Second Captain Marvel Trailer

Yesterday’s release of the second official Captain Marvel trailer caught me off guard. (It seems to happen to me a lot this fall.) No matter—it’s as AWESOME as the first.

Marvel Studios’ Captain Marvel – Trailer 2 by Marvel Entertainment on YouTube

My thoughts of the first trailer pretty much stand for this one, too—more of Nick Fury is great, and especially when he get gets cute with a cat! 😀 Also, again, it’s seriously sooo wonderful that Carol Danvers is shown as a soldier instead of sexy-woman-soldier (think of those silly Halloween costumes). I’m not at all interested in the Skrull and the Kree plot yet, but we’ll see.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

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Representation Chart: Marvel Cinematic Universe, Phase 2

We all know that the representation of people of different genders and races is imbalanced in popular media, but sometimes putting it into visual form can help make the imbalance clear. Here’s a chart of the Phase 2 movies of Marvel’s Cinematic Universe (Iron Man 3; Thor: The Dark World; Captain America: The Winter Soldier; Guardians of the Galaxy; Avengers: Age of Ultron; Ant-Man).

Characters included

  • Iron Man 3: Tony Stark / Iron Man, Aldrich Kilian, Happy Hogan, Trevor Slattery, President Ellis, Savin, Harley Keener, Vice President Rodriguez, Maya Hansen, Pepper Potts, Brandt, Colonel Rhodes / War Machine, Yinsen
  • Thor: The Dark World: Thor, Loki, Odin, Malekith, Fandral, Volstagg, Erik Selvig, Ian, Jane Foster, Sif, Frigga, Darcy Lewis, Heimdall, Korath, Algrim, Hogun
  • Captain America: The Winter Soldier: Steve Rogers / Captain America, Alexander Pierce, Bucky Barnes / Winter Soldier, Rumlow, Agent Sitwell, Arnim Zola, Rollins, American World Security Councilor, Senator Stern, Batroc, Natasha Romanoff / Black Widow, Maria Hill, Sharon Carter / Agent 13, Peggy Carter, British World Security Councilor, Nick Fury, Sam Wilson / Falcon, Indian World Security Councilor, Chinese World Security Councilor
  • Guardians of the Galaxy: Peter Quill / Star-Lord, Ronan, Yondu Udonta, Dey, The Collector, Kraglin, Saal, Nebula, Nova Prime, Bereet, Carina, Gamora, Drax
  • Avengers: Age of Ultron (new characters): Bruce Banner / Hulk, Clint Barton / Hawkeye, Pietro Maximoff / Quicksliver, Baron Strucker, Dr. List, Ulysses Klaue, Vision, Wanda Maximoff / Scarlet Witch, Laura Barton, Dr. Helen Cho
  • Ant-Man: Scott Lang / Ant-Man, Hank Pym, Darren Cross / Yellowjacket, Paxton, Luis, Kurt, Mitchell Carson, Hope van Dyne, Cassie Lang, Maggie Lang, Dave, Gale

Rules

In the interests of clarity, here’s the rules I’m following for who to include and where to place them:

  • I only count characters portrayed by an actor who appears in person on screen in more or less recognizable form (i.e. performances that are entirely CG, prosthetic, puppet, or voice do not count).
  • The judgment of which characters are significant enough to include is unavoidably subjective, but I generally include characters who have on-screen dialogue, who appear in more than one scene, and who are named on-screen (including nicknames, code names, etc.)
  • For human characters that can be reasonably clearly identified, I use the race and gender of the character.
  • For non-human characters or characters whose identity cannot be clearly determined, I use the race and gender of the actor.
  • I use four simplified categories for race and two for gender. Because human variety is much more complicated and diverse than this, there will inevitably be examples that don’t fit. I put such cases where they seem least inappropriate, or, if no existing option is adequate, give them their own separate categories.
  • “White” and “Black” are as conventionally defined in modern Western society. “Asian” means East, Central, or South Asian. “Indigenous” encompasses Native Americans, Polynesians, Indigenous Australians, and other indigenous peoples from around the world.
  • There are many ethnic and gender categories that are relevant to questions of representation that are not covered here. There are also other kinds of diversity, including sexuality, language, disability, etc. that are equally important for representation that are not covered here. A schematic view like this can never be perfect, but it is a place to start.

