Fan-Made Boba Fett Short

Can’t wait for Star Wars: The Force Awakens to come out? Apart from the material shared at San Diego Comic Con, the short fan film Boba Fett – The Twelve Parsec Stare should help.

The story, produced and filmed entirely in Helsinki, Finland, has Boba Fett tracking down a specific bounty on Tatooine. There is no (human) dialogue, but oodles of Italo-Western action shots and scruffy Mos-Eisley crud. Director Eric Raunio surely knows his stuff. Also composer Juho Pakkasvirta does a fantastic job, not forgetting to spoof the “Imperial March” or “The Good, the Bad and the Ugly” theme. 🙂

Raunio tells Nyt1 [NB. Finnish only] that the two-day shoot at Kaapelitehdas in February 2015 followed a few months’ intense pre-production. Sets, costumes, and props were built from everyday items and thrifted / upcycled finds under the direction of producer Teemu Vainio. Boba Fett fans may also be interested in the two behind-the-scenes production diaries (1, 2).

The indie company behind the short, Ruined Films, is headed by Raunio, and produces not only their own films but also promotional videos and provides post-production for outside projects.

1 Nyt is the weekly supplement of Helsingin Sanomat newspaper, the largest daily newspaper in Finland.

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Some Notes on Gender and Power (Part 2)

Picking up from where we left off last week, here are some more notes on gender and power. First, a refresher on where we started:

1. There is a lot of bad theorizing out there about gender and power relations

Primordial matriarchies, evo-psych patriarchies — all bunk.

2. Patriarchy is not inherent in human societies.

Patriarchy is a historical development, not a biological imperative.

Carrying on now:

3. There are many different kinds of patriarchy

150713VictoriaAs I explained last week, patriarchy is not a universal of human societies but rather a product of specific historical circumstances. As a result, there are as many different varieties of patriarchy as there are cultures that practice it. There is no “the patriarchy” any more than there is “the democracy” or “the music.” Some democracies have parliaments, some have electoral colleges, and some just have town meetings. Some music has violins, some has taiko drums, and some has beatboxing. Patriarchies are just as variable.

Consider, if you will, Victorian Britain and the Roman empire. Both were unquestionably patriarchal, but that doesn’t mean they worked the same way.

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Fantastic Worlds Exhibit at The Smithsonian

The Smithsonian’s new exhibit Fantastic Worlds: Science and Fiction, 1780-1910 opened on July 01, 2015. In addition to the physical exhibit, the Smithsonian Libraries provide an online version.

The Smithsonian Libraries online exhibit Fantastic Worlds.
The Smithsonian Libraries online exhibit Fantastic Worlds.

From the online exhibit description:

“Travel with us to the surface of the moon, the center of the earth, and the depths of the ocean — to the fantastic worlds of fiction inspired by 19th-century discovery and invention.

“New frontiers of science were emerging. We took to the air, charted remote corners of the earth, and harnessed the power of steam and electricity. We began unlocking the secrets of the natural world. The growing literate middle class gave science a new and avid public audience. Writers explored the farther reaches of the new scientific landscape to craft novels, hoaxes, and satires.”

The online exhibit reveals a new thematic component (or chapter) each Tuesday. So far we’ve seen “Terra Incognita” and The Age of the Aeronaut”. The chapters include images, maps, and videos, plus intriguing curator’s notes. Sounds great for early science fiction and fantasy enthusiasts, as well as people interested in the history of exploration or late 1700s to 1800s.

Found via Smithsonian Libraries on Tumblr.

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Some Notes on Gender and Power (Part 1)

150629BoudiccaGender and power are two very big and complicated topics. Put them together and you get something even bigger and complicateder. (Yes, I said “complicateder.” Deal with it.) They are also two topics that have become very important in a lot of contemporary speculative fiction. I’m not going to try to take on the whole subject here, but I would like to offer a few points that can be useful for thinking about gender, power, and how they fit both into the world we live in and into the worlds we write about.

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Favorite Characters: Star Trek Edition

Favorite Star Trek characters. Go!

Star Trek (Original Series)

Spock,_2267Erik: Mr. Spock. Hands down, Spock. When I first discovered the original Star Trek in afternoon reruns, I was in elementary school, the shy, quiet kid who spent recess reading and didn’t understand the social rules hat other kids lived by. I identified with Spock so hard. After growing up on cartoons that always stigmatized the smart characters as snooty, unsympathetic Brainy Smurf types, Spock was proof that being the thoughtful, unemotional observer of humanity could be awesome, too.

 

Eppu: This is a tough one. I don’t think I really have one. In general, I’m more drawn to the supporting characters in stories than the main character / protagonist, and ST:TOS is most definitely one of those cases. I find Kirk intolerable and McCoy a little too emotional for my preference, but the rest of the core cast offers more qualities I like: Spock’s cool head and nuggets of extremely dry humor; Uhura’s patience and dedication; Sulu’s enjoyment of life; Checkov’s nonchalance and ability to roll with the punches; Scotty’s inventiveness and flexibility in the face of an unrelenting barrage of technical problems.

The Next Generation

Picard2379Erik: Captain Picard. I’ll admit, it’s mostly Patrick Stewart’s acting chops that make the character for me, but I love Picard’s gravitas, his cool head in a crisis, and his humanity. I came of age with Next Generation, in the post-Cold-War world that believed in hope and human progress, and despite what we have lived through in the last few decades, I still carry some of that optimism with me. Picard’s compassion and level-headedness are the solid ground on which the moral universe of Next Generation rests.

