Trailers for The Fantastic Four: First Steps

For a long time, superheroes and mutants were kept apart in Marvel Cinematic Universe screen adaptations due to contractual hassles. No more! Wolverine & Deadpool started opening doors and pulling characters from their earlier, separate silos into a more comprehensive world.

The Fantastic Four is now getting a new adaptation. The group’s gone through a few attempts before. I haven’t seen the 1994 version, but it looks like the lovechild of ST:TOS, the original MacGyver series, and Indiana Jones. I am okay with the 2005 and 2007 adaptations as far as the characters and actors are concerned. Alas, the 2015 abomination was dreadful all round, except for Michael B. Jordan and Kate Mara.

The upcoming movie looks to integrate the Fantastic Four into the MCU. Here’s the teaser trailer…

The Fantastic Four: First Steps | Official Teaser | Only in Theaters July 25 by Marvel Entertainment on YouTube

…and the first full trailer…

The Fantastic Four: First Steps | Official Trailer | Only in Theaters July 25 by Marvel Entertainment on YouTube

…and the final trailer:

The Fantastic Four: First Steps | Final Trailer | Only in Theaters July 25 by Marvel Entertainment on YouTube

It seems quite cheesy at first—very sixties, and the tv show intro that the full trailers start with is so corny. The Silver Surfer and Galactus seem appropriately celestial, but these clips don’t really give us much; they just imply a run-of-the-mill slugfest. I’ve gathered that’s not all, though, that the multiverse is somehow involved.

I do like Pedro Pascal’s work, but I can’t quite see him as Reed yet. Vanessa Kirby should also be fine as Sue, but I know next to nothing of Joseph Quinn (playing Johnny Storm) or Ebon Moss-Bachrach (Ben Grimm; although technically I have seen him in Andor s1, but am drawing an absolute blank on his role).

A month to go and I still have no idea whether it’s worth seeing this on the big screen. MCU’s really struggling lately.

FF:FS is set to premier on July 25, 2025.

Representation Chart: Marvel Cinematic Universe, Phase 4

We all know that the representation of people of different genders and races is imbalanced in popular media, but sometimes putting it into visual form can help make the imbalance clear. Here’s a chart of the Phase 4 movies of Marvel’s Cinematic Universe (Black Widow, Shang Chi and the Legend of the Ten Rings, Eternals, Spider-Man: No Way Home, Doctor Strange in the Multiverse of Madness, Thor: Love and Thunder, Black Panther: Wakanda Forever)

Characters included

(Characters are listed in the first movie in which they qualify for inclusion under the rules given below. Multiple versions of the same character played by the same actor are not counted separately.)

  • Black Widow: Natasha Romanof / Black Widow, Melina, Yelena Bolova, Alexei / Red Guardian, Antonia Dreykov / Taskmaster, Dreykov
  • Shang-Chi and the Legend of the Ten Rings: Xu Wenwu, Ying Li, Xu Shang-Chi, Katy, Razor Fist, Xu Xialing, Trevor Slattery, Ying Nan
  • Eternals: Sersi, Ikaris, Ajak, Phastos, Makkari, Druig, Thena, Gilgamesh, Kingo, Sprite, Dane Whitman
  • Spider-Man: No Way Home: Peter Parker / Spider-Man 1, MJ Watson, J. Jonah Jameson, May Parker, “Happy” Hogan, Ned Leeds, “Flash” Thompson, Stephen Strange, Otto Octavius / Doctor Octopus, Norman Osborne / Green Goblin, Flint Marko / Sandman, Curtis Connors / Lizard, Max Dillon / Electro, Peter Parker / Spider-Man 2, Peter Parker / Spider-Man 3
  • Doctor Strange in the Multiverse of Madness: America Chavez, Christine Palmer, Wanda Maximoff / Scarlet Witch
  • Thor: Love and Thunder: Gorr, Thor, Jane Foster / Thor, Valkyrie, Axl, Zeus
  • Black Panther: Wakanda Forever: Shuri, Namor, Namora, Attuma, Ramonda, Okoye, Nakia, M-Baku, Everett Ross, Valentina Allegra de Fontaine, Riri Williams / Ironheart

