Gender-Flipped Black Panther

One of the great things about Black Panther is that it allows plenty of room for both male and female characters, but what if we flipped them? Here’s our imaginary cast for a gender-flipped Black Panther.

Halle Berry as T’Challa / Black Panther

Taraji P. Henson as Killmonger

Jon Michael Hill as Nakia

Idris Elba as Okoye

Emily Blunt as Eve Ross

Alfre Woodard as W’Kabi

Donald Glover as Shuri

LA Weekly Donald Glover

Ann Wolfe as M’Baku

IMDB Ann Wolfe in Wonder Woman

Whoopi Goldberg as Zuri

IMDB Whoopi Goldberg in Ghost

Denzel Washington as Ramonda

IMDB Denzel Washington in The Book of Eli

Amanda Abbington as Penelope Klaue

Fandom Observations Amanda Abbington in Sherlock

Viola Davis as T’Chaka

The Hollywood Gossip viola-davis-at-the-2015-oscars

Images: Halle Berry in Perfect Stranger via IMDB. Taraji P. Henson in Empire via IMDb. Jon Michael Hill in Elementary via IMDb. Idris Elba in Pacific Rim via IMDb. Emily Blunt in The Five Year Engagement via IMDb. Alfre Woodard in Luke Cage via IMDb. Donald Glover via LA Weekly. Ann Wolfe in Wonder Woman via IMDB. Whoopi Goldberg in Ghost via IMDB. Denzel Washington in The Book of Eli via IMDB. Amanda Abbington as Mary Watson in BBC’s Sherlock via Fandom Observations. Viola Davis at the 2015 Oscars via The Hollywood Gossip.

Creative Differences is an occasional feature in which we discuss a topic or question that we both find interesting. Hear from both of us about whatever’s on our minds.

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A Wonder Woman – Renaissance Garb Crossover

Jenn at Ms. Makes mashed up Wonder Woman and Renaissance garb with brilliant results:

Instagram Msjennmakes Wonder Woman Renaissance Full
Ms. Jenn Makes on Instagram; photo by Angela (wanderings_in_wonderland).
Instagram Msjennmakes Wonder Woman Renaissance Portrait
Ms. Jenn Makes on Instagram; photo by Angela (wanderings_in_wonderland).

 

It’s a version of late fifteenth century Florentine dress. Jenn describes the details:

“The outfit is based on those common in 1490’s Florence, largely documented by Domenico Ghirlandaio, and consists of a camicia, side lacing gamurra (with bead and sequin embellished neckline decoration), a set of tie on sleeves (also embellished), a velvet giornea, and a #tambourbeading embellished and faux leather belt! Other accessories include a lasso holder, faux hair braid, and a diadem […]”

 

She also shared some details of the costume, like the beaded collar piece

Instagram Msjennmakes Wonder Woman Renaissance Neck Beading
Ms. Jenn Makes on Instagram.

…and detachable sleeves, lined, with another set of embellishments from Wonder Woman’s costume:

Instagram Msjennmakes Wonder Woman Renaissance Sleeves
Ms. Jenn Makes on Instagram.

 

Absolutely breathtaking! Jenn mentions using a beading technique called tambour beading, which I hadn’t heard of before. I just love learning new things from my fellow textile geeks!

Visit Jenn’s Instagram for more views and details or the Ms. Makes website for more sewing talk and tips.

Crossposted from the Playfully Grownup Home blog.

Images from Instagram: full view and portrait by Angela (wanderings_in_wonderland) via Ms. Jenn Makes. Collar detail and sleeves by Ms. Jenn Makes.

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

Some Random Thoughts on Avengers: Infinity War

In no particular order. Spoiler warnings in effect.

Eppu’s random thoughts:

I went in knowing nothing for sure and having read only non-spoilery impression pieces and bits of barely-even news. A heads-up: half-baked musings to follow, plus at least one f-bomb.

