music

Azerothvision Song Contest: Shadowlands

Erik

Have you ever asked yourself: “I wonder what it would be like if there were a Eurovision-style song contest in Azeroth?” No? Just us? Well, okay then.

If you’re not familiar with the Eurovision Song Contest, it’s an annual competition in which countries around Europe (and a few beyond) present songs in a wide variety of styles and genres. It’s good for inventive songs, wild stage shows, and good-spirited competition among nations. What if we had the same thing in the lands of World of Warcraft? Here are our ideas of what songs might represent the various realms and lands of the Shadowlands.

Oribos – La Forza by Elina Nechayeva (Estonia, 2018)

Elina Nechayeva – La Forza – Estonia – LIVE – Grand Final – Eurovision 2018 by Eurovision Song Contest on YouTube

An ethereal, soaring, operatic melody from Estonia in 2018 befitting the mystical city surrounded by The Inbetween. (Probably helps if you like opera.)

In English, the Italian lyrics start something like “You know in the night for me / There is a star / It lights up my way / For eternity / It is my guide / In the immensity / That never leaves me” (someone else’s translation). Very apt!

Bastion – Visionary Dream by Sopho Khalvashi (Georgia, 2007)

Visionary Dream, Sopho Khalvashi, Georgia, Eurovision 2007 via OkazakiYoko on YouTube

Georgia’s Eurovision contribution from 2007 is a hypnotic song. Among its lyrics: “I will fly away / To reach the heights I’ve ever dreamed / Beneath the sun / No sense of time and space.” Sounds like Bastion to us.

Maldraxxus – Hard Rock Hallelujah by Lordi (Finland, 2006)

Lordi – Hard Rock Hallelujah (Finland) 2006 Eurovision Song Contest Winner by Eurovision Song Contest on YouTube

Finland won in 2006 with this hard rock song. It’s got monsters, pyrotechnics, and a head-banging beat. What else could you hope for from the Necrolords of Maldraxxus?

Ardenweald – Spirit in the Sky by KEiiNO (Norway, 2019)

KEiiNO – Spirit In The Sky – Norway 🇳🇴 – Official Music Video – Eurovision 2019 by Eurovision Song Contest on YouTube

Norway’s song from 2019 has a magical fairy-tale feel and features a yoik performance evoking the spirits of the northern lights. It feels like something the Night Fae of Ardenweald would be into.

Revendreth – It’s My Life by Cezar (Romania, 2013)

Cezar – It’s My Life (Romania) – LIVE – 2013 Semi-Final (2) by Eurovision Song Contest on YouTube

In 2013, Romania blessed us with this levitating falsetto vampire drama king. If that’s not right for the Venthyr of Revendreth, I don’t know what could be.

The Maw – Hatrið mun sigra by Hatari (Iceland, 2019)

Content note: The Icelandic group Hatari is described on the official Eurovision site as “Award-winning, anti-capitalist, BDSM, techno-dystopian, performance art collective”. The music pretty much matches that description—in English, the song name apparently translates “hate will prevail”. Be warned.

Iceland – LIVE – Hatari – Hatrið mun sigra – Grand Final – Eurovision 2019 by Eurovision Song Contest on YouTube

The lyrics start with “The revelry was unrestrained / The hangover is endless / Life is meaningless / The void will get us all” (someone else’s translation), and the stage show includes chains and spikes. Yep; as bleak as playing through The Maw.

Torghast – Warrior by Nina Sublatti (Georgia, 2015)

Nina Sublatti – Warrior (Georgia) – LIVE at Eurovision 2015 Grand Final by Eurovision Song Contest on YouTube

Representing Georgia for the 2015 contest we find another Eurovision song where the lyrics and stage show seem to fit WoW uncannily well (Sublatti’s outfit certainly does!) and certainly suit the desolation of Torghast.

Korthia – Higher Ground by Rasmussen (Denmark, 2018)

Rasmussen – Higher Ground – Denmark – Official Video – Eurovision 2018 by Eurovision Song Contest on YouTube

A pensive Danish song from 2018 about departures and the potential of either victory, failure, or passing seems appropriate for Korthia.

Zereth Mortis – Sanomi by Urban Trad (Belgium, 2003)

Eurovision 2003 22 Belgium *Urban Trad* *Sanomi* 16:9 HQ via 2000ESC2003 on YouTube

The Belgian entry from 2003 is sung in an imaginary language and also has a bit of an otherworldly quality to it, making it the perfect song for Zereth Mortis.

Finally, as an honorable mention, if there is a Eurovision song for the Shadowlands expansion as a whole, it’s Sweden’s Heroes from 2015.