Rules

In the interests of clarity, here’s the rules I’m following for who to include and where to place them:

  • I only count characters portrayed by an actor who appears in person on screen in more or less recognizable form (i.e. performances that are entirely CG, prosthetic, puppet, or voice do not count).
  • The judgment of which characters are significant enough to include is unavoidably subjective, but I generally include characters who have on-screen dialogue, who appear in more than one scene, and who are named on-screen (including nicknames, code names, etc.)
  • For human characters that can be reasonably clearly identified, I use the race and gender of the character.
  • For non-human characters or characters whose identity cannot be clearly determined, I use the race and gender of the actor.
  • I use four simplified categories for race and two for gender. Because human variety is much more complicated and diverse than this, there will inevitably be examples that don’t fit. I put such cases where they seem least inappropriate, or, if no existing option is adequate, give them their own separate categories.
  • “White” and “Black” are as conventionally defined in modern Western society. “Asian” means East, Central, or South Asian. “Indigenous” encompasses indigenous peoples of the Americas, Oceania, Australia, and other indigenous peoples from around the world.
  • There are many ethnic and gender categories that are relevant to questions of representation that are not covered here. There are also other kinds of diversity that are equally important for representation that are not covered here. A schematic view like this can never be perfect, but it is a place to start.

Corrections and suggestions welcome.

Image: Diagram by Erik Jensen

News on a Red Sonja Reboot

If I ever heard of a Red Sonja reboot project, I must’ve immediately forgotten it, for the fate of movie projects is unknowable and often fickle, and that is multiplied for genre projects starring women.

Now, though, it sounds like Millennium Media’s Red Sonja is due for release later this year in the UK and Ireland. This version is directed by M.J. Bassett and written by Tasha Huo and Roy Thomas on the basis of Robert E. Howard’s original comic book characters. Matilda Lutz plays Sonja.

At this writing, IMDB doesn’t list much information and has only 10 photos for the production, including a poster.

IMDB 2025 Red Sonja Poster

Interestingly, IMDB also lists Roy Thomas as an uncredited writer for the comic book. Thomas’s latest big-name project is Deadpool & Wolverine.

I hazily remember the previous adaptation from 1985 starring Brigitte Nielsen. ‘Twas the time when there were so few SFFnal movies and tv series in the boonies where I grew up that you pretty much had to see everything coming your way if you wanted to see anything. If I recall, it was like the 80s Conan adaptations—Conan the Barbarian in 1982 and Conan the Destroyer in 1984—which is to say pretty campy, but attempting very, very, very earnestly to bring epic fantasy to screen.

Bassett’s version is filmed in Bulgaria and Greece, and reportedly will have a different tone from male-gaze versions of the character. While both of these details sound promising, and while I would love to see more genre projects led and directed by women, somehow I seem to doubt the movie will be released on the big screen here in Finland. We’ll see.

Image via IMDB

Captain America: Brave New World Featurettes

In the past few weeks, Marvel has been actively marketing Captain America: Brave New World—understandably, as the movie opens next week. (Already!) I thought these two featurettes below were worth linking to. (Note that a spoiler warning is in effect!)

Captain America: Brave New World | Get Tickets Now by Marvel Entertainment on YouTube

Captain America: Brave New World | First Look by Marvel Entertainment on YouTube

We get a few more glimpses of President Ross’s Red Hulk, more walk talk—in fact, SO much war talk—and perhaps a few second’s worth more of Sam Wilson.

More tantalizingly, however, a fleeting hint that appears at the very end of the older of these clips (the one saying Get Tickets Now—cue to the 1:20 mark) seems to be saying that Joaquin Torres from the MCU series The Falcon and the Winter Soldier (played by Danny Ramirez) will get his own wingsuit. And, indeed, the IMDB cast listing confirms it: he’ll become the next Falcon. That should be interesting, since we’ve only ever seen Sam’s take on how to make use of the wings.

