We recently rewatched all the Prime-continuity Star Trek movies. Since there’s a lot of them, rather than doing a full write-up on each one, we sat down afterwards just to have a conversation about what we noticed from going through all of them at a go. Here’s the highlights from our discussion:
Seen on Screen
In Seen on Screen, we discuss movies and television shows of interest.
Some Random Thoughts on X-Men: Apocalypse
Random thoughts in no particular order. Spoilers ahead.
- The ancient Egypt crowd scene looked appropriately brown. In a story that pings on some of the racialist elements of dynastic race theory and ancient aliens it’s good to see (ancient) Egyptians acting with initiative. It would be nice if we saw some modern Egyptians who weren’t bit-part cultists.

- Speaking of characters with initiative, it’s also good to see a lot of female characters taking charge and being the ones people look to in a crisis. Not to mention Charles Xavier being the damsel in distress, for variety.
- On the other hand, two fridged women for the price of one to get Magneto back in the game. *Sigh*
- Apparently Apocalypse’s superpower is… fashion design?
- This movie was worth the price of admission just to watch Quicksilver rescuing everyone from the exploding mansion. I could just watch that scene on a loop for a good long while.
- You know, maybe they should try making an X-Men movie without Wolverine some time, just for giggles.
- I still don’t get the point of launching the whole world’s nuclear weapons into space. How was that relevant to Apocalypse’s plan? It’s not like they were a threat to him and since his plan is basically “blow up the world” anyway, why waste the nukes?
- On the whole, this movie reminded me a lot of Age of Ultron. The same grand ambitions, the same dizzyingly large cast, the same lack of narrative chewing after too big a bite of individual character arcs.
- Did I really just use the phrase “narrative chewing?” Yes. Yes, I did.
Responses to Erik’s thoughts and additional randomness by Eppu
- Looked appropriately brown to me, too, but maybe not black enough…? Not my era, area, nor expertise; would be nice to hear from someone more knowledgeable. But: Definitely too few women in that initial Apocalypse-worship scene. We existed in ancient times, too, and would’ve been interested in a spectacle.
- Agreed. One notable exception being Jean Grey / Phoenix. There’s a lot to her arc, but we only saw the barest of bare minimums.
- Not enough facepalm in the world for that. *frustration!*
- Apocalypse needs to hand in his supervillain club card. Can you say milquetoast? What I reaaaaally enjoyed, though, was the slow buildup. It’s not that usual in an action-genre film. Unfortunately, the end flopped.
- That was an epic scene! But I have to say I liked Aaron Taylor-Johnson’s Quicksilver better in Avengers: Age of Ultron. It’s a shame that the movie rights are so entangled that we’re likely not to see MCU superheroes and mutants in the same flicks.
- Agreed. They did go to Canada, though; I always enjoy seeing northerly locations get screen time.
- And speaking of plot oddities, how is it a workable plan for Charles Xavier to exhort Jean Grey to just let go? On the other hand, I suppose it’s a change to see a deus ex machina of a woman asked to release her pent-up feelings and whatnot.
- Agreed. Going in with low expectations helped. As I said to someone else, it was less bad than I thought. Of course, that doesn’t make it good, per se. Overall it feels like no-one really knows exactly what to do with the mutant movies so they end up all over the place, whereas there’s at least some oversight or long-term planning for the MCU properties.
Other thoughts:
- There were several introductory scenes (e.g. of Angel & Nightcrawler) that worked quite well. Too bad that stringing them together doesn’t make a movie.
- I didn’t like Angel’s metal wings, but eh; not the end of the world.
- I do like James McAvoy as Professor Xavier. If only someone would do more of Patrick Stewart’s and McAvoy’s Xavier in the same story.
- I can’t say I remember Psylocke from my X-Men reading days, but I liked Olivia Munn. I might have to check out what else she’s been in.
- Storm suffers from the same lack of attention as Jean Grey. There would’ve been a lot to delve into.
- The screen version of Mystique’s skin is horrible. (Scales and/or raised nodules? Really? Mostly naked? REALLY?!?) Fortunately we saw less of it in this movie.
- What a way to hand-wave Havok off the story. He never was a special character to me, but doesn’t he deserve better? Disappointing with a capital d.
- Others have said this, too, but I’ll repeat: Oscar Isaac’s skills were wasted under all that makeup.
Image: Detail of still from X-Men: Apocalypse via IMDb
In the Seen on Screen occasional feature, we discuss movies and television shows of interest.
Discussing Captain America: Civil War
Today they two of us talk over Captain America: Civil War. If you haven’t seen it, be warned: there will be spoilers.
Why White Horus Bothers Me More Than Black Heimdall
In 2011’s Thor, Idris Elba, despite not looking typically Norse, plays the Norse god Heimdall. In 2016’s Gods of Egypt, Nikolaj Coster-Waldau, despite not looking typically Egyptian, plays the Egyptian god Horus. The casting of Elba as Heimdall surprised me the first time I saw the movie, but it has never bothered me as a fan or as a historian. Coster-Waldau as Horus really bothers me and I think it’s worth taking a minute to explain why.
