Rating: Marvel Cinematic Universe, Phase 1

We’ve taken a bit of a swerve in our rewatching and rating project. In between tv series, we’ve decided to take a run at the Marvel Cinematic Universe. Here’s our take on Phase 1:

  1. Iron Man – 7
  2. The Incredible Hulk – 2
  3. Iron Man 2 – 6
  4. Thor – 4
  5. Captain America: The First Avenger – 8
  6. The Avengers – 10

It’s a bit of a mixed bag. The overall average is 6.2, which is perfectly respectable, but the range is all over the place, from pretty bad to meh to awesome.

You can tell that Marvel was still figuring out how to make not only a new kind of superhero movie but a new kind of movie franchise. The early installations are stand-alone, fairly slow-paced, and self-contained. We can still remember how exciting it felt to have a minor character like Agent Coulson pop up in multiple movies that weren’t sequels. Nowadays we don’t even get out of bed for a Marvel movie that doesn’t have at least three tie-in characters and a place in the ongoing arc of the Phase.

The Incredible Hulk, the largely forgotten Marvel movie, is on the bottom of the heap at 2. Formulaic and uninspired, the story drags itself from one obligatory action scene to another. Having seen Mark Ruffalo’s take on Bruce Banner, Edward Norton feels flat and unsympathetic. So much backstory is assumed that this movie feels like a sequel to something we’ve never seen (it takes care not to step on Ang Lee’s previous Hulk movie without actually picking up on its story in any meaningful way). Although there are some bright spots in this movie, like the visually thrilling foot chase through a Brazilian favela, you can see why we haven’t gotten another stand-alone Hulk movie.

We’re lucky that Marvel hedged its bets on launching the MCU with two movies instead of just one. Iron Man delivers much of what The Incredible Hulk lacks. While the story is still relatively straightforward and follows a predictable Hollywood three-act structure, it is more competently handled and more subtly embellished than Hulk. We get to see Tony Stark tinker and iterate not only on his suit designs but on his ethics and sense of self, which is makes his character much more interesting to watch than Banner, who has no real character development in his own movie. Robert Downey Jr. sells the character of Tony Stark as a flawed genius grappling with the consequences of his own choices.

Iron Man 2 carries on the good work of the original without adding much to it and begins the unfortunate trend of Marvel movies whose plot is driven by Tony Stark’s emotional issues. Thor has some beautiful art design and fun character moments, but mostly ends up feeling like the product of too many compromises.

Captain America: The First Avenger delivers a solid origin story not only for its eponymous hero but for the whole Marvel universe as well. With an alternate-version World War II dominated by Hydra’s experiments with cosmic technology and an American super soldier, the ground is prepared for a modern world of superpeople. Chris Evans’s performance takes a character who could be flat and sanctimonious and makes him charming.

But it is The Avengers, at a full 10, that crowns Phase 1. Joss Whedon’s last great work before his descent into self-satisfied mediocrity, The Avengers is a superhero movie that takes not only the idea of superheroes but the idea of a superhero movie seriously. The characters have both emotional depth and clear motivations. Their conflicts arise not from plot contrivance but from conflicting world-views and emotional needs. And they smash alien monsters together real good.

Got a different take on Marvel’s first hexalogy? Let us know in the comments!

Image: Still from The Avengers via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

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Some Random Thoughts on Ant-Man and the Wasp

In no particular order. Spoiler warnings in effect.

Erik’s random thoughts:

  • This was an excellent follow-up to the original Ant-Man, making the story deeper and more complex while keeping the wild fun caper tone.
  • As others have noted, it really should have been called The Wasp and Ant-Man. It’s Hope’s movie. Scott is the sidekick this time around, and that’s great.
  • Although Hope’s Wasp suit is form-fitting, it doesn’t overtly sexualize her in the way a lot of other Marvel women’s costumes do. The same goes for Ghost’s suit. I hope this is a sign of things to come.
  • Luis on truth serum (“It’s not truth serum”) may be the funniest thing to come out of the MCU yet.
  • In a media landscape oversaturated with father-son stories, it was a very welcome change to have a movie about fathers and daughters, husbands and wives, mothers and daughters, and found family, with nary a father-son story in sight.

