Quotes: When Stories Clashed, One Had to Be Eliminated

“One way or another the story was always about one story moving against another. When stories clashed, one had to be eliminated. That was the story of people. The government moved against the people. The military needed to take over a land or another resource because people only had limited value as a resource. The authorities burned down villages, separated families, forced them into labor or battle or sex. Men, women, children faced elimination so they ran away, ran away, ran away.”

– “The Volunteer” by Maurice Broaddus

This excerpt comes from a speculative short story, but it’s all too realistic. Sadly it seems that the current trend of whitewashing western history is nothing but the latest round of history-shaping through the shaping of people’s stories.

Doctor Who Thin Ice Gif 3of3

Doctor Who: “History is a whitewash.”

(From the Doctor Who episode “Thin Ice,” s. 10, ep. 3, written by Sarah Dollard.)

And when I say current, I mean roughly the last 100-150 years, because we’re presently dealing with not just the attitudes immediately surrounding us, but also with those of the latest two or three generations—history handed down to us by our parents and grandparents.

Nonetheless, pretty much as long as there’s been written history, we have references to various groups (re)framing other peoples‘ stories to legitimize conquest, enslavement, or other kind of dominance, or sometimes as propaganda against current (or past) adversaries.

Broaddus, Maurice. “The Volunteer.” In The Voice of Martyrs. Greenbelt, MD: Rosarium, 2017, p. 107.

Image via Ninon / amanitacaplan on Tumblr

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Quotes: Women’s Emotional Lives Do Not Revolve around Men

“It strikes me as unusual and as noteworthy that we should see two such dissimilar films [Moana and Arrival] foreground so strongly connection between women across generations within a family. To acknowledge that women’s emotional lives do not revolve around men, and also acknowledge a strong family component, without reducing the female characters to people who have no emotional lives outside their family concerns.

“These films are also really good speculative fiction. So I recommend them.”

– Liz Bourke

ALL. OF. THIS!

SO. MUCH!

Bourke, Liz. “Sleeps with Monsters: Intergenerational Female Influences in Arrival and Moana.” Tor.com, May 23, 2017.

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Quotes: Sometimes Silence Is the Greatest Wisdom

“’I think I’m supposed to say something, but I don’t know what,’ he said.

“’Then don’t say anything. Sometimes silence is the greatest wisdom.’”

– The volunteer and N’Kya in “The Volunteer” by Maurice Broaddus

Oh, so much this. Not only because I think it’s true, but because it reminds me of a cultural difference that’s highly personal to me. In my culture, silence is definitely seen differently than in the U.S. Over the years, I’ve struggled to explain it. This is the closest I’ve come so far:

For a Finn to be silent isn’t an indication of inattention or rudeness; far from it. Silently listening is a sign of interest, i.e., not interrupting before the other speaker has had a chance to finish. Silence means attention to the topic and respect towards another person’s life and space. (Finns need a larger bubble of personal space than other Europeans.) And silence can also be an indication of deep camaraderie.

In essece, then, silence means space, and space means respect.

Broaddus, Maurice. “The Volunteer.” In The Voice of Martyrs. Greenbelt, MD: Rosarium, 2017, p. 103.

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Quotes: First-Name Basis with Your Information Professional

“If you are on a first-name basis with your information professional, you are one of the smartest people in your company.

“If you are on a first-name basis with your information professional, you value your time.

“If you are on a first-name basis with your information professional, you are saving your company money.

“If you are on a first-name basis with your information professional, you value accurate, timely information.

“If you are on a first-name basis with your information professional, you know the importance of information and where to get the most bang for your buck.”

– Gloria Zamora

Gloria Zamora, past President for the Special Libraries Association, counterargues the claim that knowing your librarian by name means spending too much time in the library. Humbug, I say, to that erroneous argument! Not to mention balderdash, baloney, bunk, drivel, hogwash, malarkey, and poppycock. 🙂

Zamora, Gloria. “On a First-Name Basis with Value.” Information Outlook, vol. 13, no. 07 (October/November 2009), p. 3.

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Quotes: In the Hopes that They Will Be Able to Pass for One of the Glintelligentsia

“The Merita hotel chain offers rooms at a steep discount to people whose Information shows that they are interesting: as cocktail-chatter counterparts, as connections for enterpreneurs, as potential romantic partners. It’s a strategy to convince wealthier, duller clientele to pay a premium in order to share some sparkling conversation, or in the hopes that they will be able to pass for one of the glintelligentsia themselves.”

