On the Use and Misuse of Primary Sources

Sometimes you come across someone making interesting claims about history, and it’s hard to tell whether you should take them seriously or not. If you’re not an expert in the field, how do you know whether to believe what you’re reading? There’s no perfect answer, and basic critical thinking will take you a long way, but here area few tips that can help set you on the right path.

Since I’m a historian of the ancient Mediterranean, my advice is particularly focused on the use of ancient texts when making claims about ancient history, but many of the fundamental principles outlined here are applicable to historical claims in any time period.

One important thing to look at is how people use primary sources, that is: documents and other texts written in the time period of the events or people in question. Here are some questions you can ask about the use of primary sources to help evaluate historical claims.

Do they engage with primary sources at all?

This is a basic one. All historical argument is based on evidence drawn from primary sources. If someone’s making claims without any primary sources to back them up, that’s reason to be suspicious.

A lack of primary sources does not necessarily mean that a historical claim is unfounded. People, especially non-historians, may cite secondary sources and modern research, but you should be able to trace the claim back through those sources and find the primary source evidence that it is based on. Some scholarship, if it is more historiographical and theoretically based, may not engage with primary sources directly, but then it will not be making claims about specific events, places, or people in history.

Do they cite their sources?

This is another basic one. In casual conversation, you don’t need to back up every assertion with footnotes and bibliography, but if someone wants their claims about history to be taken seriously, they should tell you what evidence those claims are based on. In particular, they should be able to point you to a source that you can look up for yourself to verify that it actually says what they claim it says.

Different kinds of sources have different standards for citation. With ancient texts, there are established ways of referencing specific passages. Shorter works are divided into sections or lines; longer works are divided into books, which are further subdivided into sections or lines. We never cite ancient sources by page number, since page numbers vary between different editions and translations. If someone is citing an ancient source by reference to the page numbers of a modern edition, that’s a warning sign that they may not be knowledgeable enough about the topic to interpret an ancient source with appropriate attention to its context, influences, and biases.

Do they use sources appropriate to their subject?

You should always use the right tool for the job and the right source for the claim. When someone is using a source that isn’t relevant to their argument, or isn’t using a source that is relevant, you should question whether they know what they’re talking about.

For example, our main primary source on the Peloponnesian war between Athens and Sparta is Thucydides’ History of the Peloponnesian War. Some other sources, like the comedies of Aristophanes, also provide relevant insights, but if someone is making a claim about the Peloponnesian war and doesn’t mention Thucydides, they should have a good reason why not.

Do they use non-literary sources?

The most accessible primary sources are literary sources composed with the intent of engaging readers, like the folk stories in Herodotus’ Histories or the palace gossip in Suetonius’ Lives of the Twelve Caesars. There are many other kinds of textual sources that are not literary, such as coin texts, building inscriptions, graffiti preserved in places like Pompeii, and dedicatory texts on religious offerings.

Specialized fields of study, such as epigraphy, papyrology, and numismatics, focus on finding, interpreting, and contextualizing such sources. Using such sources is often more difficult and requires more expertise and study than reading literary sources. Not every historical question has relevant non-literary sources to refer to, but if someone does reference non-literary sources in their arguments, that is a good sign that they have some real knowledge of the subject and have undertaken serious research.

Do they situate their sources in time, space, and social context?

All primary sources were produced by specific people in specific social and historical settings. We can use them most effectively as evidence for things that those people had good reason to know about. The farther the writer of a source is from the topic they wrote about, the less confidence we can have in what they tell us.

The Greek historian Herodotus and the Macedonian rhetorician Polyaenus give different accounts of how the Persian Empire conquered Egypt in 525 BCE. Herodotus traveled in Egypt less than a century after the Persian conquest and interviewed local priests about Egypt’s history. Polyaenus wrote in the second century CE, almost seven hundred years after the events, and, as far as we know, never traveled in Egypt or had any contact with Egyptians. These facts shape the weight that we should give to their different accounts, and anyone who does not acknowledge the difference is not practicing responsible scholarship.

Do they engage with the sources in their original language?

Many ancient texts are available today in good translations, and, simply for the sake of efficiency, most practicing historians will begin their research with modern translations. Serious historical scholarship must go beyond translations, however. The more that an argument relies on the meaning of particular words or on the details of what an ancient author did or did not say, the more crucial it is that we pay attention to the original words in the original language and linguistic context.