  • You must know the previous Marvel Cinematic Universe movies to follow the Avengers: Infinity War story—none of the characters or their histories are introduced. Which makes sense: the previous movies are all in their way leading to AIW, and there’s no way you could introduce everyone and still have enough time left for a new story. Good for fans, not so good for regular moviegoers.
  • Superhero stories aren’t fully my cup of tea, not like for instance Jane Austen is, but my inner nerd is very pleased to have such an unprecedented series of high-quality movies like this.
  • I knew AIW was going to be stuffed to the gills with details, dialog, and derring-do, and indeed it was. Yet, strangely, it felt like we were in a holding pattern throughout the movie. You can tell it’s just the first act of a two-parter.
  • I missed so many lines among the sound effects. How about some subtitling in the theaters, USA? They’re helpful for all sorts of people, not just the deaf and hard of hearing.
  • The death toll started climbing earlier and got higher than I thought, even before the ashing at the end.
  • The writers started pushing Vision and Wanda Maximoff together already in Civil War (which they also co-wrote) but I never could buy their relationship. It felt forced then, and it still feels forced in AIW.
  • My favorite scene is when Black Widow, Captain America, and Falcon turn up to help Scarlet Witch and Vision in Edinburgh. Such seamless teamwork—so awesome!
  • Another awesome thing: Spidey got a nano suit.
  • I know it’s not what the movie actually did, but there was so much of it that the fighting felt almost unending. On the other hand, they did a fairly good job balancing the multiple storylines / locations for such an overstuffed movie.
  • There’s still way too much Stark. Like Civil War, AIW‘s not supposed to be yet another Tony show but of course that’s what they’ve made it into. On the other hand, Iron Man and Doctor Strange worked pretty well together despite—or maybe due to?—both being rich entitled jerks. In a way, they almost canceled each other out.
  • Also, the annoying git otherwise known as Peter Quill was pleasantly diluted by the presence of so many other characters. That man-child needs to fucking grow up. (Unpopular opinion: the Guardians of the Galaxy movies barely made it to “Meh” and certainly didn’t rise beyond.)
  • AIW did some unusual character pairings that worked really well: Stark and Strange plus Thor and Rocket come immediately to mind. Rhodey and Sam had a few promising moments while handling air defence during the Wakandan fight, but it didn’t amount to much.
  • Sadly, pretty much all of the Black Panther characters felt tacked-on and not properly integrated. However, it was marvellous to be back in Wakanda. We barely saw Shuri, though, and that’s just plain wrong. (Imagine her and Peter Parker geeking about tech together!)
  • OMG, Nat and Okoye and Wanda teaming up! Give me a buddy movie for those three any day! And throw in Maria Hill, too, please!
  • Another great thing was the deliberate refusal to overuse the Hulk. Instead, they gave Banner a suit version of Veronica the Hulk-buster.
  • Others have noted this, too, but some of the special effects looked clunky and unfinished (especially next to the finished ones). Many of Proxima Midnight’s scenes were affected, for example. (Speaking of her—was anyone else reminded of demon hunters from WoW?)
  • Considering how much Doctor Strange did in his eponymous movie, he contributed seemingly little to the world’s defense. I suspect we’ll see a lot more of his magic in part 2; what shape that takes remains to be seen. Especially since so many popular characters were turned to ash (like Spider-Man who we know will return in a sequel of his own next year), we cannot but see a lot of un-ashing.
  • What ultimately turned me off reading super comics is what I call the escalation-squish cycle: the tendency to time and again up the stakes ridiculously high, kill or shelve multiple characters, destroy cities or planets or whatnot, and then undo everything with a gimmick of the month. There’s only so much of it that I can take. Unfortunately it seems MCU may be headed in that direction. I hope not.
  • Major grumble here: Whose stupid-ass idea was it at the this-really-is-the-end fight to have our heroes go at Thanos one at a time, in a stupid-ass single-file? They’re not that dumb. Stupid-ass, lazy railroading. *grumble!*
  • I knew beforehand that AIW would end with a cliffhanger. I guess I was expecting the ending to be a bit more explosive and not as quiet as it was.

In the end, AIW just wasn’t as good as I wanted it to be. Here’s hoping part 2 will pick up the slack.

 

Erik’s random thoughts:

To a certain extent, it feels unfair to be critiquing Infinity War at this point, since we’ve only seen half the story. Still, my overall reaction is disappointment. There are some particular reasons for this feeling, which I’ll try to lay out here.

