Quotes: There Is Something about Talking in the Night

“There is something about talking in the night, with the shreds of sleep around your ears, with the silences between one remark and another, the town dark and dreaming beyond your own walls. It draws the truth out of you, straight from its little dark pool down there, where usually you guard it so careful, and wave your hands over it and hum and haw to protect people’s feelings, to protect your own.”

– Margo Lanagan: Tender Morsels

The magic of night-time works in many ways.

Lanagan, Margo. Tender Morsels. New York, NY: Alfred A. Knopf, 2008, p. 307.

(This quote comes from my 21 new-to-me SFF authors reading project.)

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Memos Never Change

Memos. Inter-office memos never change.

161027legionThe Roman fort at Vindolanda, near Hadrian’s Wall in northern Britain, is a special place. One reason it is so special is that a collection of wooden writing tablets were preserved there, accidentally, in waterlogged ditches. These tablets were used for everyday matters—personal letters, shopping lists, legionary paperwork—and give us a glimpse into the daily life of the Roman army in a way we rarely get. Here’s an example, a message from the leader of a detachment of cavalry back to his commander at the fort, which may feel depressingly familiar:

To Prefect Flavius Cerialis

From Decurion Masclus

Masclus to his lord, Cerialis, greetings.

My lord, please send us your instructions for tomorrow. Should we all return to the crossroads with our standard or just half of us?

Best of fortune to you and may you look on me with favor. Farewell.

PS. My fellow soldiers are out of beer. Please have some sent.

Tabulae Vindolandenses III 632

Sucking up to the boss. Not getting clear instructions. Needing beer. Some things just never change.

Image: Roman army reenactors, photograph by ChrisO via Wikimedia, text by Erik Jensen

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Quotes: Discover Not Just the Abstract Thought

“As he watched the TV, he remembered a lecture in his second year of college by a professor of environmental science. The gist had been that institutions, even individual departments in governments, were the concrete embodiments of not just ideas or opinions but also of attitudes and emotions. Like hate or empathy, statements such as ‘immigrants need to learn English or they’re not really citizens’ or ‘all mental patients deserve our respect.’ That in the workings of, for example, an agency, you could, with effort, discover not just the abstract thought behind it but the concrete emotions.”

– Control (John Rodriguez)

That… sounds like sociology or anthropology. Clearly environmental science has more connections with humanities / social sciences than I’ve previously thought!

VanderMeer, Jeff. Authority (Southern Reach Trilogy 2). New York, NY: Farrar, Straus and Giroux, 2014, p. 147.

Quotes: Undercover Work as a Librarian

“Sometimes undercover work as a Librarian involved posing as a rich socialite, and the Librarian in question got to stay at expensive hotels and country houses. All while wearing appropriately high fashion and dining off haute cuisine, probably on gold-edged plates. At other times, it involved spending months building an identity as a hard-working menial, sleeping in attics, wearing plain woollen dress, and eating the same food as the [boarding school] boys.”

– Genevieve Cogman: The Invisible Library

That’s a different kind of library gig all right!

Cogman, Genevieve. The Invisible Library. New York, NY: Roc, 2016, p 2.

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On First Contact Communication in Arrival

The movie summer and early fall have been rather dry, as has the actual weather here. I’m eagerly awaiting November when Doctor Strange (six weeks to go!) and Arrival (seven weeks!) open a hopefully more thirst-quenching end of the year. And the more I hear about Arrival, the more intriguing it sounds.

Mark Liberman at Language Log was asked to provide a linguist’s perspective on first-encounter communication strategies. His post is both lengthy and enlightening.

RA Olea Flickr Sign Language Friend

Specifically, he answers the question “An alien is standing in front of you, apparently peaceably. What is the first thing you try, in an attempt to communicate with it?”

The meatiest bit is this:

“There’s no guarantee that their senses and their modes of action are going to be a good fit to ours. They might communicate via skin color changes like cuttlefish, except maybe theirs are only visible in the ultraviolet. Or maybe they can modulate and sense electric fields, like electric eels. They might use gestural and postural changes in a body that’s very different from ours, or rapid morse-code-like modulations of sound at a dozen different frequencies independently and simultaneously. Maybe pheremone-like chemical signals are a crucial part of the process.

“Whatever the modalities of communication, it’s quite likely that we won’t be able to imitate them without building some specialized apparatus. And it’s quite possible that it would be hard even to recognize the fact that they’re communicating with one another, before we even get to the point of trying to understand and imitate.

“More likely, the process would be:

(1) Persuade them not to kill us, and vice versa;
(2) Persuade (or coerce) them to let us observe their within-species interactions, or vice versa;
(3) Design and build systems for recording, analyzing, and synthesizing their communicative signals (or wait for them to do the same thing for ours);
(4) Use those systems to engage in a sort of “monolingual demonstration”, and hope that we can come to understand them and communicate with them to some extent.”

