“I told you I was going to make a floating Snitch cake. (3 x 2 layer white chocolate mud cakes with vanilla meringue buttercream and blueberry and lemon or raspberry and black pepper filling. Special shout out to the wood-look board I made. [fist icon])”
Pritchett clearly is a foodie—just have a look at her amazing Twitter and Instagram feeds. Her dedication to getting the details just right is incredible. Everything is thoroughly thought-out and carefully prepared.
I’m gawping here! (Yes, I just declared gawp to be a word.)
“The entire model is 8 feet in diameter, and has approximately 75,000 pieces. There is a steel and aluminum framework holding it together, and about 50 linear feet of strip LEDs lighting it up. All told it took me about 2 years to build.”
Another adaptation of the hugely successful tv series Game of Thrones is out. Embroiderers at the Ulster Museum and the Ulster Folk Museum produced a 77-meter long textile in the style of the Bayeux Tapestry.
Originally the embroidery depicted events, locations, and story from seasons 1 through 7, but in June 2019 further panels depicting season 8 were due to be added.
While we loved the production values for the show and the intricacy of the writing, we stopped watching after season 3 due to the upsetting amount of violence. I do confess, however, that this project really tickles the textile history geek part of my brain!
July 20, 2019, is the 50th anniversary of the Apollo 11 mission—the spaceflight that landed the first people on the Moon.
Ben Feist, a software engineer and historian at NASA Johnson Space Center, and a team of other experts put together a website for Apollo 11 video, audio, and pictures of the astronauts and mission control.
The site consists entirely of original historical mission material, with data and audio restored plus transcripts corrected. There’s video, too, and views of the Earth receding and Moon showing up in the viewscreen, various details from the lunar surface, and support teams back home. And a whole host of additional data.
I wonder whether there is any fantasy-themed peel-and-stick wallpaper—I noticed myself daydreaming of scifi book shelves backed with space murals, fantasy shelves with amazing forests or creatures, history with vintage wood or brick or castles, etc.
Under the moniker FXitinPost, visual effects artist Christopher Clements made an unofficial, improved scene for Star Wars: Episode IV – A New Hope and seamlessly inserted it into the movie. The resulting six-minute clip is all about the final confrontation between Ben Kenobi and Darth Vader, and definitely worth a watch:
I don’t know whether they had any skill or not, but if Alec Guinness and David Prowse were not competent sword fighers, it’s understandable the scene looks like it does. I have to confess, though, that the clunkiness of the fight has been long bugging me; it also stands out since Lucas retroactively changed so many other scenes. Clements’ version is much more in line with Jedi abilities and includes many intriguing creative choices on how to use the space on the Death Star. Kudos!
In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.
Some ideas are so good they come around again, even thousands of years later. I recently stumbled across this beautiful glass bottle adorned with a sinuous octopus on Etsy seller Elstwhen’s shop. You can find this particular bottle here.
It reminded me of Minoan pottery, which is often adorned with vividly rendered sea life. While Elstwhen’s work is not a copy of the Minoan style, it makes similar use of asymmetry, flowing lines, and strong contrasts to create a similarly impressive effect.
(We have no connection, financial or otherwise, with Elstwhen.)
In Making Stuff, we share fun arts and crafts done by us and our fellow geeks and nerds.