I have nothing against Coster-Waldau as an actor. I haven’t seen Gods of Egypt and don’t plan to, so I have nothing to say about his performance in this particular role, but he’s not the problem here. The problem is in the casting of the movie as a whole.
Proud and Prejudiced Zombies
I’m really the wrong person to say anything about Pride and Prejudice and Zombies, since I am not a fan of zombie stories to begin with, but having a fondness for Jane Austen I went to the movie hoping for something entertaining. I was not entirely disappointed, but something about the movie bothers me.
It’s not just that it feels like a joke that has gone on too long without getting to a punchline. It is Pride and Prejudice with zombies added, exactly as advertised. The confined and unvarying quality of the movie is a feature, not a bug, and I can live with that. What bothers me about it is what it does to Austen’s characters and in particular the female characters.
Bloody Lovely: Pride and Prejudice and Zombies
Pride and Prejudice and Zombies opens tomorrow!
Now, I don’t typically go for horror or zombies, but I’m actually looking forward to this one: the trailers and clips make PPZ look kick-ass. Check ’em out:
Pride and Prejudice and Zombies | official trailer #1 US (2016) Lily James Matt Smith via moviemaniacsDE
“My daughters were trained for battle, sir, not the kitchen.” – Mr. Bennet
Pride and Prejudice and Zombies Official Trailer #1 (2016) – Lily James Horror Movie HD via Movieclips Trailers
(There seems to be a bit of perv cam action going on. I hope this is as much as there is.)
I know nothing of the 2009 novel by Seth Grahame-Smith, but I do love some of the movie adaptation’s stars: Lily James as Elizabeth Bennet (James is no stranger to elegance based on her work in Downton Abbey) and Matt Smith (of the 11th Doctor fame) as Mr. Collins, and, finally, Charles Dance and Lena Headey (most lately, in genre interest, of the Game of Thrones excellence) as Mr. Bennet and Lady Catherine de Bourgh.
Pride and Prejudice and Zombies Movie Clip – Admire via Sony Pictures Entertainment
“I do not know what I admire more, Elizabeth Bennet, your skill as a warrior or your resolve as a woman.” – Lady Catherine de Bourgh
Pride and Prejudice and Zombies – Bloody Good Sneak Peek via Sony Pictures Entertainment
Ugh, pretty gruesome. Then again, it is a truth universally acknowledged, that to see and enjoy Pride and Prejudice and Zombies, one must be in a suitable frame of mind.
There will be murder and mayhem, surely…
Pride and Prejudice and Zombies Movie Clip – Enviable Talent via Sony Pictures Entertainment
…aaand apparently everything ends in a double wedding:
Seems like a combination of very silly and very kick-ass – “hopefully magnificently so,” to quote husband. 🙂
Images: Poster via IMDB. Bennet sisters by CTMG Inc. via Showbizjunkies. Double wedding by Jay Maidment via Entertainment Weekly.
In the Seen on Screen occasional feature, we discuss movies and television shows of interest.
The Kindness of Sherlock Holmes
It’s a good time to be a Sherlock Holmes fan. There are now plenty of adaptations to choose from. There’s the BBC’s Sherlock if you like visual inventiveness and whip-crack dialogue. For a more traditional procedural that does interesting things with characters, there’s CBS’s Elementary. For Hollywood thrills you can go back a few years to the films starring Robert Downey Jr. as the great detective. For series in the Holmesian spirit without the same characters there’s the medical drama House or the mystery/comedy Psych.
However the setting may change, there are some key elements of Sherlock Holmes’s character that remain the same: the keen powers of observation and deduction, the cycles of intense focus on a problem and lethargic dissipation, the antisocial habits that make him near impossible to live with.
Oh, and Sherlock Holmes is a total jerk-ass.
The standard interpretation of Holmes in modern media is that he is an asshole with no patience for anyone else, either because he’s not neurotypical in some fashion or because he just can’t be bothered to care about anything so pedestrian as decent manners. He gets away with it because he’s just so brilliant.
Well, lately I’ve been rereading the original Sherlock Holmes stories by Conan Doyle, something I’ve been meaning to do for years. I’ve gotten very used to the modern Holmes, so I was surprised to rediscover that the original Holmes wasn’t like that at all. In fact, Conan Doyle’s Holmes is compassionate and generous.
New Beowulf Adaptation: Return to the Shieldlands
ITV Studios is producing a new Beowulf adaptation. Named Beowulf: Return to the Shieldlands, the mini-series puts a modern spin on one of the oldest poems in Old English. According to Esquire Network:
“Based on the complex protagonist of a classic poem written between the eighth and tenth century, Beowulf takes place in a mythological place, The Shieldlands, and challenges the notions of good and evil, heroes and villains, and the rule of law against one’s moral code. The drama stars Kieran Bew (DA VINCI’S DEMONS), in the lead role Beowulf; multi-award- winning actor William Hurt (DAMAGES); acclaimed actress Joanne Whalley (WOLF HALL); Ed Speleers (DOWNTON ABBEY) and David Ajala (BLACK BOX).”