  • Most of the movie is spent watching characters flail around, trying to respond to a desperate situation and not accomplishing much. Even when it looks like one character or group of characters has taken a small step towards posing a meaningful challenge to Thanos, their gains are quickly nullified. While it’s true that some amount of failure is necessary for drama and there’s nothing interesting about watching heroes who only ever succeed, there’s nothing interesting about watching heroes who only ever fail, either.
  • A lot of the heroes’ failures feel unearned. Again, while it’s more common to complain about unearned successes, dramatically interesting failures need to be warranted by character and plot. Too much of the failure in Infinity War feels like it is driven by the writers’ desire to build up Thanos as a villain. It feels cheap.
  • Put these observations together with the fact that for there to be any MCU at all after part 2, much of what happened in part 1 will have to be undone, and a lot of the movie ends up feeling pointless. Why did we sit through all of this if none of it matters in the end?
  • Thanos is interesting as a villain. His motivating emotion is not anger or greed but sorrow and the desire to spare other people the anguish he and his planet went through. Still, we spent too much time listening to him monologue. In a movie already packed to overflowing with other characters, he took up too much air.
  • I never liked the Guardians of the Galaxy movies, but the way the team was written in this movie, I could see their appeal. Except for Peter Quill. He is still just as much of an impulsive, self-centered man-child as ever and I cannot stand one second of him. (To be fair, world events in recent years have severely depleted my patience with impulsive, self-centered man-children.)
  • For a movie that had such serious problems with its overall story, many of the individual scenes were beautifully written and perfectly acted. At the small scale, this movie works like a charm; it’s at the large scale that it falls flat.

Image: Avengers: Infinity War screenshot via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Our Top 5 MCU Movies to Date

Roxi tweeted a question, and we have answers!

 

Eppu here. My top five Marvel Cinematic Universe movies to date are:

  1. Black Panther
  2. Spider-Man: Homecoming
  3. The Avengers
  4. Captain America: Civil War
  5. Captain America: The Winter Soldier

My honorable mention is a tie between Ant-Man (which surprised me positively but ultimately won’t make the list due to the annoyingly large serving of ham for a villain) and Thor: Ragnarok (Jeff Goldblum was a fun villain but he shouldn’t overshadow the rest of the fantastic ensemble).

I see quite a bit of Captain America on my list. I didn’t think I’d be team Cap. I have to say, though, there’s an appeal in stories of someone trying to re-gauge their moral compass in a fast-paced, fast-changing world they’re scrambling to understand. (Hold on. That sounds like I might be… middle-aged?!? *LOL*)

Our Fav MCU Movies Poster Collage Sm

 

Erik here. My top five are:

  1. Avengers
  2. Black Panther
  3. Captain America: The First Avenger
  4. Captain America: The Winter Soldier
  5. Spider-Man: Homecoming

All of these movies have a clear and relatively straightforward narrative concept which is backed up by excellent design, direction, and acting. They are also all definitively superhero movies, unlike some of the other Marvel movies which are heist capers, space operas, or character studies that happen to have superheroes in them. As a whole, I think Marvel’s cinematic corpus is stronger for having the variety, but the movies I like best are the ones that face the superheroism of their main characters head on. (Also, as much as I appreciate Iron Man’s role in getting the Marvel Cinematic Universe started and holding the first couple of phases together, there’s only so much Tony Stark I can take at one sitting.)

We suspect our lists will look quite different after this summer (with AIW now and Ant-Man and the Wasp due in July), but we’ll see.

Want to chime in?

Images via IMDB: Ant-Man. The Avengers. Black Panther. Captain America: Civil War. Captain America: The First Avenger. Captain America: The Winter Soldier. Spider-Man: Homecoming. Thor: Ragnarok.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Avengers: Infinity War Opens This Friday and There Are Trailers

Good grief, I’ve completely lost the track of time—here in the U.S., Avengers: Infinity War opens this Friday (April 27, 2018). Eeeeek!