Corrections and suggestions welcome.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

First Captain Marvel Trailer

The first official Captain Marvel trailer just dropped today, and it’s AWESOME!

Marvel Studios’ Captain Marvel – Official Trailer by Marvel Entertainment on YouTube

The below reaction is pretty accurate:

io9 Tom Hiddlestons Loki Whee Gif

Okay, granted, it doesn’t show much yet beyond glimpses. I know nothing of the comic book version of Carol Danvers to begin with, nor do I know whether a rumor saying the movie won’t be dealing with her origin story is true or not. What impressed me, though, is how much the trailer highlighted her determination, standing up time and again after falling down.

It was also great to see younger, sprightlier Nick Fury. Not to mention Coulsooooon!

Tumblr The Playlist Cobie Smulders Coulson1Tumblr The Playlist Cobie Smulders Coulson2Tumblr The Playlist Cobie Smulders Coulson3Tumblr The Playlist Cobie Smulders Coulson4

(As an aside and half-serious at that: as someone who’s going to turn into a little old lady at some point, I hope there’s a darned good reason for Danvers’s punch!)

Last, a LOUD-AS-HELL YAY for no boob armor, nor sexy boob-butt-thigh poses. Frickin’ finally!

Ant-Man Its About Time

The movie opens March 8, 2019. Can’t wait!

Images: Tom Hiddleston as Loki whee gif via a comment on io9.com. Gifs of Cobie Smulders as Maria Hill from The Avengers’ blooper reel via The Playlist on Tumblr. Evangeline Lilly as Hope Van Dyne screencapped from one of the stingers at the end of Ant-Man.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Rating: Marvel Cinematic Universe, Phase 2

We’re moving on with rewatching and rating the movies of the Marvel Cinematic Universe. Here’s our take on the next crop:

  1. Iron Man 3 – 5
  2. Thor: The Dark World – 4.5
  3. Captain America: The Winter Soldier – 8
  4. Guardians of the Galaxy – 3
  5. Avengers: Age of Ultron – 5.5
  6. Ant-Man – 7

The average rating for this phase is 5.5, which is solidly mediocre, and that pretty much sums of the movies of this period: solid, but mediocre.

After an experimental start in phase 1, Marvel had clearly worked out its superhero movie formula by phase 2, which is both the strength and the weakness of these movies. The hero is an ordinary guy (still almost entirely guys) who gets or discovers some awesome power, struggles to balance his responsibilities as a hero with his own desire for a simpler, more comfortable life, and ends up fighting the equal and opposite guy (still entirely guys), who wants to use his power for wealth and/or self-aggrandizement. Marvel’s formula is by no means a bad one. It consistently delivers watchable summer popcorn flicks, but in phase 2 we begin to see the limits of the formula. Movies that stick to the formula chug around in the middle of the range, while those that stretch their bounds sometimes excel and sometimes flop.

Iron Man 3 rates a 5, the lowest of the Iron Man movies, largely because Tony Stark’s character just doesn’t have any room to grow. Number 3 provides some good action and Tony-tinkering, but its emotional rhythms just feel like a retread of 1 and 2.

Thor: The Dark World gets a 4.5, a slight step up from the first Thor, which isn’t saying much. Christopher Eccleston’s wooden performance as the villain Malekith, who gets almost no interaction with any other characters to enliven his scenes, doesn’t help the murky plot. The lack of chemistry between Chris Hemsworth’s Thor and Natalie Portman’s Jane Foster drags the movie down, although the perpetual spark between Hemsworth and Tom Hiddleston’s Loki brings it back up a bit.