Shadowlands – Heroes by Måns Zelmerlöw (Sweden, 2015)

Måns Zelmerlöw – Heroes (Official Video) by Warner Music Sweden on YouTube

Any favorites among these or other Eurovision songs, or suggestions for additional WoW zone pairings? Do share!

P.S. The 2022 Eurovision Song Contest semifinals are finished, and the final is held this Saturday, May 14, in Turin, Italy, should you want to follow along.

Of Dice and Dragons is an occasional feature about games and gaming.

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Mashup of Themes from Avengers and The Lord of the Rings

Eppu

Perfection can be improved on occasion. Bearing witness is this inventive mashup of various themes from The Lord of the Rings by Howard Shore and the Marvel Cinematic Universe’s Avengers by Alan Silvestri:

The Lord of The Rings X Avengers EPIC ORCHESTRAL MASHUP by Samuel Kim Music on YouTube

The mashup was arranged and orchestrated by Samuel Kim. I don’t have enough formal musical education to tell you why it works—both movie scores certainly are epic enough—I just know it does. 🙂 Kudos!

An occasional feature on music and sound-related notions.

Murderbot Mayhem Music: Fan Playlist for Network Effect

Eppu

For the pure joy of having our sea container finally arrive with our moving goods, I’ve been re-reading all of Martha Wells’ Murderbot books in the past few weeks. That reminded me of a playlist Meghan Ball made to accompany the Murderbot novel Network Effect. I gave it a listen, and found it conveyed a very different idea of Murderbot than my impression.

So, I made my own playlist. It starts with a concert version of Darude’s “Sandstorm”, which I thought appropriate due to the reference of Murderbot visiting the Preservation planet for a cultural festival with concerts and operas in the beginning of the book.

  • Darude: “Sandstorm”, performed by Synthony and the Auckland Symphony Orchestra
  • Armin van Buuren: “Blah Blah Blah”
  • Paul Ruskay featuring Kokia: “Strike Suit Zero Main Theme”
  • Linkin Park: “Numb”
  • Darude’s “Sandstorm” and Rammstein’s “Du Hast” mashup by Monsterovich
  • Clint Mansell: “Lux Aeterna” (soundtrack from Requiem for a Dream, directed by Darren Aronofsky)

The “Blah Blah Blah” and “Numb” lyrics remind me of the doubts some humans (especially Thiago in this story) have about Murderbot, and Murderbot’s attitude towards those kinds of humans. The mashup of “Sandstorm” and “Du Hast” nicely marries action-paced music with the weirdness that comes with Murderbot finally finding targetControlSystem and the thread of targetContact contamination and the crystalline growth / alien hivemind taking over Murderbot. Ending the list with a piano piece brings some calm again.

Below are videos for your listening convenience.

Darude’s Sandstorm performed by Synthony and the Auckland Symphony Orchestra by Auckland Symphony Orchestra on YouTube

Armin van Buuren – Blah Blah Blah (Official Lyric Video) by Armin van Buuren on YouTube

Strike Suit Zero Main Theme via Paul Ruskay – Topic on YouTube

Linkin Park – Numb [Lyrics on screen] HD via LinkinParkLyrics100 on YouTube

Durude [sic] Haststorm (Du hast remix) by Monsterovich’s Music on YouTube

Requiem for a Dream – Lux Aeterna (Piano Version) by Patrik Pietschmann on YouTube

What would you add or subtract? Do you have your own playlist?

An occasional feature on music and sound-related notions.

Animatic Murderbot Fanart

Eppu

Creator mar made an animatic Murderbot video – because who wouldn’t want Murderbot on the screen! – and uploaded it for us to view.

Note: the creator’s content warning’s are: blood, guns, scopophobia, slight body horror, and injuries. There are also slight spoilers for Network Effect.

I’m Not Your Hero – The Murderbot Diaries Animatic by mar on YouTube

The animatic is set to Sara Quin and Tegan Quin’s “I’m Not Your Hero”. The song wasn’t familiar to me, but I have to admit it fits pretty well.

And, seriously, someone please buy the rights and develop a fantastic longform Murderbot screen adaptation. Like, now! *standing with money in my outstretched hand*

Found via Tor.com.

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

Bardcore: Now in Classical Latin

Eppu

Most of the bardcore versions I’ve seen are in plain modern English, some in ye olde faux medievale Englisshe, and some even in Old French. But so far there seems to be only one in Classical Latin: “Smells Like Teen Spirit”.

Smells Like Teen Spirit Cover In Classical Latin (75 BC to 3rd Century AD) Bardcore by the_miracle_aligner on YouTube

Oh, yeah! LOL!

