Folk Art Blooms in Zalipie in Southern Poland

In the village of Zalipie in southern Poland, some blossoms never stop blooming: they’re painted. Not just on the walls inside or outside, but on ceilings, beams, stoves, sheds, dog houses, wells, buckets, paved ground, and bridges.

Flickr magro_kr Zalipie Cabin

Flickr mksfca Zalipie Museum Interior

No one apparently knows exactly how the flower-painting tradition came to be. Common features of the origin stories involve covering up stains, or simply perking up the homes, or uplifting people’s mood following World War II.

Flickr magro_kr Zalipie Sweep Well

Flickr Ministry of Foreign Affairs Shed

Flickr magro_kr Zalipie End of House

Regardless of the custom’s origins, it’s a fascinating feature of village life. These kinds of details would make spec fic stories even more alive, wouldn’t you say?

Found via Good Stuff Happened Today on Tumblr. More photos e.g. via My Modern Met or your favorite search engine.

Images via Flickr: Cabin by magro_kr (CC BY-NC-ND 2.0). Museum interior by mksfca (CC BY-NC-ND 2.0). Sweep well by magro_kr (CC BY-NC-ND 2.0). Shed by Mariusz Cieszewski via Polish Ministry of Foreign Affairs (CC BY-ND 2.0). End of house by magro_kr (CC BY-NC-ND 2.0).

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

A Downloadable ElfQuest Coloring Book

To ease some of the covid-19 cabin fever, Wendy and Richard Pini have released a pdf version of an ElfQuest coloring book that was included in a past Kickstarter project of theirs.

Wendy Richard Pini ElfQuest Coloring Book Covid-19 Version

The coloring book is free to download for private use, with one catch. In their words:

“One condition: You may not post images of the uncolored line art from the coloring book publicly online anywhere. The art is still copyright Warp Graphics. Thanks for your understanding. Bootleggers already steal ElfQuest images for unauthorized t-shirts and such; we don’t want to give them any more access than they’re already thieving.”

Thank you for sharing!

Image by Wendy Pini

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Pimp Your Living Room with an Enormous Battle of Hoth Wallpaper

Aaaaa! It’s a battle of Hoth wallpaper!

Bauhaus Finland Star Wars Battle of Hoth

Handsome, isn’t it?

One of my pet peeves is when people—mostly merchants and, I assume following their lead, parents—assume only kids could be into superheroes or heroic scifi stories or what have you. I have exceedingly firm plans of becoming a geeky granny! This would fit right in. 🙂

Found / image via Bauhaus Finland

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Quotes: Almost None […] Depict a Successful Transformation of Society

Cara Buckley’s 2019 article in New York Times talks about how environmental concerns have been depicted in some recent superhero and sci-fi movies. Climate change may have been moved to the back burner in recent news; nevertheless, in the beginning of the article there is a very important, timely nugget:

“Humans ruined everything. They bred too much and choked the life out of the land, air and sea.

“And so they must be vaporized by half, or attacked by towering monsters, or vanquished by irate dwellers from the oceans’ polluted depths. Barring that, they face hardscrabble, desperate lives on a once verdant Earth now consumed by ice or drought.

“That is how many recent superhero and sci-fi movies — among them the latest Avengers and Godzilla pictures as well as ‘Aquaman,’ ‘Snowpiercer,’ ‘Blade Runner 2049,’ ‘Interstellar’ and ‘Mad Max: Fury Road’ — have invoked the climate crisis. They imagine postapocalyptic futures or dystopias where ecological collapse is inevitable, environmentalists are criminals, and eco-mindedness is the driving force of villains.

“But these takes are defeatist, critics say, and a growing chorus of voices is urging the entertainment industry to tell more stories that show humans adapting and reforming to ward off the worst climate threats.

“’More than ever, they’re missing the mark, often in the same way,’ said Michael Svoboda, a writing professor at George Washington University and author at the multimedia site Yale Climate Connections. ‘Almost none of these films depict a successful transformation of society.’ [emphasis added]”

Even though a pandemic is a very different kind of beast compared to apocalyptic-level climate catastrophes, the current covid-19 epidemic can surely feel like a devastation. I’ve certainly seen my share of panicky social media messages.

We’ve recently started re-watching Star Trek: Deep Space Nine, and this line veritably jumped out:

ST DS9 s3 ep18 Distant Voices

“It’s just that… this year is a little different.”

