Baking Stuff: Crusty Bread

This isn’t my kind of geeking, but holy cannoli! Magnificent! Jaime Delano shared phenomenal photos on Twitter:

Twitter Jaime Delano Geobake1

Twitter Jaime Delano Geobake2

In another tweet, she describes how the loaf came into being:

“I threw the leftover dough into a different pan and baked it, this one is coming to campus to share. The flavors are pretty mild but they’re there. If I did it again, I’d increase the basil and maybe find another red (paprika was just… fine). The garlic was very pronounced.”

I really appreciate the effort that went into baking a loaf, any loaf, never mind one with the Earth’s crust built into it. She’s a doctoral student at the University of Canterbury in New Zealand, and her dedication truly shows.

Images by Jaime Delano on Twitter.

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

Video Mashup Tribute: Danger Zone with X-Wings

Anybody else who grew up in the 1980s and remembers the song “Danger Zone” by Kenny Loggins? Here’s a treat: Jackson McKay mashed it up with X-wing clips from Star Wars movies for a really thrilling video.

Danger Zone: X-Wing Tribute (Ep IV-IX & Rogue One) by Jackson McKay on YouTube

What a blast! 😀

Found via Tor.com.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Gandalf’s Staff-Top as Table Lamp

This shall most definitely pass!

Marco at 3dartem on Etsy makes and sells 3d-printed table lamps featuring the top of Gandalf’s staff from Peter Jackson’s Lord of the Rings movies.

Etsy Marco 3dartem Gandalfs Staff 3dPrinted Lamp

If the power supply weren’t 220 V type L, I’d seriously consider buying one. It’s absolutely gorgeous!

(We have no connection, financial or otherwise, with Marco.)

Image by Marco at 3dartem on Etsy

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

Quotes: She Gets to Screw It Up

After the release of Terminator: Dark Fate in November of 2019, Emmet Asher-Perrin wrote at Tor.com about the Terminator franchise. This section at the end describes perfectly why the original T (1984—oh gosh!) will always be my favorite of the series and why we need more (super)hero stories with women in the focus:

“The end of The Terminator is maybe more entrancing than any other finale in the franchise for that reason. It has more in common with a horror film than a sci-fi action flick. Sarah Connor, the final girl who has to make it through for so much more than the sake of her own life, crawling away from two glaring red eyes. Her leg is broken, she’s barely fast enough, but she pulls it all together to crush the T-800 into scrap parts. You can see the moment where the unflinching hero of Judgement Day is born, and it’s right when she says ‘You’re terminated, fucker.’ It only took a span of days to rip her normal, unremarkable life apart, but we get the chance to take the entire journey with her, to sit in her emotions and think about how it would feel. It’s just as fast as most ‘Chosen One’ narratives tend to be, but it doesn’t feel rushed because we are with her for every terrifying second of that ride.

“There are a few more heroes who get this treatment, but they are rarely women. Black Widow has a few muddled flashbacks in Avengers: Age of Ultron. Captain Marvel gets flickers of her past in formative moments. Wonder Woman gives us a brief introduction to Diana’s home and the women who raised her. Rey doesn’t get much time to wrestle with her budding Jedi abilities before heading off for training. We get brief hints of where these women came from, of how it feels to take everything onto their shoulders. But Sarah Connor gets to muddle through it. She gets to wear weird tie-dyed t-shirts and shiver when she’s cold and decide whether or not she can accept the idea of time travel and unborn sons and machines that will always find her no matter where she hides. She gets to present herself as wholly unqualified, and she gets to screw it up, and she still makes it out the other side to fight another day.” [original emphasis]

– Emmet Asher-Perrin

We’ve recently watched a few excellent crime procedurals (for example, Vera and The Fall, plus a new Finnish-Spanish production called Paratiisi) where the female protagonists were written with multiple characteristics that television’s stereotypical damaged males have (like a traumatic past, superficial sex / multiple throwaway partners, alcohol use, difficulty maintaining meaningful human relationships or, indeed, behaving professionally towards your colleagues, to mention a few).

Criticism of these kinds of women in stories is often framed in terms of likeability: you can’t like a woman who behaves in “un-feminine” ways. Well, assuming we’re not talking about comfort-watching or reading (which I’d allow some liberties to), do you have to? I’ve never met anyone who liked everyone they ever met.