 

Eppu’s random thoughts:

  • I found Ant-Man & the Wasp more enjoyable than Ant-Man (which I did like!) in many respects. The pacing felt more even, the villain slightly less corny, the cinematography as good or better, to mention a few.
  • AM&tW also felt more aware of itself in that it actively upended or joked about some conventions (e.g., some of the chase sequences, the long-running truth serum gag, even the name of Scott and Luis’ security company).
  • The antagonist setup was refreshingly different. Instead of one ham hock of a megalomaniac we’re treated to two forces grappling with Scott, Hope, and Hank: a woman trying to cope with years of pain and exploitation, plus a wannabe megalomaniac more in line with the usual cheesy MCU villain. Thankfully, the latter is used sparingly and isn’t allowed to lord it over everyone else.
  • The action sequences did so many funny and inventive things with size. I’ll also hazard a guess that the studio has improved their software since Ant-Man—at least to my untrained eye, the CGI looked smoother.
  • I loved how Cassie, Maggie, and Paxton’s family unit had—literally—embraced Scott. His cardboard fort / tunnel system treasure hunt with Cassie was so awesome! We tend not to see enough fathers enthusiastically play with their daughters on the big screen, let alone in superhero movies, so a big Thank You to the writing team for that.
  • I also loved the amount of screentime Hope got, and that there was no father-son story but a mother-daughter one and two father-daughter stories. You could even argue that Bill and Ava’s relationship amounted to an adoptive/adopted parent-child one (for the lack of a better term), or was moving in that direction by the end.
  • It was a funny flick, too. I sniggered all the way through.
  • Michael Peña’s Luis—oh, man! I don’t know how he can deliver the hyperspeed lines so fluently. He’s amazing! It was also nice to see how the ex-con gang worked together and that Dave and Kurt got a bit more development.
  • There’s one detail that stuck to my mind as a little too close to railroading: the countdown clock on Janet’s rescue window. Although, there’s plenty of Pym particle physics that’s merely handwaved aside, so it’s not like it’s alone in the MCU.
  • Finally, my two cents on the two stingers. The first one gave me the kind of genuine “Oh, shit” reaction that the end of Infinity War wasn’t able to. The second stinger felt cheaper, almost perfunctory.

Image: Ant-Man and the Wasp poster via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Is Coming to the Smithsonian African American Museum

Earlier this year, the Smithsonian African American Museum of History and Culture screened the superhero movie Black Panther as part of their programming.

Smithsonian African American Museum Black Panther Hero Suit

Now the museum has plans to incorporate the movie into their collections in a larger way:

“The museum acquired several objects from Disney’s record-breaking film Black Panther, including the hero costume worn by actor Chadwick Boseman; a shooting script signed by Ryan Coogler (co-writer; director), Kevin Feige (producer, president of Marvel Studios), Nate Moore (executive producer) and Joe Robert Cole (co-writer; producer); two pages of spec script; and 24 high-resolution production photographs. Plans for display of the objects are under consideration by the museum.” […]

Black Panther is the first superhero of African descent to appear in mainstream American comics, and the film itself is the first major cinematic production based on the character. Black Panther illustrates the progression of blacks in film, an industry that in the past has overlooked blacks, or regulated them to flat, one-dimensional and marginalized figures. The film, like the museum, provides a fuller story of black culture and identity.”

Interesting! “Plans for display … are under consideration” definitely sounds like museum speak for planning a permanent exhibit. 🙂 In the meanwhile, the collection spotlight blog post, “Wakanda to Smithsonian”, includes a few images of the Black Panther hero costume (armor) on the premises.

