A Male Protagonist Protags; A Female Protagonist Has Things Happen to Her

An article from August 2018 produced thinky-thoughts!

Oren Ashkenazi lists “Eight Absurdities We Force on Female Characters”. Among them is this gem:

“[S]torytellers also have to constantly remind the audience how hot their female characters are, right? At least that seems to be the case, based on how often authors emphasize their female leads’ looks. Of course, this dual need makes writing women much harder, since readers don’t typically appreciate their stories being interrupted with reminders about a character’s sexy bod.”

Because Men Are Strong, Women Are Pretty, right?!? Gah!

Instead of an exhausted and exasperated rant, here’s my contribution to join the Smurfette Principle, Dainty Combat, et al.

A male protagonist gets to protag; a female protagonist has things happen to her.

The male protagonist is at the center of the story. He gets to make key decisions, call the shots, lead teams (successfully), and propel the plot forward.

In contrast, a female protagonist reacts to what’s happening around and/or to her. In addition, all too often women’s story arcs are marked as of less importance or condemned outright. (Or branded as a “women’s genre”, often with a sneer, like romance.)

One of the first that I remember noticing on screen is J.J. Abrams’s Fringe. Anna Torv’s protagonist character Olivia Dunham, an FBI agent, started out by actively investigating potential paranormal phenomena, but in later seasons she was pushed aside in favor of the father-son drama and relationship wrangling between characters played by Joshua Jackson and (always excellent) John Noble. Egad—as if we don’t have enough!

And just the latest I’ve had the misfortune to see is the tv series Extant. Despite its gorgeous visuals, high production values, and Halle Berry as the lead, the writing keeps her guessing, defending herself against gaslighting, physically running, flailing, and emoting. Two episodes from the end I was done; I didn’t want to finish that crap.

(To be fair, I’ve also come across stories that dreadfully misrepresent men. As one example, I’ve had my fill—to the fracking brim!—of stories of damaged middle-aged alcoholics who are just trying to hang on.)

This post has been edited for clarity.

Story Time is an occasional feature all about stories and story-telling. Whether it’s on the page or on the screen, this is about how stories work and what makes us love the ones we love.

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Ancient Women as Generals

It has come to my attention that some folks online have been making a fuss about the fact that the strategy game Rome: Total War II allows players to recruit women as generals to lead their armies in fighting around the ancient Mediterranean. They decry this addition to the game as modern politics intruding anachronistically on the purely masculine history of war. Well, that’s a load of hogwash.

As your friendly neighborhood ancient historian, I’m happy to present a brief, selective, far-from-comprehensive list of women who led military forces in antiquity. Enjoy.

(All translations my own)

Amage

A Sarmatian queen, 2nd century BCE, who led her people against foreign invaders.

Amage, wife of Medosaccus, a Sarmatian king… seeing that her husband was diverted by luxury, took matters in hand, giving many judgments, organizing the defense of the realm, and fighting off foreign attacks.

– Polyaenus, Strategms 8.56

 

Amanirenas

A Kushite queen, 1st century BCE, who led forces against Roman armies encroaching on her territory from southern Egypt. (Strabo mistakes her title, Candace, for her name)

Queen Candace, in my day the ruler of the Ethiopians, a masculine woman who was blind in one eye… led an army many thousands strong against the [Roman] garrison

– Strabo, Geography 17.54

Continue reading

A New Doctor with New Best Friends

The new Doctor Who season started this past weekend, on Sunday October 07, 2018. The big thing, of course, is that Jodie Whittaker makes her doctorial debut in season 11! I have some thoughts on it. But first, the official trailers:

Doctor Who: Series 11 Trailer by Doctor Who on YouTube

Doctor Who: Series 11 Trailer #2 by Doctor Who on YouTube

I get chills from both! 😀 Although the music choices for trailer 2 seem a little odd—I suspect I might be missing some cultural references here.

