Star Trek: Deep Space Nine ends on a high note. Here’s our ratings for the seventh and final season:

1. “Image in the Sand” – 5.5
2. “Shadows and Symbols” – 5
3. “Afterimage” – 4.5
4. “Take Me out to the Holosuite” – 10
5. “Chrysalis” – 2
6. “Treachery, Faith, and the Great River” – 6.5
7. “Once More unto the Breach” – 2
8. “The Siege of AR-558” – 5
9. “Covenant” – 1
10. “It’s Only a Paper Moon” – 8.5
11. “Prodigal Daughter” – 3.5
12. “The Emperor’s New Cloak” – 6
13. “Field of Fire” – 4
14. “Chimera” – 2
15. “Bada-Bing Bada-Bang” – 8
16. “Inter Arma Enim Silent Leges” – 5
17. “Penumbra” – 4.5
18. “’Til Death Do Us Part” – 3.5
19. “Strange Bedfellows” – 7
20. “The Changing Face of Evil” – 5.5
21. “When It Rains…” – 5
22. “Tacking into the Wind” – 6.5
23. “Extreme Measures” – 6
24. “The Dogs of War” – 7
25. “What You Leave Behind” – 7

The final season comes with an average rating of 5.4, a solid way to end and the best season of the whole series. This average comes from a whole lot of episodes the decent-but-not-stellar range of 4-6. This season has only one real standout, but only a couple of clunkers, too. The final ten episodes of the season make up an arc covering the conclusion of the Dominion War, and these mostly hold up well (apart from “Penumbra” (4.5) and “”Til Death Do US Part” (3.5), which are a bit weaker as both mostly serve to set up plotlines for later episodes to pay off).

Nicole de Boer joins the cast this season, playing the next host to the symbiont Dax after Jadzia’s death. As the newest addition, she gets a fair number of episodes focused on her and her struggles to reconcile herself to her new memories without the years of preparation usually given to Trill host candidates. We’re sad to lose Terry Farrell and her swashbuckling smart-ass science officer Jadzia, but Ezri Dax is a worthy addition to the crew.

The weakest episode this season is “Covenant,” in which we discover Gul Dukat leading a cult of Bajoran pah wraith worshipers in an abandoned Cardassian station. Marc Alaimo is as brilliantly slimy as ever in his performance, but he can’t save an episode that feels both predictable and hollow. The pah wraiths had potential as an inscrutable foil to the equally inscrutable prophets, but the writers decided to turn them into standard-issue evil gods and never put much effort into thinking about their relationship to Bajor.

At the other end of the scale, though, we get the wonderfully warm and silly “Take Me out to the Holosuite,” a full 10, in which Sisko goes a bit off the rails trying to beat an old rival who challenged him at his favorite game: baseball. It’s charming to see how the crew rallies around Sisko, even as he gets too caught up in the competition, and utterly heartwarming to see him finally realize how his obsession with winning had blinded him to what made him love the game in the first place. This episode is a refreshing break from the ongoing Dominion War story, and the best realization I’ve seen of the old adage that “It’s not whether you win or lose that matters, but how you play the game.”

A couple of other episodes are worth noting. “It’s Only a Paper Moon,” at 8.5, deals with the consequences of Nog losing his leg a couple of episodes earlier in “The Siege of AR-558.” This episode rests on the performances of Aron Eisenberg as Nog and James Darren as the holographic singer Vic Fontaine. Both pull the episode off with subtlety and depth, and it is a tribute to the series that it trusted such a weighty episode to two side characters. Vic also features in “Bada-Bing Bada-Bang,” (8) a light-hearted holosuite casino caper that gives us a nice breather before the plunge into the final arc.

Thanks for being with us for our Deep Space Nine rewatch. Feel free to share your favorite episodes and memories!

• Season 1
• Season 2
• Season 3
• Season 4
• Season 5
• Season 6

Image: The Niners celebrate a manufactured triumph, from “Take Me out to the Holosuite” via IMDb

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The Dominion war heats up, taking the characters of Star Trek: Deep Space Nine in lots of new directions, some more interesting than others. Here’s our take on what season 6 has to offer.

