to put it mildly) your typical Anglo-American fiction does to women of color, especially black women? I didn’t until I started paying attention. It’s atrocious and shameful.
  • Black Panther was visually beautiful. Beautiful! It was so beautiful my brain experienced a moment of “this looks wrong” when stepping out of the movie theater into the dim and snowless February evening in Massachusetts.
  • Also, the sets and costumes were breathtaking just like I thought. Everything looked like it was produced by a living culture, with layers of history and development alike.
  • OMG, the tech. Those dragonfly helicopters! Attack rhinos! I kinda want those 3d phone calls! No—scratch that. The maglev trains and über-advanced health care. Like now.
  • The opening sequence (T’Chaka voiceover telling a story to young T’Challa) and the end credit visuals I thought nodded back to the superhero fight statue end credits for Avengers: Age of Ultron. Yet neither ever lost sight of the fact that they were for and about Black Panther.
  • A superhero movie with a male lead confident and mature enough to listen to others ROCKS! (Hat tip to Justina Ireland for pointing out T’Challa’s ability to listen as a core personality trait.)
  • I liked Martin Freeman’s character Everett Ross in this movie. He started with “I know what I’m doing, piss off little people” claptrap. In Wakanda, however, he quickly—and without too much whining—realized how out of his depth he was and spent a good while looking and listening and learning. In the final battle, he redeemed himself to some extent in my eyes when he hopped back into the fighter jet holo-interface to destoy the final cargo plane after he’d discovered that the base he was sitting in was under attack and that there was less than a minute before the gunfire broke through. And never, ever was he written or played as a Mighty Whitey.
  • It was also good to see a thoroughly accomplished man (T’Challa) grapple with impostor syndrome (not ready to be King). We don’t see or hear much of that; mostly it’s women who are saddled with it in the public discussion.
  • I liked T’Challa’s relationship with the rest of his family members, but I LOVED every moment between him and Princess Shuri. They so clearly love and respect each other as equals—with different skill sets, sure, but equals nevertheless—plus jostle around like real-life siblings.
  • Finally, all of the acting was so good. I won’t miss Andy Serkis’s character. At. All! Props to Serkis, his incredible performance made the dude truly terrifying and disgusting, but I’d rather watch the competent and kind Africans, thank you.

Shuri and T'Challa gif

Images: Black Panther poster via IMDb. Shuri and T’Challa gif via media.riffsy.com.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Opens Today!

Black Panther opens today, finally! Like I said elsewhere in a comment, every poster, clip, and trailer looks more and more awesome.

Tumblr Mark Ruffalo Black Panther Dolby Cinema Poster

And tomorrow we get to see the movie! So excite!

Kermit Flail

Images: Black Panther Dolby Cinema poster via Mark Ruffalo on Tumblr. Kermit flail via Walker—Bait on Tumblr.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.