I haven’t seen the first episode yet, so I only have previously shared glimpses, various reports, and other people’s reactions to go by. Reading to the rescue, then! Below are quotes from some of the most interesting writeups I found.

Spoiler warning is in effect! (Also, because some quotes are quite long, I’ll pop the rest behind a cut.)

Read the whole post.

Representation Chart: Marvel Cinematic Universe, Phase 2

We all know that the representation of people of different genders and races is imbalanced in popular media, but sometimes putting it into visual form can help make the imbalance clear. Here’s a chart of the Phase 2 movies of Marvel’s Cinematic Universe (Iron Man 3; Thor: The Dark World; Captain America: The Winter Soldier; Guardians of the Galaxy; Avengers: Age of Ultron; Ant-Man).

Characters included

  • Iron Man 3: Tony Stark / Iron Man, Aldrich Kilian, Happy Hogan, Trevor Slattery, President Ellis, Savin, Harley Keener, Vice President Rodriguez, Maya Hansen, Pepper Potts, Brandt, Colonel Rhodes / War Machine, Yinsen
  • Thor: The Dark World: Thor, Loki, Odin, Malekith, Fandral, Volstagg, Erik Selvig, Ian, Jane Foster, Sif, Frigga, Darcy Lewis, Heimdall, Korath, Algrim, Hogun
  • Captain America: The Winter Soldier: Steve Rogers / Captain America, Alexander Pierce, Bucky Barnes / Winter Soldier, Rumlow, Agent Sitwell, Arnim Zola, Rollins, American World Security Councilor, Senator Stern, Batroc, Natasha Romanoff / Black Widow, Maria Hill, Sharon Carter / Agent 13, Peggy Carter, British World Security Councilor, Nick Fury, Sam Wilson / Falcon, Indian World Security Councilor, Chinese World Security Councilor
  • Guardians of the Galaxy: Peter Quill / Star-Lord, Ronan, Yondu Udonta, Dey, The Collector, Kraglin, Saal, Nebula, Nova Prime, Bereet, Carina, Gamora, Drax
  • Avengers: Age of Ultron (new characters): Bruce Banner / Hulk, Clint Barton / Hawkeye, Pietro Maximoff / Quicksliver, Baron Strucker, Dr. List, Ulysses Klaue, Vision, Wanda Maximoff / Scarlet Witch, Laura Barton, Dr. Helen Cho
  • Ant-Man: Scott Lang / Ant-Man, Hank Pym, Darren Cross / Yellowjacket, Paxton, Luis, Kurt, Mitchell Carson, Hope van Dyne, Cassie Lang, Maggie Lang, Dave, Gale

Rules

In the interests of clarity, here’s the rules I’m following for who to include and where to place them:

  • I only count characters portrayed by an actor who appears in person on screen in more or less recognizable form (i.e. performances that are entirely CG, prosthetic, puppet, or voice do not count).
  • The judgment of which characters are significant enough to include is unavoidably subjective, but I generally include characters who have on-screen dialogue, who appear in more than one scene, and who are named on-screen (including nicknames, code names, etc.)
  • For human characters that can be reasonably clearly identified, I use the race and gender of the character.
  • For non-human characters or characters whose identity cannot be clearly determined, I use the race and gender of the actor.
  • I use four simplified categories for race and two for gender. Because human variety is much more complicated and diverse than this, there will inevitably be examples that don’t fit. I put such cases where they seem least inappropriate, or, if no existing option is adequate, give them their own separate categories.
  • “White” and “Black” are as conventionally defined in modern Western society. “Asian” means East, Central, or South Asian. “Indigenous” encompasses Native Americans, Polynesians, Indigenous Australians, and other indigenous peoples from around the world.
  • There are many ethnic and gender categories that are relevant to questions of representation that are not covered here. There are also other kinds of diversity, including sexuality, language, disability, etc. that are equally important for representation that are not covered here. A schematic view like this can never be perfect, but it is a place to start.