1. “A Time to Stand” – 6
2. “Rocks and Shoals” – 7
3. “Sons and Daughters” – 0
4. “Behind the Lines” – 3.5
5. “Favor the Bold” – 5
6. “Sacrifice of Angels” – 6
7. “You Are Cordially Invited” – 8.5
8. “Resurrection” – 2
9. “Statistical Probabilities” – 4
10. “The Magnificent Ferengi” – 8.5
11. “Waltz” – 3
12. “Who Mourns for Morn?” – 7.5
13. “Far Beyond the Stars” – 8
14. “One Little Ship” – 9
15. “Honor Among Thieves” – 0
16. “Change of Heart” – 4
17. “Wrongs Darker than Death or Night” – 0
18. “Inquisition” – 2
19. “In the Pale Moonlight” – 7
20. “His Way” – 1
21. “The Reckoning” – 4
22. “Valiant” – 2
23. “Profit and Lace” – 2
24. “Time’s Orphan” – 6
25. “The Sound of Her Voice” – 4
26. “Tears of the Prophets” – 5.5

This season’s ratings are all over the place. There are a number of strong episodes in the 7-9 range, but also multiple 0s. The average comes to 4.4, in line with season 5 and a bit less than seasons 3 and 4. It seems a bit unfair to average out this season’s episodes, though, because there are so many different things going on. The Dominion war storyline runs through the season and provides a lot of solid episodes. There are also big moments of character development, some good—Worf and Dax getting married in “You are Coridally Invited”, everyone’s favorite barfly getting a backstory in “Who Mourns for Morn?”—some less good—Kira doing a reverse Back to the Future on her mother and Gul Dukat in “Wrongs Darker than Death or Night,” Quark learning what it’s like to be a feeeemale in “Profit and Lace”. Then there are some episodes that just come out of nowhere, like Sisko having a vision of twentieth century science fiction and racism in “Far Beyond the Stars.”

At the bottom end of the scale, we have a trifecta of absolute 0s. There’s “Sons and Daughters,” in which Worf’s son Alexander and Dukat’s daughter Ziyal both get to have strained relationships with their respective fathers. There’s “Honor Among Thieves,” in which O’Brien inexplicably has an undercover mission infiltrating a seedy crime syndicate, an episode with no good reason to exist, let alone be in this series. And there’s the aforementioned “Wrongs Darker than Death or Night,” a limp episode for such a pretentious title that is both overly contrived and weightless at the same time. I’ve mentioned before that it sometimes feels like there was a frustrated noir writer in the writers’ room, and they have their fingerprints on this season as well. “Honor Among Thieves” is straight-up noir, and “Wrongs Darker than Death or Night” leans hard in the same direction. It’s as uninterseting now as it was before.

But this season also has some great episodes at the other end of the scale. The best of the season is “One Little Ship,” at 9, in which a miniaturized Dax, Bashir, and O’Brien in a miniaturized runabout help rescue the Defiant from being captured by the Jem’Hadar. It’s a fun episode that gives all the characters something to do and nicely balances the silliness of its main conceit with the seriousness of the ongoing war plot. Two more episodes that also strike a good balance between goofiness and gravity are “You Are Cordially Invited” and “The Magnificent Ferengi,” both at 8.5. In “You Are Cordially Invited,” the weighty question of whether Worf and Dax can make it as a couple despite their differences is interwoven with Klingon wedding rituals that are as gloriously over the top as you would imagine. “The Magnificent Ferengi” finds Quark, Rom, Nog, and some of our other favorite Ferengi mounting a rescue operation when their Moogie is captured by the Dominion, and it goes both hopelessly wrong and delightfully right.

For all that Deep Space Nine is remembered as the dark, gritty version of Star Trek, filled with tension and war, it has also given us some of the goofiest, most wonderfully weird episodes of the franchise.

• Season 1
• Season 2
• Season 3
• Season 4
• Season 5

Image: Little O’Brien and Little Dax contemplate big problems on the Defiant, from “One Little Ship” via IMDb

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It’s a bit of a lackluster fifth season for Deep Space Nine, but that doesn’t mean there aren’t bright spots. Here’s our take:

