The Sheep Detectives Trailers

The Sheep Detectives is almost out, and I can’t believe I haven’t come across this production before—it looks absolutely hilarious!

Before some comments, here are the two trailers:

The Sheep Detectives | Official Trailer by Amazon MGM Studios on YouTube

The Sheep Detectives | Official Trailer 2 by Amazon MGM Studios on YouTube

Hugh Jackman’s shepherd George—who turns out much more than a simple farmer—is murdered. He had a habit of reading murder mysteries to his flock, who take it upon themselves to solve his killing. It involves crossing a road—gasp!—to leave their beloved pasture, conducting investigations, and attempting to point the poor hapless local bobby in the right direction.

The supporting cast sounds incredible. We have for instance Emma Thompson and Patrick Stewart, Tosin Cole and Julia Louis-Dreyfus, Brett Goldstein and Nicholas Galitzine (who is going to be He-Man in the upcoming reboot of Masters of the Universe).

The script is by Craig Mazin and Leonie Swann, based on Swann’s book; Kyle Balda directs. I know some of Mazin’s work from the series Chernobyl (which was great) and Balda’s from Minions (ditto), so here’s hoping that the plot works.

Can’t wait! 😀

The Sheep Detectives is set to open next Friday, May 08, 2026.

Second Trailer for Masters of the Universe Reboot

Here’s the second Masters of The Universe trailer:

Masters of The Universe – Official Trailer by Amazon MGM Studios on YouTube

We see a little more in this version—like Adam starting to re-gather his team from jail—but how much more can there really be in an origin story? The fight scenes don’t seem to contain anything interesting, either. (I’m really not the prime target audience for this reboot, since it doesn’t seem to do anything new and inventive, merely new as in ‘an updated version’.) Adam’s relationships with his friend(s) on Earth show some comedic promise, at least.

I do wonder how they got such a cast to sign up for what appears a rather uninspired reboot? Unless the trailers lie again?

As MotU really was more my younger siblings’ cup of tea, I think for me it’ll be a movie to get from the library.

First Trailer for Dune: Part Three

I remember being impressed with Dune: Part One but much less so with Dune: Part Two, so I stopped tracking what’s happening with Dune: Part Three. We’re now approaching the release of D3, however, and a trailer has dropped:

Dune: Part Three | Official Teaser Trailer by Warner Bros. et al. on YouTube

Lots of feels and fleeting character moments, but not many impressions of what will happen in this version of the story. That seems in line with how trailers for block busters work these days.

While much less excited about this conclusion of director Villeneuve’s trilogy than about the Frank Herbert’s originals, I am somewhat interested in how Villeneuve was able to turn a book trilogy plus its sequel novel into a movie trilogy. Perhaps I’ll wait till the disc is out and borrow it from the library.

At this writing, Dune: Part Three is set to release on December 17 or 18, 2026.

The First Trailer for The Latest Odyssey Adaptation

The Christopher Nolan adaptation of The Odyssey has a trailer out.

The Odyssey | Official Trailer by Universal Pictures on YouTube

Right. The biggest thing staring at me are the colors. They are too muted, IMO—by now there’s plenty of evidence that the ancient world was awash with color. Some of it is explained by the weather in the trailer scenes, but there really should be more color. Even the glimpse of Penelope’s (Anne Hathaway) turquoise gown is left in the shadow of her head, making it appear darker.

(This is a tendency in some modern films I just can’t abide; wash-out tones like sepia have never appealed to me. History was colorful! And don’t get me started on the pervasiveness of black. Like slapping on unnecessary buckles and straps, pretensions of historicity while choosing black clothes for earlier periods has started to seriously irk me. Sure, if your film is about puritans, go for it. The antiquity? Black is certainly not as omnipresent as this!)

Otherwise, we see hints of several scenes from the epic. Perhaps too many; the whole feels jumbled, disorganized, and erratic. I am likely to want to see the movie, but unfortunately this trailer did nothing to encourage me to visit a theater to do so. Endless dark scenes of men in dark costumes glancing apprehensively around in dark surroundings, while I myself am sitting in a dark auditorium, holds no attraction for me. (For that much dark, we have Finnish winters, thank you very much.) I might as well wait for the disc and see it at home in greater comfort to offset all of that gloom.

The Odyssey will open on July 17, 2026.

First Trailer for Masters of The Universe Reboot

Oho—another upcoming movie that I’ve missed: He-Man and pals are getting a reboot. Here’s the first Masters of The Universe trailer:

Masters of The Universe – Official Teaser Trailer by Amazon MGM Studios on YouTube

Well, now. This is clearly an origin story. I’m hazy on how—and why—would little Adam be sent to Earth to hide and what, exactly, there is at Castle Grayskull to protect in this version of the story. Perhaps that’ll become clearer in future trailers.