Corrections and suggestions welcome.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Representation Chart: Marvel Cinematic Universe, Phase 1

We all know that the representation of people of different genders and races is imbalanced in popular media, but sometimes putting it into visual form can help make the imbalance clear. Here’s a chart of the Phase 1 movies of Marvel’s Cinematic Universe (Iron Man; The Incredible Hulk; Iron Man 2; Thor; Captain America: The First Avenger; Avengers).

Characters included

  • Iron Man: Tony Stark / Iron Man, Obedaiah Stane, Agent Coulson, Happy Hogan, Abu Bakaar, Pepper Potts, Christine Everhart, Colonel Rhodes, Nick Fury, Yinsen, Raza
  • The Incredible Hulk: Bruce Banner / Hulk, General Ross, Emil Blonsky, Leonard, Stanley, Samuel Sterns, Betty Ross, Major Sparr,
  • Iron Man 2 (new characters): Ivan Vanko, Senator Stern, Justin Hammer, Natasha Romanoff / Black Widow
  • Thor (new characters): Thor, Loki, Odin, Erik Selvig, Volstag, Fandral, Agent Sitwell, Clint Barton / Haweye, Jane Foster, Darcy Lewis, Sif, Frigga, Heimdall, Hogun
  • Captain America: The First Avenger: Steve Rogers / Captain America, Bucky Barnes, Colonel Philips, Johann Schmidt / Red Skull, Howard Stark, Dr. Erskine, Dr. Zola, Dum Dum Dugan, James Falsworth, Jacques Dernier, Gilmore Hodge, Senator Brandt, Peggy Carter, Gabe Jones, Jim Morita
  • Avengers (new characters): American World Security Councilor, Russian World Security Councilor, Agent Hill, British World Security Councilor, Chinese World Security Councilor

Rules

In the interests of clarity, here’s the rules I’m following for who to include and where to place them:

  • I only count characters portrayed by an actor who appears in person on screen in more or less recognizable form (i.e. performances that are entirely CG, prosthetic, puppet, or voice do not count).
  • The judgment of which characters are significant enough to include is unavoidably subjective, but I generally include characters who have on-screen dialogue, who appear in more than one scene, and who are named on-screen (including nicknames, code names, etc.)
  • For human characters that can be reasonably clearly identified, I use the race and gender of the character.
  • For non-human characters or characters whose identity cannot be clearly determined, I use the race and gender of the actor.
  • I use four simplified categories for race and two for gender. Because human variety is much more complicated and diverse than this, there will inevitably be examples that don’t fit. I put such cases where they seem least inappropriate, or, if no existing option is adequate, give them their own separate categories.
  • “White” and “Black” are as conventionally defined in modern Western society. “Asian” means East, Central, or South Asian. “Indigenous” encompasses Native Americans, Polynesians, Indigenous Australians, and other indigenous peoples from around the world.
  • There are many ethnic and gender categories that are relevant to questions of representation that are not covered here. There are also other kinds of diversity, including sexuality, language, disability, etc. that are equally important for representation that are not covered here. A schematic view like this can never be perfect, but it is a place to start.

Corrections and suggestions welcome.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Christopher Robin Trailers with Thoughts on Gender

The movie Christopher Robin opens in a week, on August 03, 2018.

Here’s a trailer from the end of May:

Christopher Robin Official Trailer by Disney Movie Trailers

And a sneak peek from July:

Christopher Robin “Adventure” – Sneak Peek by Disney Movie Trailers

I remember liking Nalle Puh stories (as they were translated into my native language) quite a bit, so I wonder what my reaction to the voice acting will be, since I didn’t grow up thinking of the characters in terms of gender.

You see, Finnish does not have grammatical gender at all; we only have gender-neutral third-person pronouns (singular hän or plural he). This means that for me the only explicitly female character in the gang was Kengu because she was a mother, and the only explicitly male character was Risto Reipas because he was a human boy. The others were their own individual, quirky, stuffed-animal selves.