Found via File 770.

Image by The Smithsonian National Museum of African American History and Culture

Ant-Man and the Wasp Trailers

Ant-Man and the Wasp opens July 06, 2018—in about ten days! I didn’t know anything about Ant-Man going into the first movie, and I liked it a lot more than I thought I would. Just on the basis of that, I have high hopes for AM&tW.

This French poster certainly rocks:

IMDB Ant-Man and the Wasp French Poster

Here’s the trailer from January:

Marvel Studios’ Ant-Man and the Wasp – Official Trailer #1 by Marvel Entertainment

And one from the beginning of May:

Marvel Studios’ Ant-Man and The Wasp – Official Trailer by Marvel Entertainment

Basically the new one is the same as the January trailer except with more info. Still looks like great fun, though.

As for favorite side characters, Michael Peña returns as Luis, Judy Greer as Maggie Lang, and Abby Ryder Fortson as Cassie Lang—it’ll be great to see them all. Laurence Fishburne makes a first-time appearance as Dr. Bill Foster / Goliath. I didn’t realize that Michelle Pfeiffer is in the movie, too—cool cool cool. Hannah John-Kamen I haven’t seen before even though she’s been in Ready Player One and Game of Thrones; at least I don’t remember spotting her as a First Order officer in The Force Awakens.

Also, I just want to officially say that the GINORMOUS HELLO KITTY PEZ DISPENSER IS SO AWESOME! 🙂 😀

Image: Ant-Man and the Wasp poster via IMDB

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Gender-Flipped Black Panther

One of the great things about Black Panther is that it allows plenty of room for both male and female characters, but what if we flipped them? Here’s our imaginary cast for a gender-flipped Black Panther.

Halle Berry as T’Challa / Black Panther

Taraji P. Henson as Killmonger

Jon Michael Hill as Nakia

Idris Elba as Okoye

Emily Blunt as Eve Ross

Alfre Woodard as W’Kabi

Donald Glover as Shuri

LA Weekly Donald Glover

Ann Wolfe as M’Baku

IMDB Ann Wolfe in Wonder Woman

Whoopi Goldberg as Zuri

IMDB Whoopi Goldberg in Ghost

Denzel Washington as Ramonda

IMDB Denzel Washington in The Book of Eli

Amanda Abbington as Penelope Klaue

Fandom Observations Amanda Abbington in Sherlock

Viola Davis as T’Chaka

The Hollywood Gossip viola-davis-at-the-2015-oscars

Images: Halle Berry in Perfect Stranger via IMDB. Taraji P. Henson in Empire via IMDb. Jon Michael Hill in Elementary via IMDb. Idris Elba in Pacific Rim via IMDb. Emily Blunt in The Five Year Engagement via IMDb. Alfre Woodard in Luke Cage via IMDb. Donald Glover via LA Weekly. Ann Wolfe in Wonder Woman via IMDB. Whoopi Goldberg in Ghost via IMDB. Denzel Washington in The Book of Eli via IMDB. Amanda Abbington as Mary Watson in BBC’s Sherlock via Fandom Observations. Viola Davis at the 2015 Oscars via The Hollywood Gossip.

Creative Differences is an occasional feature in which we discuss a topic or question that we both find interesting. Hear from both of us about whatever’s on our minds.

Some Random Thoughts on Avengers: Infinity War

In no particular order. Spoiler warnings in effect.

Eppu’s random thoughts:

I went in knowing nothing for sure and having read only non-spoilery impression pieces and bits of barely-even news. A heads-up: half-baked musings to follow, plus at least one f-bomb.