BNW releases on February 14, 2025 in the U.S.

Universal Pictures and Christopher Nolan to Adapt The Odyssey

It’s been ten years since a Lionsgate screen adaptation of The Odyssey by Homer was announced. Sadly, that project didn’t get off the ground.

Now there are news of a Christopher Nolan adaptation. Nolan is to write, produce, and direct a “mythic action epic”, with backing from Universal Pictures.

Unlike the ill-fated Lionsgate project, this time more than one actor were reportedly already attached by the time the adaptation was announced. (At this writing: Zendaya, Tom Holland, Anne Hathaway, Robert Pattinson, Matt Damon, Charlize Theron, and Lupita N’yongo—gosh!) On the basis of the big-name initial cast, it sounds likely that this time there will actually be a movie.

Flickr Gary Todd Hellenic War Museum Penteconter Sm

Also, judging by the current publicity poster, there will be some ship action (maybe even ship-vs-monster action!) and in IMAX, no less. Writing in Nolan’s movies is either a hit or miss for me, but at least there’s usually been something interesting to see, so the sailing scenes might look truly magnificent. On the other hand, action sequence special effects in recent block busters have sometimes been—shall we kindly say—too implausible (and sometimes just badly made) for my enjoyment. I’m hoping that the effects teams, Nolan, other producers, and the studio can strike a sensible balance.

At this writing, the release day is set to July 17, 2026.

Image: a Greek penteconter ship by Gary Todd via Flickr (CC0 1.0 Universal), edited by Eppu Jensen

Official Trailer Offers More on Captain America: Brave New World

Besides the teaser trailer, there’s now a new, official Captain America: Brave New World trailer:

Captain America: Brave New World | Official Trailer by Marvel Entertainment on YouTube

Sounds like the plot will be grimmer than the teaser intimated. There are a few funny moments, too, like the Marvel Cinematic Universe prefers, for instance when Sam lands with a *whump* in the middle of a handful of soldiers guarding a mansion, quips “Wait for it”, and just pauses while the concussive blast from his landing knocks the soldiers back.

Liv Tyler makes a comeback as Betty Ross according to IMBD, even if we haven’t seen her yet—yay! In the cast listing there is also a whole bunch of new-to-me characters with superhero names, like Sidewinder (played by Giancarlo Esposito), Rachel Leighton / Diamondback (Rosa Salazar), Samuel Sterns / The Leader (Tim Blake Nelson), and Ruth Bat-Seraph / Sabra (Shira Haas). Looking forward to finding out more about them.

On one hand, topic-wise this would not be my nr. 1 pick for entertainment while two wars are being fought in Europe: the teaser mentioned shifting global power, and now this official trailer straight-up talks about coordinated terrorist attacks and President Ross being a wartime president. Brr.

They are also clearly trying to imply something by the repetitive division of the screen into two halves during the trailer. It could be just a way to stuff more material in, of course, but I suspect something more nefarious is intended, especially with the line about the President’s inner circle being compromised, the scratching “Reset Ross Reset America” on the wall, hints of brainwashing or other kinds of manipulation, etc.

On the other hand, the MCU movies really aren’t that deep or complex even when they pretend to be. I’m sure they’ll serve a nicely enough wrapped-up solution, if not in this movie, then in a future installment. A simple, black-and-white action romp may be just the thing to while away a couple of hours.

Just one little snarky hint to President Ross, though: if you don’t want a variable out there that you can’t control, do not be a president. A soldier should know that.

Some Thoughts on The Hunt for Gollum Adaptation

The news has been out for a good long while now: a new live-action Middle-Earth movie is in the works, set to be released in 2026 and produced by Peter Jackson, Fran Walsh, and Philippa Boyens. It’s provisionally called The Lord of the Rings: Hunt for Gollum, and Andy Serkis will both direct and play Gollum. Apparently it’ll be the first of multiple films by Warner Bros. based on Tolkien’s books, and told from Gollum’s perspective.