The best movie of the phase is Captain America: The Winter Soldier, at 8. While we don’t like everything about this movie (I, for one, have never felt emotionally invested in the Steve-Bucky relationship), its pacing is crisp, the action is sharp-edged, and the emergence of the new Hydra represents a daring narrative choice for the MCU, which could have chosen to stay on safer ground.

The Winter Soldier is followed up by the worst movie of the lot, Guardians of the Galaxy, at 3. We know that our opinion of Guardians is not shared by many Marvel fans, but we find the movie tedious and most of its characters annoying. We’re not fond of stories in which a lone competent woman with a strong motivation has her narrative taken over by a self-centered man-child. We’re also not on board with a story whose emotional climax comes with that woman getting called a whore by another character out of the blue. Besides, all the crap we didn’t like when we were kids in the 80s is still crap we don’t like now.

Avengers: Age of Ultron muddles through with a 5.5. It is a movie filled with character moments that almost work, dialogue that almost means something, and narrative choices that almost make sense. A few excellent performances, like James Spader’s Ultron and Paul Bettany’s Vision help lift the rating, but they’re pulling against a lot of dead weight.

Ant-Man takes us out on a high note, at 7, with a zany tiny-sized heist that, like sucking on a good piece of candy, doesn’t really satisfy your hunger, but sure feels good while you’re doing it. The small scope of this movie (literally and narratively) is an asset, allowing the jokes to land and the characters to develop without too much worrying about the end of the world to get in the way.

Have a different favorite (or un-favorite)? Let us know!

Image: Screenshot from Captain America: The Winter Soldier via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Representation Chart: Marvel Cinematic Universe, Phase 1

We all know that the representation of people of different genders and races is imbalanced in popular media, but sometimes putting it into visual form can help make the imbalance clear. Here’s a chart of the Phase 1 movies of Marvel’s Cinematic Universe (Iron Man; The Incredible Hulk; Iron Man 2; Thor; Captain America: The First Avenger; Avengers).

Characters included

  • Iron Man: Tony Stark / Iron Man, Obedaiah Stane, Agent Coulson, Happy Hogan, Abu Bakaar, Pepper Potts, Christine Everhart, Colonel Rhodes, Nick Fury, Yinsen, Raza
  • The Incredible Hulk: Bruce Banner / Hulk, General Ross, Emil Blonsky, Leonard, Stanley, Samuel Sterns, Betty Ross, Major Sparr,
  • Iron Man 2 (new characters): Ivan Vanko, Senator Stern, Justin Hammer, Natasha Romanoff / Black Widow
  • Thor (new characters): Thor, Loki, Odin, Erik Selvig, Volstag, Fandral, Agent Sitwell, Clint Barton / Haweye, Jane Foster, Darcy Lewis, Sif, Frigga, Heimdall, Hogun
  • Captain America: The First Avenger: Steve Rogers / Captain America, Bucky Barnes, Colonel Philips, Johann Schmidt / Red Skull, Howard Stark, Dr. Erskine, Dr. Zola, Dum Dum Dugan, James Falsworth, Jacques Dernier, Gilmore Hodge, Senator Brandt, Peggy Carter, Gabe Jones, Jim Morita
  • Avengers (new characters): American World Security Councilor, Russian World Security Councilor, Agent Hill, British World Security Councilor, Chinese World Security Councilor

Rules

In the interests of clarity, here’s the rules I’m following for who to include and where to place them:

