Black Panther Reaction Links

Sharing links to and quotes from some reaction pieces on the Black Panther movie adaptation.

Brandon O’Brien at Tor.com: “Building Bridges: Black Panther and the Difference Between Rage and Revolution”

“[Nakia]’s been doing it all alone, with no backup, even insisting on not being disturbed as she trots about the globe, righting capitalist neo-imperialist wrongs through her own wits. Nakia sees the value of providing a more lasting sense of peace for the disenfranchised, and knows that the late stage of that goal requires the commitment of Wakanda—not to wage war on other countries, but to seek out the downtrodden and lift them up and out of struggle. In her first scene in the film, she even has the empathy to see a child soldier as a boy first and an aggressor second, preferring to send him back home than to fight him.”

 

Brandon O’Brien at Tor.com: “‘Who are you?’: Black Panther and the Politics of Belonging”

Black Panther, however, is a revolution. Not merely in the sense that “it is revolutionary to see blackness this way,” though it is. But also in the sense that this movie is a revolutionary dialogue. […]

“Most of the introductions in the film happen in a very particular way. When Wakandans ask each other ‘Who are you?’, it happens not with any distrust or confusion, but with a display of pride. They are asking you to confess yourself, to admit that you are one of their own with the gusto of someone who deeply values what that means. You get to be someone. You get to be.”

 

Bridget Boakye at Face 2 Face Africa: “The Legendary Dahomey Amazons Are the Real-Life All-Women’s Army in Black Panther

“In the 1800s, there was an all-female army in modern-day Benin that pledged a similar loyalty to the throne [as Dora Milaje did]. They were known as the Dahomey Warriors and were praised for their bravery and strength by local leaders and European colonizers alike who encountered them.”

 

Chika Oduah at The Root: “Audiences Across Africa Hail Black Panther for Humanizing Black Characters”

“For many Africans, the film brought to the big screen a reality that they see every day—the Basotho blankets the warriors used as a protective shield, the queen’s Zulu hat, the ochre-dyed locks of the Himba, the flowing fabrics of the Wolof. It was the sheer Pan-Africanism of it all that astounded me. The cinematic display of the diversity of Africanness was beautiful.”

 

Damon Young at Very Smart Brothas / The Root: “Yet Another Reason Why Shuri From Black Panther Is the Greatest Disney Princess Ever”

“In the last half of the movie alone, [Shuri] saved a man’s life—even if the man was ‘another broken white boy.’ She guided said primitive white boy on how to use the advanced technology she created, which ultimately helped save the entire planet from mass war and anarchy. And then she went out and literally fought (and held her own for a while) against a supervillain. Cinderella ain’t got shit on her. [original emphasis]”

 

Emily Asher-Perrin at Tor.com: “Why Are You Reading Reviews About Black Panther When You Could Be Watching Black Panther?”

“You could call it Shakespearean, you could call it mythic, but that’s not where the film lives. It’s not about the broad strokes, it’s about the details. It’s about all the little choices in concert, creating something brand new, and creating it on a scale that cinema has never seen before.”

 

Karlton Jahmal at Hot New Hip Hop: Black Panther‘s Killmonger Is the Best Supervillain Since The Dark Knight‘s Joker”

“[T]he emotion that Michael B. Jordan left me with was more powerful than anything I’ve felt at the movies. That painful rage, that feeling of angst that builds up when the topic of slavery or Jim Crown is brought up. That acrimonious tension that resonates in my gut when I see videos of police brutality or ignorant politicians fueling a race war. That feeling was replaced. A resolve, a euphoric feeling of relief spread from inside me instead.”

 

Liz Bourke at Tor.com: “Sleeps With Monsters: The Women of Black Panther Are Amazing”

“It’s also a film that, while it centres on a man—and on questions of kingship, legitimacy, and responsibility—is the first superhero film I’ve ever seen to surround its main male character with women who are in many ways equally powerful, and who don’t depend on him for purpose or characterisation. No, seriously: this is the first superhero film I’ve ever seen—maybe the first SFF film I’ve ever seen—where pretty much the hero’s entire back-up team, his entire support network, were women. Women who teased him and challenged him and demanded he do better.”