Indeed—this year is different. Unlike good Doctor Bashir’s, though, our situation is a little more dire than turning thirty years of age.

Right now there’s no long-term data available, so any estimates of the long-term effects are guesses—at best cautious, at worst wild—but every opinion I’ve seen says the world will change as a consequence. And as a nerd, that interest me.

I can’t think of many speculative stories off the top of my head where the society has adjusted in a way that focuses on our shared humanity. On the contrary, most of them cannot seem to be able to find much good in human behavior during crises. Since social collapse at the beginning of a disaster is a myth, I’d like to see more stories concentrating on people working together. (That is my favorite kind of story for a reason, after all.)

There is one thing I do know, though, limited in scope as it is: I will be most seriously displeased if writers and producers of the future fail to learn from witnessing the amount of cooperation and outpouring of help people are providing not only their own communities but also strangers.

Buckley, Cara. “Why Is Hollywood So Scared of Climate Change?” New York Times, August 14, 2019.

Image: screencap from season 3 of Star Trek: Deep Space Nine, episode “Distant Voices”.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

Living Vicariously Through Social Media: Exact Opposites Cats

Seriously, this is amazing: a pair of cats. One black, the other white. One has a blue left eye and a green right eye, the other a green left eye and a blue right eye.

Twitter Land of Cuteness Exact Opposites Cats

Granted, this is the Internet, and Photoshop is a thing. (And please note I didn’t intend to post this as an April Fool’s joke. As far as I know it isn’t, but as I said, this is from the Internet and who really knows.)

However, even if it were edited, it’s still a damn awesome photo. I immediately thought of a magic-user’s familiar or some such special pet. Wouldn’t cats like these be just astounding?

Found via Land of Cuteness on Twitter.

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Quotes: People Will Fight for the Idea of Decency

This quote from Kameron Hurley’s The Light Brigade seems pretty apt for the covid-19 pandemic in the west:

“[Companies] started losing when they forgot how to be decent. People will fight for the idea of decency. They will fight for someone who treats them like people. They fight for beliefs far longer and harder than out of fear.”

– Dietz in Kameron Hurley’s The Light Brigade

So let’s treat each other as people. Because we’re in this together; health care experts don’t talk about herd immunity without reason.

Because we’re only in the beginning of it; even the most optimistic models don’t predict the peak to occur very soon.

And because we’re social critters, descendants of people who liked other people despite their origin or color or dance moves or whatnot. We’re here because we like doing things together. (And I realize how funny that may sound coming from a huge introvert such as myself, but there it is.) At each individual’s preferred amount of togetherness, but together nevertheless.

Hurley, Kameron. The Light Brigade. New York: Saga Press, 2019, p. 141-142.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

A Rich Anglo-Saxon Burial Chamber Found in Essex

A new-ish Anglo-Saxon burial chamber found at Prittlewell in Southend-on-Sea, Essex, in southern England has all of the markings of a valuable find, both in terms of quality and quantity of the grave goods and of historical significance.

The male body was placed within a wooden coffin in a timber room. The burial most likely dates to the late 6th century (575-605 CE). It was first discovered in 2003 in remarkably good condition.

MOLA Prittlewell Burial Chamber Drawing

Artefacts from the burial were studied at Museum of London Archaeology (MOLA), and the most impressive items are now on permanent display at Southend Central Museum in Southend-on-Sea. MOLA has also created an interactive website for the find.

Just some of the items discovered include a gold belt buckle, two Frankish gold coins, a beautiful sword, iron-bound buckets, a huge metal cauldron, latticed glass beakers, a tall iron candelabrum, a folding iron stool, a basin and a flagon made from copper alloy, a silver spoon, a painted wooden box, and an Anglo-Saxon lyre.

MOLA Prittlewell Blue Glass Decorated Beaker

Incidentally, the wooden box is so far the only surviving example of painted Anglo-Saxon woodwork!

MOLA Prittlewell Painted Wooden Box

MOLA The Guardian Prittlewell Gold Copper Item Collage

There are two interesting implications for the burial. Firstly, two gold foil crosses were likely placed on the body’s eyes. If the burial can indeed be placed at its earliest possible date, it makes the connection to Christianity remarkable because it would predate Augustine’s mission to convert the British in 597. A royal connection has been surmised (Seaxa, a younger brother of king Sæbert of Essex, whose mother Ricula was Æthelbert of Kent’s sister) but not confirmed.

