Some Random Thoughts on Thor: Ragnarok

In no particular order. Spoiler warnings in effect.

  • This is so much better than either of the previous Thor movies. Apparently goofy comedy smashfest is a better mode for space-Viking superhero movies than Shakespearean family drama is.
  • Chris Hemsworth’s performance in this movie is about halfway between his previous Thor performances and his performance in Ghostbusters. It works.
  • This wacky colorful space opera works for me so much better than the Guardians of the Galaxy movies. I seem to be in a minority position, but I hated Guardians of the Galaxy, both times, though not for the wacky colorful space opera parts. What I hated was the arrogant, incompetent male “heroes” and the misogyny-as-comedy. Without those things, I’m totally down for the wacky colorful space opera.
  • Cate Blanchett and Tessa Thompson both give brilliant performances. Maybe someday—hopefully someday soon—we can get a superhero movie with more than two leading roles for women.
  • Korg was amusing, and I can tell Taika Waititi had a blast playing him, but he really felt unnecessary most of the time. The same can be said for Doctor Strange (although, to be fair, the whole Doctor Strange movie franchise feels a bit unnecessary to me).
  • After the last few Marvel movies, we now have Captain America without his shield, Iron Man without a reactor in his chest, and Thor without his hammer. It’s going to be interesting to see how these characters develop without some of their iconic accouterments.
  • A fun romp with good jokes, exciting fights, and beautiful visuals is pretty much exactly what I needed right now, so thank you, Marvel!

 

Additional thoughts by Eppu

  • As a rule of thumb, I don’t care a whit whether the Marvel Cinematic Universe Thor matches the comic books Thor canon, or even Nordic mythology. There was fairly good consistency, story-wise. However, I’m not sure what to think of the decision to crank up the humor to eleven. I enjoyed the movie a lot, yes, but if memory serves, stylistically it deviates quite a bit from the two previous ones, and that seems to be deviating from the MCU convention. I’m still mulling it over.
  • The design for the trash planet Sakaar was refreshingly different. Colors!
  • Two plotholes stood out (or I missed the explanation because there were no subtitles): 1) Thor and Hulk inexplicably left their arena fight in the middle of action, and were all buddy-buddy afterwards. 2) The gladiators were railroaded to Asgard on their stolen spaceship. Um, I thought they started a revolution…? (If it’s a revolution, you stay; if not, it’s an escape.)
  • It was great to see so many women in the background, and two big speaking roles for women, but I want more. And not just girlfriends, or wives, or hookers, or fridged corpses. More women as people in their own right! More women speaking! More women! MORE WOMEN!

 

Recommended reading

Dan Taipua at The Spinoff reveals the Maori / New Zealander mentality hidden in T:R.

Emily Asher-Perrin’s writeup at Tor.com on all the three Thor movies is really good.

Taika Waititi: Paying It Forward on Thor: Ragnarok (found via Good Stuff Happened Today on Tumblr)

Image: Still from Thor: Ragnarok via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

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Thor: Ragnarok Trailers

Good grief, it’s November already! For some reason, the fall always gets away from me, but this year it’s felt even faster than usual. It’s now only two(!!!) days till Thor: Ragnarok opens! Here are the teaser trailer and the official trailer:

Thor: Ragnarok Teaser Trailer [HD] by Marvel Entertainment

“Thor: Ragnarok” Official Trailer by Marvel Entertainment

I’ve long thought that the Thor movies have been the least succesful Marvel Cinematic Universe stories. In fact, excepting the hilarious sequence in Thor: The Dark World where Mjölnir flies between realities through the portals, both were quite deplorable. I hope writers Eric Pearson, Craig Kyle, and Christopher Yost plus director Taika Waititi can change that.

Sidenote: every time I see the teaser trailer with Led Zeppelin’s “Immigrant Song”, all I can think of is…. VIKING KITTENS! Aaaaaaaaa-ah!

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Three Favorite Jane Austen Screen Adaptations

July 18, 2017, marked the 200th anniversary of the death of Jane Austen, my favorite (deceased) author.

JASNA Truth Universally Acknowledged Book Always Better

To honor her work, we rewatched all of the screen adaptations that we could easily get our hands on.

Jane Austen Rewatch Owned Adaptations

Here, in short, are three of my absolute favorites. (For links to the complete reviews, visit my post A Jane Austen Rewatch Project for the 200th Anniversary of Her Passing.)