 

Samuel James at Black Girl in Maine: “The Reality of Blackness in the Fiction of Black Panther

“[…] Black Panther shows Black characters in an unusual way. In the movie, not only are we not drug dealers and pimps and rapists, we are intellectuals and leaders and heroes—but not only are we intellectuals and leaders and heroes, we multifaceted and complicated. We are human. Black Panther celebrates the humanity of Blackness.”

 

Shay Stewart Bouley at Black Girl in Maine: “A Film and the Affirmation of Blackness… My Musings on Black Panther

“In a world that centers all things white, whiteness and proximity to whiteness, a blockbuster film that centers Blackness and uplifts Black women is a much-needed paradigm shift. It is not just a new way to re-envision our world through the lens of Afro-futurism but it is also an opportunity to take stock of the Nakia’s, Okoye’s and Shuri’s who are already in our midst but who are often overlooked. I imagine a world where a Black woman won’t feel that she is traveling life without a roadmap as an anomaly but instead will know that she is another in a long line of changemakers because Blackness will not be relegated to the margins.”

 

Finally, a great video clip where co-writer and director Ryan Coogler breaks down a section of the casino fight scene:

Black Panther’s Director Ryan Coogler Breaks Down a Fight Scene | Notes on a Scene | Vanity Fair

(Our random thoughts on the movie are here.)

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Some Random Thoughts on Black Panther

In no particular order. Spoiler warnings in effect.

Erik’s random thoughts:

  • This is the movie that Thor was trying to be: a Shakespearean family drama about an exiled hero coming to terms with the destiny of his people and his father’s failures in the midst of a gorgeous futuristic city-state. (On a side note: does anyone actually remember the original Thor movie or have we collectively agreed that the franchise starts with number 3?)
  • I love the architecture of Wakanda. It looks like the product of thousands of years of African tradition with the highest of modern technology, just as it should.
  • Even for a fantasy of African exceptionalism, the story does not shy away from the bitter real history of imperialism, exploitation, slavery, and its modern-day consequences, and the movie is richer and stronger for it.
  • Shuri is awesome. Her combination of flippancy in the face of tradition, passion for technological tinkering, and powerful love for her family and home make her a delight to watch. I think she’s my favorite character in the whole movie, and that’s not an easy pick in this one.
  • Could we have T’Challa and Shuri take over the Tony Stark role in the Marvel Universe, please? I appreciate what Iron Man did to kickstart the MCU and hold the early installments together, but I’ve had enough of him now. I honestly don’t think I can handle one more movie about Tony Stark’s emotional issues. T’Challa can be the guy in the super suit who cracks wise while leading the fight and Shuri can be the tinkerer who keeps upgrading everybody’s gear.
  • Even in a franchise that includes a movie about waking up one morning to discover that literal Nazis have taken over the US government, Black Panther feels like the movie we most need in 2018: a meditation on the temptations of division, resentment, and revenge and the hard choice of embracing a flawed and fractured world with hope. As crucially as Black Panther contributes to the representation of black people in genre media—and by Bast it does—it has a lot to say outside the dialogue of race as well.
  • For the record: as a white man, I have no problem whatsoever identifying with the characters of this movie. I’m not talking about Martin Freeman’s Everett Ross, either—Zuri is my guy.

 

Eppu’s random thoughts:

Note: These thoughts are based on one viewing. I’m fully aware that some of them are just scratching the surface and that I need to see the move (at least!) a second time and mull things over properly.