  • You must know the previous Marvel Cinematic Universe movies to follow the Avengers: Infinity War story—none of the characters or their histories are introduced. Which makes sense: the previous movies are all in their way leading to AIW, and there’s no way you could introduce everyone and still have enough time left for a new story. Good for fans, not so good for regular moviegoers.
  • Superhero stories aren’t fully my cup of tea, not like for instance Jane Austen is, but my inner nerd is very pleased to have such an unprecedented series of high-quality movies like this.
  • I knew AIW was going to be stuffed to the gills with details, dialog, and derring-do, and indeed it was. Yet, strangely, it felt like we were in a holding pattern throughout the movie. You can tell it’s just the first act of a two-parter.
  • I missed so many lines among the sound effects. How about some subtitling in the theaters, USA? They’re helpful for all sorts of people, not just the deaf and hard of hearing.
  • The death toll started climbing earlier and got higher than I thought, even before the ashing at the end.
  • The writers started pushing Vision and Wanda Maximoff together already in Civil War (which they also co-wrote) but I never could buy their relationship. It felt forced then, and it still feels forced in AIW.
  • My favorite scene is when Black Widow, Captain America, and Falcon turn up to help Scarlet Witch and Vision in Edinburgh. Such seamless teamwork—so awesome!
  • Another awesome thing: Spidey got a nano suit.
  • I know it’s not what the movie actually did, but there was so much of it that the fighting felt almost unending. On the other hand, they did a fairly good job balancing the multiple storylines / locations for such an overstuffed movie.
  • There’s still way too much Stark. Like Civil War, AIW‘s not supposed to be yet another Tony show but of course that’s what they’ve made it into. On the other hand, Iron Man and Doctor Strange worked pretty well together despite—or maybe due to?—both being rich entitled jerks. In a way, they almost canceled each other out.
  • Also, the annoying git otherwise known as Peter Quill was pleasantly diluted by the presence of so many other characters. That man-child needs to fucking grow up. (Unpopular opinion: the Guardians of the Galaxy movies barely made it to “Meh” and certainly didn’t rise beyond.)
  • AIW did some unusual character pairings that worked really well: Stark and Strange plus Thor and Rocket come immediately to mind. Rhodey and Sam had a few promising moments while handling air defence during the Wakandan fight, but it didn’t amount to much.
  • Sadly, pretty much all of the Black Panther characters felt tacked-on and not properly integrated. However, it was marvellous to be back in Wakanda. We barely saw Shuri, though, and that’s just plain wrong. (Imagine her and Peter Parker geeking about tech together!)
  • OMG, Nat and Okoye and Wanda teaming up! Give me a buddy movie for those three any day! And throw in Maria Hill, too, please!
  • Another great thing was the deliberate refusal to overuse the Hulk. Instead, they gave Banner a suit version of Veronica the Hulk-buster.
  • Others have noted this, too, but some of the special effects looked clunky and unfinished (especially next to the finished ones). Many of Proxima Midnight’s scenes were affected, for example. (Speaking of her—was anyone else reminded of demon hunters from WoW?)
  • Considering how much Doctor Strange did in his eponymous movie, he contributed seemingly little to the world’s defense. I suspect we’ll see a lot more of his magic in part 2; what shape that takes remains to be seen. Especially since so many popular characters were turned to ash (like Spider-Man who we know will return in a sequel of his own next year), we cannot but see a lot of un-ashing.
  • What ultimately turned me off reading super comics is what I call the escalation-squish cycle: the tendency to time and again up the stakes ridiculously high, kill or shelve multiple characters, destroy cities or planets or whatnot, and then undo everything with a gimmick of the month. There’s only so much of it that I can take. Unfortunately it seems MCU may be headed in that direction. I hope not.
  • Major grumble here: Whose stupid-ass idea was it at the this-really-is-the-end fight to have our heroes go at Thanos one at a time, in a stupid-ass single-file? They’re not that dumb. Stupid-ass, lazy railroading. *grumble!*
  • I knew beforehand that AIW would end with a cliffhanger. I guess I was expecting the ending to be a bit more explosive and not as quiet as it was.

In the end, AIW just wasn’t as good as I wanted it to be. Here’s hoping part 2 will pick up the slack.

