Stories in which Being Good is Smart

I’ve been thinking a bit lately about how to describe the kind of stories I want to experience, whether on the page or the screen. I’ve long known that I enjoy stories about characters solving problems. But that’s not the only thing I look for in fiction.

I enjoy reading about people who are good to one another, kind, compassionate, and generous. I don’t enjoy stories in which kindness is portrayed as weakness, or in which the most manipulative, cruel, or ruthless characters prosper at the expense of others. I want to see how being kind and treating others well is the best way to go about solving problems. I like stories in which being a good person isn’t just the right thing to do, it’s the smart thing to do.

I don’t mean stories with a moralistic bent, in which some outside force (be it divinity, fate, or just the author’s guiding hand) intervenes to reward virtue and punish vice. I don’t want to see good people win just because they are good. I want to see them win because complicated problems can’t be solved by one person acting alone, no matter how devious or ruthless they may be. Big problems only get solved by people working together, and the best way to get people working together is to treat them decently.

Here are a few my favorite stories on page and screen that fit what I’m looking for.

J. R. R. Tolkien’s The Lord of the Rings is a tale of cosmic good and evil, but one that plays out on the individual level. The forces of good ultimately triumph because many individual people, some of them quite small and unimportant, choose the good of others over their own safety or comfort. Katherine Addison’s The Goblin Emperor follows Maia, a neglected half-goblin prince, as he is thrust by circumstance onto the throne of an Elvish empire. Maia is surrounded by devious plotters and dangerous revolutionaries, but he keeps his throne and his head by listening to others, finding trustworthy allies, and being compassionate to the weak and vulnerable. In Martha Wells’s Murderbot Diaries series, the sarcastically self-named Murderbot is a human/machine construct designed by a ruthless ultra-capitalist corporation to fight and kill, but who would rather just be left alone to watch media. Over the course of the stories, it discovers humans who are not ruthless ultra-capitalists, whom it ends up learning to trust and value.

Star Trek is all about characters being good. Deep Space Nine pushes its characters to the limits of the universe’s hopeful utopianism through trauma and war, but ultimately finds them trusting one another, working together, and finding compassion even for their most implacable enemies. In Doctor Who, the wandering Time Lord stumbles into one disaster after another, but approaches them all with a spirit of hope and understanding, asking questions always and shooting never. Downton Abbey follows the inhabitants of the titular manor, both the family upstairs and the staff downstairs, through the tumultuous social changes of the early twentieth century. All the characters have their flaws, and some can be quite vicious, but the series follows how the characters come to rely on one another, and how even the most mercenary of them learn that kindness and compassion are vital for surviving in a changing world.

These are the kinds of stories I want more of: people being good or learning to be good, not just because it’s the right thing to do, but because it works.

Images by Erik Jensen

Some Thoughts on The Hunt for Gollum Adaptation

The news has been out for a good long while now: a new live-action Middle-Earth movie is in the works, set to be released in 2026 and produced by Peter Jackson, Fran Walsh, and Philippa Boyens. It’s provisionally called The Lord of the Rings: Hunt for Gollum, and Andy Serkis will both direct and play Gollum. Apparently it’ll be the first of multiple films by Warner Bros. based on Tolkien’s books, and told from Gollum’s perspective.

Since this fall has been surprisingly full of Tolkien for us (we both re-read LotR in addition to our two trips to Tampere, first to see the John Howe exhibit and then the theatrical adaptation), we ended up talking about the upcoming Gollum movie and our misgivings with it. Below are some of those thoughts.

Erik

I’m not excited for The Hunt for Gollum. Nothing about the character of Gollum or the long and mostly fruitless search for him, as described in the book, sounds like promising material for further on-screen exploration. I fear that this film will turn into more overstuffed action/fantasy/comedy like the Hobbit trilogy. At best I hope to enjoy the settings, costumes, props, and other details that were made with such love and dedication by the production team on the earlier Middle-Earth films. Still, I’m always ready to be pleasantly surprised.