  • I only count characters portrayed by an actor who appears in person on screen in more or less recognizable form (i.e. performances that are entirely CG, prosthetic, puppet, or voice do not count).
  • The judgment of which characters are significant enough to include is unavoidably subjective, but I generally include characters who have on-screen dialogue, who appear in more than one scene, and who are named on-screen (including nicknames, code names, etc.)
  • For human characters that can be reasonably clearly identified, I use the race and gender of the character.
  • For non-human characters or characters whose identity cannot be clearly determined, I use the race and gender of the actor.
  • I use four simplified categories for race and two for gender. Because human variety is much more complicated and diverse than this, there will inevitably be examples that don’t fit. I put such cases where they seem least inappropriate, or, if no existing option is adequate, give them their own separate categories.
  • “White” and “Black” are as conventionally defined in modern Western society. “Asian” means East, Central, or South Asian. “Indigenous” encompasses Native Americans, Polynesians, Indigenous Australians, and other indigenous peoples from around the world.
  • There are many ethnic and gender categories that are relevant to questions of representation that are not covered here. There are also other kinds of diversity, including sexuality, language, disability, etc. that are equally important for representation that are not covered here. A schematic view like this can never be perfect, but it is a place to start.

Corrections and suggestions welcome.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Rating: Marvel Cinematic Universe, Phase 1

We’ve taken a bit of a swerve in our rewatching and rating project. In between tv series, we’ve decided to take a run at the Marvel Cinematic Universe. Here’s our take on Phase 1:

  1. Iron Man – 7
  2. The Incredible Hulk – 2
  3. Iron Man 2 – 6
  4. Thor – 4
  5. Captain America: The First Avenger – 8
  6. The Avengers – 10

It’s a bit of a mixed bag. The overall average is 6.2, which is perfectly respectable, but the range is all over the place, from pretty bad to meh to awesome.

You can tell that Marvel was still figuring out how to make not only a new kind of superhero movie but a new kind of movie franchise. The early installations are stand-alone, fairly slow-paced, and self-contained. We can still remember how exciting it felt to have a minor character like Agent Coulson pop up in multiple movies that weren’t sequels. Nowadays we don’t even get out of bed for a Marvel movie that doesn’t have at least three tie-in characters and a place in the ongoing arc of the Phase.

The Incredible Hulk, the largely forgotten Marvel movie, is on the bottom of the heap at 2. Formulaic and uninspired, the story drags itself from one obligatory action scene to another. Having seen Mark Ruffalo’s take on Bruce Banner, Edward Norton feels flat and unsympathetic. So much backstory is assumed that this movie feels like a sequel to something we’ve never seen (it takes care not to step on Ang Lee’s previous Hulk movie without actually picking up on its story in any meaningful way). Although there are some bright spots in this movie, like the visually thrilling foot chase through a Brazilian favela, you can see why we haven’t gotten another stand-alone Hulk movie.

We’re lucky that Marvel hedged its bets on launching the MCU with two movies instead of just one. Iron Man delivers much of what The Incredible Hulk lacks. While the story is still relatively straightforward and follows a predictable Hollywood three-act structure, it is more competently handled and more subtly embellished than Hulk. We get to see Tony Stark tinker and iterate not only on his suit designs but on his ethics and sense of self, which is makes his character much more interesting to watch than Banner, who has no real character development in his own movie. Robert Downey Jr. sells the character of Tony Stark as a flawed genius grappling with the consequences of his own choices.

Iron Man 2 carries on the good work of the original without adding much to it and begins the unfortunate trend of Marvel movies whose plot is driven by Tony Stark’s emotional issues. Thor has some beautiful art design and fun character moments, but mostly ends up feeling like the product of too many compromises.

Captain America: The First Avenger delivers a solid origin story not only for its eponymous hero but for the whole Marvel universe as well. With an alternate-version World War II dominated by Hydra’s experiments with cosmic technology and an American super soldier, the ground is prepared for a modern world of superpeople. Chris Evans’s performance takes a character who could be flat and sanctimonious and makes him charming.

But it is The Avengers, at a full 10, that crowns Phase 1. Joss Whedon’s last great work before his descent into self-satisfied mediocrity, The Avengers is a superhero movie that takes not only the idea of superheroes but the idea of a superhero movie seriously. The characters have both emotional depth and clear motivations. Their conflicts arise not from plot contrivance but from conflicting world-views and emotional needs. And they smash alien monsters together real good.