For instance, people sometimes make much of the fact that Herodotus describes the ancient Egyptians as “black-skinned.” This is a literal translation of the ancient Greek word Herodotus uses, melanchroies, but the Greek word has a different set of associations than the modern translation. To an ancient Greek, melanchroies meant ‘deeply suntanned.’ It had none of the racial implications that the English word Black has today, and historical arguments that depend on the modern translation risk misunderstanding what Herodotus was saying (and not saying).

Do they engage with sources that don’t support their argument?

Few things in history are simple. Almost any claim we can make about historical events, people, or societies is going to be contested, and there will be sources that both support and contradict it. People who want to put forth dubious claims tend to cherry-pick the sources that support (or can be made to sound like they support) those claims while ignoring the ones that don’t. How a historian deals with those contradictions is an important mark of good scholarship.

People sometimes make claims about the role of women in the Celtic-speaking societies of northwestern Europe on the basis of passing references in some ancient authors, but the writers who give us the fullest and most detailed accounts of societies in those regions—Polybius, Caesar, and Tacitus—do not describe societies in which gender relations were significantly different from those of the Mediterranean. There are sound reasons to critique those authors and question the accuracy of their ethnographic knowledge, but someone who doesn’t engage with those sources is not making a good historical case.

Do they critically examine the sources?

Just because someone wrote something down doesn’t make it true. Sometimes people don’t know what they’re talking about. Sometimes they lie. If a historian is relying on a primary source to support a particular claim, part of the argument they need to make is that the writer they’re citing actually knew what they were talking about and were telling the truth about what they knew.

The Roman historian Tacitus famously wrote that the Germanic peoples of Rome’s northern border were of pure stock, having never mixed their bloodlines with any other people. This claim has been uncritically and enthusiastically embraced by modern nationalists and racists of various stripes, but a critical reader needs to ask: how would Tacitus, a Roman aristocrat who didn’t speak any Germanic languages and probably never even visited the northern frontier, actually know anything about the long-term genetic history of the peoples he was writing about? What other ideological or literary agendas might Tacitus’ claims about the people of the empire’s northern frontier be serving–either for Tacitus himself or for whoever he relied on for his information?

As I said above, there is no perfect technique for separating good historical scholarship from bad, but these questions are a useful place to start, and applying them thoughtfully to both online discussions and claims you may come across in your research will help you find better historical arguments and avoid worse ones.

Truly Old Buildings at Göbekli Tepe and Karahan Tepe

Among the world’s oldest buildings are the circular and rectangular structures at Neolithic sites known as the Taş Tepeler culture in Upper Mesopotamia or south-eastern Anatolia (modern-day Turkey).

Turkiye Today Tas Tepeler Map Sm

The earliest Taş Tepeler sites were established by hunter-gatherers some 11,000 years ago (10th-9th millennium BCE)—about 6,000 years before Newgrange and Stonehenge. The two best known are Göbekli Tepe and Karahan Tepe. Apart from similar buildings, both these sites also contain the same kind of carvings and statuary of varying sizes depicting both animals and humans, and distinctive T-shaped pillars with shared symbolism.

The Göbekli Tepe site consists of a Neolithic mound (or a tell) with domestic structures and other small buildings, quarries, and stone-cut cisterns.

DAI Gobekli Tepe Aerial Sm
Unsplash Frank Samol Gobekli Tepe Sm

The distinctive feature of the circular buildings at Göbekli Tepe are T-shaped pillars in limestone, some of which are up to 5.5 meters tall. Many are decorated with carved depictions or reliefs of humans, items of clothing (e.g. belts and loincloths), as well as wild animals. Four circular buildings have been unearthed so far, but we know from geophysical surveys (with various ground-based physical sensing techniques) that more structures still lie buried all over the tell.

DAI Gobekli Tepe Pillar 43 Sm

It was thought that the site was probably used only in connection with special social events and rituals, but the discovery of domestic buildings and rainwater harvesting systems has caused a revision of the hypothesis. It has now become increasingly clear that people were actually living at Göbekli Tepe and the other Taş Tepeler sites.

The second widely known site, Karahan Tepe, lies roughly 50 km east of Göbekli Tepe; the two are often considered “sister sites”, although some aspects of Göbekli date to slightly earlier. In addition, unlike the on-ground builds at Göbekli Tepe, at Karahan Tepe chambers were carved into the bedrock.