I’d say it’s lazy storytelling at its core to plop in a feature of a given character or culture or setting without examining its purpose in the story. For example, while I appreciate the performances of Martin Freeman and Benedict Cumberbatch in the Sherlock series by Mark Gatiss and Steven Moffat, I detest the selfish, egotistical, arrogant, inconsiderate way Moffat and Gatiss have their Holmes behave. (There’s a reason we haven’t rewatched the series.) He if anyone is unlikeable, to put it mildly, but somehow people can only see his genius—even when the original Sherlock Holmes emphatically behaves with kindness.

And while it’s true that none of these “unlikeable” people would be easy to have as friends, it’s also true that none of them is without any redeeming qualities either. The point is, depicting one gender only in a certain light and cutting off other possibilities of being from them is overly limiting, because in the real world possibilities are nigh on infinite.

Depicting a variety of individuals is exactly what makes for instance heist stories like Ocean’s Eight or Jane Austen’s novels so enjoyable and delicious. Flipping details around, reversing patterns, defying expectations—these are exactly what make a story shine. Women are people and people come in a range of shapes, sizes, and mentalities. Just think of the range of abilities and body shapes Olympic athletes represent, for example.

Just like I do not want all men in my fiction to be cookie-cutter copies, I certainly don’t want all women in my fiction to be cast from the same mold. Expecting all or even most members of any group be an amorphous mass is really rather ill-advised, for it ruins many a good tale and taken to extremes would make stories untellable.

To re-phrase Asher-Perrin: what The Terminator really gets right is that Sarah Connor gets to feel her feels, to react, emote, and flail (like Ye Old Female Protagonist)—AND she gets to win the day.

Asher-Perrin, Emmet. “The First Terminator Movie Gave Sarah Connor One of the Most Compelling Origin Stories”. Tor.com, November 01, 2019.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

Mulan in Live Action: Final Trailer

Just over a month to go, and the final trailer for live-action Mulan is here:

 

Disney’s Mulan | Final Trailer by Walt Disney Studios on YouTube

More character moments and more action than in the previous two trailers, that’s for sure! There is apparently going to be a woman in a major protagonist role, which is perhaps tiresome, but then again, it’s a Disney production so it’s not likely the story will be something new and astounding. I’d also ditch the most egregious wirework stunts, but that’s another highly personal preference.

An interesting choice was to show Mulan’s parents discussing her choice and have them wrestle with the implications, but I’m guessing there won’t be too much of that in the movie. And it is still incredibly beautiful.

Mulan is released March 27, 2020.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Miss Fisher and the Crypt of Tears: Trailer & Thoughts

In two weeks, Miss Fisher and the Crypt of Tears opens! Well, at least with certain values of open: It’s released on February 27, 2020, in Australia. Here’s the trailer:

MISS FISHER & THE CRYPT OF TEARS | Official Trailer | 2020 [HD] by Roadshow Films NZ on YouTube

Looks very much like an upgraded version of the tv series, so it should be fun. (Apart from the bad trigger discipline, but I fully admit I’m very sensitive about that.)

I haven’t yet seen confirmed dates for Europe or North America; one site gave March for U.S. and a tv channel March 23 for their streaming date; no sources have confirmed theatrical release details, though. If anyone has seen firm dates, please let us know!

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Mulan in Live Action: Second Trailer

It’s about two months till the release of the live-action adaptation of Mulan.

Disney’s Mulan | Official Trailer by Walt Disney Studios on YouTube

The visuals continue to be as gorgeous as in the first trailer. (Suprise, surprise.) If I ever were to see this, it’d be mostly for the eye candy; the story hasn’t really drawn me in, at least in its earlier iterations, and as far as these two trailers go, they’ve not changed the situation. Well, there is Rosalind Chao, who is thoroughly awesome.

We’ll probably see it on disc eventually: giving our local library some circ stats isn’t a bad thing.

Mulan is expected to release March 27, 2020.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Living Vicariously Through Social Media: A Wheelchair Scooter

Oh my goodness—I am so (so, so, so) overly excited about this wheelchair scooter called Pendel:

NimbleDearArchaeopteryx-mobile via Videopress.com

It’s by Huka, a Dutch company. And it’s SO. AWESOME! Just wheel your chair up the little ramp, stabilize the chair, secure your stuff, lift the ramp up behind you so it’ll form a low “back wall” for the wheelchair area, and go! Aaaaaa!

io9 Tom Hiddlestons Loki Whee Gif

In a sense, I’ve been ridiculously lucky so far—none of my chronic conditions have affected my mobility. I’ve never even sprained a limb, let alone broken one. I have been operated on, though, although fairly lightly and fairly late in my life. However, that one experience was enough to convince me of the absolute, unadulterated value of mobility aids of various kinds, including accessible building.