Since this fall has been surprisingly full of Tolkien for us (we both re-read LotR in addition to our two trips to Tampere, first to see the John Howe exhibit and then the theatrical adaptation), we ended up talking about the upcoming Gollum movie and our misgivings with it. Below are some of those thoughts.

Erik

I’m not excited for The Hunt for Gollum. Nothing about the character of Gollum or the long and mostly fruitless search for him, as described in the book, sounds like promising material for further on-screen exploration. I fear that this film will turn into more overstuffed action/fantasy/comedy like the Hobbit trilogy. At best I hope to enjoy the settings, costumes, props, and other details that were made with such love and dedication by the production team on the earlier Middle-Earth films. Still, I’m always ready to be pleasantly surprised.

For films that fill in more of the story we haven’t yet seen on screen, I’d be more excited about an exploration of Sauron’s attacks to the north. The appendices to The Lord of the Rings mention that Sauron’s forces at Dol Guldur assaulted Lothlorien and ravaged the lands of the Mirkwood Elves while an army of his allies from the east came against the Men of Dale and the Dwarves of Erebor. In the end, Sauron’s forces were defeated. Galadriel, Celeborn, and Thranduil cleansed Mirkwood and overthrew Dol Guldur while Bard II of Dale and Thorin III of Erebor pushed Sauron’s allies back to the east. There is plenty of scope here for big action set pieces, drama between the folk of Middle-Earth, and the return of some favorite characters. At the same time, there is enough blank canvas that for new characters to join the cast without feeling like they were squeezing out Tolkien’s story. It would be nice to see what was happening to places and people we know from The Hobbit and The Lord of the Rings while Sauron’s main offensive against Gondor was going on.

I could also enjoy a movie set in the Shire in the years after The Hobbit. A light-hearted comedy of Hobbit manners about the Sackville-Bagginses and their designs on Bag End could intertwine with the growing up of Frodo, Merry, Pippin, and Sam and the forging of the friendships that would be tested in the crucible of war far from home. A movie like this could give appropriate scope to Jackson’s taste for slapstick comedy while also allowing hints of the slowly creeping darkness of the ring and its effects on Bilbo to show through.

Eppu

My very first thought was: why would we want to see this particular story? Andy Serkis’s performance as Gollum will always be stellar, and I’m always up for seeing more of Weta’s work, but otherwise I’m quite unsure why this story was picked and why it should excite us.

Firstly, there isn’t that much to go on in LotR. According to Appendix B, Aragorn and Gandalf searched for Gollum together a few separate times, and the whole process takes them some 16 years.* In the second chapter of book two, The Council of Elrond, we get the most detail. There’s first a reference to a long and hopeless search. (Gandalf says that they went to the Mountains of Shadow and “the fences of Mordor”, where they guessed that “he dwelt there long in the dark hills; but we never found him, and at last I despaired”.)

Aragorn is the one to actually catch him: apparently he by chance found Gollum’s footprints leading away from Mordor and caught him somewhere in the Dead Marshes. Then followed an unpleasant walk to Mirkwood, and, finally, Gandalf questioning Gollum there.

What I see so far is a long, tedious, and possibly uneventful beginning followed by sleeplessness, stink, and cruelty (Aragorn himself says that Gollum “bit me, and I was not gentle […] making him walk before me with a halter on his neck, gagged, until he was tamed by lack of drink and food”).

A very skilled writing team is required to make something exciting out of that.