Here’s the first trailer (from November, 2017):

Marvel Studios’ Avengers: Infinity War Official Trailer by Marvel Entertainment on YouTube

The second trailer (from March, 2018):

Marvel Studios’ Avengers: Infinity War – Official Trailer by Marvel Entertainment on YouTube

And, finally, a tv spot from early April:

Marvel Studios’ Avengers: Infinity War — Chant TV Spot by Marvel Entertainment on YouTube

I know virtually nothing about the Infinity War, except that it involves the infinity stones and that Thanos is (in some form or another) pulled from comics. (I was an X-Men reader in my youth, and even though my sister read some Spider-Man, those were translated and published very spottily back home.)

However, it looks like we’re possibly in for quite a treat. I cannot see a mashup of all of the super-and-super-adjacent-heroes being anything but a Learning to Work Together story, at least to some extent. The setting of AIW also looks a lot like the setting for The Avengers, which I liked quite a bit (even despite its Smurfette-action). There’s nothing quite like repelling a force with unknown capabilities more numerous than yours to have our heroes pull together.

I’ve liked the Russo brothers’ Community episodes and previous Marvel Cinematic Universe movies from well enough to a lot, so I doubt I’ll be disappointed in the directing. The same more or less goes for dynamic screenwriting duo Christopher Markus and Stephen McFeely: the Captain America movies The First Avenger, The Winter Soldier, and Civil War are at the top end of their work even if I’d prefer a lower amount of testosterone in my superhero stories.

One thing’s sure: it will be fabulous to see people from the Black Panther again (especially Okoye and Shuri!). I’m also curious to see how they’ll integrate the Guardians of the Galaxy characters. And we know already that there will be humorous quips!

Tumblr Daily Marvel Heroes Open Wakanda1Tumblr Daily Marvel Heroes Open Wakanda2Tumblr Daily Marvel Heroes Open Wakanda3

Images: When you said we’re going to open Wakanda to the rest of the world gifs via Daily Marvel Heroes on Tumblr.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Black Panther Reaction Links

Sharing links to and quotes from some reaction pieces on the Black Panther movie adaptation.

Brandon O’Brien at Tor.com: “Building Bridges: Black Panther and the Difference Between Rage and Revolution”

“[Nakia]’s been doing it all alone, with no backup, even insisting on not being disturbed as she trots about the globe, righting capitalist neo-imperialist wrongs through her own wits. Nakia sees the value of providing a more lasting sense of peace for the disenfranchised, and knows that the late stage of that goal requires the commitment of Wakanda—not to wage war on other countries, but to seek out the downtrodden and lift them up and out of struggle. In her first scene in the film, she even has the empathy to see a child soldier as a boy first and an aggressor second, preferring to send him back home than to fight him.”

 

Brandon O’Brien at Tor.com: “‘Who are you?’: Black Panther and the Politics of Belonging”

Black Panther, however, is a revolution. Not merely in the sense that “it is revolutionary to see blackness this way,” though it is. But also in the sense that this movie is a revolutionary dialogue. […]

“Most of the introductions in the film happen in a very particular way. When Wakandans ask each other ‘Who are you?’, it happens not with any distrust or confusion, but with a display of pride. They are asking you to confess yourself, to admit that you are one of their own with the gusto of someone who deeply values what that means. You get to be someone. You get to be.”

 

Bridget Boakye at Face 2 Face Africa: “The Legendary Dahomey Amazons Are the Real-Life All-Women’s Army in Black Panther

“In the 1800s, there was an all-female army in modern-day Benin that pledged a similar loyalty to the throne [as Dora Milaje did]. They were known as the Dahomey Warriors and were praised for their bravery and strength by local leaders and European colonizers alike who encountered them.”

 

Chika Oduah at The Root: “Audiences Across Africa Hail Black Panther for Humanizing Black Characters”

“For many Africans, the film brought to the big screen a reality that they see every day—the Basotho blankets the warriors used as a protective shield, the queen’s Zulu hat, the ochre-dyed locks of the Himba, the flowing fabrics of the Wolof. It was the sheer Pan-Africanism of it all that astounded me. The cinematic display of the diversity of Africanness was beautiful.”