The protagonist is played by Nicholas Galitzine, a complete unknown to me, but the supporting cast has some very big names like Morena Baccarin, Idris Elba, Jared Leto, James Purefoy, and Kristen Wiig, and smaller familiar ones like Alison Brie, Hafþór Júlíus Björnsson, and Jóhannes Haukur Jóhannesson.

Like Molly Templeton said at Reactor magazine, so far it “looks like the generic version of Thor: Ragnarok, as ordered from a questionable website.” Agreed! Also, some clips and effects look almost like they’re copy-pasted from other Marvel Cinematic Universe content.

I haven’t bothered to dig up the MCU cinematographers or visual effects companies for comparison, to see whether there is a real overlap or whether this could be a case of a visual language being increasingly adopted within the genre movie industry in general. (It could also be a blatant case of stylistic copying to try and lure in MCU fans, of course.)

But I do have to wonder, if visuals across big productions are starting to resemble each other to this extent, what does it forebode for future genre action movies? I’ve gotten quite tired of the stagnant action movie structure, to be honest. For a while the larger story arc across the separate MCU movies was interesting, since it had never been done before on that scale. (In fact, MCU reminds me of Babylon 5, the first to introduce really extensive story arcs for SFFnal tv shows.) But is there going to be anything interesting that’ll define action franchises anymore? Thematic differences like fast custom cars (vroom vroom!) or superpowered individuals or big monsters will remain, sure, but anything worth caring about? I guess I’m hankering after a paradigm shift in action movies, really.

Annnyway. 🙂

Travis Knight is directing a script by Chris Butler, Aaron Nee, Adam Nee, and Dave Callaham. Callaham at least I recognize from the 2014 Godzilla, Wonder Woman 1984, Shang-Chi and the Legend of the Ten Rings, and Spider-Man: Across the Spider-Verse.

The release date for the U.S. and U.K. for MotU is listed as June 05, 2026.

Teaser Trailers for Avengers: Doomsday

Someone observed that in about a month, we’ve had four teasers for Avengers: Doomsday. It is, indeed, unusual.

The ones focusing on fathers(!), Steve Rogers and Thor, were released at the end of December 2025:

Steve Rogers Will Return | Avengers: Doomsday in Theaters December 18, 2026 by Marvel Entertainment on YouTube

Thor Will Return | Avengers: Doomsday in Theaters December 18, 2026 by Marvel Entertainment on YouTube

The trailer about Professor X and Magneto came out at the beginning of this January:

Avengers: Doomsday | Only in Theaters December 18, 2026 by Marvel Entertainment on YouTube

And the Wakandans trailer a good two weeks ago:

Avengers: Doomsday | Only in Theaters December 18, 2026 by Marvel Entertainment on YouTube

My first thought was: I wonder what has changed that Marvel has disrupted their pattern of marketing? Then I saw the plot synopsis on IMDB: “Plot under wraps.”

Ah. Likely they’re after hype, probably spurred on by the less than stellar performance overall of phases four and five of the Marvel Cinematic Universe.

As the teasers are really short, we obviously don’t get much detail, however. It’s intriguing and refreshing that so much of the Steve Rogers trailer concentrates on him smiling and just holding (presumably) his baby. An interesting choice for such a short clip.

It’s also refershing that an uber-masculine franchise such as MCU is now mature enough to discuss not just fathers and sons from the perspective of being the son, but also becoming the father. We had a version already in Avengers: Endgame and a glimpse in Thor: Love and Thunder, but it seems it may now get a somewhat larger share of attention.

What does baffle me is why we see so many fewer women on screen than, say, in Avengers: Endgame. The current cast listing on IMDB is also very, very man-heavy. It’s like someone suddenly developed an overwhelming case of cooties…

We’ll have to see how many of my impressions change in the coming months as more trailers are released, as I’m sure they will be.

At this writing, the release date for Avengers: Doomsday is either December 17 or 18, 2026, depending on location.

Trailer for The Death of Robin Hood

Oh, I had not come across this—a new Robin Hood adaptation is coming to the big screen. It involves an old, wounded Robin, and they’ve scored quite a big name for the titular role: Hugh Jackman.

Here’s a trailer:

The Death of Robin Hood | Official Trailer HD | A24 by A24 on YouTube

There are some impressive locations and cinematic beauty, like when the little girl (who sounds like one of the protagonists) and Robin meet in the woods and he promises to make her a bow. Sadly, though, I find the trailer a bit too vague; too many flashbacks to Robin’s past, perhaps? Also, some of the scenes are too dark to see. While that’s a benefit for me when really graphic violence is depicted, I can’t say I really care for either. (I wish the movie business would get out of the if-it’s-fantasy-it-must-be-explicitly-violent-because-Game-of-Thrones-was-and-that-did-great rut already!)

