Stories in which Being Good is Smart

I’ve been thinking a bit lately about how to describe the kind of stories I want to experience, whether on the page or the screen. I’ve long known that I enjoy stories about characters solving problems. But that’s not the only thing I look for in fiction.

I enjoy reading about people who are good to one another, kind, compassionate, and generous. I don’t enjoy stories in which kindness is portrayed as weakness, or in which the most manipulative, cruel, or ruthless characters prosper at the expense of others. I want to see how being kind and treating others well is the best way to go about solving problems. I like stories in which being a good person isn’t just the right thing to do, it’s the smart thing to do.

I don’t mean stories with a moralistic bent, in which some outside force (be it divinity, fate, or just the author’s guiding hand) intervenes to reward virtue and punish vice. I don’t want to see good people win just because they are good. I want to see them win because complicated problems can’t be solved by one person acting alone, no matter how devious or ruthless they may be. Big problems only get solved by people working together, and the best way to get people working together is to treat them decently.

Here are a few my favorite stories on page and screen that fit what I’m looking for.

J. R. R. Tolkien’s The Lord of the Rings is a tale of cosmic good and evil, but one that plays out on the individual level. The forces of good ultimately triumph because many individual people, some of them quite small and unimportant, choose the good of others over their own safety or comfort. Katherine Addison’s The Goblin Emperor follows Maia, a neglected half-goblin prince, as he is thrust by circumstance onto the throne of an Elvish empire. Maia is surrounded by devious plotters and dangerous revolutionaries, but he keeps his throne and his head by listening to others, finding trustworthy allies, and being compassionate to the weak and vulnerable. In Martha Wells’s Murderbot Diaries series, the sarcastically self-named Murderbot is a human/machine construct designed by a ruthless ultra-capitalist corporation to fight and kill, but who would rather just be left alone to watch media. Over the course of the stories, it discovers humans who are not ruthless ultra-capitalists, whom it ends up learning to trust and value.

Star Trek is all about characters being good. Deep Space Nine pushes its characters to the limits of the universe’s hopeful utopianism through trauma and war, but ultimately finds them trusting one another, working together, and finding compassion even for their most implacable enemies. In Doctor Who, the wandering Time Lord stumbles into one disaster after another, but approaches them all with a spirit of hope and understanding, asking questions always and shooting never. Downton Abbey follows the inhabitants of the titular manor, both the family upstairs and the staff downstairs, through the tumultuous social changes of the early twentieth century. All the characters have their flaws, and some can be quite vicious, but the series follows how the characters come to rely on one another, and how even the most mercenary of them learn that kindness and compassion are vital for surviving in a changing world.

These are the kinds of stories I want more of: people being good or learning to be good, not just because it’s the right thing to do, but because it works.

Images by Erik Jensen

Dune: Prophecy Official Teasers and Series Trailer, with Thoughts

Based on director Denis Villeneuve’s Dune movies, the spin-off series Dune: Prophecy premieres in a few days on HBO (also to stream on Max). Here is the official trailer:

Dune: Prophecy | Official Series Trailer | Max by Max on YouTube

And the two older teasers:

Dune: Prophecy | Official Teaser – Influence | Max by Max on YouTube

Dune: Prophecy | Official Teaser 2 – Control | Max by Max on YouTube

Ok, wow. Not sure how to unpack it all.

I read the original Dune trilogy at an impressionable age, so I have fond memories of the world, even if I wasn’t then able to grasp all the bleaker implications. I’m also in general of the opinion that published stories including—if not especially—the SFFnal ones need more women who are active in their own right.

On one hand, D:P is specifically a creation story for Bene Gesserit, i.e., it should be full of active women. As Bene Gesserit can use their training for impressive physical feats as well as truthsaying, it should also have potential for women being awesome, which is always, well, awesome. 🙂

On the other hand, while I find their training conceptually intriguing, the major goal of Bene Gesserit is a breeding program. Women used as broodmares turns me off (as does considering men little else than sperm donors or cannon fodder), and the fact that the perps here are women makes it only very slightly better.

Furthermore, these clips have numerous unsavory-to-me details: e.g. the imperative “Sisterhood above all” sounds incredibly obnoxious, dancing around a fire pseudo-mystic claptrap, screaming with messy hair and scribbling edgy art projects in black borders on unhinged. (Then again, trailers always lie, so who knows.) Nor do I care for brutalist concrete architecture, nor an arid planet after a desolate one—there just doesn’t seem to be enough variety in this supposedly interstellar empire’s culture or environments.