  • If I had to use one word to describe Black Panther, on a meta level it would be confelicity: I am so, so, SO glad for those black people who are exited, overjoyed, and exhilarated over seeing a full cast of people that look like them acting with grace and agency, not minimized but celebrated! On a story level, I’d use equality.
  • I knew from reading non-spoiler reviews beforehand that the movie passes the Bechdel test, so I didn’t even bother tracking it. It was very nice not to have to care.
  • If it was nice not to have to care about whether the Bechdel test passes or not, it was outright GLORIOUS to see that WOMEN ARE PEOPLE in their own right, with their own interior lives, not just breasts and posteriors for men to ogle. And such a spread of different women, too, each doing their thing according to their interests and skills. Because that’s who we are, and what we do, and have done for millenia, and it’s damn time that the self-absorbed, able-bodied, white cis hetero men in Hollywood respected that. (Yes, I know that the Black Panther team behind the camera included many, many people of color, including women, but that’s not the default, is it.)
  • And of course it’s not just that women are people in their own right, but that there are so many diverse black women. Have you any idea what a disservice (to put it mildly) your typical Anglo-American fiction does to women of color, especially black women? I didn’t until I started paying attention. It’s atrocious and shameful.
  • Black Panther was visually beautiful. Beautiful! It was so beautiful my brain experienced a moment of “this looks wrong” when stepping out of the movie theater into the dim and snowless February evening in Massachusetts.
  • Also, the sets and costumes were breathtaking just like I thought. Everything looked like it was produced by a living culture, with layers of history and development alike.
  • OMG, the tech. Those dragonfly helicopters! Attack rhinos! I kinda want those 3d phone calls! No—scratch that. The maglev trains and über-advanced health care. Like now.
  • The opening sequence (T’Chaka voiceover telling a story to young T’Challa) and the end credit visuals I thought nodded back to the superhero fight statue end credits for Avengers: Age of Ultron. Yet neither ever lost sight of the fact that they were for and about Black Panther.
  • A superhero movie with a male lead confident and mature enough to listen to others ROCKS! (Hat tip to Justina Ireland for pointing out T’Challa’s ability to listen as a core personality trait.)
  • I liked Martin Freeman’s character Everett Ross in this movie. He started with “I know what I’m doing, piss off little people” claptrap. In Wakanda, however, he quickly—and without too much whining—realized how out of his depth he was and spent a good while looking and listening and learning. In the final battle, he redeemed himself to some extent in my eyes when he hopped back into the fighter jet holo-interface to destoy the final cargo plane after he’d discovered that the base he was sitting in was under attack and that there was less than a minute before the gunfire broke through. And never, ever was he written or played as a Mighty Whitey.
  • It was also good to see a thoroughly accomplished man (T’Challa) grapple with impostor syndrome (not ready to be King). We don’t see or hear much of that; mostly it’s women who are saddled with it in the public discussion.
  • I liked T’Challa’s relationship with the rest of his family members, but I LOVED every moment between him and Princess Shuri. They so clearly love and respect each other as equals—with different skill sets, sure, but equals nevertheless—plus jostle around like real-life siblings.
  • Finally, all of the acting was so good. I won’t miss Andy Serkis’s character. At. All! Props to Serkis, his incredible performance made the dude truly terrifying and disgusting, but I’d rather watch the competent and kind Africans, thank you.

Shuri and T'Challa gif

Images: Black Panther poster via IMDb. Shuri and T’Challa gif via media.riffsy.com.

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Black Panther Opens Today!

Black Panther opens today, finally! Like I said elsewhere in a comment, every poster, clip, and trailer looks more and more awesome.

Tumblr Mark Ruffalo Black Panther Dolby Cinema Poster

And tomorrow we get to see the movie! So excite!

Kermit Flail

Images: Black Panther Dolby Cinema poster via Mark Ruffalo on Tumblr. Kermit flail via Walker—Bait on Tumblr.

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Some Random Thoughts on Thor: Ragnarok

In no particular order. Spoiler warnings in effect.

  • This is so much better than either of the previous Thor movies. Apparently goofy comedy smashfest is a better mode for space-Viking superhero movies than Shakespearean family drama is.
  • Chris Hemsworth’s performance in this movie is about halfway between his previous Thor performances and his performance in Ghostbusters. It works.
  • This wacky colorful space opera works for me so much better than the Guardians of the Galaxy movies. I seem to be in a minority position, but I hated Guardians of the Galaxy, both times, though not for the wacky colorful space opera parts. What I hated was the arrogant, incompetent male “heroes” and the misogyny-as-comedy. Without those things, I’m totally down for the wacky colorful space opera.
  • Cate Blanchett and Tessa Thompson both give brilliant performances. Maybe someday—hopefully someday soon—we can get a superhero movie with more than two leading roles for women.
  • Korg was amusing, and I can tell Taika Waititi had a blast playing him, but he really felt unnecessary most of the time. The same can be said for Doctor Strange (although, to be fair, the whole Doctor Strange movie franchise feels a bit unnecessary to me).
  • After the last few Marvel movies, we now have Captain America without his shield, Iron Man without a reactor in his chest, and Thor without his hammer. It’s going to be interesting to see how these characters develop without some of their iconic accouterments.
  • A fun romp with good jokes, exciting fights, and beautiful visuals is pretty much exactly what I needed right now, so thank you, Marvel!