Got a different take on Marvel’s first hexalogy? Let us know in the comments!

Image: Still from The Avengers via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Some Random Thoughts on Ant-Man and the Wasp

In no particular order. Spoiler warnings in effect.

Erik’s random thoughts:

  • This was an excellent follow-up to the original Ant-Man, making the story deeper and more complex while keeping the wild fun caper tone.
  • As others have noted, it really should have been called The Wasp and Ant-Man. It’s Hope’s movie. Scott is the sidekick this time around, and that’s great.
  • Although Hope’s Wasp suit is form-fitting, it doesn’t overtly sexualize her in the way a lot of other Marvel women’s costumes do. The same goes for Ghost’s suit. I hope this is a sign of things to come.
  • Luis on truth serum (“It’s not truth serum”) may be the funniest thing to come out of the MCU yet.
  • In a media landscape oversaturated with father-son stories, it was a very welcome change to have a movie about fathers and daughters, husbands and wives, mothers and daughters, and found family, with nary a father-son story in sight.

 

Eppu’s random thoughts:

  • I found Ant-Man & the Wasp more enjoyable than Ant-Man (which I did like!) in many respects. The pacing felt more even, the villain slightly less corny, the cinematography as good or better, to mention a few.
  • AM&tW also felt more aware of itself in that it actively upended or joked about some conventions (e.g., some of the chase sequences, the long-running truth serum gag, even the name of Scott and Luis’ security company).
  • The antagonist setup was refreshingly different. Instead of one ham hock of a megalomaniac we’re treated to two forces grappling with Scott, Hope, and Hank: a woman trying to cope with years of pain and exploitation, plus a wannabe megalomaniac more in line with the usual cheesy MCU villain. Thankfully, the latter is used sparingly and isn’t allowed to lord it over everyone else.
  • The action sequences did so many funny and inventive things with size. I’ll also hazard a guess that the studio has improved their software since Ant-Man—at least to my untrained eye, the CGI looked smoother.
  • I loved how Cassie, Maggie, and Paxton’s family unit had—literally—embraced Scott. His cardboard fort / tunnel system treasure hunt with Cassie was so awesome! We tend not to see enough fathers enthusiastically play with their daughters on the big screen, let alone in superhero movies, so a big Thank You to the writing team for that.
  • I also loved the amount of screentime Hope got, and that there was no father-son story but a mother-daughter one and two father-daughter stories. You could even argue that Bill and Ava’s relationship amounted to an adoptive/adopted parent-child one (for the lack of a better term), or was moving in that direction by the end.
  • It was a funny flick, too. I sniggered all the way through.
  • Michael Peña’s Luis—oh, man! I don’t know how he can deliver the hyperspeed lines so fluently. He’s amazing! It was also nice to see how the ex-con gang worked together and that Dave and Kurt got a bit more development.
  • There’s one detail that stuck to my mind as a little too close to railroading: the countdown clock on Janet’s rescue window. Although, there’s plenty of Pym particle physics that’s merely handwaved aside, so it’s not like it’s alone in the MCU.
  • Finally, my two cents on the two stingers. The first one gave me the kind of genuine “Oh, shit” reaction that the end of Infinity War wasn’t able to. The second stinger felt cheaper, almost perfunctory.

Image: Ant-Man and the Wasp poster via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Is Coming to the Smithsonian African American Museum

Earlier this year, the Smithsonian African American Museum of History and Culture screened the superhero movie Black Panther as part of their programming.

Smithsonian African American Museum Black Panther Hero Suit

Now the museum has plans to incorporate the movie into their collections in a larger way:

“The museum acquired several objects from Disney’s record-breaking film Black Panther, including the hero costume worn by actor Chadwick Boseman; a shooting script signed by Ryan Coogler (co-writer; director), Kevin Feige (producer, president of Marvel Studios), Nate Moore (executive producer) and Joe Robert Cole (co-writer; producer); two pages of spec script; and 24 high-resolution production photographs. Plans for display of the objects are under consideration by the museum.” […]

Black Panther is the first superhero of African descent to appear in mainstream American comics, and the film itself is the first major cinematic production based on the character. Black Panther illustrates the progression of blacks in film, an industry that in the past has overlooked blacks, or regulated them to flat, one-dimensional and marginalized figures. The film, like the museum, provides a fuller story of black culture and identity.”