You know what I would rather see? For instance:

  • anything do do with the Hobbits arriving into Eriador (1050, c. 1150 of Third Age) and settling first Bree-land (c. 1300) and then the Shire; also the Stoors leaving the Angle and some returning to Wilderland (1356)
  • the heyday of Osgiliath (before the city was burned and its palantir lost in 1437)
  • Gondor and Arnor renew communcations and form an alliance (1940)
  • the fall of Arnor and the northern kingdom; how the heirlooms of Arnor are given to Elrond’s safekeeping (1976)
  • Dwarves live and mine in Moria and eventually are driven out
  • Thorin I leaves Erebor and goes north to the Grey Mountains (2210)
  • excavations of Great Smials (begun 2683), Bandobras Took defeats Orcs in the Northfarthing (2747), Gandalf comes to aid Hobbits (2758)
  • life in Dale, the coming of Smaug (2770)
  • Thráin II and Thorin wander westwards (from Moria?) and settle in southern Ered Luin beyond the Shire (2799-2802)
  • how and where Aragorn’s mother Gilraen (born 2907) lived in the north, her wedding to Arathorn, son of Arador (2929); death of Arador (2930) and birth of Aragorn (2931), Gilraen’s travels to Imladris with Aragorn after the death of her husband (2933)
  • The Fell Winter when many northern rivers are frozen, incl. the Baranduin (Brandywine) (2911)
  • Gandalf and Balin visit Bilbo in the Shire (2949)
  • Aragorn meets Gandalf and their friendship begins (2956), Aragorn’s journeys in the Wild begin in earnest, including time in Rohan and in Gondor in disguise (2957-2980)
  • Balin leaves Erebor and enters Moria (2989), the end of Balin and the Moria Dwarf colony (2994)
  • The Scouring of the Shire and the Battle of Bywater after the destruction of the Ring
  • King Elessar rides north, lives by Lake Evendim for a while, including meeting his Hobbit friends on the Brandywine Bridge, Elanor, daughter of Samwise, becomes a maid of honor to Queen Arwen (1436 Shire Reckoning)
  • Samwise, Rose, and Elanor ride to Gondor, stay there a year (1442 S.R.); Elanor marries Fastred of Greenholm (1451 S.R.), they have a child, Elfstan Fairbairn (1454 S.R.), and later move to Undertowers on the Tower Hills (1455 S.R.); Rose dies and Sam rides to Tower Hills and gives the Red Book to the Fairbairn’s keeping before leaving for the Grey Havens (1482 S.R.)

(All pulled from Appendix B of The Lord of the Rings.)

So much could be told about the the Shire’s early history. The tidbits on fighting with Orcs, a company of Hobbit archers sent to assist the King in the north, and the Fell Winter are tantalizing. Or the later history, too, especially focusing on Sam, Merri, and Pippin and their families.

There also has got to be a lot of unmentioned history behind details like “Gondor and Arnor renew communcations and form an alliance”, but I can see the (probably economic or marketing) reasons for focusing on characters we’ve already seen on the screen.

So, you could go with “Thráin II and his son Thorin wander westwards. They settle in the South of Ered Luin beyond the Shire”, or “Gandalf and Balin visit Bilbo in the Shire”, and keep a reasonable connection to events in the movie adaptations. The latter took place some eight years after the events of The Hobbit and 40 years before Balin sets out for Moria—surely a lot of leeway for embellishment there.

I also would really love to see the scouring of the Shire. Understandably the sequence would take a lot of reworking, since Jackson et al. chose to kill off Saruman and Wormtongue already at Isengard, but that kind of major revamping is hardly new to the team.

In any case, we’ll reserve final judgment until we know more. Here’s hoping it’ll be good.

This post has been edited to correct a typo.

*) Appendix B lists three years to do with the hunt for Gollum. First, in the year 3001, “Gandalf seeks for news of Gollum and calls on the help of Aragorn.” Second, in 3009, “Gandalf and Aragorn renew their hunt for Gollum at intervals during the next eight years, searching in the vales of Anduin, Mirkwood, and Rhovanion to the confines of Mordor. At some time during these years Gollum himself ventured into Mordor, and was captured by Sauron.” Third, in 3017, “Gollum is released from Mordor. He is taken by Aragorn in the Dead Marshes, and brought to Thranduil in Mirkwood.”