 

Additional thoughts by Eppu

  • As a rule of thumb, I don’t care a whit whether the Marvel Cinematic Universe Thor matches the comic books Thor canon, or even Nordic mythology. There was fairly good consistency, story-wise. However, I’m not sure what to think of the decision to crank up the humor to eleven. I enjoyed the movie a lot, yes, but if memory serves, stylistically it deviates quite a bit from the two previous ones, and that seems to be deviating from the MCU convention. I’m still mulling it over.
  • The design for the trash planet Sakaar was refreshingly different. Colors!
  • Two plotholes stood out (or I missed the explanation because there were no subtitles): 1) Thor and Hulk inexplicably left their arena fight in the middle of action, and were all buddy-buddy afterwards. 2) The gladiators were railroaded to Asgard on their stolen spaceship. Um, I thought they started a revolution…? (If it’s a revolution, you stay; if not, it’s an escape.)
  • It was great to see so many women in the background, and two big speaking roles for women, but I want more. And not just girlfriends, or wives, or hookers, or fridged corpses. More women as people in their own right! More women speaking! More women! MORE WOMEN!

 

Recommended reading

Dan Taipua at The Spinoff reveals the Maori / New Zealander mentality hidden in T:R.

Emily Asher-Perrin’s writeup at Tor.com on all the three Thor movies is really good.

Taika Waititi: Paying It Forward on Thor: Ragnarok (found via Good Stuff Happened Today on Tumblr)

Image: Still from Thor: Ragnarok via IMDb

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Thor: Ragnarok Trailers

Good grief, it’s November already! For some reason, the fall always gets away from me, but this year it’s felt even faster than usual. It’s now only two(!!!) days till Thor: Ragnarok opens! Here are the teaser trailer and the official trailer:

Thor: Ragnarok Teaser Trailer [HD] by Marvel Entertainment

“Thor: Ragnarok” Official Trailer by Marvel Entertainment

I’ve long thought that the Thor movies have been the least succesful Marvel Cinematic Universe stories. In fact, excepting the hilarious sequence in Thor: The Dark World where Mjölnir flies between realities through the portals, both were quite deplorable. I hope writers Eric Pearson, Craig Kyle, and Christopher Yost plus director Taika Waititi can change that.

Sidenote: every time I see the teaser trailer with Led Zeppelin’s “Immigrant Song”, all I can think of is…. VIKING KITTENS! Aaaaaaaaa-ah!

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Black Panther Official Trailer

The Black Panther official trailer dropped yesterday and it’s looking mighty shiny:

Marvel Studios’ Black Panther – Official Trailer by Marvel Entertainment

Judging by this trailer and some of the tidbits we saw in the teaser trailer, this might well be the visually most astounding Marvel Cinematic Universe movie to date. (And that’s saying something, since we’ve visited Thor, Loki et al.’s domain and the deep corners of space…) Also, the Wakandan design ethos looks deep—like it rises from a long line of traditional crafts still practiced, and acknowledges the country’s history. Wonderful!

Four months to go.

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Black Panther Poster & Trailer

A little more news on the Marvel Cinematic Universe movie Black Panther trickled out from San Diego Comic-Con. At this writing, the SDCC trailer hasn’t been released outside the con yet, but I’m hoping it’ll be out soon.

Meanwhile, we have this gorgeous poster to tide us over:

Tor com BPPoster

And, since apparently I didn’t post this before, here’s the teaser trailer:

Black Panther Teaser Trailer [HD] from Marvel Entertainment

It looks so amazing! Good thing February 2018 is just six and a half months away.

Image: Marvel Studios via Tor.com

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Spider-Man: Homecoming Trailer

It’s six months till (yet another) Spider-Man reboot drops. The first trailer for Spider-Man: Homecoming has been out for a few weeks, and it’s looking cool:

FIRST OFFICIAL Trailer for Spider-Man: Homecoming via Jimmy Kimmel Live

Very MCU! There’s one thing that I very much hope: that Tony Stark will only be making a cameo. I’m so, so thoroughly done with that character already. Instead, I’d love to see other faces get more attention now, kthxbye.