 

Erik’s random thoughts:

To a certain extent, it feels unfair to be critiquing Infinity War at this point, since we’ve only seen half the story. Still, my overall reaction is disappointment. There are some particular reasons for this feeling, which I’ll try to lay out here.

  • Most of the movie is spent watching characters flail around, trying to respond to a desperate situation and not accomplishing much. Even when it looks like one character or group of characters has taken a small step towards posing a meaningful challenge to Thanos, their gains are quickly nullified. While it’s true that some amount of failure is necessary for drama and there’s nothing interesting about watching heroes who only ever succeed, there’s nothing interesting about watching heroes who only ever fail, either.
  • A lot of the heroes’ failures feel unearned. Again, while it’s more common to complain about unearned successes, dramatically interesting failures need to be warranted by character and plot. Too much of the failure in Infinity War feels like it is driven by the writers’ desire to build up Thanos as a villain. It feels cheap.
  • Put these observations together with the fact that for there to be any MCU at all after part 2, much of what happened in part 1 will have to be undone, and a lot of the movie ends up feeling pointless. Why did we sit through all of this if none of it matters in the end?
  • Thanos is interesting as a villain. His motivating emotion is not anger or greed but sorrow and the desire to spare other people the anguish he and his planet went through. Still, we spent too much time listening to him monologue. In a movie already packed to overflowing with other characters, he took up too much air.
  • I never liked the Guardians of the Galaxy movies, but the way the team was written in this movie, I could see their appeal. Except for Peter Quill. He is still just as much of an impulsive, self-centered man-child as ever and I cannot stand one second of him. (To be fair, world events in recent years have severely depleted my patience with impulsive, self-centered man-children.)
  • For a movie that had such serious problems with its overall story, many of the individual scenes were beautifully written and perfectly acted. At the small scale, this movie works like a charm; it’s at the large scale that it falls flat.

Image: Avengers: Infinity War screenshot via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Our Top 5 MCU Movies to Date

Roxi tweeted a question, and we have answers!

 

Eppu here. My top five Marvel Cinematic Universe movies to date are:

  1. Black Panther
  2. Spider-Man: Homecoming
  3. The Avengers
  4. Captain America: Civil War
  5. Captain America: The Winter Soldier

My honorable mention is a tie between Ant-Man (which surprised me positively but ultimately won’t make the list due to the annoyingly large serving of ham for a villain) and Thor: Ragnarok (Jeff Goldblum was a fun villain but he shouldn’t overshadow the rest of the fantastic ensemble).

I see quite a bit of Captain America on my list. I didn’t think I’d be team Cap. I have to say, though, there’s an appeal in stories of someone trying to re-gauge their moral compass in a fast-paced, fast-changing world they’re scrambling to understand. (Hold on. That sounds like I might be… middle-aged?!? *LOL*)

Our Fav MCU Movies Poster Collage Sm

 

Erik here. My top five are:

  1. Avengers
  2. Black Panther
  3. Captain America: The First Avenger
  4. Captain America: The Winter Soldier
  5. Spider-Man: Homecoming

All of these movies have a clear and relatively straightforward narrative concept which is backed up by excellent design, direction, and acting. They are also all definitively superhero movies, unlike some of the other Marvel movies which are heist capers, space operas, or character studies that happen to have superheroes in them. As a whole, I think Marvel’s cinematic corpus is stronger for having the variety, but the movies I like best are the ones that face the superheroism of their main characters head on. (Also, as much as I appreciate Iron Man’s role in getting the Marvel Cinematic Universe started and holding the first couple of phases together, there’s only so much Tony Stark I can take at one sitting.)

We suspect our lists will look quite different after this summer (with AIW now and Ant-Man and the Wasp due in July), but we’ll see.

Want to chime in?