1. “Apocalypse Rising” – 4
2. “The Ship” – 5.5
3. “Looking for Par’Mach in All the Wrong Places” – 7
4. “Nor the Battle to the Strong” – 5
5. “The Assignment” – 2.5
6. “Trials and Tribble-ations” – 9
7. “Let He Who Is Without Sin” – 1
8. “Things Past” – 1.5
9. “The Ascent” – 7.5
10. “Rapture” – 5.5
11. “The Darkness and the Light” – 1
12. “The Begotten” – 4
13. “For the Uniform” – 3.5
14. “In Purgatory’s Shadow” – 4.5
15. “By Inferno’s Light” – 5.5
16. “Doctor Bashir, I Presume” – 6
17. “A Simple Investigation” – 2
18. “Business as Usual” – 1.5
19. “Ties of Blood and Water” – 2
20. “Ferengi Love Songs” – 5
21. “Soldiers of the Empire” – 6
22. “Children of Time” – 4.5
23. “Blaze of Glory” – 3.5
24. “Empok Nor” – 1
25. “In the Cards” – 8
26. “Call to Arms” – 8.5

The average rating for the season is 4.4, not terrible but a bit weak. There are some good episodes this season, even some great ones, but there’s also a lot of crud at the other end of the scale dragging the average down.

The worst episode of the season is a rare three-way tie between “Let He Who Is Without Sin,” a character study of a grumpy Klingon; “The Darkness and the Light,” an overblown bit of noir that kills off some of Kira’s more entertaining old resistance buddies; and “Empok Nor,” another bit of noir which forces the usually sparkling Andrew Robinson to play a duller, flatter version of Garak. All of these rate a 1 for having tedious plots (if any at all) and wringing the joy and life out of the performances. In fact, a pall of noir hangs over a lot of the lowest-rating episodes this season, suffused with angst, tension, and cynicism. “The Assignment” (2.5), “Things Past” (1.5), “A Simple Investigation” (2), and “Business as Usual” (1.5) all feel like the writers’ room was full of frustrated 40s detective pulp scribes.

On the other hand, there are some brilliant episodes this season, too. The best of the lot is “Trials and Tribble-ations,” coming in at 9 with a joyful celebration of both the spirit and the silliness of classic Star Trek. The loving recreation of the classic sets, costumes, and props, plus the ingenious ways our DS9 crew get to have their own adventure in the background of one of the great comedy episodes of the original, make this episode a delight to rewatch. The same spirit of fun animates “In the Cards” (8) and “Looking for Par’Mach in All the Wrong Places” (7), two episodes that part the gloom of war and politics for a moment to let the relationships between the characters flourish. And the season ender, “Call to Arms” (8.5) is a gripping action piece that throws all of our characters into unexpected situations for the start of the next season.

There may be a lot to skip this season, but there are definitely some episodes that are well worth going back to.

• Season 1
• Season 2
• Season 3
• Season 4

Image: Sisko and Dax blending in on the original Enterprise, from “Trials and Tribble-ations” via IMDb

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Season 4 of Star Trek: Deep Space Nine has some great episodes and some fairly bad misfires. The Klingons, having been quiet for years, are suddenly feeling aggressive again, and our favorite Klingon, Worf, joins the station crew to help them deal with the consequences. This story fuels a good part of the season, but there’s plenty more to see, too. Here’s our take:

1. “The Way of the Warrior” – 7
2. “The Visitor” – 9
3. “Hippocratic Oath” – 5.5
4. “Indiscretion” – 5.5
5. “Rejoined” – 8
6. “Starship Down” – 8
7. “Little Green Men” – 8
8. “The Sword of Kahless” – 1.5
9. “Our Man Bashir” – 10
10. “Homefront” – 3
11. “Paradise Lost” – 5
12. “Crossfire” – 2
13. “Return to Grace” – 4
14. “Sons of Mogh” – 1
15. “Bar Association” – 7
16. “Accession” – 2
17. “Rules of Engagement” – 2
18. “Hard Time” – 2
19. “Shattered Mirror” – 3.5
20. “The Muse” – 2
21. “For the Cause” – 4
22. “To the Death” – 6
23. “The Quickening” – 4.5
24. “Body Parts” – 6
25. “Broken Link” – 4

The average rating this season is 4.9, the same as in season 3, but season 4 gets there a different way. Where season 3’s episodes were mostly in the weak-average to average-good range, season 4 sends its episodes to the far ends of the scale. Only a handful fall in the 4-6 okay-but-not-great range; most are either well above or well below.

The distribution of ratings shows a certain level of confidence by the writers this season. You can tell that they felt comfortable enough with the characters and the setting at this point that they were ready to try new ideas, even really weird ones. What if we spent an episode in the holosuite playing a James Bond pastiche? What if we met a suicidal Klingon? What if Quark, Rom, and Nog were the Roswell aliens? What if there were a conspiracy to stage a military coup on Earth?