For films that fill in more of the story we haven’t yet seen on screen, I’d be more excited about an exploration of Sauron’s attacks to the north. The appendices to The Lord of the Rings mention that Sauron’s forces at Dol Guldur assaulted Lothlorien and ravaged the lands of the Mirkwood Elves while an army of his allies from the east came against the Men of Dale and the Dwarves of Erebor. In the end, Sauron’s forces were defeated. Galadriel, Celeborn, and Thranduil cleansed Mirkwood and overthrew Dol Guldur while Bard II of Dale and Thorin III of Erebor pushed Sauron’s allies back to the east. There is plenty of scope here for big action set pieces, drama between the folk of Middle-Earth, and the return of some favorite characters. At the same time, there is enough blank canvas that for new characters to join the cast without feeling like they were squeezing out Tolkien’s story. It would be nice to see what was happening to places and people we know from The Hobbit and The Lord of the Rings while Sauron’s main offensive against Gondor was going on.

I could also enjoy a movie set in the Shire in the years after The Hobbit. A light-hearted comedy of Hobbit manners about the Sackville-Bagginses and their designs on Bag End could intertwine with the growing up of Frodo, Merry, Pippin, and Sam and the forging of the friendships that would be tested in the crucible of war far from home. A movie like this could give appropriate scope to Jackson’s taste for slapstick comedy while also allowing hints of the slowly creeping darkness of the ring and its effects on Bilbo to show through.

Eppu

My very first thought was: why would we want to see this particular story? Andy Serkis’s performance as Gollum will always be stellar, and I’m always up for seeing more of Weta’s work, but otherwise I’m quite unsure why this story was picked and why it should excite us.

Firstly, there isn’t that much to go on in LotR. According to Appendix B, Aragorn and Gandalf searched for Gollum together a few separate times, and the whole process takes them some 16 years.* In the second chapter of book two, The Council of Elrond, we get the most detail. There’s first a reference to a long and hopeless search. (Gandalf says that they went to the Mountains of Shadow and “the fences of Mordor”, where they guessed that “he dwelt there long in the dark hills; but we never found him, and at last I despaired”.)

Aragorn is the one to actually catch him: apparently he by chance found Gollum’s footprints leading away from Mordor and caught him somewhere in the Dead Marshes. Then followed an unpleasant walk to Mirkwood, and, finally, Gandalf questioning Gollum there.

What I see so far is a long, tedious, and possibly uneventful beginning followed by sleeplessness, stink, and cruelty (Aragorn himself says that Gollum “bit me, and I was not gentle […] making him walk before me with a halter on his neck, gagged, until he was tamed by lack of drink and food”).

A very skilled writing team is required to make something exciting out of that.

You know what I would rather see? For instance:

  • anything do do with the Hobbits arriving into Eriador (1050, c. 1150 of Third Age) and settling first Bree-land (c. 1300) and then the Shire; also the Stoors leaving the Angle and some returning to Wilderland (1356)
  • the heyday of Osgiliath (before the city was burned and its palantir lost in 1437)
  • Gondor and Arnor renew communcations and form an alliance (1940)
  • the fall of Arnor and the northern kingdom; how the heirlooms of Arnor are given to Elrond’s safekeeping (1976)
  • Dwarves live and mine in Moria and eventually are driven out
  • Thorin I leaves Erebor and goes north to the Grey Mountains (2210)
  • excavations of Great Smials (begun 2683), Bandobras Took defeats Orcs in the Northfarthing (2747), Gandalf comes to aid Hobbits (2758)
  • life in Dale, the coming of Smaug (2770)
  • Thráin II and Thorin wander westwards (from Moria?) and settle in southern Ered Luin beyond the Shire (2799-2802)
  • how and where Aragorn’s mother Gilraen (born 2907) lived in the north, her wedding to Arathorn, son of Arador (2929); death of Arador (2930) and birth of Aragorn (2931), Gilraen’s travels to Imladris with Aragorn after the death of her husband (2933)
  • The Fell Winter when many northern rivers are frozen, incl. the Baranduin (Brandywine) (2911)
  • Gandalf and Balin visit Bilbo in the Shire (2949)
  • Aragorn meets Gandalf and their friendship begins (2956), Aragorn’s journeys in the Wild begin in earnest, including time in Rohan and in Gondor in disguise (2957-2980)
  • Balin leaves Erebor and enters Moria (2989), the end of Balin and the Moria Dwarf colony (2994)
  • The Scouring of the Shire and the Battle of Bywater after the destruction of the Ring
  • King Elessar rides north, lives by Lake Evendim for a while, including meeting his Hobbit friends on the Brandywine Bridge, Elanor, daughter of Samwise, becomes a maid of honor to Queen Arwen (1436 Shire Reckoning)
  • Samwise, Rose, and Elanor ride to Gondor, stay there a year (1442 S.R.); Elanor marries Fastred of Greenholm (1451 S.R.), they have a child, Elfstan Fairbairn (1454 S.R.), and later move to Undertowers on the Tower Hills (1455 S.R.); Rose dies and Sam rides to Tower Hills and gives the Red Book to the Fairbairn’s keeping before leaving for the Grey Havens (1482 S.R.)