Images via IMDB: Ant-Man. The Avengers. Black Panther. Captain America: Civil War. Captain America: The First Avenger. Captain America: The Winter Soldier. Spider-Man: Homecoming. Thor: Ragnarok.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Reaction Links

Sharing links to and quotes from some reaction pieces on the Black Panther movie adaptation.

Brandon O’Brien at Tor.com: “Building Bridges: Black Panther and the Difference Between Rage and Revolution”

“[Nakia]’s been doing it all alone, with no backup, even insisting on not being disturbed as she trots about the globe, righting capitalist neo-imperialist wrongs through her own wits. Nakia sees the value of providing a more lasting sense of peace for the disenfranchised, and knows that the late stage of that goal requires the commitment of Wakanda—not to wage war on other countries, but to seek out the downtrodden and lift them up and out of struggle. In her first scene in the film, she even has the empathy to see a child soldier as a boy first and an aggressor second, preferring to send him back home than to fight him.”

 

Brandon O’Brien at Tor.com: “‘Who are you?’: Black Panther and the Politics of Belonging”

Black Panther, however, is a revolution. Not merely in the sense that “it is revolutionary to see blackness this way,” though it is. But also in the sense that this movie is a revolutionary dialogue. […]

“Most of the introductions in the film happen in a very particular way. When Wakandans ask each other ‘Who are you?’, it happens not with any distrust or confusion, but with a display of pride. They are asking you to confess yourself, to admit that you are one of their own with the gusto of someone who deeply values what that means. You get to be someone. You get to be.”

 

Bridget Boakye at Face 2 Face Africa: “The Legendary Dahomey Amazons Are the Real-Life All-Women’s Army in Black Panther

“In the 1800s, there was an all-female army in modern-day Benin that pledged a similar loyalty to the throne [as Dora Milaje did]. They were known as the Dahomey Warriors and were praised for their bravery and strength by local leaders and European colonizers alike who encountered them.”

 

Chika Oduah at The Root: “Audiences Across Africa Hail Black Panther for Humanizing Black Characters”

“For many Africans, the film brought to the big screen a reality that they see every day—the Basotho blankets the warriors used as a protective shield, the queen’s Zulu hat, the ochre-dyed locks of the Himba, the flowing fabrics of the Wolof. It was the sheer Pan-Africanism of it all that astounded me. The cinematic display of the diversity of Africanness was beautiful.”

 

Damon Young at Very Smart Brothas / The Root: “Yet Another Reason Why Shuri From Black Panther Is the Greatest Disney Princess Ever”

“In the last half of the movie alone, [Shuri] saved a man’s life—even if the man was ‘another broken white boy.’ She guided said primitive white boy on how to use the advanced technology she created, which ultimately helped save the entire planet from mass war and anarchy. And then she went out and literally fought (and held her own for a while) against a supervillain. Cinderella ain’t got shit on her. [original emphasis]”

 

Emily Asher-Perrin at Tor.com: “Why Are You Reading Reviews About Black Panther When You Could Be Watching Black Panther?”

“You could call it Shakespearean, you could call it mythic, but that’s not where the film lives. It’s not about the broad strokes, it’s about the details. It’s about all the little choices in concert, creating something brand new, and creating it on a scale that cinema has never seen before.”

 

Karlton Jahmal at Hot New Hip Hop: Black Panther‘s Killmonger Is the Best Supervillain Since The Dark Knight‘s Joker”

“[T]he emotion that Michael B. Jordan left me with was more powerful than anything I’ve felt at the movies. That painful rage, that feeling of angst that builds up when the topic of slavery or Jim Crown is brought up. That acrimonious tension that resonates in my gut when I see videos of police brutality or ignorant politicians fueling a race war. That feeling was replaced. A resolve, a euphoric feeling of relief spread from inside me instead.”