– Malka Older, Infomocracy

I just love the word glintelligentsia! It should be in mainstream use already. 🙂

Older, Malka. Infomocracy. New York, NY: Tor.com, 2016, p. 77.

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Quotes: Art Does More than Repackage Reality with a Fun-House Twist

Author Becky Chambers argues the case for optimism in art and twines it with history:

“Optimism is important not just for the future as a whole, but for the individuals heading toward it. Again, a duality comes into play: Acting in the interest of individual need without considering the greater good breeds carelessness and greed. Acting in the interest of the greater good without considering individual need invites tragedy and injustice. You have to work with both considerations in mind. So it matters little whether an optimistic story is intended for the purpose of grand, ambitious change or simply to make a person feel better than they did before they sat down to read (or watch, or play). Those are two sides of the same coin.

“History tells us that art is—and has always been—a mirror. It shows us who we are, where we’re at, what’s at stake. But art does more than repackage reality with a fun-house twist. There’s nothing passive about a reflection. If you aim it right, it shines light back. In the times we’re in, there are few things we need more.”

– Becky Chambers

Chambers wrote this as an opinion piece for The Book Smugglers (“SFF in Conversation with Becky Chambers: The Case for Optimism”) who were kind enough to publish it free online, too.

I’ve read her first book, The Long Way to a Small, Angry Planet, and loved its humanity, positivity, and empathy. It’s been in my mind recently as a great counterexample to the bleakness of Logan (the latest Wolverine movie).

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Quotes: Stereotypes … Sometimes Bear Truth’s Imprint

“Stereotypes are untrue. Sometimes, though, they bear truth’s imprint. Sometimes they spring up from what truth has crushed down. As they manifest they can co-opt and mispurpose inescapable realities.”

– Nisi Shawl in the introduction to Ancient, Ancient by Kiini Ibura Salaam

I’ve been thinking of reductivism lately and, serendipitously, found more food for thought in my fiction reading.

Shawl, Nisi. “Annunciation” (introduction). In Ancient, Ancient by Salaam, Kiini Ibura. Seattle, WA: Aqueduct Press, 2012.

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Quotes: It Is Dangerous to Build

“It is dangerous to build. Once you have built something–something that takes all your passion and will–it becomes more precious to you than your own happiness. You don’t realize that, while you are building it. That you are creating a martyrdom–something which, later, will make you suffer.”

– Sofia Samatar: A Stranger in Olondria

That which we deeply care about always has a chance to destroy us.

Samatar, Sofia: A Stranger in Olondria. Easthampton, MA: Small Beer Press, 2013, p. 103.

(This quote comes from my 21 new-to-me SFF authors reading project.)

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Quotes: [People Are] Not Isolated or Sensationalized Exceptions

“[…] I wanted to write about people who were seen as freaks, who had been broken out of the Acceptable Mainstream Mold, because […] those are the more interesting characters to show. But I didn’t want to punish them for it.

“And I didn’t want that punishment to be seen as what was valuable about them. […]

“But it wasn’t until the Devil’s West books that I faced head-on what had been simmering […]. I wanted to show those characters as part of the society that created them, not isolated or sensationalized exceptions. More, I wanted to show them as active parts of that society.”

– Author Laura Anne Gilman

Author Laura Anne Gilman talking about how anger (at sensationalizing attitudes and at one novel in particular) has directed her creative work; specifically, to show charcters outside the accepted American norm not as outsiders but insiders.

Gilman, Laura Anne. “The One Book That Piqued My Creative Fury”. Tor.com.

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Quotes: You Have to Let Go of the Old to Begin Something New

“You have to let go of the old to begin something new. But that does not mean it is lost forever.”

– 32nd Mother of the Red Abbey, in Maresi by Maria Turtschaninoff

And the “old” is worth saving – because how else do we learn, transmit our culture, and discuss our values in a world that’s becoming more and more international?

This thought was brought to you by idle musings on various library, archives, and museum collections. Unlike early cultures in our world and peoples of various fantasy worlds, right now we have the luxury of saving unprecedented amounts of our cultures’ material production.

Turtschaninoff, Maria. Maresi. New York, NY: Abrams, 2017, p. 241.

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