Trailers for The Other Bennet Sister

Apparently, The Other Bennet Sister is out already! The series is a tweak on Jane Austen’s Pride and Prejudice from the point of view of the dowdy middle sister, Mary, based on Janice Hadlow’s 2020 novel.

The teasers and trailers give you a rough idea of the production, from the short clips…

Your first look at The Other Bennet Sister | OFFICIAL TEASER – BBC on YouTube

The Other Bennet Sister | BritBox Original Teaser by BritBix on YouTube

…to one with a little more length:

The Other Bennet Sister | BritBox Original Trailer by BritBox on YouTube

Okay, then! Lydia is as horrible thoughtless as ever, Jane as thoughtful and kind. I’m having the darnest time telling who’s Lizzy on the basis of these clips; very obviously, the focus is elsewhere.

I remember reading The Other Bennett Sister and liking it; I hope the script is as good. The cast looks wonderful as far as I can tell: Ella Bruccoleri as Mary, Richard E. Grant as Mr. Bennett, Indira Varma as Mrs. Gardiner, and Tanya Reynolds as the shudder-inducing Caroline Bingley. Production values and locations look lovely as well. According to Wikipedia, location shots were pricipally done in Bristol and Wales, so refreshingly new scenery should be in store. I’ll have to look up how to get access!

Have you seen The Other Bennett Sister yet? Any thoughts?

Pompeii Reconstructed

Here’s a fascinating project: a digital reconstruction of the Roman city of Pompeii that lets us walk through the streets and wander the houses of the ancient city when it was still a living town. This video shows some highlights of the work produced by Altair 4.

Pompei Then and now [sic] by Altair4 Multimedia Archaeo3D Production via Youtube

New Pride and Prejudice Teaser Trailer

Aha! The new Pride and Prejudice adaptation by Netflix is far enough along to have released a first trailer:

Pride and Prejudice | Official Teaser by Netflix on YouTube

Oh, boy… that really wasn’t much, was it?

The editing of the trailer does remind me of Emerald Fennell’s Wuthering Heights trailers—and not necessarily in a good way. (I haven’t seen the movie, but I’ve gotten the impression that Fennell foregrounded the characters’ passions at the expense of the plot.) While people in Regency England has strong feelings, of course, the polite society was all about controlling them, and that’s a part of Jane Austen’s writing. Furthermore, at its core P&P is about a meeting of the minds, not looking for a romp in the hay. In this trailer, touch and intimate gaze feature heavily, making it appear the story is about the bodies more than the brains.

And why on earth is Elizabeth Bennett sitting up on the roof in the first place? To highlight her rebellious spirit even to the slowest of viewers???

I am fervently hoping any future trailer(s) will be more illuminating.

At this writing, IMDB doesn’t list a release date, but Deadline claims “launching in fall 2026”.

The Sheep Detectives Trailers

The Sheep Detectives is almost out, and I can’t believe I haven’t come across this production before—it looks absolutely hilarious!

Before some comments, here are the two trailers:

The Sheep Detectives | Official Trailer by Amazon MGM Studios on YouTube

The Sheep Detectives | Official Trailer 2 by Amazon MGM Studios on YouTube

Hugh Jackman’s shepherd George—who turns out much more than a simple farmer—is murdered. He had a habit of reading murder mysteries to his flock, who take it upon themselves to solve his killing. It involves crossing a road—gasp!—to leave their beloved pasture, conducting investigations, and attempting to point the poor hapless local bobby in the right direction.

The supporting cast sounds incredible. We have for instance Emma Thompson and Patrick Stewart, Tosin Cole and Julia Louis-Dreyfus, Brett Goldstein and Nicholas Galitzine (who is going to be He-Man in the upcoming reboot of Masters of the Universe).

The script is by Craig Mazin and Leonie Swann, based on Swann’s book; Kyle Balda directs. I know some of Mazin’s work from the series Chernobyl (which was great) and Balda’s from Minions (ditto), so here’s hoping that the plot works.

Can’t wait! 😀

The Sheep Detectives is set to open next Friday, May 08, 2026.