The main foil seems to be this scruffy dude. He generates no interest at all in me, just a fleeting bafflement of how can someone apparently lacking merit of any kind have the gall to appear before the emperor looking so scruffy. (Harrison Ford’s Han Solo at least had the charisma and skills, even if he supposedly was scruffy-looking. He was well cast; the young Solo wasn’t. On the basis of these clips, this dude isn’t either.) What is this great power he’s supposedly gifted with, anyway? Being able to bore others to death?

Olivia Williams and Emily Watson (playing the founding sisters of Bene Gesserit, Tula and Valya Harkonnen, respectively) plus Mark Strong (as the emperor) are the only actors I remember seeing elsewhere. In addition, I have previously seen the work of only one of the named series writers.

Also, while in general I want my entertainment to involve brainy plots, at the moment I’m not too keen on stories about power acquisition, political intrigues, or backstabbing.

All of the above put together (plus my lukewarmness towards Villeneuve’s adaptation) means I will nope out of D:P. I really would’ve wanted to like the movies more, and consequently this series, especially since it tells us more about Bene Gesserit.

Anyone here planning to see D:P?

Official Trailer for Renegade Nell

A new(ish) series on Disney+ caught my eye: Renegade Nell. Here’s an official trailer:

Renegade Nell | Official Trailer | Disney+ by Disney Plus on YouTube

Looks at least borderline interesting; even if 18th-century England or outlaws aren’t really my cup of tea, stories of women with unusual lives can be intriguing. Here there is also a hint of magic in the shape of a spirit called Billy (Billy? really, though?!?) that seems to grant Nell her extraordinary powers.

Other than the trailer, so far I’ve only the Frock Flicks post on the series to judge by. Have you seen Renegade Nell? What did you think—is it worth seeing?

First Trailer for Thunderbolts*, Plus Thoughts

Thunderbolts* has now the honor of the most recent movie trailer release within the Marvel Cinematic Universe:

Marvel Studios’ Thunderbolts* | Teaser Trailer | Only In Theaters May 2025 by Marvel Entertainment on YouTube

(I guess the asterisk is a thing? At least it is appended to the name not just on YouTube but also in IMDB.)

First thought: huh? I had thought a version of the Fantastic Four was coming next. I must’ve gotten my notes mixed up, or missed an update somewhere. Second thought: Thunderbolts? Huh? This says absolutely nothing to me. At least I can recognize most of the MCU characters in the trailer: from Black Widow, there’s Yelena Belova (faux-sister to Natasha Romanoff), the Red Guardian, and the Taskmaster (Dreykov’s daughter Antonia), then Ava / Ghost (from Ant-Man and the Wasp) plus Bucky Barnes.

I kinda love how at the 1:05 mark when the building explodes, Yelena just matter-of-factly turns and starts walking calmly away, almost a bored look on her face. Or maybe it’s a here-we-go-again face? Anyway. Also, that Bucky had his metal arm in the dishwasher.

It’s hard to grasp what’s supposed to go on other than these bad guys who are not necessarily bad guys entirely through faults of their own perhaps now trying to be good-ish guys are being hunted by even more bad guys? Maybe?

I don’t care for the character Valentina Allegra de Fontaine—the corporate suit lady towards the end (earlier seen in The Falcon and the Winter Soldier, Black Widow, and Black Panther: Wakanda Forever)—so I’m miffed we’ll see more of her. Meh.

Otherwise, this trailer has a little of the same feel I get from the early MCU ensemble stories. If we’re really lucky, the movie might capture some of the same magic.

At this writing, Thunderbolts* is set to release on May 02, 2025.

R.I.P. Dame Maggie Smith

Actor Dame Maggie Smith has passed at the age of 89.

I’m most fond of her role as Dowager Countess Violet Crawley in Downton Abbey. It is one of the best in that franchise—most of the characters are interesting and all of the acting is fantastic, but hers topped it by far. Already two years ago, you could tell from the footage of the second movie, Downton Abbey: A New Era, that she was getting very old and fragile. I remember thinking at the time that I wouldn’t be surprised if that was to be her last performance. (It wasn’t, but almost.)

I also love her snarky Professor Minerva McGonagall from the Harry Potter movies. In addition, in the non-SFFnal work of hers I’ve seen she’s always been consummate, even if the roles themselves might sometimes be lukewarm.

Rest in peace, Dame Maggie. You will be missed.