(All pulled from Appendix B of The Lord of the Rings.)

So much could be told about the the Shire’s early history. The tidbits on fighting with Orcs, a company of Hobbit archers sent to assist the King in the north, and the Fell Winter are tantalizing. Or the later history, too, especially focusing on Sam, Merri, and Pippin and their families.

There also has got to be a lot of unmentioned history behind details like “Gondor and Arnor renew communcations and form an alliance”, but I can see the (probably economic or marketing) reasons for focusing on characters we’ve already seen on the screen.

So, you could go with “Thráin II and his son Thorin wander westwards. They settle in the South of Ered Luin beyond the Shire”, or “Gandalf and Balin visit Bilbo in the Shire”, and keep a reasonable connection to events in the movie adaptations. The latter took place some eight years after the events of The Hobbit and 40 years before Balin sets out for Moria—surely a lot of leeway for embellishment there.

I also would really love to see the scouring of the Shire. Understandably the sequence would take a lot of reworking, since Jackson et al. chose to kill off Saruman and Wormtongue already at Isengard, but that kind of major revamping is hardly new to the team.

In any case, we’ll reserve final judgment until we know more. Here’s hoping it’ll be good.

This post has been edited to correct a typo.

*) Appendix B lists three years to do with the hunt for Gollum. First, in the year 3001, “Gandalf seeks for news of Gollum and calls on the help of Aragorn.” Second, in 3009, “Gandalf and Aragorn renew their hunt for Gollum at intervals during the next eight years, searching in the vales of Anduin, Mirkwood, and Rhovanion to the confines of Mordor. At some time during these years Gollum himself ventured into Mordor, and was captured by Sauron.” Third, in 3017, “Gollum is released from Mordor. He is taken by Aragorn in the Dead Marshes, and brought to Thranduil in Mirkwood.”

Theatrical Adaptation of LotR in Tampere

Our fall is forming up to include a bit more J.R.R. Tolkien than usual: besides seeing The Art of John Howe in Tampere, we have tickets to see a theatrical adaptation of Taru sormusten herrasta (The Lord of the Rings)—also in Tampere.

There is a short but handsome trailer:

Taru Sormusten herrasta – Tampereen Teatteri & Tampere-talo by TampereenTeatteriTT on YouTube

(Note: There’s no captioning, and it’s only in Finnish, but mostly the trailer is non-verbal. In the beginning, the text reads Experience the world’s best-known adventure. At the end, while raising his staff Gandal says You cannot pass!)

Tampere Theatre, Tampere Hall, and Tampere Philharmonic Orchestra, among others, have worked for four years to create the adaptation. I haven’t heard the reason why the play runs only about two months (Aug 22 to Sept 21, 2024 and Dec 18, 2024 to Jan 11, 2025); you’d think a slightly longer run might be warranted for such a large production. I do know it’s staged at Tampere Hall instead of Tampere Theatre’s own, beautiful historical building because the latter is under renovations. I also know that the production team had to make their own Finnish translation from scratch and that no songs were allowed due to limitations posed by The Tolkien Estate.

The sets and props look fantastic, as does the lighting and video projections. I’m not sure I agree with the Elven costuming, though; their profiles look a little too much like the female Hobbit / villager Hobbit profiles. Otherwise the wardrobe looks fabulous. You can’t tell about the soundscape on the basis of the trailer alone, but I have high hopes. I hope the Hall also works for the adaptation as a performance space.

We can’t wait to see it!

The Art of John Howe in Tampere

Last month we saw an exhibit of fantasy art by John Howe in Tampere-talo, Tampere, Finland. Titled The Art of John Howe: Journeys through the worlds of J.R.R. Tolkien, the exhibit is the first time that Howe’s work has been comprehensively displayed in Finland.

2024 08 13 Howe Exhibit1

Over 250 original works were presented, from pencil drafts to finished color paintings and sculpture, along with sketchbooks and even some metal armor belonging to Howe. Some images were also enlarged into murals or banners, and a number of video screens scattered around the exhibit looped captioned interviews.