 

Damon Young at Very Smart Brothas / The Root: “Yet Another Reason Why Shuri From Black Panther Is the Greatest Disney Princess Ever”

“In the last half of the movie alone, [Shuri] saved a man’s life—even if the man was ‘another broken white boy.’ She guided said primitive white boy on how to use the advanced technology she created, which ultimately helped save the entire planet from mass war and anarchy. And then she went out and literally fought (and held her own for a while) against a supervillain. Cinderella ain’t got shit on her. [original emphasis]”

 

Emily Asher-Perrin at Tor.com: “Why Are You Reading Reviews About Black Panther When You Could Be Watching Black Panther?”

“You could call it Shakespearean, you could call it mythic, but that’s not where the film lives. It’s not about the broad strokes, it’s about the details. It’s about all the little choices in concert, creating something brand new, and creating it on a scale that cinema has never seen before.”

 

Karlton Jahmal at Hot New Hip Hop: Black Panther‘s Killmonger Is the Best Supervillain Since The Dark Knight‘s Joker”

“[T]he emotion that Michael B. Jordan left me with was more powerful than anything I’ve felt at the movies. That painful rage, that feeling of angst that builds up when the topic of slavery or Jim Crown is brought up. That acrimonious tension that resonates in my gut when I see videos of police brutality or ignorant politicians fueling a race war. That feeling was replaced. A resolve, a euphoric feeling of relief spread from inside me instead.”

 

Liz Bourke at Tor.com: “Sleeps With Monsters: The Women of Black Panther Are Amazing”

“It’s also a film that, while it centres on a man—and on questions of kingship, legitimacy, and responsibility—is the first superhero film I’ve ever seen to surround its main male character with women who are in many ways equally powerful, and who don’t depend on him for purpose or characterisation. No, seriously: this is the first superhero film I’ve ever seen—maybe the first SFF film I’ve ever seen—where pretty much the hero’s entire back-up team, his entire support network, were women. Women who teased him and challenged him and demanded he do better.”

 

Samuel James at Black Girl in Maine: “The Reality of Blackness in the Fiction of Black Panther

“[…] Black Panther shows Black characters in an unusual way. In the movie, not only are we not drug dealers and pimps and rapists, we are intellectuals and leaders and heroes—but not only are we intellectuals and leaders and heroes, we multifaceted and complicated. We are human. Black Panther celebrates the humanity of Blackness.”

 

Shay Stewart Bouley at Black Girl in Maine: “A Film and the Affirmation of Blackness… My Musings on Black Panther

“In a world that centers all things white, whiteness and proximity to whiteness, a blockbuster film that centers Blackness and uplifts Black women is a much-needed paradigm shift. It is not just a new way to re-envision our world through the lens of Afro-futurism but it is also an opportunity to take stock of the Nakia’s, Okoye’s and Shuri’s who are already in our midst but who are often overlooked. I imagine a world where a Black woman won’t feel that she is traveling life without a roadmap as an anomaly but instead will know that she is another in a long line of changemakers because Blackness will not be relegated to the margins.”

 

Finally, a great video clip where co-writer and director Ryan Coogler breaks down a section of the casino fight scene:

Black Panther’s Director Ryan Coogler Breaks Down a Fight Scene | Notes on a Scene | Vanity Fair

(Our random thoughts on the movie are here.)

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Opens Today!

Black Panther opens today, finally! Like I said elsewhere in a comment, every poster, clip, and trailer looks more and more awesome.

Tumblr Mark Ruffalo Black Panther Dolby Cinema Poster

And tomorrow we get to see the movie! So excite!

Kermit Flail

Images: Black Panther Dolby Cinema poster via Mark Ruffalo on Tumblr. Kermit flail via Walker—Bait on Tumblr.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Why the Doctor Can’t Change the Fate of Krypton

Like you can gather from the season 1 rating post, we’re re-watching Doctor Who. An expected consequence is I’m having bit of a Doctor brain. Case in point: the comic I found funniest in this collection of imaginary text messages between Batman and Superman involved the Doctor.

Texts from Superheroes Krypton Fixed Point

Batman: Why do you always change in a phonebooth?

Superman: I like them. A blue one showed up on Krypton once. My father said it’s where heroes come from.

Batman: Was it bigger on the inside?

Superman: YES! I think my pediatrician owned it. He’s the one who told Jor-El to send me to Earth. He said being the last makes us stronger.

