How to Helsinki: Kalevala

The Defense of Sampo (Turku Art Museum; 1896; tempera on canvas; Akseli Gallen-Kallela)
The Defense of Sampo via Wikimedia (Turku Art Museum; 1896; tempera on canvas; Akseli Gallen-Kallela)

Worldcon is in Helsinki this year. As a Finnish-American couple, we are very excited about this! In the coming months, we’d like to offer some practical advice about visiting Finland to our fellow fans who are considering going to the event but haven’t had experience with Finland and Finns before.

Erik here. You may have heard of Kalevala before. It has inspired English-speaking authors from Henry Wadsworth Longfellow to J. R. R. Tolkien. If Kalevala is new to you, it’s well worth knowing something about before heading to Helsinki for Worldcon. Kalevala has an important place in Finnish culture and fandom alike.

Origins of Kalevala

In the mid-1800s, with the rise of national romantic movements across Europe, there was a passion for rediscovering and recording oral literature and folk traditions before they were wiped away by modernity. The Grimm brothers in Germany may be the most famous collectors, but similar efforts were happening in many pats of Europe, including Finland. Elias Lönnrot, a rural doctor in eastern Finland, began collecting old songs and stories from the people in the villages he served. Numerous characters and themes were woven through these tales: wizards and warriors, love and longing, mayhem and magic. Many of the characters seemed to be versions of pre-Christian gods and spirits who had survived the the coming of Christianity by being turned into heroes or fitted into Christian stories. Lönnrot also learned the techniques that master singers used to weave one tale into another, building up a larger story out of a common store of incidents and refrains. After many years in the field, he put these techniques to use himself, stripping away Christian elements and assembling a wide variety of the stories he had collected into one grand epic. He called this tale Suuri Kalevala, or “The Great Land of Kaleva.”

Brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry in the village of Uhtua, 1894, photograph by I. K. Inha via Wikimedia
Brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry in the village of Uhtua, 1894, photograph by I. K. Inha via Wikimedia

At the time, Finland was part of the Russian Empire (having been under Swedish rule since the twelfth century and conquered by Russia in 1809), but an independence movement was stirring and many people were beginning to pay attention to the elements of a unique Finnish identity. Kalevala became one of the focal points of this movement. By reaching back to pre-Christian history, almost a thousand years before, it promised a validation of Finnish identity grounded in primordial origins free of Russian or Swedish interference. Finland gained its independence in 1917 (happy centennary!) and Kalevala has remained a vital part of Finnish culture ever since.

Kalevala has an earthy immediacy. The poetic language of Kalevala is colloquial and its heroes, despite being magical warriors, live rustic lives as farmers and fishers not much different from the village folk Lönnrot collected the tales from. There are occasional mentions of wars and great battles and one daring Viking-like raid, but more often the tales revolve around such tasks as chopping down trees, mending horse-drawn sledges, and pulling in fishing nets. The power of nature is ever-present, from the summer sun and the winter frost to the trees of the forests and the water of Finland’s ten-thousand lakes.

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Artifacts and Transmogrification: Arcane Mage and Elemental Shaman

When I last shared some of my transmogrifications, I talked about how I transmogged over my guardian druid’s fist weapons and adapted my holy priest’s look to suit his new staff. Sometimes, though, you just get lucky. With my arcane mage and my elemental shaman, the artifact just happened to fit nicely with their existing look.

Here’s the shaman. I was going for a nature-y, raindrops-on-leaves look, with a brown and green base accented with blue gems. The artifact fist weapon and shield go nicely, each having a big shimmering blue center.

170223shaman170223shaman2My mage has been rocking a purple set with turquoise accents for a while now and the purple crystals in the arcane staff go beautifully with it.

170223mage170223magesideSometimes, things just work out.

Of Dice and Dragons is an occasional feature about games and gaming.

Herodotus on Resisting Tyranny

170220dancerThe ancient Greek historian Herodotus was deeply concerned with the question of how democratic societies can defend themselves from tyranny. In the seventh and sixth centuries BCE, cities all across Greece saw outbreaks of tyranny: wealthy aristocrats seized power by force and ruled without regard to law or tradition. A few of these regimes lasted for a few generations, but most were overthrown in a matter of years. In the fifth century, Greece faced the larger threat of conquest by the Persian empire, whose Great King the Greeks perceived as kind of tyrant writ large.

Herodotus wrote about this history in his account of the wars between Greece and Persia. He told the stories of how the Athenians ousted their tyrants and how the Greeks organized to repel the Persian invasions. Some of his lessons in resisting tyranny, however, come in less obvious ways. Consider, for example, the story of Hippocleides (Herodotus, Histories 6.129).