So, I’m still not entirely sure whether I want to see it, because Spidey’s never been that interesting to me and there’s the possibility of Stark overload. I guess it’ll depend on how movie-deprived I’m feeling come July.

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Captain America: Civil War and Red Herring Overload

170105civilwarWhen I saw Captain America: Civil War in the theatre, something bothered me about the story. It’s not that I didn’t like it. I find Civil War one of the best, most polished films in the Marvel Cinematic Universe. In my headcanon, Civil War is the actual Avengers 2 while Age of Ultron is Iron Man 4 at best. But still, something about the story just bugs me and the first couple times I saw the movie I couldn’t put my finger on it. (To be fair, that movie gave us plenty to talk about.) Now that it’s out on DVD and I’ve gotten to see it a few more times, I think I can name the problem: red herring overload.

Here’s what I mean. Going into the movie, having seen the trailers, you think it’s going to be about Steve Rogers / Captain America and Tony Stark / Iron Man having a falling out. But it isn’t.

Then the movie starts and you think it’s going to be about Bucky Barnes / the Winter Soldier. But it isn’t.

Then you think it’s going to be about the blue goo in Howard Stark’s trunk. But it isn’t.

Then you think it’s going to be about a stolen vial of disease. But it isn’t.

Then you think it’s going to be about the Sokovia Accords. But it isn’t.

Then you think it’s going to be about Steve’s relationship with Bucky. But it isn’t.

Then you think it’s going to be about T’Challa’s quest for revenge and his rise as a hero. But it isn’t.

Then you think it’s going to be about Zemo and his all-new all-different gang of Winter Soldiers. But it isn’t.

Then you think it’s going to be about the Avengers splitting up over different ideas of what it means to be a hero. But it isn’t.

Finally, finally, at the end of the movie, we discover what it’s actually been about all along: Tony Stark’s unresolved emotional issues.

I still think that Civil War is an excellent movie and one of the highlights of Marvel’s cinematic work, but this is a serious weakness in its writing. Not only did we not really need another movie about Tony’s unresolved issues (we’ve got four already), but it deflates the narrative power of the story to have so much of the plot either fizzle out or just be left hanging at the end. By the end of the movie, the mantelpiece is littered with unfired guns and instead we get to watch two exhausted, angry men slug each other.

Maybe, if this had been a different movie, that would have been a satisfying ending. But it wasn’t.

Image: Captain America: Civil War still via IMDb

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Random Thoughts on Doctor Strange

161107strangeIn no particular order. Spoiler warning in effect.

  • Doctor Strange is a perfectly good movie, but not the great movie I hoped it might have been. This year, and this fall in particular, have been so lacking in entertaining movies, though, that I’ll happily take “perfectly good.”
  • In terms of narrative structure, character arcs, and facial hair, this was pretty much just Iron Man with magic instead of tech. Iron Man was great, and if anybody can both live up to Robert Downey Jr.’s Tony Stark and at the same time make his version of the insufferable arrogant genius not feel like a poor copy, it’s Benedict Cumberbatch, but I still feel like I’ve seen this movie enough times already.
  • Speaking of insufferable arrogant geniuses, it’s been noted that Cumberbatch is already pretty adept at playing them. Which he is, but his Dr. Strange is, again, a distinctly different kind of insufferable arrogant genius from his Sherlock Holmes. Cumberbatch doesn’t just do insufferable arrogant genius well, he does it with specificity and nuance, which is what makes him such a great actor.
  • Speaking of great acting, Tilda Swinton’s Ancient One is a delight to watch: mysterious without being obscure, playful without being childish, dangerous without being menacing. She and Strange play off one another beautifully.
  • The erasure of Asian people from their own culture and history is a problem, one to which this movie has contributed. This and the above are both true; neither one negates the other.
  • Speaking of erasure, it’s really rather pathetic that there are only two female characters in this movie. One of them dies and a cape has more of an independent story than the other one. Marvel has seriously got to do better.
  • Chiwetel Ejiofor is playing his Serenity character in reverse.
  • The magic in this movie is a beautiful combination of movement and color. This is what magic should look like in film.

Image: Doctor Strange poster via IMDb

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