Some of these ideas really flop, like “Sons of Mogh,” scoring only a 1, in which Worf has to deal with his brother Kurn, who is depressed about the loss of status their family has suffered in the empire. The story presents the kind of ethical dilemma Star Trek specializes in—suicide is an honorable end for a Klingon with no hope, but it is unacceptable for a Starfleet officer like Worf—but never goes anywhere interesting with it. The episode boils down to Kurn standing on one side of Worf shouting “Kill me!” and the rest of the station crew on the other shouting “Don’t!” There’s nowhere interesting for this story to go.

On the other hand, some of these ideas pay off brilliantly, like “Our Man Bashir,” a full 10, which finds Dr. Bashir and Garak playing a swinging-sixties spy game in the holosuite for much higher stakes than they expected. DS9 largely avoids the Next Generation shtick of having the holodeck go haywire so the crew can have an adventure in period garb, but this episode figures out a way to make the holosuite matter: after a transporter accident, the main station crew’s physical patterns are stored on the holosuite until they can be rescued, but if the game shuts down they could be lost forever. This set-up gives us several delightful results: Bashir, the doctor playing spy, and Garak, the spy playing tailor, take their witty repartee to new heights in this episode, while some of the other regular cast get to go full ham in their holosutie roles—Nana Visitor as a sultry Russian agent and Avery Brooks as an omnicidal mad scientist steal every scene they’re in.

The rest of this season largely follows suit. Some ideas, like sending Worf and Dax on a quest for a lost Klingon artifact in “The Sword of Kahless”, just sputter and die. Others yield fantastic episodes, like “Little Green Men,” a hilarious romp through pulp sci-fi tropes, or “The Visitor,” a touching meditation on the power of love and memory.

While the Klingon war story at times just feels like a holding action while waiting for the Dominion to make its move, it also gives the series some new avenues to explore. This season does a lot of interesting work by overturning the status quo and seeing what happens to familiar characters in unfamiliar situations. Worf, Quark, Odo, and Dukat all find themselves cut off from their people in different ways; Sisko faces the possibility of treason within Starfleet; Dax has to grapple with the legacy of her past lives in ways she has not faced before; and Rom and Nog start new lives outside the traditional bounds of Ferengi culture.

Season 4 has a lot going for it, even if not every idea works. There’s a lot here that’s well worth coming back to.

• Season 1
• Season 2
• Season 3

Image: Bashir and Garak all tuxed up from “Our Man Bashir” via IMDb

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We’re back with season 3 of Star Trek: Deep Space Nine, and things are starting to look up as the series moves further toward developing its characters and its longer-term plots. Here’s our episode ratings:

1. “The Search, Part I” – 4
2. “The Search, Part II” – 5.5
3. “The House of Quark” – 8
4. “Equilibrium” – 4.5
5. “Second Skin” – 5.5
6. “The Abandoned” – 2
7. “Civil Defense” – 6.5
8. “Meridian” – 3.5
9. “Defiant” – 4.5
10. “Fascination” – 4.5
11. “Past Tense, Part I” – 3
12. “Past Tense, Part II” – 3
13. “Life Support” – 4
14. “Heart of Stone” – 7
15. “Destiny” – 6
16. “Prophet Motive” – 6.5
17. “Visionary” – 6
18. “Distant Voices” – 3.5
19. “Through the Looking Glass” – 4
20. “Improbable Cause” – 6
21. “The Die is Cast” – 5
22. “Explorers” – 6
23. “Family Business” – 5
24. “Shakaar” – 4
25. “Facets” – 5
26. “The Adversary” – 4.5

The average rating for this season is 4.9, a good step up from last season’s 3.9. There are few particularly good episodes this season, but also few particularly bad ones. Most sit comfortably in the okay-but-not-great 4 to 6 range.

You can tell that both the writers and the actors are more at ease with the characters and ready to push them in interesting directions. This season Kira has to reckon with the consequences of her violent past as a freedom fighter, Jake takes his first faltering steps as an adult, while Sisko the elder gets a promotion to captain, a new ship, and a handsome bald head. Even minor characters such as Nog, Garak, and Kai Winn experience substantial changes. No one faces as much of a challenge this season, though, as Odo, who discovers his people only to learn the horrible truth about them.