The tale is set in the Greek city of Sicyon, generations before the Greco-Persian wars. A rich man named Cleisthenes had made himself tyrant and was looking to marry off his daughter, Agariste, to some rich young man from another city who could be a useful ally. Young men of fortune from all around Greece came to Sicyon to compete for Agariste’s hand. Cleisthenes hosted them for a year in his house, testing them on their credentials and talents. After a year, an Athenian, Hippocleides, son of Teisandrus, emerged as the favorite and preparations were made for a wedding. The story picks up on the day of the wedding:

After dinner, the suitors held a competition in music and speaking before the assembled audience. As the drinking began, Hippocleides, holding the attention of the room, called for some pleasant music, and having gotten the flute player to play, began to dance. And while I suppose Hippocleides pleased himself with his dancing, Cleisthenes looked on the whole thing with distaste. After a while, Hippocleides called for a table to be brought in. Getting onto the table he first danced some Laconian figures on it, next some Attic ones, but for his third act he planted his head on the table and waved his legs in the air.

Now Cleisthenes, at the first and second performances, was horrified at the thought that he might still end up tied by marriage to such a shameless dancer, but he kept silent; yet when he saw the man’s legs waving about he could no longer contain himself and declared: “Son of Teisandrus, you have danced yourself out of a marriage!”

The young man replied: “Hippocleides doesn’t care.”

– Herodotus, Histories 6.129

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Boudica

ENG151196034 01The story of Boudica, the British queen who led a rebellion against the Romans in Britain, is well known, one of the most celebrated acts of resistance against the Roman empire. It is also a useful case study in how imperial states and conquered peoples interact with one another.

Boudica was the wife of King Prasutagus of the Iceni, a tribe in eastern Britain. Prasutagus was an ally of the Romans. Like many other local leaders, he had supported the Romans in their conquest of southern Britain in return for Roman support for his own position as king. Prasutagus wanted to secure the same relationship for his daughters when they inherited his position, but when he died the Romans did not follow his wishes and moved to take direct control of Icenian territory.

Starting in 60 or 61 Boudica led a revolt on behalf of her daughters that quickly gathered support from all around Britain. The main force of the Roman army in Britain was then campaigning in Wales. The rebels first targeted the city of Camulodunum (modern Colchester, in eastern Britain north of London) which had become a focus of British resentment because of the number of Roman army veterans settled there and the temple to the emperor Claudius which had been built with British tax money. The city was systematically destroyed and the small number of forces which had been dispatched for its defense were wiped out.

The rebels moved on to sack London and nearby Verulamium (modern St. Albans), two more important Roman centers. By this time, the Roman governor with his army was moving to oppose Boudica’s forces. Nevertheless, she persisted.

The two armies met somewhere along the main Roman road that connected London and the ports in Kent with the frontier in northern Wales. The precise location of the battlefield has not been identified. Despite heavy fighting, the British forces were defeated and the rebellion came to an end.

The conflict between Boudica and the Romans represents the kind of fundamental misunderstandings that happen between imperial powers and the peoples over whom they rule. Prasutagus expected the Romans to respect his wishes, accept his daughters as his heirs, and continue the client state relationship that the Iceni had enjoyed under his rule. He thought that he could deal with Rome in the same terms as he would deal with a rival British king and that the Romans would respect the same customs and practices that were common in Britain. The Romans, for their part, misunderstood the British. They did not conceive that Prasutagus’ daughters could be worthy partners in political matters or that Boudica could present a serious military threat. Further, they badly misjudged the level of discontent among the people of Britain. If they had grasped the speed with which Boudica would be able to assemble an army hundreds of thousands strong, they would not have risked leaving the core of the province so poorly defended.

Since no British account of the uprising survives, we are dependent on Roman sources for information about it and these Roman accounts show another layer of misunderstanding. The two principal recountings of the revolt offer two different reasons for its beginning. The historian Tacitus claims that the local Roman officials charged with taking control of Icenian territory beat Boudica and raped her daughters. The historian Cassius Dio instead asserts that Britain was driven into revolt when large loans that had been made to the local people were all called in at once. Both of these accounts are suspect. For Tacitus’ version, it was an old Roman custom to explain difficult political events with stories of mistreated women, from Aeneas’ callousness to Dido (which explained the enmity between Rome and Carthage) to Antonius’ infatuation with Cleopatra and abandonment of his marriage to Octavia (which explained the last Roman civil war). As for Dio’s story, money-lenders had a bad reputation in Rome and their underhanded practices were often blamed for fomenting unrest. In both cases, shifting blame away from the Roman administration itself—onto moneylenders or minor local officials—preserved the honor of the Roman state as a whole. The Britons weren’t really rebelling against the imperial system, these sources say, just venting understandable anger at individual acts of abuse.