Sense and Sensibility (anonymously published in 1811) is by far my favorite Austen novel, and my favorite adaptation is the Andrew Davies miniseries (directed by John Alexander; 2008). It stars Hattie Morahan and Charity Wakefield as Elinor and Marianne. Both were new to me, but I was familiar with the significant male actors: Dan Stevens (Mr. Edward Ferrars) is in the first few seasons of Downton Abbey, David Morrissey (Colonel Brandon) portrays the confused faux-Doctor in the Doctor Who Christmas special “The Next Doctor”, and Dominic Cooper (Mr. Willoughby) as young Howard Stark scratches science to see if it bleeds in Marvel Cinematic Universe’s Captain America: The First Avenger and Agent Carter (and rules as King Llane Wrynn in the Warcraft movie).

It was a gutsy choice of Davies to begin the series with Willoughby’s explicit seduction of a 15-year-old girl, an event which happens very much off-screen in the novel and most adaptations, but becomes the crux of the plot.

The series does have some issues. For example, the Devonshire “cottage” that the financially strained Dashwood ladies had to accept was turned into a literal cottage instead of a good, solid house from the novel. The events are condensed, sure, but their pace doesn’t feel rushed like in the movie versions. Most of the writing, acting, propping, and costuming are solid to excellent.

Jane Austen Rewatch Three Favorites

Emma (1815) was the fourth and last of Austen’s works to be published during her lifetime, and the Emma miniseries from 2009 (adapted by Sandy Welch, directed by Jim O’Hanlon) outshines the other adaptations. (Unsuprisingly, the miniseries format serves Austen’s nuance much better than the movie length.)

The version has several strengths, starting with excellent casting. Romola Garai stars as Emma Woodhouse, and Jonny Lee Miller (who has more recently – and deservedly – starred as Sherlock Holmes in the series Elementary) as Mr. Knightley. Miller’s is by far the most enjoyable Mr. Knightley performance I’ve seen. Mr. Knightley is often played as rather curt and strict, which I find not just offputting but a mistake.

All major characters are introduced at the beginning of episode 1, which helps people new to Austen. Moreover, this version does the epilogue clearly and succinctly, without massive infodumping. In addition, I immensely enjoy the music, the set dressing, costuming and propping, and other visuals. It’s a thoroughly, thoroughly enjoyable Emma. In fact, if the same team were to make other Austen adaptations, I’d go to great lenghts to see them.

Finally, Persuasion is a novel of pressures, choices, and second chances, posthumously published in 1817. The 1995 movie version of Persuasion is excellent. The screenplay is by Nick Dear, and Roger Mitchell directed Amanda Root as Anne Elliot and Ciarán Hinds as Captain Wentworth. I really like Root’s understated and considerate version of Anne; Hinds works well enough even if a few scenes tend towards hammy.

Although the picture quality is grainy, the soundtrack is nice and there are subtitles (not a given on older DVDs). The props, locations, and costuming are also great. This is my favorite version so far—in an ideal world, of course, we would be due another adaptation.

For links to the complete mini-reviews of these and all of the other adaptations, visit my post A Jane Austen Rewatch Project for the 200th Anniversary of Her Passing.

Images: Book is always better screencap from JASNA website. Both DVD images by Eppu Jensen.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Official Trailer

The Black Panther official trailer dropped yesterday and it’s looking mighty shiny:

Marvel Studios’ Black Panther – Official Trailer by Marvel Entertainment

Judging by this trailer and some of the tidbits we saw in the teaser trailer, this might well be the visually most astounding Marvel Cinematic Universe movie to date. (And that’s saying something, since we’ve visited Thor, Loki et al.’s domain and the deep corners of space…) Also, the Wakandan design ethos looks deep—like it rises from a long line of traditional crafts still practiced, and acknowledges the country’s history. Wonderful!

Four months to go.

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Annihilation Teaser Trailer

The opening volume of Jeff VanderMeer’s Southern Reach trilogy, Annihilation, will hit the big screens in February 2018. The teaser trailer looks wonderful:

Annihilation (2018) – Teaser Trailer – Paramount Pictures

Writer / director Alex Garland seems to be doing a good job on the basis of the little we see. Certainly the effects and scenery are breathtaking. And the cast looks so awesome!

I’ve read the trilogy, but since it leans more towards horror than I’d like my speculative fiction to be, I’m not sure I want to see the movies. I do applaud VanderMeer’s mindfulness, though: he donates part of his royalties from the novels to environmental causes.

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A Miss Fisher Movie on Kickstarter

Every Cloud Productions has launched a Kickstarter campaign to bring Miss Fisher & the Crypt of Tears onto the big screen worldwide.

Kickstarter Miss Fisher Crypt of Tears Pledge Now

The project overview states:

“Every Cloud Productions is proposing to produce a feature film building on the successful Miss Fisher Murder Mysteries television series, and is undertaking this Kickstarter campaign to raise a portion of the production budget for the film.