An occasional feature on music and sound-related notions.

A Helsinki Location in The Last of Us Part II Cover Version

Eppu

Game Music Collective is a Finland-based orchestra, band, and studio production company lead by cellist Lukas Stasevskij. As the name implies, they produce and perform game and other soundtracks.

Their latest project is a cover version of Ellie’s song “Through the Valley” from the PlayStation4 game The Last of Us Part II. The music video for the cover was filmed in Helsinki, Finland.

THE LAST OF US 2 OST – Through the Valley REAL LIFE ELLIE’S SONG [4K] Shawn James Guitar Cover(2020) by Game Music Collective on YouTube

The original song was written by Shawn James; the Game Music Collective version features Mokka Laitinen (vocals and guitar), Sujari Britt (cello), Leonardo Carrillo (oboe), and Eeti Nieminen (drums).

Pretty neat, isn’t it? (Although strictly speaking I would’ve been happier to see outdoor locations, too.) #FinlandNerd 🙂

Found via Helsingin uutiset (NB. Finnish only).

An occasional feature on music and sound-related notions.

New-to-Me Music Style: Bardcore

Eppu2 Comments

I recently learned of a new-to-me music style: bardcore.

It means making versions of modern pop / rock songs in the style of medieval ballads. And, oh boy, is there a rabbit hole to fall into!

Verily, behold “Sandstorm” by my fellow countryman Darude:

Darude – Sandstorm (Medieval version) by Marcus Aurelius on YouTube

Another neat bardcore version of a song from Finland, this one a trad: “Ievan polkka”.

Ievan Polkka (Medieval Cover) by Middle Ages on YouTube

Sadly, some are merely badly rendered synthesizer versions. When you do hit gold, though, it’s really good!

Below are other bardcore versions that tickled my fancy. (I saved the best for last, so keep scrolling!)

Gangnam Style (Medieval Style) [Bardcore] by Muckwick on YouTube

Macarena (Medieval Cover) by Middle Ages on YouTube

Nothig Else Matters [sic] – Medieval Style – Bardcore by Early Style on YouTube

Walk Like An Egyptian (Medieval Style) (Vocals!) by Mystic Zaru on YouTube

We Will Rock You [Bardcore] by Graywyck on YouTube

Surprisingly, also the theme for X-Files works quite well:

The X-Files (Medieval Cover) by Middle Ages on YouTube

Hildegard von Blingin’ is by far the best, most dedicated bardcorer (if that’s what they’re called) I’ve found so far.

Somebody That I Used To Know (Bardcore/Medieval Style Cover with Vocals) by Hildegard von Blingin’ on YouTube

What is Love (Medieval Style with Vocals – Original by Cornelius Link) by Hildegard von Blingin’ on YouTube

Crossposted from the Playfully Grownup Home blog.

An occasional feature on music and sound-related notions.

Video Mashup Tribute: Danger Zone with X-Wings

Eppu

Anybody else who grew up in the 1980s and remembers the song “Danger Zone” by Kenny Loggins? Here’s a treat: Jackson McKay mashed it up with X-wing clips from Star Wars movies for a really thrilling video.

Danger Zone: X-Wing Tribute (Ep IV-IX & Rogue One) by Jackson McKay on YouTube

What a blast! 😀

Found via Tor.com.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Listening to Sappho

Erik1 Comment

Sappho, like many ancient poets, wrote her poems not to be read on the page but to be sung. We don’t know specifically what her poems originally sounded like when performed, but we know enough about the notes, rhythms, and structure of ancient music to make some reasonable guesses. Here’s a version of Sappho’s first poem (my translation here) performed on a reconstructed ancient lyre by artist Bettina Joy de Guzman.

Sappho fr. 1: to Aphrodite via Bettina Joy de Guzman

An occasional feature on music and sound-related notions.

Delightful Music: Fringe Theme

Eppu

One of the most enjoyable things about Fringe is the theme song. Here is a full, 6-minute version:

Fringe Theme [FULL] via mrbrzoskwinka on YouTube

It’s composed by Michael Giacchino, who has an extensive music department background in genre tv, movies, and games (Jurassic franchise video games and movies, Alias, Zootopia, some rebooted Mission Impossible and Star Trek movies, Rogue One and both of the new Spider-Man MCU movies, for instance).

It’s rare to come across a speculative show theme that uses the piano so unapologetically, let alone a story of an FBI agent investigating weird crimes. I’m in no way an expert, but I seem to have noticed that piano has fallen out of fashion these days, so for me the Fringe theme is valuable on those grounds as well.

An occasional feature on music and sound-related notions.