 

Liz Bourke at Tor.com: “Sleeps With Monsters: The Women of Black Panther Are Amazing”

“It’s also a film that, while it centres on a man—and on questions of kingship, legitimacy, and responsibility—is the first superhero film I’ve ever seen to surround its main male character with women who are in many ways equally powerful, and who don’t depend on him for purpose or characterisation. No, seriously: this is the first superhero film I’ve ever seen—maybe the first SFF film I’ve ever seen—where pretty much the hero’s entire back-up team, his entire support network, were women. Women who teased him and challenged him and demanded he do better.”

 

Samuel James at Black Girl in Maine: “The Reality of Blackness in the Fiction of Black Panther

“[…] Black Panther shows Black characters in an unusual way. In the movie, not only are we not drug dealers and pimps and rapists, we are intellectuals and leaders and heroes—but not only are we intellectuals and leaders and heroes, we multifaceted and complicated. We are human. Black Panther celebrates the humanity of Blackness.”

 

Shay Stewart Bouley at Black Girl in Maine: “A Film and the Affirmation of Blackness… My Musings on Black Panther

“In a world that centers all things white, whiteness and proximity to whiteness, a blockbuster film that centers Blackness and uplifts Black women is a much-needed paradigm shift. It is not just a new way to re-envision our world through the lens of Afro-futurism but it is also an opportunity to take stock of the Nakia’s, Okoye’s and Shuri’s who are already in our midst but who are often overlooked. I imagine a world where a Black woman won’t feel that she is traveling life without a roadmap as an anomaly but instead will know that she is another in a long line of changemakers because Blackness will not be relegated to the margins.”

 

Finally, a great video clip where co-writer and director Ryan Coogler breaks down a section of the casino fight scene:

Black Panther’s Director Ryan Coogler Breaks Down a Fight Scene | Notes on a Scene | Vanity Fair

(Our random thoughts on the movie are here.)

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Some Random Thoughts on Black Panther

In no particular order. Spoiler warnings in effect.

Erik’s random thoughts:

  • This is the movie that Thor was trying to be: a Shakespearean family drama about an exiled hero coming to terms with the destiny of his people and his father’s failures in the midst of a gorgeous futuristic city-state. (On a side note: does anyone actually remember the original Thor movie or have we collectively agreed that the franchise starts with number 3?)
  • I love the architecture of Wakanda. It looks like the product of thousands of years of African tradition with the highest of modern technology, just as it should.
  • Even for a fantasy of African exceptionalism, the story does not shy away from the bitter real history of imperialism, exploitation, slavery, and its modern-day consequences, and the movie is richer and stronger for it.
  • Shuri is awesome. Her combination of flippancy in the face of tradition, passion for technological tinkering, and powerful love for her family and home make her a delight to watch. I think she’s my favorite character in the whole movie, and that’s not an easy pick in this one.
  • Could we have T’Challa and Shuri take over the Tony Stark role in the Marvel Universe, please? I appreciate what Iron Man did to kickstart the MCU and hold the early installments together, but I’ve had enough of him now. I honestly don’t think I can handle one more movie about Tony Stark’s emotional issues. T’Challa can be the guy in the super suit who cracks wise while leading the fight and Shuri can be the tinkerer who keeps upgrading everybody’s gear.
  • Even in a franchise that includes a movie about waking up one morning to discover that literal Nazis have taken over the US government, Black Panther feels like the movie we most need in 2018: a meditation on the temptations of division, resentment, and revenge and the hard choice of embracing a flawed and fractured world with hope. As crucially as Black Panther contributes to the representation of black people in genre media—and by Bast it does—it has a lot to say outside the dialogue of race as well.
  • For the record: as a white man, I have no problem whatsoever identifying with the characters of this movie. I’m not talking about Martin Freeman’s Everett Ross, either—Zuri is my guy.

 

Eppu’s random thoughts:

Note: These thoughts are based on one viewing. I’m fully aware that some of them are just scratching the surface and that I need to see the move (at least!) a second time and mull things over properly.