According to Liberman, Ted Chiang’s short story “Stories of Your Life” (that the movie is based on) also mentions “in a mild way” a few of these issues:

“[Protagonist, linguist Dr. Louise Banks] needs to use a ‘sound spectrograph’ to analyze the aliens’ utterances, which sound to her ears ‘vaguely like […] a wet dog shaking the water out of its fur’, and she needs recording and playback to communicate in the other direction, since they don’t recognize her attempts to imitate their speech.”

Visit Language Log for more.

On the basis of the Arrival trailers released so far it’s hard to say whether the movie will be focusing on linguistics specifically, or whether the intellectual mystery will be rounded up into a more generic academic exercise. It does look like the script at least attempts to stay with Chiang’s story. Like Liberman, I’m very interested to see how much of the linguistics makes it on screen.

Image: sign language : friend via Flickr (2008; colored pencil on charcoal paper; by R.A. Olea) CC BY 2.0

On, of, and about languages.

No Time for Conditioner When You’ve Got Rebels to Fight

The Greek military writer Polyaenus recounts this story about the Parthian princess Rhodogune:160901Shirin

Rhodogune was bathing and beginning to wash her hair. A messenger came to report that a subject nation was in revolt. Without washing out her hair but just tying it up as it was, she mounted her horse, led out the army, and swore an oath that she would not wash her hair until she had put down the rebellion, and indeed, after long fighting, she triumphed. After her victory, she bathed and washed out her hair.

– Polyaenus, Stratgems 8.27

So, the next time you’re having a bad hair day or just can’t be bothered to do anything but tie it back, you can tell the world you’ve got rebels to fight and the hair can wait.

Image: Shirin bathing (not Rhodogune, sorry) via Wikimedia (c 1480; ink on parchment)

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Quotes: I Don’t Need Characters to Be Likeable

Author Chuck Wendig shared a list of reasons that will make him put down a book he’s reading. Number 16 includes this bit:

“I don’t need characters to be likable. I do, however, need them to be livable — meaning, I need to find some reason to want to live with that individual for 300+ pages. Some things are dealbreakers, though, and a character who is too vile or somehow unredeemable by my own metric… then I just can’t stay in the story.”

– Chuck Wendig

Hear, hear. Well-written characters can save an awkward plot or shoddy pacing, or make an otherwise outdated novel from the 1800s enjoyable. But even a detailed and rich world suffers if there are only unpalatable or cardboard-thin individuals inhabiting it.

Fiction—or non-fiction, for that matter—is at its best when readers form an empathic connection with one or more characters. Depend upon it, readers will notice if authors treat their cast merely as a walking, talking plot delivery system.

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The Trouble Market

If all people came together, each one offering their own private troubles in exchange for someone else’s, everybody, having gotten a good look at their neighbors’ burdens, would happily go home with the same ones they had brought with them.

– Herodotus, Histories 7.152, translated by Erik Jensen

Herodotus, reminding us all not too judge others too harshly. Everyone has their own troubles that you may not see. We can all use a little compassion in our lives.

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Quotes: Our Ability to Come Together

“Because it’s those things we celebrate as ‘other’ that make us truly human. It’s what we label ‘soft’ or ‘feminine’ that makes civilization possible. It’s our empathy, our ability to care and nurture and connect. It’s our ability to come together. To build. To remake. Asking men to cut away their ‘feminine’ traits asks them to cut away half their humanity, just as asking women to suppress their ‘masculine’ traits asks them to deny their full autonomy.

“What makes us human is not one or the other–the fist or the open palm–it’s our ability to embrace both, and choose the appropriate action for the suitable situation we’re in. Because to deny one half […] is to deny our humanity and become something less than human.”

– Kameron Hurley: The Geek Feminist Revolution

Because people are not stereotypes. Stereotypes aren’t just lazy, they’re outright dangerous if carelessly applied.

Hurley, Kameron. The Geek Feminist Revolution. New York, NY: Tor, 2016. Chapter “Women and Gentlemen: On Unmasking the Sobering Reality of Hyper-Masculine Characters.”

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Quotes: Soon I’ll Have to Switch to Finnish

“German is my last recourse for emotional outbursts and my grammar goes all to hell–heck!–when I’m mad. Soon I’ll have to switch to Finnish or learn a new language to stay ahead.”

– Kat Richardson: Poltergeist

A first-time father ponders on the nigh impossibility of keeping his language in check in front of his toddler son.

We do have some great swear words in Finnish, but, then again, I’m biased. 🙂

Richardson, Kat. Poltergeist. New York, NY: Roc, 2009, p. 88.

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