Second Trailer for Masters of the Universe Reboot

Here’s the second Masters of The Universe trailer:

Masters of The Universe – Official Trailer by Amazon MGM Studios on YouTube

We see a little more in this version—like Adam starting to re-gather his team from jail—but how much more can there really be in an origin story? The fight scenes don’t seem to contain anything interesting, either. (I’m really not the prime target audience for this reboot, since it doesn’t seem to do anything new and inventive, merely new as in ‘an updated version’.) Adam’s relationships with his friend(s) on Earth show some comedic promise, at least.

I do wonder how they got such a cast to sign up for what appears a rather uninspired reboot? Unless the trailers lie again?

As MotU really was more my younger siblings’ cup of tea, I think for me it’ll be a movie to get from the library.

First Trailer for Dune: Part Three

I remember being impressed with Dune: Part One but much less so with Dune: Part Two, so I stopped tracking what’s happening with Dune: Part Three. We’re now approaching the release of D3, however, and a trailer has dropped:

Dune: Part Three | Official Teaser Trailer by Warner Bros. et al. on YouTube

Lots of feels and fleeting character moments, but not many impressions of what will happen in this version of the story. That seems in line with how trailers for block busters work these days.

While much less excited about this conclusion of director Villeneuve’s trilogy than about the Frank Herbert’s originals, I am somewhat interested in how Villeneuve was able to turn a book trilogy plus its sequel novel into a movie trilogy. Perhaps I’ll wait till the disc is out and borrow it from the library.

At this writing, Dune: Part Three is set to release on December 17 or 18, 2026.

The First Trailer for The Latest Odyssey Adaptation

The Christopher Nolan adaptation of The Odyssey has a trailer out.

The Odyssey | Official Trailer by Universal Pictures on YouTube

Right. The biggest thing staring at me are the colors. They are too muted, IMO—by now there’s plenty of evidence that the ancient world was awash with color. Some of it is explained by the weather in the trailer scenes, but there really should be more color. Even the glimpse of Penelope’s (Anne Hathaway) turquoise gown is left in the shadow of her head, making it appear darker.

(This is a tendency in some modern films I just can’t abide; wash-out tones like sepia have never appealed to me. History was colorful! And don’t get me started on the pervasiveness of black. Like slapping on unnecessary buckles and straps, pretensions of historicity while choosing black clothes for earlier periods has started to seriously irk me. Sure, if your film is about puritans, go for it. The antiquity? Black is certainly not as omnipresent as this!)

Otherwise, we see hints of several scenes from the epic. Perhaps too many; the whole feels jumbled, disorganized, and erratic. I am likely to want to see the movie, but unfortunately this trailer did nothing to encourage me to visit a theater to do so. Endless dark scenes of men in dark costumes glancing apprehensively around in dark surroundings, while I myself am sitting in a dark auditorium, holds no attraction for me. (For that much dark, we have Finnish winters, thank you very much.) I might as well wait for the disc and see it at home in greater comfort to offset all of that gloom.

The Odyssey will open on July 17, 2026.

Jane Austen’s Period Drama

While browsing Frock Flicks, I came across a 2024 short comedy called Jane Austen’s Period Drama.

Content note: icky female bodily fluids are depicted (faked, obviously, but nevertheless) and discussed. Beware, hereinafter there be cooties!

The short is both written and directed by Julia Aks and Steve Pinder. Furthermore, Aks stars as Miss Estrogenia ‘Essy’ Talbot. According to IMDB, the farce is introduced thus:

“England, 1813. In the middle of a long-awaited marriage proposal, Miss Estrogenia Talbot gets her period. Her suitor, Mr. Dickley, mistakes the blood for an injury, and it soon becomes clear that his expensive education has missed a spot.”

JANE AUSTEN’S PERIOD DRAMA / 2026 Oscar®-Nominated Short Film by Julia Aks on YouTube

Don’t let the film’s short duration fool you: Jane Austen’s Period Drama has very impressive sets and props plus acting and filming, but it’s the writing that takes the cake. (Chocolate cake, obviously, considering the topic.)

Reader, I laughed and laughed!

