The Dominion war heats up, taking the characters of Star Trek: Deep Space Nine in lots of new directions, some more interesting than others. Here’s our take on what season 6 has to offer.
- “A Time to Stand” – 6
- “Rocks and Shoals” – 7
- “Sons and Daughters” – 0
- “Behind the Lines” – 3.5
- “Favor the Bold” – 5
- “Sacrifice of Angels” – 6
- “You Are Cordially Invited” – 8.5
- “Resurrection” – 2
- “Statistical Probabilities” – 4
- “The Magnificent Ferengi” – 8.5
- “Waltz” – 3
- “Who Mourns for Morn?” – 7.5
- “Far Beyond the Stars” – 8
- “One Little Ship” – 9
- “Honor Among Thieves” – 0
- “Change of Heart” – 4
- “Wrongs Darker than Death or Night” – 0
- “Inquisition” – 2
- “In the Pale Moonlight” – 7
- “His Way” – 1
- “The Reckoning” – 4
- “Valiant” – 2
- “Profit and Lace” – 2
- “Time’s Orphan” – 6
- “The Sound of Her Voice” – 4
- “Tears of the Prophets” – 5.5
This season’s ratings are all over the place. There are a number of strong episodes in the 7-9 range, but also multiple 0s. The average comes to 4.4, in line with season 5 and a bit less than seasons 3 and 4. It seems a bit unfair to average out this season’s episodes, though, because there are so many different things going on. The Dominion war storyline runs through the season and provides a lot of solid episodes. There are also big moments of character development, some good—Worf and Dax getting married in “You are Coridally Invited”, everyone’s favorite barfly getting a backstory in “Who Mourns for Morn?”—some less good—Kira doing a reverse Back to the Future on her mother and Gul Dukat in “Wrongs Darker than Death or Night,” Quark learning what it’s like to be a feeeemale in “Profit and Lace”. Then there are some episodes that just come out of nowhere, like Sisko having a vision of twentieth century science fiction and racism in “Far Beyond the Stars.”
At the bottom end of the scale, we have a trifecta of absolute 0s. There’s “Sons and Daughters,” in which Worf’s son Alexander and Dukat’s daughter Ziyal both get to have strained relationships with their respective fathers. There’s “Honor Among Thieves,” in which O’Brien inexplicably has an undercover mission infiltrating a seedy crime syndicate, an episode with no good reason to exist, let alone be in this series. And there’s the aforementioned “Wrongs Darker than Death or Night,” a limp episode for such a pretentious title that is both overly contrived and weightless at the same time. I’ve mentioned before that it sometimes feels like there was a frustrated noir writer in the writers’ room, and they have their fingerprints on this season as well. “Honor Among Thieves” is straight-up noir, and “Wrongs Darker than Death or Night” leans hard in the same direction. It’s as uninterseting now as it was before.
But this season also has some great episodes at the other end of the scale. The best of the season is “One Little Ship,” at 9, in which a miniaturized Dax, Bashir, and O’Brien in a miniaturized runabout help rescue the Defiant from being captured by the Jem’Hadar. It’s a fun episode that gives all the characters something to do and nicely balances the silliness of its main conceit with the seriousness of the ongoing war plot. Two more episodes that also strike a good balance between goofiness and gravity are “You Are Cordially Invited” and “The Magnificent Ferengi,” both at 8.5. In “You Are Cordially Invited,” the weighty question of whether Worf and Dax can make it as a couple despite their differences is interwoven with Klingon wedding rituals that are as gloriously over the top as you would imagine. “The Magnificent Ferengi” finds Quark, Rom, Nog, and some of our other favorite Ferengi mounting a rescue operation when their Moogie is captured by the Dominion, and it goes both hopelessly wrong and delightfully right.
For all that Deep Space Nine is remembered as the dark, gritty version of Star Trek, filled with tension and war, it has also given us some of the goofiest, most wonderfully weird episodes of the franchise.
Image: Little O’Brien and Little Dax contemplate big problems on the Defiant, from “One Little Ship” via IMDb
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