Beowulf: RttS started airing in U.K early January 2016, and Esquire Network is bringing it to U.S. January 23. Location work for the production was shot in the north east of England, in county Durham and Northumberland; 13 episodes have been produced so far. The show has a very perfunctory Instagram account and a more active Facebook page. There’s also a behind the scenes piece with live action clips:
Beowulf Behind The Scenes The World Revealed with Kieran Bew and Ed Speleers via Esquire Network
Beowulf: RttS definitely holds some promise. Apart from being inspired by Actual History(TM) and Anglo-Saxons / Old English to boot, it sounds like there’s some gender-bending (International Business Times reports a “new female thane”); in addition, photos include not just white men among the cast (see MedievalPOC and Farawaysite.com).

While I’m excited about the recent resurgence of genre films and tv productions in general, I’m discouraged by the apparent lack of quality control that comes with trying to ride the trend to make a quick buck. (Vikings, The Mortal Instruments: City of Bones, or 2015 Fantastic Four, anyone?)
Sadly, it sounds like Beowulf: RttS might be one of them: according to U.K news site Metro, viewers criticize the series for its “unconvincing CGI, stilted dialogue and unrealistic action sequences” and as “a blatant rip-off ” of Game of Thrones. I can add to the list some decidedly silly costuming and a peculiar combination of plausible and fanciful in the sets and props. I’m torn whether to give it a shot or not – on one hand, it’s based on Beowulf, for crying out loud; on the other, WTF is going on with the design!?
In the Seen on Screen occasional feature, we discuss movies and television shows of interest.
The Abominable Sherlock
We saw The Abominable Bride on the big screen yesterday, a few days after Europe. (It aired in UK on January 01, 2016.) Unfortunately, I got barely any sleep last night, so these preliminary thoughts are probably very ramble-y and incoherent, but here we go.
And note: SPOILER ALERT. I will also assume that you’ve seen all the preceding seasons and TAB itself.
Our Star Wars Rewatch Project: Epsidode VI
Our Star Wars rewatch concludes with Episode VI – Return of the Jedi.
1. Best Fight
Eppu: The space battle above Endor! Epic! (Even if it’s modeled after aerial dogfights, but nostalgia…)
Erik: Ewoks vs. stormtroopers. I know some people think it’s too silly, but I disagree. The rebellion vs. the empire was always a case of guts and inventiveness vs. industry and regimentation. The fact that the empire never even considered that the ewoks could be a threat was their undoing. Besides, there’s nothing like seeing an imperial walker get smushed between two dropping logs.
2. Best Line
Erik: “I don’t know. Fly casual.” Han’s approach to life in five words.
Eppu: “How are we doing?” Luke: “Same as always.” Han: “That bad, huh?”
3. Best Minor Character
Eppu: This may be a little corny, but Admiral Ackbar! (“It’s a trap!”)
Erik: The commander in charge of the Death Star construction. He seems like a well-organized, conscientious leader, just the sort of person you’d want to put in charge of such a huge project. Too bad he works for a genocidal totalitarian dictatorship.
4. Best Reveal
Erik: R2-D2 was carrying Luke’s lightsaber in Jabba’s palace all along. The moment that lightsaber handle pops up out of the droid’s top is the moment when “Luke, you naive idiot!” turns into “Luke, you cunning bastard!”
Eppu: A two-parter: Luke finds out on Dagobah that Leia’s his sister, and Leia tells Han that Luke’s her brother. Mostly the latter because of the expression on Han’s face (click, click, click… you can see the wheels turning).
5. Best Save
Eppu: Chewie and ewoks commandeering a walker on Endor and turning its guns against the Imperial troops. Pew pew!
Erik: Luke Force-floating C-3PO in the ewok village to convince the ewoks to let them go. C-3PO’s mid-air freak-out pushes it just far enough over the top to go from ridiculous to hilarious.
6. Best Visual
Erik: The Millennium Falcon racing the fireball out of the exploding Death Star. It still gets me on the edge of my seat.
Eppu: The rebel fleet coming out of hyperspace to attack the new Death Star.
Extra: Best Guess for an Episode VII Hook
Eppu: Leia’s become a Jedi. Her title has been revealed to be General, which lines up nicely with her holo-message line to Obi-Wan in Episode IV (“General Kenobi. Years ago, you served my father in the Clone Wars…”).
[And a week after writing the above, the world came crashing down: J.J. Abrams revealed in an interview with IGN (as reported by Moviepilot) that Leia chose to lead the rebellion instead of becoming a Jedi. Ohwell.]
Erik: Palpatine has been pulling the rebellion’s strings all along. He’s a master manipulator who can foresee the future. Did he have a contingency plan for Vader’s betrayal and his own (apparent?) death? Are his dead(?) hands still pulling the strings?
Images: Ewok log trap via History Bomb. Han’s bafflement via lennongirl / LG-CRACK on LiveJournal. Millennium Falcon escaping Death Star via Starscream & Hutch
In the Seen on Screen occasional feature, we discuss movies and television shows of interest.








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