I guess the closest I can come is associating the stuffed animal characters with the non-binary gender identity. They didn’t need categorization into male or female, because that’s not how I saw their world working. I still don’t, even though talking about them in English forced me to learn which pronouns English associates with each.

It’s fascinating to notice myself using gendered English-language pronouns and yet at the same time still thinking of the stuffed animal characters as not fitting into those divisions. Eating too much honey and getting stuck in someone’s doorway, or figuring out that a popped balloon and an empty jar of honey go splendidly together do not require the gendering of anybody in the story.

I really do wonder how my perception changes after hearing voice actors and their intonational choices—or whether it will change at all.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Faves from a List of Upcoming Female-Lead Action Movies

Jordan Crucchiola at Vulture listed and tracked every upcoming female-lead Hollywood action movie. It’s divided into sections so that it’s easy to see what’s in development, in production, and postproduction (or coming soon).

IMDB Widows Photo

It’s an impressive list. (I wish its scope were wider, though—gimme other genre subtypes, too, and productions from around the world, please?)

Below are a few of the ones that most tickle my fancy, with first a short description by Crucchiola and then my impressions.

 

The Aeronauts (preproduction)

  • “Eddie Redmayne and Felicity Jones star as a researcher and pilot team that goes on a science mission in a hot-air balloon. They ascend higher than anyone ever has, and have to fight for survival in the thinning atmosphere.”
  • Apparently set in the mid-1800s, this sounds like a non-mystery precursor to Murdoch Mysteries. I like Felicity Jones a lot, but am dubious of Amazon productions (mostly since I haven’t seen any so far, so take this with a bucket of salt).

A Black Widow stand-alone movie (screenwriter attached)

  • “It was announced earlier this year [2018] that Kevin Feige and Marvel had hired a writer for a Black Widow stand-alone screenplay.”
  • High time!

Captain Marvel (postproduction; U.S. release March 08, 2019)

  • “Marvel’s first female-lead superhero movie stars Brie Larson as Carol Danvers, a.k.a. Captain Marvel, an extremely powerful figure in the comics canon. We don’t know much—except that it’s set in the 1990s […].”
  • Again, high time! (According to Wikipedia, Captain Marvel has been in development since 2013.) I know extremely little of the character, but liked Brie Larson in Kong: Skull Island and Community.

Cleopatra Jones (in development)

  • “Details about the new film are not yet known, but in the 1973 original, Cleopatra Jones was a James Bond-type who worked as a special agent for the U.S. government and dealt with drug-related crimes.”
  • A reboot, although nothing I’ve heard of before. Hm. Maybe?

Enola Holmes (just announced at the start of the year)

  • “[A]daptation of Nancy Springer’s Enola Holmes Mysteries novel series. Enola is the baby sister of Sherlock and Mycroft Holmes, and wouldn’t you know it, a crack sleuth in her own right.”
  • Yes, please! Even more so, since Millie Bobby Brown (who outshone everyone else in Stranger Things) is set to star in and produce.

The Killer (in development)

  • “An assassin with a strict moral code can no longer abide the amoral ways of her employer, and so seeks to get out of the game.”
  • This might be amazing: John Woo is set to direct a reboot with Lupita Nyong’o in the head role.

Star Wars Episode IX (preproduction but definitely happening; U.S. release December 20, 2019)

  • “Star Wars remains an ensemble-powered saga, but this trilogy has always been about Rey’s journey.”
  • Yay! I’m just so sad we can’t have Carrie Fisher in it!