“Set in the late 1920’s, Miss Fisher & the Crypt of Tears honors the heightened exoticisms of the murder mystery genre as the Honourable Miss Phryne Fisher, lady detective, escapes the small screen and takes off on a global adventure – via romantic wayside stops in the Far East, glamorous sojourns in the mansions of London, and a battle to survive the rolling sands of the Arabian Desert long enough to find the missing treasure, solve numerous murders and break all aviation records as she wings her way home again!”

The stand-alone script is currently being finalized, with the same team who created the series set to work on the film. Production is preliminarily planned to start in mid-2018. The feature would be set for release in Australia in mid-2019, with other countries to follow as soon as possible.

And the campaign is going splendidly! Fans were so eager to see Phryne and Jack in the theaters that it reached its first goal in one day.

Kickstarter Miss Fisher Crypt of Tears Day 1

At this writing, two three stretch goals and more rewards have been added. It looks like the project will reach the latest stretch goal within days, too.

The tv series Miss Fisher’s Murder Mysteries is based on the novels of Australian author Kerry Greenwood. The Honorable Miss Phryne Fisher solves crimes with assistance from Detective Inspector Jack Robinson of Melbourne police. Every Cloud Productions is an independent, Australian production company producing distinctive, high-quality television drama for domestic and international markets.

The project will be running on Kickstarter until Saturday, October 14, 2017 (8:39 p.m. EST).

Images via Miss Fisher the Movie Kickstarter campaign

Quotes: How There’s Still Any Hesitancy to Front Women Characters in [Movie] Franchises

Among John Scalzi’s thoughts on the Wonder Woman movie are these observations:

“[…] it’s worth noting that only one other film has outgrossed Wonder Woman domestically so far this year, and that’s Beauty and the Beast, another woman-focused film, and the one film remaining on the theatrical schedule this year that will outgross it will be The Last Jedi, which also has a woman as the protagonist […]

”The real issue here, to my mind, is how there’s still any hesitancy to front women characters in franchises, superhero or otherwise. There’s pretty clearly no significant financial penalty for doing so if your franchise is already up and running and your marketing is focused; honestly, at this point there’s only upside, if you manage to make the film better than its male-focused franchise siblings. That upside is perceptual in the short run, as it largely was here with Wonder Woman. But in the long run it’s likely going to add to your franchise financial bottom line. [original emphasis]”

– John Scalzi

Hear, hear. Although, I find I’m absent-mindedly wondering whether Scalzi’s conclusion would hold over the past few years’ worth of movies as well as for 2017. In the end, though, I’m much more interested in the movies themselves.

Scalzi, John. “Wonder Woman: A Smash, Possibly in Different Ways Than You Think.” Whatever, August 03, 2017.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

Star Trek: Discovery Poster & Trailers

A whole slew of tidbits and sneak peeks for the upcoming series Star Trek: Discovery were unveiled at San Diego Comic-Con, including this GORGEOUS poster:

Tor com SDCC star-trek-discovery-poster

The official trailer was also released at the con:

Star Trek: Discovery – Official Trailer by Star Trek

It adds nicely to the first teaser trailer:

Star Trek: Discovery – First Look Trailer by Star Trek

I am getting chills every time I see either—definitely looking forward to Discovery! Who knows, it may even replace Deep Space Nine as my favorite Star Trek franchise.

Image: CBS via Tor.com

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Black Panther Poster & Trailer

A little more news on the Marvel Cinematic Universe movie Black Panther trickled out from San Diego Comic-Con. At this writing, the SDCC trailer hasn’t been released outside the con yet, but I’m hoping it’ll be out soon.

Meanwhile, we have this gorgeous poster to tide us over:

Tor com BPPoster

And, since apparently I didn’t post this before, here’s the teaser trailer:

Black Panther Teaser Trailer [HD] from Marvel Entertainment

It looks so amazing! Good thing February 2018 is just six and a half months away.

Image: Marvel Studios via Tor.com

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Quotes: A Question that Pretty Much No One Actually Asked to Be Answered

Aaron Pound at Dreaming About Other Worlds reviews the Star Wars movie Rogue One and includes this delicious bit of analysis:

“The obvious slicing and dicing of the intrigue and adventure in the early parts of the movie would be forgivable is [sic] one were able to think that it was done simply to try to cram as much of that as possible into the story, but instead the movie keeps shifting away from Jyn, Cassian, K-2SO and the rest of the intrepid rebels to focus on what can only be described as the deadly dull office politics of the Imperial Officer class. In large part, all these scenes really do is provide a really long-winded answer for the question ‘How did Grand Moff Tarkin become the commander of the Death Star’, which is a question that pretty much no one actually asked to be answered.”

– Aaron Pound

Reader, I LOLed. 🙂

Pound, Aaron. “Review – Rogue One: A Star Wars Story”. Dreaming About Other Worlds, June 01, 2017.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.