(King Æthelbert of Kent married a Merovingian Christian princess called Bertha in 580, so Roman Christianity was known to Anglo-Saxons to some degree by the end of the 6th century, but to my knowledge we had previously not known of other converts outside their court prior to 600.)

Secondly, although Essex has earlier been seen as an Anglo-Saxon backwater of sorts, this rich burial chamber suggests otherwise. Indeed, some of the luxury items come from the near-by continental Europe (the Frankish gold coins), but others have much more far-reaching origins (the Byzantine or Syrian copper alloy flagon, for example).

Having studied Anglo-Saxons myself and witnessed Erik’s research on the side, I keep being amazed at how much paraphernalia is extant from the Roman period and early middle ages onwards. Not only that, but how much of it is still being discovered! If you tour any of the major museums of Roman history in Germany, for example, you will see massive (massive!) amounts of metalwork, gold, silver, glass, and pottery. And what’s on display doesn’t even account for the remnants in storage.

People from old cultures had as large incentives as we do today to dress up and surround themselves with ornate household goods—after all, we are humans who like their stuff, right? Their ability to do so naturally depended on the resources available in the area and era, and—despite what most of us seem to have been taught—early history is full of times when our predecessors were able to produce items on a massive scale and the richest in those societies did have the wherewithal to go all out.

Like the Staffordshire helmet, the Prittlewell burial will be of immense importance to our understanding of Anglo-Saxon history and culture. I’m so delighted it was found!

Images by MOLA; collage of the gold and copper alloy items by MOLA via The Guardian.

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Second and Last Black Widow Trailer

Under two months to go to the Black Widow movie, and we have a second trailer.

Marvel Studios’ Black Widow | Final Trailer by Marvel Entertainment on YouTube

There are a few more clues of the Taskmaster character. He apparently has taken over the Red Room and somehow brainwashed / controlled a number (a class?) of Widows. Nat is shown connecting with her first found family, with some amusingly (and painfully) familiar bickering at the dining table. Since trailers always lie, I’m hesitant to call the writing good on the basis of what we’ve seen so far, but I’m cautiosly optimistic. Just, please, let it not be utter crap (like so many female-lead superhero movies of yore have been).

Otherwise, from the filming or type of action shown, somehow I get a similar wibe as Winter Soldier. As that’s one of my favorite MCU stories, this is a good thing. 🙂 Also, I’ll be glad to see northern European neoclassical cityscapes; it reminds me of home.

Black Widow opens May 01, 2020.

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LightSail 2 Spacecraft Is Successfully Driven by Solar Sails

Have you guys heard of the LightSail project?

The Planetary Society LightSail 2 Australia New Guinea

Run by The Planetary Society (the world’s largest private non-profit space organization), LightSail is a crowdfunded project that successfully launched a solar sail driven spacecraft into Earth orbit in June 2019 in an effort to lower the cost of space exploration.

While not the first spacecraft to successfully use solar sails, LightSail 2 has managed to slow down the deterioration of its orbit and on occasion to reverse drag created by the atmosphere and correct course. Indeed: one of the mission’s functions is doubling as a probe of far-atmospheric thickness.

LightSail 2 deployed its solar sail in July 2019, and has been sending data down to Earth since then. Access the LightSail project page or LightSail 2 mission control for some interesting browsing.

Really cool, isn’t it?

Image: Australia and New Guinea from LightSail 2 by The Planetary Society (CC BY-NC 3.0)

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

The Letter for the King Trailer

A new Netflix young adult fantasy The Letter for the King has a trailer out:

The Letter for the King | Official Trailer | Netflix on YouTube

The Letter for the King is based on a novel by Dutch author Tonke Dragt and, according to IMDB, filmed in Czech Republic and New Zealand. (I thought I recognized the Southern Alps from Peter Jackson’s LotR films!)

Apart from what Tor.com has to tell, I don’t know anything about the series except that it reminds me of The Shannara Chronicles (both in the good and the bad). Of the writers I know nothing; of the cast, I’ve only seen two of the adults (David Wenham, Andy Serkis), so neither helps me decide whether it might be worth tracking down. Anyone know anything interesting about this project?

The series will be available on Netflix March 20, 2020.

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