The scope and swiftness of the revolt, however, suggest that there was much deeper and broader resentment in Britain than Tacitus or Dio was willing to recognize. Boudica’s uprising was the final push on a boulder that was ready to roll. While not all Britons had royal inheritances to contest, many people in the province must have faced problems not unlike Boudica’s. In the early 60s, Britain had been under Roman rule for a generation and, as in Prasutagus’ family, around this time the generation that had lived through the conquest was giving way to one that had grown up under the stresses of Roman rule. Generational experiences make a difference and the forces that one generation was willing to live with on negotiated terms, the next may find intolerable. Britain is not the only place where the Roman empire faced revolt in the post-conquest generation.

Image: “Boadicea Haranguing the Britons” via Wikimedia (National Portrait Gallery, London; 1793; oil on canvas; by John Opie)

History for Writers is a weekly feature which looks at how history can be a fiction writer’s most useful tool. From worldbuilding to dialogue, history helps you write. Check out the introduction to History for Writers here.

Carnyx

The carnyx was a type of war trumpet used by the peoples known in the ancient Mediterranean as Gauls or Celts. You can see a few depicted at the far right on this panel of the Gundestrup cauldron, which was made in Thrace but ended up in Denmark.

Gundestrup cauldron panel E via Wikimedia (Thracian, curently Nationalmuseet, Copenhagen; 200 BCE-300 CE; silver)
Gundestrup cauldron panel E via Wikimedia (Thracian, curently Nationalmuseet, Copenhagen; 200 BCE-300 CE; silver)

The Greek historian Diodorus of Sicily describes its sound as harsh, but here’s a modern reconstruction to show that they could have been beautiful, too.

Carnyx via luvhousepets

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Tulum, City of Adventure

What does a City of Adventure look like? The kind of place where your main characters could stage intrigues in the airy halls of the palace or get down and dirty in the wretched hives of scum and villainy on the outskirts? Where your merry band of player characters could plot their next caper or set up their base while they clear the hinterlands of monsters? Maybe it could look like this.

170130castilloThe city of Tulum is one of the best-preserved ancient Maya cities on the coast of Central America. It served as the principal seaport for nearby inland cities on the Yucatán Peninsula, connecting overland trade routes with seaborne trade in the Carbibbean. The walled city sits right on a cliff overlooking the sea from which beacons may have served as a lighthouse to help guide incoming ships through a gap in the barrier reef. A small sheltered beach between cliffs provided a safe landing. Imagine piloting a trade canoe laden with salt and textiles through a stormy night, trying to keep the beacon fire in sight as the waves crash on the reef all around.

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How to Helsinki: Concerning Finns

170119lippuWorldcon is in Helsinki this year. As a Finnish-American couple, we are very excited about this! In the coming months, we’d like to offer some practical advice about visiting Finland to our fellow fans who are considering going to the event but haven’t had experience with Finland and Finns before. Maybe we’ll see you there!

Today, we’d like to introduce you to your hosts: the Finns.

Erik here. As an American who’s been married to a Finn for over a decade, I’ve had a lot of time to learn, observe, and make mistakes, so let me offer you the benefit of my personal experience being a foreigner in Finland. Finnish culture can be hard to get a handle on for Americans like me. While some things will feel familiar, especially if you come from small-town New England like me, some of your basic social instincts can also lead to awkward situations. Like any group of people, of course, Finns are all different. There’s nothing I can say that will be true of every Finn you meet, but there are some things worth knowing so that you can be a good guest.

After many years of living between Finland and the US, here’s the best way I can describe Finnish culture: Finland is a small rural village of 5 million people.

Finland used to be a relatively poor, rural country dependent on timber, farming, and fishing. In the past couple of generations, it has become a wealthy, urban, high-tech country, but many Finns have held onto the values and social conventions of their rural ancestors. This is the root of many features of Finnish culture: the village mentality that we are all in this together and we all depend on one another. The rules of Finnish life are grounded in the expectation that you will take into account how your actions affect other people, their time, their personal space, and their responsibilities.

With that in mind, here are some specific dos and don’ts of being a good visitor in Finland:

DO be on time – being late is disrespectful of other people’s time and obligations. Even if it’s just for a casual social event, showing up late in Finland is as rude as not showing up at all in the US.