Evidence of domestic (and not just ritual) life at Karahan includes stone troughs, groundstones, mortars, pestles, and handstones. But one of the most striking elements at Karahan is the repetition of human faces, including a face carved from the rock wall of the so-called Pillar Room.

Wikimedia Karahan Tepe Human Face Sm

Another famous find at Karahan Tepe is the 2.3-meter-tall statue of a seated man also known as the Ribbed Man. It was carved around 9400 BCE with a defined eyes and nose, a bald head, carefully incised ribs and spine, and hands brought to the front to hold his phallus.

Wikimedia Karahan Tepe Man Sm

A website developed by the Karahan Tepe Research & Archive Project collects visuals and facts of the site, with information also on Göbekli. A timeline at tastepeler.net shows the development of the various sites in relation to other early sites and cultural phenomena.

Both Karahan Tepe and Göbekli Tepe indicate the existence of origanized societies capable of carrying out complex, material- and labor-intensive projects, with their own symbolic worlds and beliefs, before the adoption of farming or pottery. Very deservedly, Göbekli Tepe became a UNESCO World Heritage Site in 2018.

Unfathomably ancient, aren’t they!

Images: map of Taş Tepeler sites via Türkiye Today. Via UNESCO: aerial view of the Göbekli Tepe site and closeup of pillar 43 in Building D by DAI, Göbekli Tepe Project. Building by Frank Samol via Unsplash. Karahan Tepe human face by Frantisek Trampota via Wikimedia (CC SA 4.0). Karahan Tepe man by Marco Restano via Wikimedia (CC BY-SA 4.0).

Reconstructing the Sutton Hoo Ship

In the seventh century CE, an early medieval noble was buried in a remarkable tomb at Sutton Hoo in Suffolk, England. The body and its treasures were laid to rest inside an intact ship some 27 meters long. The rediscovery of that burial in 1939 was one of the great moments of British archaeology in the twentieth century. Now there is a project to build a replica of the Sutton Hoo ship using the tools and techniques that would have been available to seventh-century shipwrights.

The Sutton Hoo Ship Project has been ongoing for the past decade. Its goal is to document for future research the processes, tools, materials, and challenges of early medieval shipbuilding as accurately as they can be reconstructed today. When the ship is complete, it will be taken through sea trials, river maneuvers, and overland hauling to help us better understand the capabilities and limitations of early medieval ships.

The project is ongoing in Woodbridge, England, just across the River Deben from the Sutton Hoo burial site, and is supported by a volunteer organization, The Sutton Hoo Ship’s Company.

Image: Ship under construction, photograph by The Sutton Hoo Ship’s Company

Updated Competence Porn Viewing List

It’s over three years since I posted my Competence Porn Viewing List. Time for an update, I think. 🙂 I’ve both added and dropped a few items.

As I mentioned in my original post, there is quite a bit of variance in the use of the term competence porn. Here, as a refresher, is what I mean by it:

  • Typically has multiple competent, intelligent characters of different skills or areas of expertise working together, often towards a fairly big goal.
  • Involves complex problem-solving. Can but need not include a heist.
  • It helps if women are being awesome,
  • and/or, it helps if the characters are learning to work together.
  • It needs to be fun or rewarding on some level. (This is highly subjective. YMMV.)

I’ll first reveal my favorites and then give my reasoning why each of the works made it onto my listing.

In alphabetical order, here is my short viewing list:

  • The Avengers / Avengers Assemble
  • Black Panther
  • Charlie’s Angels (2019)
  • Elementary (2012-2019)
  • Jurassic World: Dominion
  • Leverage (2008-2012)
  • The Martian
  • Ocean’s Eight
  • Passengers
  • Rogue One
  • Wonder Woman

And a back-up list with works that fulfill some criteria, fail others, but that I nevertheless like enough:

  • Black Widow
  • Captain Marvel
  • Godzilla (2014, directed by Gareth Edwards)
  • Miss Marple (the series with Joan Hickson)
  • Murdoch Mysteries
  • Oppenheimer

The Avengers / Avengers Assemble

IMDB Avengers 2012 Poster

(According to IMDB, Marvel has started to call this movie Avengers Assemble. Right then.)

Too few women getting too little screen time, otherwise a fantastic learning-to-work-together story. It also helps that the threat is mostly external (i.e., no infighting).