It seems that Jackman is the only name I know from the cast. Even the writer-director Michael Sarnoski is completely unknown to me, so I can’t even guess at the style of story this might be. I do like what I see of the adult and young female protagonists, though (played by Jodie Comer and Faith Delaney, it looks like).

While there is something to be said for a tale where a man and a girl form a meaningful connection, this doesn’t look like a movie for me. (Like I implied in my post about the 2025 Red Sonja reboot, there is no longer a need to see absolutely everything SFFnal if you want to see anything, since the selection has grown so much.) We’ll see if that changes with further trailers.

According to IMDB, The Death of Robin Hood has only two release dates at this writing: one for Mexico on May 28, 2026, and merely 2026 for United States.

A New Version of Sense and Sensibility Is Coming

2025 saw the beginning of production on another new screen adaptation of a Jane Austen story besides Netflix’s Pride and Prejudicea remake of Sense and Sensibility is also in the works.

The film is directed by Georgia Oakley (who is, sadly, completely unfamiliar to me both as director and writer), and bestselling author Diana Reid wrote the screenplay (ditto).

Elinor is played by Daisy Edgar-Jones, Marianne by Esmé Creed-Miles, Margaret by Bodhi Rae Breathnach, and Mrs. Dashwood by Caitríona Balfe. Outside the Dashwood family, we’ll have George MacKay as Edward Ferrars, Frank Dillane as John Willoughby, and Herbert Nordrum as Colonel Brandon.

2026 Adaptation SnS Mashup

I’ve seen Balfe in a few random episodes of Outlander, but otherwise the core cast is unknown to me. (Well, technically I have seen Dillane as a 16-year-old version of Tom Riddle in Harry Potter and the Half-Blood Prince 15+ years ago, but don’t remember a thing of such a fleeting experience.) It’s actually rather refreshing to get to see a production without preconceptions.

Also starring will be Fiona Shaw as Mrs. Jennings, whom I really like as Mrs. Croft in the 1995 Persuasion and as Maarva in Andor. (I always forget her truly excellent performance as Aunt Petunia in the Harry Potter adaptations because the character is so repulsive.) The funny marvelous thing is that Shaw has also been cast in Netflix’s Pride and Prejudice as Lady Catherine de Bourgh. Her performances alone should be worth seeing both new versions!

The new S&S adaptation by Focus Features and Working Title Films is in post-production at this writing. The shooting started in July 2025 and, according to IMDB, the U.S. and U.K. release dates are set in September 2026.

Yay! Good times for us Jane Austen fans. 🙂

Images via IMDB, mashup by Eppu Jensen: Esmé Creed-Miles. Frank Dillane by Jesse Grant / Getty Images. Daisy Edgar-Jones by Faye Thomas. George MacKay by David M. Bennett / Getty Images.

Thumbs & Ammo Nopes Out of Gunplay

The other day, I was rummaging around in some old stuff when I found this. The blog Thumbs & Ammo collected movie posters or screencaps with firearms replaced by a thumbs-up.

Some of my favorites are below.

Thumbs n Ammo Pierce Brosnan
Pierce Brosnan as James Bond by Pulai A. via Thumbs & Ammo
Thumbs n Ammo Laurence Fishburne
Laurence Fishburne in Matrix Reloaded by Jonathon J. via Thumbs & Ammo
Thumbs n Ammo Sigourney Weaver
Sigourney Weaver and Carrie Henn in Aliens by Elliot D. via Thumbs & Ammo

And saving the best for last:

Thumbs n Ammo Harrison Ford
Harrison Ford in Star Wars: Episode IV – A New Hope by James L. via Thumbs & Ammo

Epically hilarious! 😀 Looks like the blog hasn’t been updated in a good while, though. Shame.

Images via Thumbs & Ammo

Official Trailer for the Rebooted Red Sonja

The Red Sonja reboot I mentioned a while back has a trailer out now:

Red Sonja | Official Trailer HD by Samuel Goldwyn Films on YouTube

Hm. Not very many fantasy elements, merely the large cyclopian monster on the arena. Other than that it reminds me of Game of Thrones and not in a good way, sadly.

I’m looking forward to another trailer—at least I’m hoping we’ll get another one—and a few more details, since at this writing it still doesn’t look like there will be a theatrical release in Finland.

Finally, a PSA since some people on the Internet seem to need it: this version of Sonja does not wear a chainmail bikini. I am not an expert in armor, but I do know what chainmail looks like, and this isn’t it. This is scale mail of some sort.

According to IMDB, this version of Red Sonja is already out in Australia, Greece, and Kazakhstan, with releases coming in the U.S. (Aug 13, 2025), Ireland (Aug 18), and Thailand (Aug 21).