Memory Alpha GuinanEppu: Guinan! She stares in the face of her people’s diaspora and stays serene, but is not shy about pulling out the rifle stashed behind the bar when needed. Even if she was written as a supporting cast member, Guinan gets some brilliant moments of character development, like when she begins to question her black-or-white attitude to the Borg in the season 5 episode I Borg. Also, Whoopi Goldberg’s performance is fa-bu-lous. Every scene where Patrick Stewart and Goldberg appear together, no matter how simple, is golden.

Deep Space Nine

JadziaDax2374Erik: Jadzia Dax. Specifically the later-seasons’ Jadzia Dax: not the ethereal above-it-all beauty of the first season, but the wise-cracking, tongo-playing, bat’leth-slinging, unflappable smart-ass and scientist extraordinaire that she developed into by the third. Not that I’m much for practicing Klingon martial arts or playing Ferengi card games into the wee hours, but I love the self-possession with which she does everything. She reminds me of some of the great professors I had in college, the ones who loved teaching their subjects, did it with passion and commitment, and didn’t much care what anyone outside the classroom thought of them.

Eppu: Doctor Bashir. We rarely get to see such a full personal growth arc as we see with Bashir. When he arrived to the station, he was so wet behind the ears his whole being basically emanated green. To follow him from firmly planting his foot in his mouth in those early episodes, to his worshipful puppy-love towards Dax, to his growing confidence in his position and friendships, to adjusting to the fact that his much-appreciated intellectual abilities were grafted onto him in an illegal procedure and not in-born, to maturing into a confident, capable officer, supportive and loyal to his friends, is a delight. I also love Bashir’s relationship with Garak, and how the spy-turned-tailor educates our man Bashir about the larger world beyond the Federation.

Voyager

Tuvok2377Erik: Tuvok. Tim Russ did a masterful job taking up the Vulcan mantle from Leonard Nimoy. While many actors cast as Vulcans come off as robotic or bored, Russ’s Tuvok showed us that self-control can be just as interesting as unbridled passion. As someone who isn’t often emotionally expressive, it’s nice to see a similar character on screen (and without the presumption that he is damaged or needs to “loosen up.”)

 

 

Eppu: Chakotay. He embodies quiet get-it-done effectiveness and deep emotions without being abrasive. Respectful towards and supportive of – even if not always in complete agreement with – Captain Janeway through thick and thin. It’s also very refreshing that no romance was artificially forced into the relationship between Janeway and Chakotay: they just slowly became and remained friends.

Enterprise

Erik: I don’t have one. The show never really worked for me, which is too bad, because I love the concept and some of the details. I kind of wish whoever owns the franchise now would stuff Enterprise into the memory black hole and start over from the basic concept of humanity’s first interstellar exploration and the founding of the Federation instead of the soulless reboot movies we’re getting.

Eppu: Never saw all of it, and I don’t remember it well. As much as I can have a favorite character, it’s a three-way tie between Hoshi Sato, T’Pol, and Tucker.

Mashup Eppu Enterprise Favorites

Who are your favorites and why? Share in the comments!

Images: Spock via Memory Alpha. Picard via Memory Alpha. Guinan via Memory Alpha. Jadzia Dax via Memory Alpha. Julian Bashir via TrekCore. Tuvok via Memory Alpha. Chakotay via Memory Alpha. Hoshi Sato via Memory Alpha. T’Pol via Memory Alpha. Tucker via Memory Alpha

Creative Differences is an occasional feature in which we discuss a topic or question that we both find interesting. Hear from both of us about whatever’s on our minds.

World of Warcraft Class Theme Music

Some years ago, back on the old WoW Insider which is no more, there was once a fun post suggesting theme songs for the various character classes. As a classical music fan, I’ve tried to come up with a classical version of the same. Here are my suggestions.

Warrior – Bartok, Hungarian Suite “Bear Dance”

The warrior is an iconic archetype in role-playing games and the World of Warcraft version is much like its ancestors: a heavily-armed fighter who charges into the midst of battle. Bartok’s “Bear Dance” may sound more like a druid thing, but the music carries a feel of martial power fitting to a warrior.

“Bear Dance” via P. András

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Lionsgate to Adapt The Odyssey

Flickr Robert The Odyssey of Homer Easton Press

The first great European adventure story, The Odyssey by Homer, is being adapted again to the big screen, this time by Lionsgate. So far the project includes director Francis Lawrence and producer Nina Jacobson (of the Hunger Games movie adaptation fame), and writer Peter Craig (known for co-screenwriting The Town and Mockingjay Part 1 and Part 2). According to Deadline Hollywood, production is planned to begin early in 2016.

With the advances in visual effects technology, this adaptation will surely look grander and more epic than any preceding ones. I hope that the screenwriting will be great, too.

Image: The Odyssey of Homer – Easton Press edition by Robert on Flickr (Creative Commons license CC BY 2.0)

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The Pre-Gunpowder Rock-Paper-Scissors

150629BayeuxGunpowder changed the world. It took a while — the earliest gunpowder arms were too unwieldy and unpredictable to have much of an effect on the ways people fought, but in time the weapons got better and armies adapted their tactics and organization in response. Before firearms, though, the battlefield operated on a basic rock-paper-scissors relationship among three different types of troops: infantry, cavalry, and missile troops.

Before getting into the types of troops, we need to lay out a few things about pre-modern warfare.

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