Our lowest rating this season goes to “The Abandoned,” at 2, in which Odo tries to show a young Jem’Hadar an alternative to violence. Despite a strong performance by Rene Auberjonois, this episode falls flat. There is little development and no payoff in this story. Other episodes do a much better job of both exploring the Jem’Hadar and showing us how Odo deals with the atrocities committed by the Founders. It also hews uncomfortably close to the racist 90s discourse of “superpredators.”

At the other end, we have the delightful “House of Quark,” at 8, as our highest-rated episode. This episode is a violent but entertaining comedy of manners as the bloody, honor-bound world of Klingon dynastic politics collides with the cowardly but cunning financial chicanery of the Ferengi. Armin Shimerman and guest star Mary Kay Adams play marvelously off one another as the lovable Ferengi rogue Quark and the imperious Klingon grande dame Grilka, while Robert O’Reilly, who plays the normally intense and calculating Chancellor Gowron gets to do a bit of slapstick comedy. Also worth noting is “Heart of Stone,” at 7, in which Odo confesses his love to what he thinks is a dying Kira, and Nog seeks Sisko’s support for joining Starfleet Academy; both stories give us some excellent acting and interesting character development.

This season sees some significant shifts toward the long-term storytelling that would define DS9‘s later seasons. Although most episodes remain standalone (or self-contained two-parters), many of them bring important changes to characters or plotlines which are picked up by later episodes. The politics of both Bajor and Cardassia, as well as the relationship between them, see major upheavals this season, while the threat of the Dominion becomes more sharply defined and its relationship with the Alpha Quadrant more complicated.

Got any favorites of your own from season 3? Let us know!

• Season 1
• Season 2

Image: Grilka and Quark in a marriage of (in)convenience, from “House of Quark” via IMDb

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Star Trek: Deep Space Nine took some time finding its legs, and season 2 is still pretty wobbly. Here’s how we rated this season’s episodes:

1. “The Homecoming” – 5
2. “The Circle” – 4.5
3. “The Siege” – 6
4. “Invasive Procedures” – 4
5. “Cardassians” – 2
6. “Melora” – 2
7. “Rules of Acquisition” – 3.5
8. “Necessary Evil” – 5
9. “Second Sight” – 2
10. “Sanctuary” – 2.5
11. “Rivals” – 2.5
12. “The Alternate” – 1
13. “Armageddon Game” – 4
14. “Whispers” – 6
15. “Paradise” – 1
16. “Shadowplay” – 5
17. “Playing God” – 4
18. “Profit and Loss” – 2
19. “Blood Oath” – 5
20. “The Maquis, Part 1” – 4
21. “The Maquis, Part 2” – 5
22. “The Wire” – 6.5
23. “Crossover” – 5
24. “The Collaborator” – 6
25. “Tribunal” – 2
26. “The Jem’Hadar” – 6

In all, not a great second season. The average rating is a meager 3.9, and there are no standout episodes like season 1’s “Duet.” You can tell that the actors were still growing into their roles, and the writers were still figuring out how to balance the optimistic, episodic tradition of Star Trek with the morally complicated ongoing stories they wanted to develop.

We have two episodes at the bottom of the barrel: “The Alternate” and “Paradise,” both rating only a 1. “The Alternate” promises some interesting development for Odo’s backstory when the crew finds remains of a similar being in ancient ruins, but only delivers a bog-standard fathers-and-sons-with-a-bad-relationship story. “Paradise” similarly promises a critique of the Federation’s techno-uptopia when Sisko and O’Brien crash on a planet where their technology doesn’t work, but delivers only a manipulative extremist who loves to give interminable monologues. These may be the most disappointing examples, but a lot of other episodes this season have interesting ideas in them that they can’t manage to do anything good with.

The best episode of the season is “The Wire,” at 6.5. In this episode, we learn more (but less than it seems) about the mysterious Cardassian tailor, Garak. While this episode has its weaknesses, it blossoms in the nuances of Andrew Robinson’s performance as Garak the erstwhile spy, by turns ingratiating, crabby, frightened, playful, and remorseful as he dangles hints of his past life just out of reach of the doctor who is trying to help him cope with a hidden addiction.