  • If I had to use one word to describe Black Panther, on a meta level it would be confelicity: I am so, so, SO glad for those black people who are exited, overjoyed, and exhilarated over seeing a full cast of people that look like them acting with grace and agency, not minimized but celebrated! On a story level, I’d use equality.
  • I knew from reading non-spoiler reviews beforehand that the movie passes the Bechdel test, so I didn’t even bother tracking it. It was very nice not to have to care.
  • If it was nice not to have to care about whether the Bechdel test passes or not, it was outright GLORIOUS to see that WOMEN ARE PEOPLE in their own right, with their own interior lives, not just breasts and posteriors for men to ogle. And such a spread of different women, too, each doing their thing according to their interests and skills. Because that’s who we are, and what we do, and have done for millenia, and it’s damn time that the self-absorbed, able-bodied, white cis hetero men in Hollywood respected that. (Yes, I know that the Black Panther team behind the camera included many, many people of color, including women, but that’s not the default, is it.)
  • And of course it’s not just that women are people in their own right, but that there are so many diverse black women. Have you any idea what a disservice (to put it mildly) your typical Anglo-American fiction does to women of color, especially black women? I didn’t until I started paying attention. It’s atrocious and shameful.
  • Black Panther was visually beautiful. Beautiful! It was so beautiful my brain experienced a moment of “this looks wrong” when stepping out of the movie theater into the dim and snowless February evening in Massachusetts.
  • Also, the sets and costumes were breathtaking just like I thought. Everything looked like it was produced by a living culture, with layers of history and development alike.
  • OMG, the tech. Those dragonfly helicopters! Attack rhinos! I kinda want those 3d phone calls! No—scratch that. The maglev trains and über-advanced health care. Like now.
  • The opening sequence (T’Chaka voiceover telling a story to young T’Challa) and the end credit visuals I thought nodded back to the superhero fight statue end credits for Avengers: Age of Ultron. Yet neither ever lost sight of the fact that they were for and about Black Panther.
  • A superhero movie with a male lead confident and mature enough to listen to others ROCKS! (Hat tip to Justina Ireland for pointing out T’Challa’s ability to listen as a core personality trait.)
  • I liked Martin Freeman’s character Everett Ross in this movie. He started with “I know what I’m doing, piss off little people” claptrap. In Wakanda, however, he quickly—and without too much whining—realized how out of his depth he was and spent a good while looking and listening and learning. In the final battle, he redeemed himself to some extent in my eyes when he hopped back into the fighter jet holo-interface to destoy the final cargo plane after he’d discovered that the base he was sitting in was under attack and that there was less than a minute before the gunfire broke through. And never, ever was he written or played as a Mighty Whitey.
  • It was also good to see a thoroughly accomplished man (T’Challa) grapple with impostor syndrome (not ready to be King). We don’t see or hear much of that; mostly it’s women who are saddled with it in the public discussion.
  • I liked T’Challa’s relationship with the rest of his family members, but I LOVED every moment between him and Princess Shuri. They so clearly love and respect each other as equals—with different skill sets, sure, but equals nevertheless—plus jostle around like real-life siblings.
  • Finally, all of the acting was so good. I won’t miss Andy Serkis’s character. At. All! Props to Serkis, his incredible performance made the dude truly terrifying and disgusting, but I’d rather watch the competent and kind Africans, thank you.

Shuri and T'Challa gif

Images: Black Panther poster via IMDb. Shuri and T’Challa gif via media.riffsy.com.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Opens Today!

Black Panther opens today, finally! Like I said elsewhere in a comment, every poster, clip, and trailer looks more and more awesome.

Tumblr Mark Ruffalo Black Panther Dolby Cinema Poster

And tomorrow we get to see the movie! So excite!

Kermit Flail

Images: Black Panther Dolby Cinema poster via Mark Ruffalo on Tumblr. Kermit flail via Walker—Bait on Tumblr.

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