DO make room for others – when walking on the sidewalk, waiting in line, riding the bus, or anywhere else. Make sure your bag or purse isn’t in anyone’s way, either.

DO line up – and keep the line orderly if you’re waiting for something. Finns in general have a larger bubble of personal space than Americans, so be careful to make sure you’ve found the end of the line.

DO give people space – Finns expect a lot of it and they will give you a lot of it in return. If you’re talking to a Finn and they back away, don’t chase them. They’re probably not trying to get away from you, they’re just resetting comfortable boundaries. (See previous points.)

DO take your shoes off if you visit a private residence – so you don’t track in dirt that your host then has to clean up. Most Finnish homes have places for taking off and putting on shoes right by the front door.

DON’T interrupt – Finnish conversation tends to be slow paced, but people will usually make room for you to speak. Don’t jump in when someone else is talking.

DON’T suggest getting together unless you want to make concrete plans – “We should do lunch some time” is just a casual pleasantry in the US. It’s an expression of general good will with no commitment attached. In Finland it is a commitment to future plans and Finns will expect you to follow through.

DON’T make small talk – if you’re in conversation with a Finn and feel like there’s an awkward silence, don’t try to fill it. For most Finns, silence is not awkward at all, but comfortable. The conversation will start again when someone has something to say.

Another caveat: Finns are also aware of being a small culture in a larger world, especially younger Finns and Finns in the fandom community. In the company of foreigners, they may well make an effort to accommodate a different set of cultural expectations. They will still appreciate you making the same effort for them.

Hopefully this will help those of you heading to Helsinki for the first time. Finland is a wonderful country to visit, especially in the summertime. Being a good guest while you’re there will help you enjoy it to its fullest.

Image: Finnish flag, photograph by Yangtsefly via Wikimedia

In Live and Active Cultures we talk about cultures and cultural differences.

Being a Spartan

170123spartiateSpartans are renowned as some of the greatest warriors of the ancient Mediterranean world, and with good reason. Sparta had a 3-century streak undefeated on the battlefield (minus the battle of Thermopylae, where they lost only to encirclement by Persia’s overwhelming numbers). They won many of their wars without even a fight because when their opponents saw a wall of Spartan shields coming towards them, they just gave up and ran.

How did they do it? What’s so special about the Spartans?

The exceptional experience of being a Spartan began at birth when a state official judged the newborn baby’s physical health. Only healthy babies were allowed to be raised. Those that were sickly, weak, or had visible birth defects were exposed in the wilderness to die. (Only the children of the kings were exempt from this rule.) At the age of seven, all male Spartans were taken from their parents and put into a state-run education called the agōgē. The agōgē experience was brutal. The boys were trained in hoplite combat while living on meager rations. They slept outside, all year long, with only one cloak. Violence between boys of different age groups was encouraged as a way of toughening them up.

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Cold

Keira Knightley performing “how not to dress in the snow,” from King Arthur via IMDb
Keira Knightley as “how not to dress in the snow,” from King Arthur via IMDb

It’s cold outside, at least hereabouts where we are, which always sends my thoughts to the depiction of cold weather and the people who have to cope with it in the media I enjoy. The experience of serious cold weather is one that’s hard to convey to someone who hasn’t lived with it, so perhaps it’s no surprise that while some books, movies, and tv shows get it right, others really don’t.

If you want to get it right in your stories, here are a few things to know about the effects of cold and how to deal with them in pre-modern settings:

Exposed skin is bad. Very bad. Especially skin with lots of blood vessels close to the surface like heads, necks, ears, noses, cheeks, hands, and feet. That’s how you lose heat, and if you lose too much heat, you can start losing body parts, too. If you find yourself out in the cold unexpectedly, the first thing you should do is cover up as much skin as you can.

John Snow realizing he knows nothing about dressing for the cold, from Game of Thrones via IMDb
John Snow realizing he knows nothing about dressing for the cold, from Game of Thrones via IMDb

Layers are good. Layering clothing creates air pockets, which is what keeps heat in. Metal provides poor insulation. Leather and cloth are better. Any cloth will do, but wool is particularly good. Fur is excellent, but if you’re wearing fur for warmth (rather than as a fashion statement), you want the fur on the inside where it can trap air more effectively, not the outside catching snow. For body parts that you can’t cover with clothing, such as your face, a layer of hair or grease will help, but not nearly as much as proper clothing.