Black Panther

IMDB Black Panther Trio

Like I said in our random thoughts post on Black Panther, it’s outright GLORIOUS to see that WOMEN ARE PEOPLE in their own right, with their own interior lives. And such a spread of different women, too, each doing their thing according to their interests and skills. So many intelligent people (on both sides of the law), with plenty of problems to solve.

Still remains the best, IMO, among the Marvel Cinematic Universe movies. RIP, Mr. Boseman.

Charlie’s Angels

IMDB Charlies Angels 2019 Poster

I find the protagonist Elena (played by Naomi Scott) very irritating; on the other hand, Jane and Sabina (Ella Balinska’s and Kristen Stewart’s characters) plus Boz and Bosley (Elizabeth Banks and Djimon Hounsou) are great. Stewart has a bad rep, I guess, and I guess primarily from the Twilight movies (the only things I have seen her in), but on the basis of her performance here I’d suggest she does have skills but was just badly directed in that series. Anyway, it’s a learning to work together story, which I like a lot, and all the women down to the side characters are awesome.

Elementary (2012-2019)

IMDB Elementary s2 e12 The Diabolical Kind

A modernized version of Sherlock Holmes set loose in New York City with a gender-flipper Watson. Both Jonny Lee Miller and Lucy Liu are fantastic as the detective duo, and the smart NYPD cast, Captain Gregson and Detective Bell (played by Aidan Quinn and Jon Michael Hill), also contribute their fair share. The Ms. Hudson and Moriarty versions were also interesting, but all in all there are too few women. (Still half of the population, hello?) Nevertheless, the astounding cases, quality acting, and scenes of real NYC in all its glitter and grime continue to keep my interest despite some less successful story lines.

Jurassic World: Dominion

IMDB Jurassic World Dominion Scareds

Finally a significant portion of women in a mixed cast! (And not everyone is glaringly white.) And everyone gets to be awesome—not to mention terrified of the dinos—regardless of what’s in their pants, as they should. So much working together. No heist, but escaping alive counts as problem-solving, too!

Leverage (2008-2012)

IMDB Leverage Group Shot

Yes, yes, yes—ticks all the boxes despite some unevenness in the writing. If only it didn’t have Nate nor the actor, Timothy Hutton; I’m so fed up with wallow-y man pain (and, whoo boy, does he wallow) with or without alcohol, but it’s infinitely worse with.

The three youngsters should’ve had a series of their own; THAT would’ve been great, and I would throw money at it!

The Martian

IMDB Martian Inside Mars Base

No heist, but: People working together? Check. Women being awesome? Check. Competent characters? A very big check. Extra bonus for wholesome spud nutrition. (The only minus comes from women amounting to about a third of the more significant roles. It’s better than 10 or 20 %, but come on.)

Ocean’s Eight

IMDB Oceans Eight Poster

Yes, yes, YES! (Despite Sandra Bullock, Anne Hathaway, and Helena Bonham Carter, who all are far from favorites of mine.) Cate Blanchett, Mindy Kaling, and Rihanna were fabulous. The heist is simply staggering, and it helps it’s also a learning to work together story in part.


Passengers

IMDB Passengers

I resisted seeing Passengers for a long time (and probably would never have seen it if I hadn’t received the disc from a relative’s estate), because the marketing materials at the time of its release made it sound digustingly creepy, coercive, and unsafe. Turns out, they really did lie through their teeth.

The main protagonist’s behavior is creepy at one point, that is true, but he owns up to his actions and doesn’t get to escape the consequences, which makes a difference. The actual characters are all competent and intelligent (while the AI-driven ones aren’t even supposed to). They certainly end up working together towards a big goal, learning as they go. Complex issues are indeed at play. Beautiful space imagery and other visuals. So, there are enough rewarding features to include Passengers on my list for now.

Rogue One

IMDB Rogue One Poster

Although in the beginning we only see a glimpse of Jyn Erso’s childhood and we hear little of how she lived afterwards, it’s clear that she can handle herself, backwards and blindfolded if needs be. I enjoy seeing just how the Rogue One group slowly comes together to run their desperate mission. It needs more women, though.

Rogue One is clearly the least fun of my six competence porn stories, which makes it really hard to put into words why it’s on my list. I just know that it is.

Wonder Woman

IMDB Wonder Woman Shot

There are some plotholes and/or weaknesses I’d rather do without, but the learning to work together aspect of the story nevertheless makes the movie work for me. And—need I say it?—SO many awesome women. I could spend more time seeing Amazon action on Themyscira!