Image: giffed screenshot from Downton Wars: Episode 2 – The Evil Butler Strikes Back, found via Primogif

Second Trailer for Star Wars: The Acolyte

The second trailer for Star Wars: The Acolyte is out, and the premier is only a week away. Let’s have a look at the trailer:

The Acolyte | Official Trailer | Disney+ by Star Wars on YouTube

“I sense this is only a small part of a larger plan. Some sort of shift to tip the scales.” Now, that sounds interesting—is it a nod to some sort of a loooong-time change in the force whose end we see acted out in the three movie trilogies? I have no idea.

Perhaps more interesting to me is the whodunnit portion of the story, however. I wish a little more about that was included in the trailers.

There’s also a behind-the-scenes clip:

The Acolyte | Creating the Acolyte | Streaming June 4 on Disney+ by Star Wars on YouTube

Sadly, it’s quite short. I’d be happy to have a much longer piece to whet my appetite.

Joonas Suotamo is still listed at IMDB for SW:TA, but unfortunately only for two episodes. Maybe that’s why I haven’t spotted him in either trailer. Looking forward to seeing more of him.

The two-episode opener for SW:TA premiers on June 4, 2024.

News on the Murderbot Screen Adaptation, with Thoughts

You might know that a screen adaptation of The Murderbot Diaries, a series (of mostly novellas) written by Martha Wells, is under development by Apple TV+. Behind the production are brothers Chris and Paul Weitz, who will write, direct, and produce, and Wells will serve as consulting producer.

The release date has not been publicized yet, but according to Reactor, the episode scripts have already been written. Presumably, the tv series will be based on All Systems Red, the first installment of the book series.

As I love Murderbot, I started off highly suspicious. (Suspicious of any adaptations, that is; I have no special qualms with Apple TV.) This team seems to get it, though. Their pitch reads as follows:

“‘Murderbot’ is an action-packed sci-fi series, based on the award-winning books by Wells, about a self-hacking security android who is horrified by human emotion yet drawn to its vulnerable ‘clients.’ Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.”

When comparing this one-paragraph description to some other write-ups about the adaptation, a few things stand out. Firstly, Murderbot is not a robot. Furthermore, Murderbot never describes itself as a he (but doesn’t object to it). Also, Murderbot is horrified by human emotion and bored with human drama in real life and certainly not drawn to the emotion; if Murderbot is drawn to anything non-media-related, it’s its job of protecting clients, particularly certain kinds of clients (the smart, or small and soft kind). Finally, Murderbot does emphatically not want to live like a human, it wants to be left alone to consume media (which is only a tiny fraction of living like a human).

The adaptation team does get Murderbot; those other writers don’t. (The only iffy detail that copy includes is calling Murderbot an android; The Murderbot Diaries use the word construct. An android is less wrong than a robot, IMO.)

Since December 2023, when Apple TV+ announced the ten-episode Murderbot adaptation, I’ve kept an eye out for more detailed news. Initially, casting was left almost entirely open; only Alexander Skarsgård as Murderbot was announced. Now we know a little more: Noma Dumezweni will play Dr. Mensah.

Murderbor Mashup Dumezweni Skarsgard

In addition, David Dastmalchian will play Gurathin. Ratthi will be played by Akshay Khanna, Arada by Tattiawna Jones, Pin-Lee by Sabrina Wu, and Bharadwaj by Tamara Podemski.

Murderbor Mashup Dastmalchian Wu Jones Khanna Podemski

Having once spent a sleepless night watching part of The Legend of Tarzan, I know Skarsgård will have no trouble keeping his face SecUnit expressionless. (That is confirmed by stills I’ve seen of The Northman. I’ve also seen him in Godzilla vs. Kong, but I have no memory of his character.) The only productions I’ve seen Dumezweni in are two episodes of Doctor Who and two episodes of Only Murders in the Building. (And I know she was well-reviewed for her role as Hermione in the stage play Harry Potter and the Cursed Child.) What I remember of her impresses me, though; I’m glad she got cast as Dr. Mensah.

Dastmalchian I remember from the Ant-Man movies and Dune: Part One. (IMDB tells me I’ve also seen him in Blade Runner 2049 and an episode of CSI, but again, no memory.) Wu I’ve seen in one episode of Abbot Elementary and Jones in one ep of Murdoch Mysteries; Khanna and Podemski are completely new to me.

As the two core characters of All Systems Red, Murderbot and Dr. Mensah should have a lot of screen time, so I’m delighted that actors of renown have been cast for the roles—indeed, the big names bode well for the adaptation, I hope.