Interesting! “Plans for display … are under consideration” definitely sounds like museum speak for planning a permanent exhibit. 🙂 In the meanwhile, the collection spotlight blog post, “Wakanda to Smithsonian”, includes a few images of the Black Panther hero costume (armor) on the premises.

Found via File 770.

Image by The Smithsonian National Museum of African American History and Culture

Ant-Man and the Wasp Trailers

Ant-Man and the Wasp opens July 06, 2018—in about ten days! I didn’t know anything about Ant-Man going into the first movie, and I liked it a lot more than I thought I would. Just on the basis of that, I have high hopes for AM&tW.

This French poster certainly rocks:

IMDB Ant-Man and the Wasp French Poster

Here’s the trailer from January:

Marvel Studios’ Ant-Man and the Wasp – Official Trailer #1 by Marvel Entertainment

And one from the beginning of May:

Marvel Studios’ Ant-Man and The Wasp – Official Trailer by Marvel Entertainment

Basically the new one is the same as the January trailer except with more info. Still looks like great fun, though.

As for favorite side characters, Michael Peña returns as Luis, Judy Greer as Maggie Lang, and Abby Ryder Fortson as Cassie Lang—it’ll be great to see them all. Laurence Fishburne makes a first-time appearance as Dr. Bill Foster / Goliath. I didn’t realize that Michelle Pfeiffer is in the movie, too—cool cool cool. Hannah John-Kamen I haven’t seen before even though she’s been in Ready Player One and Game of Thrones; at least I don’t remember spotting her as a First Order officer in The Force Awakens.

Also, I just want to officially say that the GINORMOUS HELLO KITTY PEZ DISPENSER IS SO AWESOME! 🙂 😀

Image: Ant-Man and the Wasp poster via IMDB

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Gender-Flipped Black Panther

One of the great things about Black Panther is that it allows plenty of room for both male and female characters, but what if we flipped them? Here’s our imaginary cast for a gender-flipped Black Panther.

Halle Berry as T’Challa / Black Panther

Taraji P. Henson as Killmonger

Jon Michael Hill as Nakia

Idris Elba as Okoye

Emily Blunt as Eve Ross

Alfre Woodard as W’Kabi

Donald Glover as Shuri

LA Weekly Donald Glover

Ann Wolfe as M’Baku

IMDB Ann Wolfe in Wonder Woman

Whoopi Goldberg as Zuri

IMDB Whoopi Goldberg in Ghost

Denzel Washington as Ramonda

IMDB Denzel Washington in The Book of Eli

Amanda Abbington as Penelope Klaue

Fandom Observations Amanda Abbington in Sherlock

Viola Davis as T’Chaka

The Hollywood Gossip viola-davis-at-the-2015-oscars

Images: Halle Berry in Perfect Stranger via IMDB. Taraji P. Henson in Empire via IMDb. Jon Michael Hill in Elementary via IMDb. Idris Elba in Pacific Rim via IMDb. Emily Blunt in The Five Year Engagement via IMDb. Alfre Woodard in Luke Cage via IMDb. Donald Glover via LA Weekly. Ann Wolfe in Wonder Woman via IMDB. Whoopi Goldberg in Ghost via IMDB. Denzel Washington in The Book of Eli via IMDB. Amanda Abbington as Mary Watson in BBC’s Sherlock via Fandom Observations. Viola Davis at the 2015 Oscars via The Hollywood Gossip.

Creative Differences is an occasional feature in which we discuss a topic or question that we both find interesting. Hear from both of us about whatever’s on our minds.