2024 08 13 Howe Exhibit2
2024 08 13 Howe Exhibit3

Apart from various illustrations of The Lord of the Rings and The Hobbit, on display were for example works on mythical topics or sagas, like Beowulf and Arthurian legends. Also various architectural or creature studies were included.

2024 08 13 Howe Exhibit4

The exhibit space was partitioned into irregular areas. Walls framed your route in interesting ways, and the murals created striking views. In one corner there was even a video with flying dragons projected up on the wall high above the framed artworks so that the dragons were visible from a distance. The art pieces had enough room, and no area was too small—clearly accessibility was planned in.

2024 08 13 Howe Exhibit5

There was no predetermined loop, merely a path suggested by the layout, which made it easy to pick your preferred viewing order and to avoid the occasional crowd. It was also easy to double back without first having to finish the whole route.

Color and lighting were used in a fascinating way. Most spot lights were warm orangey-brown or in the blue-purple range. Otherwise the hall was surprisingly dark, but not unsafely so. It was very interesting from a mood point of view.

2024 08 13 Howe Exhibit6
2024 08 13 Howe Exhibit7

Visitors were encouraged to take photos. Unfortunately, the ceiling lights reflected on the glass, which made photographing individual framed artworks difficult.

2024 08 13 Howe Exhibit8

It was great seeing the complexity, detail, and vividness of Howe’s art in person, not to mention the variety of his work. We were absolutely delighted to be able to visit!

Images by Eppu Jensen

Someone Liked Our Rohan Recipes

Well, how about that!

We just discovered that our recipes for the Riders of Rohan were referenced in a piece of Middle Earth fanfiction over on Archive of Our Own. The story is called “she had a spirit and courage at least the match of yours” by shOokspeared, and it’s a lovely little slice-of-life tale following Éowyn on a visit to the Shire in the days of peace after the War of the Ring. In a letter home to her husband Faramir, Éowyn mentions enjoying the familiar tastes of braised beef and saffron and cream pancakes for lunch with her Hobbit friends one day.

We’re astonished and delighted to see that our work is still interesting and useful to others!

One (or More) Rings to Rule Them All

For an artifact as iconic as the One Ring from Tolkien’s Lord of the Rings, it’s not surprising that people have come up with some creative versions of their own. Here are a few interesting ones that could be yours if you want!

If you want a classic ring that you can wear on your finger or as a pendant, TimJewelerCo makes them, both in gold and in silver. As a bonus feature, the Elvish writing on the band glows in the dark!

Glow in the Dark Elvish Ring Necklace by TimJewelerCo via Etsy

For a different take on what you can do with a ring, 3DMadeGifts makes a scaled-up version as a shallow planter. Now your potted succulents can enjoy the power of everlasting evil.

Gold Ring of Power One Ring Succulent Planter by 3dMadeGifts via Etsy

Or roll for initiative with this ring-themed dice set from DracaenaDraco. One die to roll them all!

Lord of the Rings Dice Set by DracaenaDraco via Etsy

All these products are available on Etsy, if you want to get a good head start on holiday shopping.

A New Translation to Honor the 50th Anniversary of Tolkien’s Passing

J.R.R. Tolkien died on September 02, 1973, exactly 50 years ago this Saturday. Also 50 years ago this year saw the publication of The Fellowship of the Ring in a Finnish translation. In celebration, a new, improved Finnish translation of the whole trilogy will be published this September.

Often a translation, especially of a fictional work, seems less good—less satisfying, skillful, expressive, vivid, what have you—as the original.

In my experience, however, there is one exception—and perhaps you guess the connection? The Finnish translation of The Lord of the Rings trilogy.

Issuu Screencap WSOY TSH tarkistettu suom lukunayte kansi

The prose for Taru sormusten herrasta is by Kersti Juva and Eila Pennanen; the poems were translated by Panu Pekkanen. It was Juva’s first job as translator. In fact, Juva did most of the work while Pennanen supervised the first two books, and Juva got solo credit for the prose in The Return of the King.

The translation is wondrous. Somehow in the Finnish version, the Hobbits seem more homey, the Dwarves more earthy, and Elves more ethereal than in the original. The desolate areas feel more despondent, and darkness deeper. I’d also say that Pekkanen’s poetry translations wipe the floor with Professor Tolkien’s—having first read the Finnish, I was, frankly, disappointed in the English-language poems in the LotR.