But if this season doesn’t have much to offer in the way of great episodes, it does lay a lot of the groundwork for the seasons to come. Important elements of the ongoing narrative are established or developed, like the Maquis resistance movement in the Badlands, the post-occupation chaos of Bajoran politics, the return to Classic Trek‘s “Mirror, Mirror” alternate universe, and the slowly growing menace of the Dominion in the gamma quadrant. Just as importantly, it sets up some of the important character and relationship growth that would become the heart of the series. Doctor Bashir and Chief O’Brien’s friendship first stretches its legs this season, as does Dax’s history with Commander Sisko. Recurring characters like Garak and Rom begin to come into their own.

Season 2 is not the best that Deep Space Nine has to offer, but it lays the foundation for the greatness that is to come.

• Season 1

Image: The operations crew at work, from “Playing God” via IMDb

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With everything that’s going on this past year, we’ve been looking for comfort rewatching, and Star Trek: Deep Space Nine offers a special kind of comfort. While the show was “dark and gritty” by the standards of the 1990s when it came out, it has a Star-Trekian humanity and optimism that we need right now. 2020 makes us appreciate the message of: “We’re all a little messed up, but that doesn’t mean we can’t work together to make things better. The world’s a little messed up, too, and fixing it isn’t easy, but it is possible.”

Here’s how we rated season 1.

1. “Emissary” – 8.5
2. “Past Prologue” – 5
3. “A Man Alone” – 4
4. “Babel” – 6
5. “Captive Pursuit” – 4
6. “Q-Less” – 1.5
7. “Dax” – 4.5
8. “The Passengers” – 5
9. “Move Along Home” – 2
10. “The Nagus” – 5.5
11. “Vortex” – 2
12. “Battle Lines” – 3
13. “The Storyteller” – 3
14. “Progress” – 4
15. “If Wishes Were Horses” – 3.5
16. “The Forsaken” – 7
17. “Dramatis Personae” – 4.5
18. “Duet” – 9
19. “In the Hands of the Prophets” – 8.5

It’s a rocky start to the series. Despite a strong opening, a strong closing, and some good episodes along the way, the average episode rating is only a pretty weak 4.8. Much of this season is spent establishing the main cast of characters and the unique place of Bajor and its history with the Cardassians in Star Trek‘s universe. Much of what we love about Deep Space Nine—the ongoing story, the relationships among the characters, the recurring cast of side characters—is still just being built here.

The worst episode of the season is “Q-Less” at 1.5, Next Generation‘s omnipotent pain-in-the-ass Q’s lone appearance in DS9. Clearly intended as a bridge to ease TNG fans into the new series, for established DS9 fans like us it just feels pointless and out of place. The shaggy dog story of “Move Along Home” and “Vortex,” an early attempt to develop Odo’s character that is hampered by a truly abysmal guest performance, both rate pretty low as well, at 2.

At the other end of the scale “Emissary,” the premiere, and the finale “In the Hands of the Prophets” are both standouts, at 8.5. “Emissary” does an excellent job introducing us to the main characters and to the world of the station and Bajor, graced with a powerful performance by Avery Brooks as Commander Sisko, still carrying the trauma of losing his wife Jennifer. “In the Hands of the Prophets” adds a new level of complexity to the Bajoran story and introduces some important new recurring characters. One of the great things in DS9 is its villains: the smug Cardassian Gul Dukat and the sanctimonious Bajoran Vedek (later Kai) Winn could have been flat one-note villains in lesser hands, but Marc Alaimo and Louise Fletcher give them a depth and nuance that holds up against the stellar performances by the main cast.

The quality of the acting shines in the season’s best episode as well: “Duet,” at 9. At its heart, it is a fairly simple story as Major Kira tries to prove that a mild-mannered Cardassian filing clerk is actually a wanted war criminal in disguise. Most of the episode is just two people in a room talking to each other, but every moment of that dialogue crackles with energy. In a modern tv landscape where writers think they have to kill off characters, concoct shocking twists, and splurge on special effects to keep viewers interested, “Duet” is a master class in how you write compelling drama.

Another delight of season 1 is seeing some of our favorite side characters in the early stages of their growth. Garak, the mysterious tailor, is intriguing from his first scene, long before his dark history as a secret agent unfolds. We also see Rom and Nog in the early stages of their transformation from bumbling idiot and conniving miscreant to bumbling sweetheart and upstanding Starfleet officer.

Got any favorite memories from DS9‘s first season? Share in the comments!

Image: Deep Space Nine season 1 cast via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.