Twitter Adam Holisky Picard Full of Win

Which reminds me: I just cannot (can-NOT!) understand people who gripe and complain about having to get help, including walkers or wheelchairs or whatnot. Isn’t the tech there precisely to enable us to function more independently for longer, just like glasses?!? Aren’t we social animals who help one another???

Expanse Tedious

(Badly fitted or broken aids, on the other hand, are the worst and should be burninated. And don’t even get me started on how despicably some people choose to treat disabled people who are just out and about, minding their own business…! #JustAskDontGrab)

One thing’s for sure: whenever I get to the stage that I need various aids, mobility or otherwise, BRING ‘EM ON!

Twitter ItsJustJords Sitting Frog

Pendel found via Nicola Griffith.

Images: Tom Hiddleston as Loki whee gif via a comment on io9.com. Captain Picard Full of Win via Adam Holisky on Twitter. “Tedious” screenshot from The Expanse season 3, episode 4, “Reload”. Sitting frog via ItsJustJords on Twitter.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Star Trek: Picard Series Trailer from NYCC

Oooo—I can’t believe I didn’t yet blog about the second Star Trek: Picard series trailer that came our way. This was released at New York Comic Con.

Star Trek: Picard | NYCC Trailer | CBS All Access by CBS All Access on YouTube

Like the San Diego one, this trailer looks so awesome! The Borg presence doesn’t seem quite as heavy as the SDCC trailer gave reason to believe (but then again, you never know). It’s lovely to see glimpses of the old TNG cast, however, and the spiffy new tech and props look absolutely amazing. Mostly I’m thankful to see Sir Patrick Stewart in another genre production, for he is getting old and who knows how much longer he’ll have with us.

Picard is set to premier on January 23, 2020. Soon!

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Frozen II Is at the Theaters, and Soon Dubbed in Sámi

Today is the premier for the animated sequel Frozen II here in the U.S. Unlike most Di$ney princess movies*, I will be seeing this one during its theatrical release for a particular reason.

In the story, Anna and Elsa et al. travel to the north and meet a people resembling the Sámi. For their research and inspiration, the Walt Disney Animation Studios not only talked with Sámi people but actually signed an agreement with the Sámi to do it in a respectful, collaborative way.

The Sámi are the only indigenous people within the European Union area. They currently live in the northern reaches of Norway, Sweden, and Finland, and the Kola Peninsula in northwestern Russia.

Disney even invited some members of the Sámi Parliaments to U.S. to see the movie at the world premier, meet some of the makers, and tour the animation studio.

Yle Siv Eli Vuolab Samediggi Frozen II World Premiere

The most exciting part for my linguist brain is that the studio will record and release a version dubbed in Northern Sámi, the largest of the Sámi languages. The voice actors are drawn mainly from Sweden and Norway, among them the acclaimed Sámi musician Mari Boine, but also one Finn. (Yay!)

Yle Frozen II Screencap Northern Herders

While it’s true they aren’t very numerous these days (partly thanks to racial, linguistic, and cultural discrimination), the Sámi do exist and do have a living culture. (Just check out the music scene for one incredibly vibrant aspect—yoik comes almost in all styles now!) I grew up two hours south of the Arctic Circle, and the Sámi were my classmates, neighbors, and teachers. For me it’s delightful that Disney took the time to research, listen, and respectfully pay homage to people I grew up with.

Undoubtedly I will also enjoy scenery that reminds me of trips to Lapland even if the first reports say the northern mountains look too young and rugged to be based on the fells on the Finnish side of the border. 🙂

Yle Frozen II Screencap Valley View

*) The only other exception is Moana, which was also produced in cooperation with indigenous peoples.

Images: Per-Olof Nutti, Aili Keskitalo, Åsa Larsson Blind, and Tiina Sanila-Aikio with their daughters at the world premier of Frozen II by Siv Eli Vuolab / Sámediggi via Yle. Three members of the northern herder tribe from Frozen II via Yle. View overlooking a northern valley from Frozen II via Yle.

In Live and Active Cultures we talk about cultures and cultural differences.