First Trailer for Masters of The Universe Reboot

Oho—another upcoming movie that I’ve missed: He-Man and pals are getting a reboot. Here’s the first Masters of The Universe trailer:

Masters of The Universe – Official Teaser Trailer by Amazon MGM Studios on YouTube

Well, now. This is clearly an origin story. I’m hazy on how—and why—would little Adam be sent to Earth to hide and what, exactly, there is at Castle Grayskull to protect in this version of the story. Perhaps that’ll become clearer in future trailers.

The protagonist is played by Nicholas Galitzine, a complete unknown to me, but the supporting cast has some very big names like Morena Baccarin, Idris Elba, Jared Leto, James Purefoy, and Kristen Wiig, and smaller familiar ones like Alison Brie, Hafþór Júlíus Björnsson, and Jóhannes Haukur Jóhannesson.

Like Molly Templeton said at Reactor magazine, so far it “looks like the generic version of Thor: Ragnarok, as ordered from a questionable website.” Agreed! Also, some clips and effects look almost like they’re copy-pasted from other Marvel Cinematic Universe content.

I haven’t bothered to dig up the MCU cinematographers or visual effects companies for comparison, to see whether there is a real overlap or whether this could be a case of a visual language being increasingly adopted within the genre movie industry in general. (It could also be a blatant case of stylistic copying to try and lure in MCU fans, of course.)

But I do have to wonder, if visuals across big productions are starting to resemble each other to this extent, what does it forebode for future genre action movies? I’ve gotten quite tired of the stagnant action movie structure, to be honest. For a while the larger story arc across the separate MCU movies was interesting, since it had never been done before on that scale. (In fact, MCU reminds me of Babylon 5, the first to introduce really extensive story arcs for SFFnal tv shows.) But is there going to be anything interesting that’ll define action franchises anymore? Thematic differences like fast custom cars (vroom vroom!) or superpowered individuals or big monsters will remain, sure, but anything worth caring about? I guess I’m hankering after a paradigm shift in action movies, really.

Annnyway. 🙂

Travis Knight is directing a script by Chris Butler, Aaron Nee, Adam Nee, and Dave Callaham. Callaham at least I recognize from the 2014 Godzilla, Wonder Woman 1984, Shang-Chi and the Legend of the Ten Rings, and Spider-Man: Across the Spider-Verse.

The release date for the U.S. and U.K. for MotU is listed as June 05, 2026.

Teaser Trailers for Avengers: Doomsday

Someone observed that in about a month, we’ve had four teasers for Avengers: Doomsday. It is, indeed, unusual.

The ones focusing on fathers(!), Steve Rogers and Thor, were released at the end of December 2025:

Steve Rogers Will Return | Avengers: Doomsday in Theaters December 18, 2026 by Marvel Entertainment on YouTube

Thor Will Return | Avengers: Doomsday in Theaters December 18, 2026 by Marvel Entertainment on YouTube

The trailer about Professor X and Magneto came out at the beginning of this January:

Avengers: Doomsday | Only in Theaters December 18, 2026 by Marvel Entertainment on YouTube

And the Wakandans trailer a good two weeks ago:

Avengers: Doomsday | Only in Theaters December 18, 2026 by Marvel Entertainment on YouTube

My first thought was: I wonder what has changed that Marvel has disrupted their pattern of marketing? Then I saw the plot synopsis on IMDB: “Plot under wraps.”

Ah. Likely they’re after hype, probably spurred on by the less than stellar performance overall of phases four and five of the Marvel Cinematic Universe.

As the teasers are really short, we obviously don’t get much detail, however. It’s intriguing and refreshing that so much of the Steve Rogers trailer concentrates on him smiling and just holding (presumably) his baby. An interesting choice for such a short clip.

It’s also refershing that an uber-masculine franchise such as MCU is now mature enough to discuss not just fathers and sons from the perspective of being the son, but also becoming the father. We had a version already in Avengers: Endgame and a glimpse in Thor: Love and Thunder, but it seems it may now get a somewhat larger share of attention.

What does baffle me is why we see so many fewer women on screen than, say, in Avengers: Endgame. The current cast listing on IMDB is also very, very man-heavy. It’s like someone suddenly developed an overwhelming case of cooties…

We’ll have to see how many of my impressions change in the coming months as more trailers are released, as I’m sure they will be.

At this writing, the release date for Avengers: Doomsday is either December 17 or 18, 2026, depending on location.