Images via IMDB: The Avengers. Black Panther. Charlie’s Angels. Elementary (s. 2, ep. 12, “The Diabolical Kind”). Leverage. The Martian. Ocean’s Eight. Passengers. Rogue One. Wonder Woman.

A New Trailer for Avengers: Doomsday

A new trailer for Avengers: Doomsday is out:

Avengers: Doomsday | Official Trailer | In Theaters December 18 by Marvel Entertainment on YouTube

My internal dialogue following the trailer monologue went something like this:

  • “Something’s coming.”
  • Isn’t it always? *internal sigh*
  • “Something we may not be able to deter.”
  • Uh-huh… This isn’t new, either. Superhero stories like these are a dime a dozen.
  • “Before this day is done, we shall be faced with an unthinkable decision.”
  • Rrriiight. *yawn*

So, basically, Marvel lost my interest in under 30 seconds, which is a shame, since there were a number of quite nice character moments in the teaser trailers released early this year. Everything this trailer is doing points to a huge, enormous challenge that sounds so much like just about every other supe storyline culmination in existence. Ho-hum.

For me, the only delightful moments were the meeting of Thor and Steve Rogers (complete with Mjölnir zzzooping to Steve’s hand) and seeing a glimpse of Shang-Chi. I’ve been waiting for the Marvel Cinematic Universe to return to him like they intimated. (Then again, we’ve never seen Kang—understandable from a real-world perspective—or the Eternals again, either, even though for a while it seemed both would become a large-ish part of the MCU.)

I still can’t tell whether Doomsday is worth my while to see in the theater; hopefully there’s another, clearer trailer before the opening night.

At this writing, the UK and US release date for Avengers: Doomsday is December 18, 2026.

The Opening Lines of the Epic of Gilgamesh Performed in Sumerian

We have no direct evidence for how the epic of Gilgamesh was performed or what it sounded like to hear live, but this is a speculative reconstruction that helps open up our imagination. Canadian musician Peter Pringle performs on a reconstructed ancient lute called a gish-gu-di and sings the opening lines of the epic in the language of ancient Sumer.

The Epic Of Gilgamesh In Sumerian by Peter Pringle via YouTube

While this is an artistic reimagining, not a scholarly reconstruction (as Pringle himself has been clear about), it makes for a fascinating way of bringing the ancient text to life.

Quotes: History Was Full of People

My recent reading has serendipitously included a many empires, both fictional and factual.

“’Empires are not …‘ She trailed off before she said anything truly treasonous. Librarians of Alyssium were trained to be impartial, but how could anyone who studied history not have feelings about it? She’d never understood that. History was full of people, all of whom had lives and dreams that were affected by the dry laws and military actions that filled university textbooks. Emperor Mevorin liked to insist every action taken by the empire was for the good of its people, but far too many of its actions throughout history had been for the good of the empire, which was not—regardless of what the emperor espoused—the same thing. An empire, unchecked, was a selfish beast of insatiable hunger.” [original emphasis]

– Terlu Perna in The Enchanted Greenhouse by Sarah Beth Durst

Current Reading The Enchanted Greenhouse Sm

It’s not the empire aspect that grabbed me about this quote, however. History is indeed full of people, and I have a homebrew hypothesis why that fact is often forgotten.

We’re living through a phase when science and/or technology are seen as the most important lens(es) to view life through (unlike, say, during Renaissance or the Age of Enlightenment). Scientific research seeks to observe phenomena objectively, quantifying them, and removing as many hints of the personal as possible.

There was a time when there was discussion within history and other humanities about emulating that approach (e.g. cliometrics), but in the past 30 to 40 years or so, research focus in the social sciences has been shifting more towards the individual experience.

However, since the rest of society is still wearing pink science love goggles, this shift hasn’t broken through to mainstream discussions yet. Hence, the lay public—including the character in the above quotation—is under the false impression that historians do not regard history as concerning actual people.

Again, this is a personal crackpot theory of mine.

The book’s protagonist, Terlu, does also remind me of my high school teachers in a way. In my senior year, during the prep for our finals, teachers would spend some time in class iterating how important their subject is. It got almost comical one day when class after class literally every single one of them said a variation of “These things are so important” or whatever—each surely aware of the spread of subjects on offer at our school, and of our work load, not to mention the fact that even at high school level some of us students had already started on our paths towards specializing in our future fields.