I’m sure some of my appreciation of Taru sormusten herrasta comes down to nostalgia and sense of wonder—I first read the trilogy when I was in my early teens, an impressionable age if there ever was one. Some of it, I’m also sure, comes down to reading my native language.

These days, however, after decade+ of higher ed in and on the language plus daily use with a fellow language nerd, my English is quite as good as my Finnish. I can and do recognize the skill in Tolkien’s writing, plus many of the references and nuances, including some of the Old English. (Though not being a mainstream literature person, I’m sure I also miss other connections—my degree in English is primarily in the language, not lit.)

I’ve been reading in foreign-for-me languages for about 35 years now. Most of my non-native-language reading has been in English, either as original or translations. Some has been in Swedish, German, or Estonian, all translations of works I’ve previously read in the original language. While I can’t boast university education in the field of translating, I’d call myself an educated hobbyist. And as such, I can see the quality of Juva’s work. Erik and I have even read the first 400 pages or so of Fellowship out loud to each other, first a sentence in English and followed by the same passage in Finnish. You really do see Juva and Pekkanen’s skill in the text.

LotR and TSH Side by Side

This new, improved version of Taru sormusten herrasta is also by Kersti Juva. In interviews she’s said the focus of the new version is to polish the language and to weed out the uncertainties a newly-minted translator (herself) wasn’t yet able to see her way past.

Sounds ever so good to me! In fact, I already have a preorder in. 🙂 Also, the celebratory edition looks to be a gorgeous, gorgeous book, with the famous LotR illustrations by Tolkien himself.

Image: screencap from a sample of the newly revised Finnish translation of The Lord of the Rings trilogy by WSOY via Issuu. LotR and TSH side by side by Eppu Jensen.

Tolkien Reading for Tolkien Reading Day

Saturday of this week, March 25th, is Tolkien Reading Day, and what better way to celebrate than with Tolkien himself reading one of his favorite passages from The Lord of the Rings?

Before The Lord of the Rings had a publisher, Tolkien was visiting a friend who had a tape recorder and encouraged him to record himself reading a selection from his work. Tolkien chose to read one of the most powerful moments from the novel, the charge of the Rohirrim against the Orcs of Mordor at Minas Tirith. Here that recording plays over the same scene from Peter Jackson’s movie version of The Return of the King, for extra powerful effect.

Tolkien narrates the Ride of the Rohirrim by Sîdh Aníron on YouTube

This moment is one of my favorite pieces from both the novel and the film. What a rare treat to hear it in Tolkien’s own voice!

Story Time is all about story-telling and how stories work, and what makes us love our favorites.

DIY of Eowyn’s Camp Dress

What a fantastic DIY cosplay of Eowyn’s camp dress from Peter Jackson’s Lord of the Rings movies this is:

Cation Designs Cindy Eowyns Camp Dress Cosplay

Made and worn by Cindy at Cation Designs, photo by @captured.by.shirelle. You can read more about the construction process at Cindy’s blog.

One of the really creative solutions she came up with is to inexpensively bone the corselet with zip ties. Much easier to get than corset bones! Another trick Cindy uses is to buy solid-color cotton sateen sheets in good condition from the thrift store to use as costuming material. (I’d add thrift store curtains, but in those there’s much more variability of both quality of material and fiber content, so they might require more time to go through to find anything worthwhile. Then again, if you do find good panels, often there’s quite a bit of fabric.)

Cindy also made the flag herself from a pillowcase using acrylic paint and gold pens. It’s as staggeringly handsome as the costume. Here’s a closeup:

Cation Designs Cindy Rohan Flag

The spear is made from foam, duct tape, and a wooden dowel, and looks as fantastic as the rest of the outfit. Kudos all round!

Images: Eowyn cosplay at rocky landscape by @captured.by.shirelle via Cation Designs. Rohan banner by Cindy at Cation Designs.

How It Happens is an occasional feature looking at the inner workings of various creative efforts.

Mashup of Themes from Avengers and The Lord of the Rings

Perfection can be improved on occasion. Bearing witness is this inventive mashup of various themes from The Lord of the Rings by Howard Shore and the Marvel Cinematic Universe’s Avengers by Alan Silvestri:

The Lord of The Rings X Avengers EPIC ORCHESTRAL MASHUP by Samuel Kim Music on YouTube

The mashup was arranged and orchestrated by Samuel Kim. I don’t have enough formal musical education to tell you why it works—both movie scores certainly are epic enough—I just know it does. 🙂 Kudos!

An occasional feature on music and sound-related notions.