R.I.P. Dame Maggie Smith

Actor Dame Maggie Smith has passed at the age of 89.

I’m most fond of her role as Dowager Countess Violet Crawley in Downton Abbey. It is one of the best in that franchise—most of the characters are interesting and all of the acting is fantastic, but hers topped it by far. Already two years ago, you could tell from the footage of the second movie, Downton Abbey: A New Era, that she was getting very old and fragile. I remember thinking at the time that I wouldn’t be surprised if that was to be her last performance. (It wasn’t, but almost.)

I also love her snarky Professor Minerva McGonagall from the Harry Potter movies. In addition, in the non-SFFnal work of hers I’ve seen she’s always been consummate, even if the roles themselves might sometimes be lukewarm.

Rest in peace, Dame Maggie. You will be missed.

Image: giffed screenshot from Downton Wars: Episode 2 – The Evil Butler Strikes Back, found via Primogif

Trailer for Megalopolis, with Thoughts

The first trailer for Megalopolis by director Francis Ford Coppola is out:

Megalopolis (2024) Official Trailer – Adam Driver, Giancarlo Esposito, Nathalie Emmanuel by Lionsgate Movies on YouTube

Strictly speaking, this is, in fact, the second iteration for a trailer. There was a bit of a kerfuffle, for the first version of the trailer was taken down because it included fake quotes from critics, which reportedly may have been algorithmically generated.

I have to say that I’m not wowed. It’s very pretty to look at, beautifully cinematic, even breathtaking at times. However, it really doesn’t seem to be a movie for me.

We’re not in the 80s or 90s anymore, when just about any SFFnal movie was sure to get my eyeballs simply by existing. Then, for a while during and after the aughts, handsome effects and CGI often got me to see a movie I wouldn’t necessarily have seen at the theater otherwise. Now we have reached a saturation point. For a good long while I have just not been able to be bothered about seeing a new release at the theater unless there’s something special about it, or a movie hits a very particular interest of mine.

(I will certainly not take the trouble, if trailers merely make a movie look like a whole bunch of men doing man-things and relegates women to the sidelines. It’s one thing to place your story in a society where minorities aren’t formally given recognition by the society, but there’s a huge difference between writing or filming those minorities in a dismissive way and a respectful way. I found Oppenheimer, for example, a wonderful example of the latter.)

Even reading that Megalopolis is loosely based on Roman history (the Catilinarian Conspiracy in 63 BCE involving an aristocrat attempting to overthrow the Republic) didn’t make it more interesting to me. Granted, the time stop gimmick is slightly interesting, but I confess that it, too, lost its appeal by the end of the trailer.

It is a shame I won’t see more of Nathalie Emmanuel, whose work in the Fast & Furious franchise and in Game of Thrones I’ve liked. Perhaps I’ll find Megalopolis in the library, if it’s ever imported to Finland. At this writing it doesn’t look like it, but we’ll see.

Megalopolis opens on September 27, 2024.

Captain America: Brave New World Teaser Trailer

To drum up interest for Captain America: Brave New World, Marvel came out with a short teaser trailer:

Captain America: Brave New World Official Teaser by Marvel Entertainment on YouTube

Sam’s comment to President Ross (“I have to admit, I’m still getting used to the new look.”) reads to me as a suitably lighthearted way to acknowledge the change in actors from William Hurt to Harrison Ford. RIP, Mr. Hurt.

Obviously the story somehow weaves in shifts in global power—there are a lot of Asian faces, but not many specifics at this stage—and the Red Hulk. The latter is completely unfamiliar to me, so it should be interesting to see how Marvel is able to introduce us non-comic readers to the character. (As far as I can tell, their track record so far is hit or miss.)

I am looking forward to learning what (beside wings!) Anthony Mackie’s Sam Wilson brings to Captain America the character and the franchise. It’s been quite a while since we properly saw him in action. Looks very cool so far!

At this writing, BNW is expected to release on February 14, 2025.