Batman: I’m familiar with The Doctor. I’m surprised he didn’t save Krypton.

The Doctor: Fixed point in time. I am so sorry.

LOLed—and groaned.

Yoinked from Texts from Superheroes, a project of stand-up comedian Andrew Ivimey and Internet comedian Diana McCallum, and part of the From Superheroes Network.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Quotes: They Could at Least Coexist in the Same Space Well Enough

“With that, Maggie took Frank’s arm, and together, they strolled down the broad avenue without talking. That was one thing Frank liked about Maggie—she didn’t feel the need to fill the silence with gabbing. He wasn’t even sure if she enjoyed his company or not—and frankly, he could say the same of hers—but they could at least coexist in the same space well enough. There were worse things.”

– Michael J. Martinez: MJ-12: Inception

Maggie and Frank belong to a team of superpowered U.S. operatives in a 1940s Cold War speculative world. Even though Maggie is the token female character, it’s really very refreshing that the author doesn’t try to shove in that bane of Smurfette stories, the inevitable romantic subplot.

Martinez, Michael J.: MJ-12: Inception: A Majestic-12 Thriller. New York, NY: Night Shade Books, 2016, p. 247.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

Some Random Thoughts on Thor: Ragnarok

In no particular order. Spoiler warnings in effect.

  • This is so much better than either of the previous Thor movies. Apparently goofy comedy smashfest is a better mode for space-Viking superhero movies than Shakespearean family drama is.
  • Chris Hemsworth’s performance in this movie is about halfway between his previous Thor performances and his performance in Ghostbusters. It works.
  • This wacky colorful space opera works for me so much better than the Guardians of the Galaxy movies. I seem to be in a minority position, but I hated Guardians of the Galaxy, both times, though not for the wacky colorful space opera parts. What I hated was the arrogant, incompetent male “heroes” and the misogyny-as-comedy. Without those things, I’m totally down for the wacky colorful space opera.
  • Cate Blanchett and Tessa Thompson both give brilliant performances. Maybe someday—hopefully someday soon—we can get a superhero movie with more than two leading roles for women.
  • Korg was amusing, and I can tell Taika Waititi had a blast playing him, but he really felt unnecessary most of the time. The same can be said for Doctor Strange (although, to be fair, the whole Doctor Strange movie franchise feels a bit unnecessary to me).
  • After the last few Marvel movies, we now have Captain America without his shield, Iron Man without a reactor in his chest, and Thor without his hammer. It’s going to be interesting to see how these characters develop without some of their iconic accouterments.
  • A fun romp with good jokes, exciting fights, and beautiful visuals is pretty much exactly what I needed right now, so thank you, Marvel!

 

Additional thoughts by Eppu

  • As a rule of thumb, I don’t care a whit whether the Marvel Cinematic Universe Thor matches the comic books Thor canon, or even Nordic mythology. There was fairly good consistency, story-wise. However, I’m not sure what to think of the decision to crank up the humor to eleven. I enjoyed the movie a lot, yes, but if memory serves, stylistically it deviates quite a bit from the two previous ones, and that seems to be deviating from the MCU convention. I’m still mulling it over.
  • The design for the trash planet Sakaar was refreshingly different. Colors!
  • Two plotholes stood out (or I missed the explanation because there were no subtitles): 1) Thor and Hulk inexplicably left their arena fight in the middle of action, and were all buddy-buddy afterwards. 2) The gladiators were railroaded to Asgard on their stolen spaceship. Um, I thought they started a revolution…? (If it’s a revolution, you stay; if not, it’s an escape.)
  • It was great to see so many women in the background, and two big speaking roles for women, but I want more. And not just girlfriends, or wives, or hookers, or fridged corpses. More women as people in their own right! More women speaking! More women! MORE WOMEN!

 

Recommended reading

Dan Taipua at The Spinoff reveals the Maori / New Zealander mentality hidden in T:R.

Emily Asher-Perrin’s writeup at Tor.com on all the three Thor movies is really good.

Taika Waititi: Paying It Forward on Thor: Ragnarok (found via Good Stuff Happened Today on Tumblr)

Image: Still from Thor: Ragnarok via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.