In a way that was good, though—we clearly had motivated teachers who cared about their fields. Terlu in the quotation above also is clearly very passionate about her interests, to the extent of being blind to a host of other considerations in life, and it shows. She’s also young, and that also shows.

(There is a more curmudgeonly comment I’d like to make as well: “university textbooks” are the kindergarten version of academia. History at university level is a very different beast from the rote learning of names and dates that the lower levels of education pretend constitutes history. If Terlu imagines “university textbooks” or other basic treatises contain the whole of what historical research is, she’s a staggeringly more junior librarian than the novel purports and greener than a St. Patrick’s Day parade. *grumbling in librarian-married-to-a-historian*)

Durst, Sarah Beth. The Enchanted Greenhouse. London: Pan Macmillan, 2025, pp. 105-106.

Image by Eppu Jensen

Worldbuilding: Food Production and War

A fundamental problem faced by pre-modern societies—and one which our own fictional societies may have to grapple with as well—is how to balance the demands of food production and war. The ways in which a culture managed this problem had deep effects on how that culture functioned, how its members related to one another, and how it dealt with outsiders. Thinking about how your fictional cultures deal with this problem is a useful worldbuilding exercise.

The problem is simple: the ability to produce food and the ability to protect one’s own food sources from other people who would take them by force are both essential to a society’s survival, but they compete for the same human resources.

Food production is labor. In societies without industrial technology, it is the main occupation of at least ninety percent of the population. Food production can take many forms, such as farming planted crops, tending domesticated animals, gathering wild resources, or producing trade goods to exchange for food from abroad. While nearly the entire population of a pre-industrial society must contribute in some way to food production, the bulk of the work rests on the shoulders of healthy adults without other callings.

War is also labor. It demands physical competence and endurance, just like ploughing a field, managing a herd of cattle, or hauling in fish from the sea. The prime contributors to the labor of war are the same as the prime contributors to food production: healthy adults who aren’t needed for more specialized tasks.

War and food production compete for the same pool of labor. Every day that a person spends marching on campaign, laying siege to a city, repairing their armor, or standing watch at an outpost is a day they aren’t milking cows, weeding a vegetable garden, picking mushrooms in the woods, or making trade goods to exchange for food from abroad. To successfully produce enough food to feed itself and protect that food from from hostile outsiders, a society has to find a way of balancing these two needs.

Every culture’s solution to this problem is unique, but we can categorize the possible approaches in a few broad patterns, each of which come with certain advantages and drawbacks:

  • Raiders. For raiders, fighting is itself a means of food production. A society can afford to spare people from food production to fight if the result of the fighting is bringing in at least as much food as those people would have produced had they stayed home and planted potatoes or gathered wild berries. The upside of raiding is that when it succeeds, the results can be extremely profitable. The downside is that the targets of raiding tend to respond by protecting their resources better or mounting a stiffer resistance, and when a raid fails it can lead to starvation and vicious internal conflicts over the limited resources left. Societies that live by raiding tend to be precarious and violent, and it is rarely a successful strategy in the long term.
  • Citizen militia. In a society with a citizen militia, the people who produce the food also do the fighting. Most people spend their day-to-day lives farming, herding, fishing, or practicing other essential crafts, but when there is a threat, they are called up to fight in defense of their homes. The advantage of this solution is that it puts a minimum burden on food production. Farmers and herders are not carrying the dead weight of full-time soldiers who don’t contribute to food production, and as soon as the fighting is over, they can get right back to their usual business. The drawback is that such society cannot sustain a long-term military effort or fight far from home. Every person in the militia needs to get back to their farm or ranch as quickly as possible or risk losing their harvest or herd. Societies that take this approach tend to have strong social cohesion and a sense of civic obligation among people, because without it they would never be able to get people to leave their homes and livelihoods to go fight. They also tend to face frequent wars, because the can rarely afford to commit the troops and supplies necessary to decisively defeat their enemies and eliminate threats to their territory.
  • Warrior aristocrats. Where there are warrior aristocrats, the people who do the fighting have people to produce food for them. A pre-industrial society can sustain a small number of full-time warriors if each one directly controls a food source, such as a spread of farmland or a large herd of cattle, and has subordinates whose job it is to work that food source for the warrior in addition to working for their own sustenance. On the plus side, this arrangement allows for a small but full-time fighting force without taking away from food production. Warrior aristocrats can be prepared to fight at a moment’s notice and can afford to be away from home for long periods. On the other hand, such societies tend to fragment, as each warrior aristocrat has good reason to stay close to their own resources and little incentive to risk themselves in defense of the farms or herds belonging to another aristocrat.
  • Professional armies. With a professional army, some central authority gathers food from the people who produce it and provides it to the people who do the fighting. Unlike warrior aristocrats, the soldiers in a professional army do not have their own food sources which they directly control; they depend on the state for their supplies. On one hand, this system can create a well-trained, experienced army that can operate in the field indefinitely and far from home, as long as they keep getting supplies. On the other hand, the process of gathering resources from producers, coordinating logistics, and delivering food to where it is needed is a substantial additional burden on state power and usually requires a whole professional bureaucracy dedicated to oversight and record-keeping, which itself is a further drain on the labor pool available for food production. A culture that maintains a professional army requires a high degree of centralized organization and control, which are likely to manifest themselves in other areas of life.