Widows (postproduction; U.S. release November 16, 2018)

  • “Brace yourself for this screen adaptation of a British mini-series from 1983, in which four widowed women plan to finish a heist job their dead husbands failed to complete.”
  • Ocean’s 8 was a great heist movie with a fantastic spread of women of all sorts (except the law-abiding type, heh heh) so this might be good, too.
  • Of the female cast, I recognize only Viola Davis (who’s awesome!); of the male, Collin Farrell (a meh performance in the 2012 Total Recall reboot and a suitably psycho Bullseye in the 2003 Daredevil), Daniel Kaluuya (W’Kabi in Black Panther), and Liam Neeson (who’s a turnoff for me, but perhaps he’s only got a small supporting role).

Wonder Woman 2 (in development)

  • “The timeline will reportedly move into the ’80s for the Wonder sequel, with the Cold War and USSR factoring in. Jenkins has also teased another love story.”
  • Am I the only one who’s noticed an uptick in movies where Russia (in one of its embodiments) is a bad guy? But: puh-leeeease stop writing forced love interests in movies! Love is great, but we don’t have to have an example of romantic love in every. single. story. Some stories work better without it, or with other types of love than the romantic variety.

 

Image: photo from the movie Widows from Twentieth Century Fox Film Corporation via IMBD

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Equal Pay for Persian Women

A cache of administrative documents from the ancient Persian empire reveals an intriguing facet of Persian economic life: female workers were often paid the same amount as their male counterparts. Some women were even paid more than men.

Unlike most pre-modern societies, Persians did not practice slavery. Basic agricultural and craft labor was instead done by workers who were paid in rations of grain, wine, beer, and livestock, either for their own consumption or to barter for other goods. Ensuring that everyone got properly paid was the work of administrators who documented the distribution of these commodities from royal and aristocratic estates to the workers who supported the elite. The documents created by these administrators were not intended for posterity, but some survived by chance when Alexander the Great’s army destroyed the palace at Persepolis. The collapse of part of the building protected the archive it contained of about fifty years’ worth of documents. Excavations in the 1930s recovered documents like these two below.

An arashshara was a female supervisor managing a group of pashap, who were workers of some kind. The exact meaning of the term pashap is unclear, but it seems to have applied to agricultural and craft laborers who were supported with monthly distributions of food and supplies. The different levels of rations assigned to groups of workers in these texts probably reflect different ages and levels of responsibility.

1 arashshara of the pashap subsisting on rations at Umpuranush, whose apportionments are set by Irshena, received as rations 30 quarts of wine supplied by Irtuppoya. Month 2, year 22.

– Persepolis Foundation Text 876

(Translations from Maria Brosius, The Persian Empire from Cyrus II to Artaxerxes I. London Association of Classical Teachers Original Records 16, London: 2000. Slightly adapted for clarity)

30 quarts of wine for a month was typical for local supervisors like this one. It was a generous, if not luxurious, standard of pay.

Pashap at Liduma, assigned by Irshena, subsisting on rations, received as rations for one month: 2,615 quarts of grain supplied by Irtuppiya

  • 16 men (each receive) 30 quarts
  • 7 boys 20
  • 5 boys 15
  • 6 boys 10
  • 1 woman 50
  • 34 women 40
  • 1 woman 20
  • 2 girls 20
  • 2 girls 15
  • 9 girls 10

Total: 92 workers.

– Persepolis Foundation Text 847

 

It is worth noting how many women in the second text were paid as much or more than their male colleagues, and also that the highest paid worker on the list was a woman (probably the arashshara of the workers at Liduma). If we break down the numbers, there are a total of 34 male workers being paid an average of just over 22 quarts of grain a month, while 49 female workers were paid an average of more than 32 quarts.

Other tablets show that this distribution of pay was not universal, but neither was it atypical. Not every woman in Persia was paid as much as a man for her work, but many of them were, and those who were placed in positions of responsibility received pay to match.

If the ancient Persians could do it, what’s stopping us from doing the same today?

History for Writers is a weekly feature which looks at how history can be a fiction writer’s most useful tool. From worldbuilding to dialogue, history helps you write. Check out the introduction to History for Writers here.