At this point, there’s still one thing that bothers me: I haven’t seen enough of Skarsgård’s work to tell whether he can creditably do nuance, and a lot is riding on that, since Murderbot is all about nuance.

On the surface, there’s as much action as in any generic mindless sci-fi action story, but the focus in Murderbot stories is not the what (the action), but the why and how: why do the events of the story unfold as they do, how do people work, how does Murderbot work, and how does it slot itself into this world it doesn’t fully comprehend (or care about). If the writer’s room doesn’t understand that—or isn’t allowed to fully feature the nuance—the adaptation is less likely to be a success. I fervently hope it will be good!

Images: Mashup 1: Noma Dumezweni via BazBam on Twitter and Alexander Skarsgård by Thierry Sollerot via Flickr (CC0 1.0 Universal). Mashup 2: David Dastmalchian by Gage Skidmore via Flickr (CC BY-SA 2.0). Sabrina Wu by Jordan Ashleigh via IMDB. Tattiawna Jones via IMDB. Akshay Khanna by East Photography via IMDB. Tamara Podemski by Thosh Collins via IMDB. Mashups by Eppu Jensen.

First Trailer for Star Wars: The Acolyte

The first trailer for a new Star Wars series, The Acolyte, has been out for some weeks now:

The Acolyte | Official Trailer | Disney+ by Star Wars on YouTube

“This isn’t about good or bad. It’s about power… and who is allowed to use it.”

Sounds intriguing. Apparently, however, SW:TA takes place towards the end of the High Republic era, well before The Phantom Menace. That’s completely new to me. Not all new-to-me settings in the Star Wars tv series have been winners, IMO, so whether SW:TA will work for me or not is still very much in the air.

Also, I’ve never been interested in the Sith, and it sounds like the Sith will feature heavily in the series. (Not that I’ve watched much outside the movie trilogies anyway.) However, it looks SW:TA just might provide a more refreshing backstory than a vague ‘they want power and that makes them evil’ handwave. (And I’m sure I’m grossly misrepresenting some SW writers’ thoughts here, but that’s what the Sith appear to this non-superfan.)

What worries me to some extent is they seem to have cast another woman of color as the main antagonist. (Compare to Inquisitor Reva in Obi-Wan Kenobi.) The last thing we need is more typecasting.

(Speaking of negatives: I’ve looked very little into the series and have already seen quite a bit of waah-waahing about too many wimmen starring or whatnot. Look, m’dudes: my money is green, too. If the production is good and shows people like me as active characters and people in their own right, I will pay to see it, and so will many others. Di$ney will love our money just as much as yours.)

One source of joy is that we get to see Carrie-Anne Moss and my countryman Joonas Suotamo in the series, too. 🙂

A Compelling Mashup of Columbo and Star Trek: TOS

Someone ingenious—who only goes by the moniker cursedtrekedits on Tumblr—photoshopped Lieutenant Columbo (played by the inimitable Peter Falk) into screencaps from Star Trek: The Original Series. Take a look:

Tumblr cursedtrekedits ST-TOS Mashup5
Tumblr cursedtrekedits ST-TOS Mashup4

Very nice, isn’t it! Make sure to visit cursedtrekedits’s Tumblr for more; I’ve only shown two of the photos.

Although I haven’t seen either series in full, this combo seems plausible—with a wink and a little handwaving—and I’d definitely watch it. 🙂

Images by cursedtrekedits Tumblr.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

MCU Secret Invasion Trailers

In two weeks, the Marvel Cinematic Universe miniseries Secret Invasion becomes available.

Here’s the first trailer:

Marvel Studios’ Secret Invasion | Official Trailer | Disney+ by Marvel Entertainment on YouTube

And the second trailer:

Marvel Studios’ Secret Invasion | Official Trailer | Disney+ by Marvel Entertainment on YouTube

Wow, ok. Yes, more of Fury, Hill, Rhodes, and Ross! I’ll also enjoy seeing Ben Mendelsohn, I’ve never seen him do a role poorly. The new characters played by Olivia Colman and Emilia Clarke look interesting, if the tiny glimpses can be trusted.

Not sure how entertained I can be by a series that focuses on high-stakes power struggles and war—it may well be a little too close for comfort right now. (I.e., when Finland’s neighboring country is waging war against their sovereign neighbor, with behind-the-scenes high-stakes power struggles that very well might affect European if not world history.)

If nothing else, I will probably try at least the first episode to see how well it’s written. The acting should be fine.

Secret Invasion releases for streaming on June 21, 2023.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.