Food production and war are two of the most fundamental activities for most pre-modern societies. The different ways in which societies have historically reconciled the competing demands of these activities had deep effects on the lives of the people who lived in them. If you are writing about a pre-industiral society in your own imagined world, even if you aren’t writing directly about farming or fighting, it’s worth taking some time to think about how your culture solves this problem and what effects that solution has on the daily lives of your characters.

Image: Cincinnatus Leaves the Plough to Dictate Laws to Rome via Wikimedia (Prado Museum, Madrid; c. 1806; oil on canvas; by Juan Antonio Ribera)

Second Trailer for Dune: Part Three

A longer trailer for Dune: Part Three has been released:

Dune: Part Three | Official Trailer by Warner Bros. et al. on YouTube

The story continues with lots of drama and backstabbing—wouldn’t be Dune without it, would it? There’s also a lot of angst, which isn’t this big a part of how I remember Dune from the books. I don’t remember Scytale (Robert Pattison’s character) either. Perhaps it’s time for a re-read.

The combination of music, sets, and visuals continues to impress, even if I care less for the adapted story than the original novels.

Dune: Part Three is set to release on December 17 or 18, 2026.

For Hobbit-y Holidays

In a hill, in the ground, there was an earthen home. Not a nasty one, of course, but comfy and cozy, as Hobbit holes are wont to be.

Airbnb Middletown Springs Hobbit House

Situated in Middletown Springs, Vermont, United States, these two cabins or cottages were inspired by Hobbit houses. The owners, Cynthia and Pepper, call them The Hobbit House and The Spring House, and painstakingly turned them into a dreamy destination, a true home away from home.

Airbnb Middletown Springs Hobbit House Door

In their own words:

“Circa 2941… of the Third Age to be exact. A time marked by the rise of Sauron and his eventual defeat during the War of The Ring.

“We wished for a space, not from a century ago but an age away… but our fantasy was not found so we decided to build it ourselves. We focused on the artistry of old world and added all the modern conveniences to weave the best of both worlds together. … We, the owners, spent over 6,000 hours on the design/build to make this beautiful dream come true. Completed in 2018 with all modern conveniences which seem to disappear among the period decor, this cottage transports you to a simpler time.”

All the details and rooms have clearly been thoroughly thought-out, including the lighting:

Airbnb Middletown Springs Hobbit House Entry

Modern bathrooms are disguised reasonably well:

Airbnb Middletown Springs Hobbit House Bath

Since Hobbits are all about food, the cottages have their own kitchens…

Airbnb Middletown Springs Hobbit House Kitchen

…and there is also a pub / bar (= dining room?) (for guests only, not open to just anyone):

Airbnb Middletown Springs Hobbit House Pub Bar

Sounds like all four seasons are considered in the meticulous landscaping in front of the cottages:

Airbnb Middletown Springs Hobbit House Red Door

In addition, there is a pond!

Zillow Middletown Springs Hobbit House Pond

Wow! (Please go and see more photos; I’ve merely scraped the surface here.)

While I could do the interiors, the outdoors would take so much effort for me to achieve. Not to mention the amount of care and maintenance required, after you’ve finished the build, for a holiday let. Kudos!

Found via Home Tours & Other Stuff on Tumblr.

Images by Cynthia and Pepper via Airbnb and via Zillow