Representation Chart: Star Trek

We all know that the representation of people of different genders and races is imbalanced in popular media, but sometimes putting it into visual form can help make the imbalance clear. This is the first of a series breaking down, in basic terms, who’s represented and who isn’t.

Here’s Star Trek. I’ve included the credited main cast from all the live-action television series.

Notes

Characters included

  • Star Trek: Kirk, Spock, Scotty, McCoy, Checkov, Uhura, Sulu
  • Star Trek: The Next Generation: Picard, Riker, Data, Wesley, Troi, Yar, Crusher, Pulaski, Worf, La Forge
  • Star Trek: Deep Space Nine: O’Brien, Bashir, Odo, Quark, Kira, Dax, Sisko, Jake
  • Star Trek: Voyager: Paris, Doctor, Neelix, Janeway, Torres, Kes, Seven, Tuvok, Kim, Chakotay
  • Star Trek: Enterprise: Archer, Reed, Tucker, Phlox, T’Pol, Mayweather, Sato
  • Star Trek: Discovery: Saru, Tyler, Stamets, Lorca, Tilly, Burnham

Corrections and suggestions welcome.

Rules

In the interests of clarity, here’s the rules I’m following for who to include and where to place them:

  • I only count characters portrayed by an actor who appears in person on screen in more or less recognizable form (i.e. performances that are entirely CG, prosthetic, puppet, or voice do not count).
  • For human characters that can be reasonably clearly identified, I use the race and gender of the character.
  • For non-human characters or characters whose identity cannot be clearly determined, I use the race and gender of the actor.
  • I use four simplified categories for race and two for gender. Because human variety is much more complicated and diverse than this, there will inevitably be examples that don’t fit. I put such cases where they seem least inappropriate, or, if no existing option is adequate, give them their own separate categories.
  • “White” and “Black” are as conventionally defined in modern Western society. “Asian” means East or South Asian. “Indigenous” encompasses Native Americans, Polynesians, Indigenous Australians, and other indigenous peoples from around the world.
  • There are many ethnic and gender categories that are relevant to questions of representation that are not covered here. There are also other kinds of diversity, including sexuality, language, disability, etc. that are equally important for representation that are not covered here. A schematic view like this can never be perfect, but it is a place to start.

Messing with numbers is messy.

Some Random Thoughts on Black Panther

In no particular order. Spoiler warnings in effect.

Erik’s random thoughts:

  • This is the movie that Thor was trying to be: a Shakespearean family drama about an exiled hero coming to terms with the destiny of his people and his father’s failures in the midst of a gorgeous futuristic city-state. (On a side note: does anyone actually remember the original Thor movie or have we collectively agreed that the franchise starts with number 3?)
  • I love the architecture of Wakanda. It looks like the product of thousands of years of African tradition with the highest of modern technology, just as it should.
  • Even for a fantasy of African exceptionalism, the story does not shy away from the bitter real history of imperialism, exploitation, slavery, and its modern-day consequences, and the movie is richer and stronger for it.
  • Shuri is awesome. Her combination of flippancy in the face of tradition, passion for technological tinkering, and powerful love for her family and home make her a delight to watch. I think she’s my favorite character in the whole movie, and that’s not an easy pick in this one.
  • Could we have T’Challa and Shuri take over the Tony Stark role in the Marvel Universe, please? I appreciate what Iron Man did to kickstart the MCU and hold the early installments together, but I’ve had enough of him now. I honestly don’t think I can handle one more movie about Tony Stark’s emotional issues. T’Challa can be the guy in the super suit who cracks wise while leading the fight and Shuri can be the tinkerer who keeps upgrading everybody’s gear.
  • Even in a franchise that includes a movie about waking up one morning to discover that literal Nazis have taken over the US government, Black Panther feels like the movie we most need in 2018: a meditation on the temptations of division, resentment, and revenge and the hard choice of embracing a flawed and fractured world with hope. As crucially as Black Panther contributes to the representation of black people in genre media—and by Bast it does—it has a lot to say outside the dialogue of race as well.
  • For the record: as a white man, I have no problem whatsoever identifying with the characters of this movie. I’m not talking about Martin Freeman’s Everett Ross, either—Zuri is my guy.