Frostbite is VERY bad. Frostbite is not “Ah, it’s a little chilly, I think I’ll stick my hands in my pockets to warm them up.” Frostbite is when ice crystals form inside your body and kill your cells. It is treatable if caught in time, but it’s serious. This is how people lose fingers, toes, even limbs to the cold. Less serious than frostbite is frostnip, when the body pulls blood away from exposed skin. Frostnip is treatable just by warming up, but do not rub! Rubbing frostnipped or frostbitten skin can cause damage to tissues made fragile by the cold.

Dangerous cold doesn’t always feel cold. The experience of frostbite and frostnip doesn’t necessarily feel cold. The affected area may actually feel hot or just numb. This is the result of nerve cells shutting down or dying. In extreme cases, some people suffering hypothermia will start taking off their clothes because they feel overheated, even though they are literally dying of cold. Alcohol increases blood flow to the skin and extremities which makes you feel warmer (and can be useful when you’ve come in out of the cold into warmer surroundings), but can be dangerous when you’re still exposed to cold temperatures.

People are mammals. That means, in addition to some other fun features, we make our own heat. That heat comes from the same place the rest of our energy comes from: food. Cold makes you hungry. Eating keeps you warm.

Cold makes you go. Your body responds to cold by pulling blood away from the extremities into the core. Your kidneys respond to all that blood rushing around by going into overdrive trying to purge excess fluid from your system, leading to a full bladder.

These are all things to remember as you write about characters braving the harsh winter weather. I’ll leave the last word, though, to Magnar of Finn:

Post edited for clarity.

History for Writers is a weekly feature which looks at how history can be a fiction writer’s most useful tool. From worldbuilding to dialogue, history helps you write. Check out the introduction to History for Writers here.

Fake News in Ancient Athens

170109athenaThere’s been a lot of talk lately about fake news and its effect on politics, but the phenomenon is not a new one. Consider this story about how the tyrant Peisistratus seized power in Athens in 556 BCE.

There had been long-simmering unrest between three broad groups in Attica: the wealthy farmers of the plains, the fishing and trading people of the coast, and the poor villagers of the hills. Peisistratus organized the hill people as his base of support, promising to represent their interests if they helped him take power. After a first attempt that fell apart when the plains and coast factions organized against him, Peisistratos made a second bid for power a few years later when the coastal faction switched sides and backed him. Here’s how Herodotus tells the story of how Peisistratus managed to take power the second time:

In Paeania [a hilly region of Attica] there was a woman named Phye who was very tall and beautiful. They dressed her in full armor and put her in a chariot, decking her out to make her the most impressive spectacle, and drove her to the city. Heralds ran on ahead and when they reached the city they proclaimed: “Athenians! Welcome Peisistratus, whom Athena has honored above all! She herself is driving him to the acropolis!” They went all around saying these things and the rumor spread at once throughout Attica that Athena was returning Peististratus to the acropolis. The people of the city believed the woman to be the goddess herself, so they worshiped her and received Peisistratus as their tyrant.

– Herodotus, Histories 1.60

My own translation

Were the people of ancient Athens really that gullible? We shouldn’t doubt that most of them believed that the goddess Athena existed and could intervene in human affairs, but it’s still a bit of a leap from there to believe that she would show up in person to deliver a controversial politician back into power. The idea of dressing up a woman like Athena and having her ride into town in a chariot was nothing strange, either. The Panathenaic Festival, one of the major holidays in the Athenian year, featured exactly that. In fact, many historians believe that Peisistratus was actually using the festival as the occasion for his comeback. In that case, everyone knew that Phye was not really Athena, just playing a role in the procession. It may actually be Herodotus who is the gullible one and the “fake news” is the story that anyone was fooled by Phye at all, as opposed to participating in a well-orchestrated bit of political theatre.

We know from modern research that people tend to change their beliefs to suit their politics, not their politics to suit their belief. If anyone in Athens really did believe that Athena was bringing Peisistratus to town, it’s more likely that they were already a backer of his faction and so were willing to accept the story than that believing the story made them back Peisistratus. Similarly, Herodotus was a firm anti-monarchist, so he was disposed to believe that the Athenians must have been tricked into welcoming Peisistratus rather than willingly choosing him to be tyrant.

Either way you cut it, there’s nothing new about people believing false reports that happen to suit their political outlook.

Image: Athena carrying Heracles in her chariot, photograph by Bibi Saint-Pol via Wikimedia (Staatliche Antikensammlungen, Berlin; 420-400 BCE; red-figure pottery; by the Cadmus Painter)

Edited for consistency in spelling

History for Writers is a weekly feature which looks at how history can be a fiction writer’s most useful tool. From worldbuilding to dialogue, history helps you write. Check out the introduction to History for Writers here.