 

Eppu’s random thoughts:

Note: These thoughts are based on one viewing. I’m fully aware that some of them are just scratching the surface and that I need to see the move (at least!) a second time and mull things over properly.

  • If I had to use one word to describe Black Panther, on a meta level it would be confelicity: I am so, so, SO glad for those black people who are exited, overjoyed, and exhilarated over seeing a full cast of people that look like them acting with grace and agency, not minimized but celebrated! On a story level, I’d use equality.
  • I knew from reading non-spoiler reviews beforehand that the movie passes the Bechdel test, so I didn’t even bother tracking it. It was very nice not to have to care.
  • If it was nice not to have to care about whether the Bechdel test passes or not, it was outright GLORIOUS to see that WOMEN ARE PEOPLE in their own right, with their own interior lives, not just breasts and posteriors for men to ogle. And such a spread of different women, too, each doing their thing according to their interests and skills. Because that’s who we are, and what we do, and have done for millenia, and it’s damn time that the self-absorbed, able-bodied, white cis hetero men in Hollywood respected that. (Yes, I know that the Black Panther team behind the camera included many, many people of color, including women, but that’s not the default, is it.)
  • And of course it’s not just that women are people in their own right, but that there are so many diverse black women. Have you any idea what a disservice (to put it mildly) your typical Anglo-American fiction does to women of color, especially black women? I didn’t until I started paying attention. It’s atrocious and shameful.
  • Black Panther was visually beautiful. Beautiful! It was so beautiful my brain experienced a moment of “this looks wrong” when stepping out of the movie theater into the dim and snowless February evening in Massachusetts.
  • Also, the sets and costumes were breathtaking just like I thought. Everything looked like it was produced by a living culture, with layers of history and development alike.
  • OMG, the tech. Those dragonfly helicopters! Attack rhinos! I kinda want those 3d phone calls! No—scratch that. The maglev trains and über-advanced health care. Like now.
  • The opening sequence (T’Chaka voiceover telling a story to young T’Challa) and the end credit visuals I thought nodded back to the superhero fight statue end credits for Avengers: Age of Ultron. Yet neither ever lost sight of the fact that they were for and about Black Panther.
  • A superhero movie with a male lead confident and mature enough to listen to others ROCKS! (Hat tip to Justina Ireland for pointing out T’Challa’s ability to listen as a core personality trait.)
  • I liked Martin Freeman’s character Everett Ross in this movie. He started with “I know what I’m doing, piss off little people” claptrap. In Wakanda, however, he quickly—and without too much whining—realized how out of his depth he was and spent a good while looking and listening and learning. In the final battle, he redeemed himself to some extent in my eyes when he hopped back into the fighter jet holo-interface to destoy the final cargo plane after he’d discovered that the base he was sitting in was under attack and that there was less than a minute before the gunfire broke through. And never, ever was he written or played as a Mighty Whitey.
  • It was also good to see a thoroughly accomplished man (T’Challa) grapple with impostor syndrome (not ready to be King). We don’t see or hear much of that; mostly it’s women who are saddled with it in the public discussion.
  • I liked T’Challa’s relationship with the rest of his family members, but I LOVED every moment between him and Princess Shuri. They so clearly love and respect each other as equals—with different skill sets, sure, but equals nevertheless—plus jostle around like real-life siblings.
  • Finally, all of the acting was so good. I won’t miss Andy Serkis’s character. At. All! Props to Serkis, his incredible performance made the dude truly terrifying and disgusting, but I’d rather watch the competent and kind Africans, thank you.

Shuri and T'Challa gif

Images: Black Panther poster via IMDb. Shuri and T’Challa gif via media.riffsy.com.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.