My World of Warcraft: Legion First Hidden Artifact Appearance

Somehow I’ve completely missed the fact that the World of Warcraft: Legion expansion includes so-called hidden appearances for artifacts. I confess I haven’t been terribly excited about the appearances to begin with; I tend to transmog my artifacts to look like some of the older weapons in game.

This past weekend, however, I got an exciting random drop on my fire mage: an item that triggers a hidden artifact appearance. It’s called The Stars’ Design, and using the item opens the appearance directly (without any quests or other tricks). And it’s quite beautiful—I managed to get a screencap!

WoW Legion Fire Mage Hidden Art Appearance Stars Design Sm

Once you’ve gotten your first hidden appearance, apparently there are additional color variations you can open by running 20 Legion dungeons, doing 200 world quests, or killing 100(?) enemy players. I don’t do pvp, and I’m still dungeoned out (from *cough cough mumble mumble* when we were running them in a row to gear up for raiding). But: I’ve had less much time for playing this year than before, so when I do get a chance I tend to grind hours on end, so perhaps 200 world quests would be doable… 🙂

Image: screenshot from World of Warcraft

This post has been edited for formatting.

Of Dice and Dragons is an occasional feature about games and gaming.

Thor: Ragnarok Trailers

Good grief, it’s November already! For some reason, the fall always gets away from me, but this year it’s felt even faster than usual. It’s now only two(!!!) days till Thor: Ragnarok opens! Here are the teaser trailer and the official trailer:

Thor: Ragnarok Teaser Trailer [HD] by Marvel Entertainment

“Thor: Ragnarok” Official Trailer by Marvel Entertainment

I’ve long thought that the Thor movies have been the least succesful Marvel Cinematic Universe stories. In fact, excepting the hilarious sequence in Thor: The Dark World where Mjölnir flies between realities through the portals, both were quite deplorable. I hope writers Eric Pearson, Craig Kyle, and Christopher Yost plus director Taika Waititi can change that.

Sidenote: every time I see the teaser trailer with Led Zeppelin’s “Immigrant Song”, all I can think of is…. VIKING KITTENS! Aaaaaaaaa-ah!

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Quotes: Declining to Get Thrilled

From an early Hercule Poirot mystery comes this hilarious quote:

“[…] said Inspector Davis. ‘There’s not going to be much mystery about this crime. Take a look at the hilt of that dagger.’

“I took the look.

“’I dare say they’re not apparent to you, but I can see them clearly enough.’ He lowered his voice. ‘Fingerprints!’

“He stood off a few steps to judge of his effect.

“’Yes,’ I said midly. ‘I guessed that.’

“I do not see why I should be supposed to be totally devoid of intelligence. After all, I read detective stories, and the newspapers, and am a man of quite average ability. If there had been toe marks on the dagger handle, now, that would have been quite a different thing. I would then have registered any amount of surprise and awe.

“I think the inspector was annoyed with me for declining to get thrilled.”

– Doctor Sheppard in The Murder of Roger Ackroyd by Agatha Christie

I’m reading Agatha Christie in English for the first time, and it’s a hoot! Not only are her mysteries top notch, her language is a delight. My (admittely hazy) memories don’t measure up to what I’m seeing now; I don’t know whether it just didn’t translate well or whether I was too young to understand. I’m discovering so much dry humor to irony to outright satire that I’m pretty much snickering my way through the novels.

Christie, Agatha. The Murder of Roger Ackroyd. New York, NY: Black Dog & Leventhal, [2006, orig. published 1926], p. 73.

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Writing, Reading, Living Different Cultures

I saw a Twitter thread about writing culture by author Joan He, on the face of it about her (or your) own but by extension that of others, and it has plenty of food for thought:

 

As a reader, and specifially a reader of speculative and historical fiction primarily not in my native language, I run into differences in culture a lot. And as a person in a multicultural, multilingual relationship in a strange country where I’m a cultural and linguistic minority, from time to time I find myself slammed against more deep-seated cultural assumptions.

Joan pointed out that culture is a way of thinking, or cognition, or perspective. As an example, I’d like to share two failures of cultural expectations from my personal experience.

Ratatouille Anton Ego Perspective Quote

At a con once, I wanted to get a book signed by an American author. I happened to know from their online presence that the author is an introvert. Even though we were both at a public place where introverted authors and panelists often don a more outgoing persona than they do in private, as another introvert I wanted to make sure I’d be especially considerate. However, quite without intending to I tripped over a distinctly Finnish quirk.

One of the big unspoken assumptions in the Finnish culture is that silence isn’t a negative. (Erik and I have both written about it for instance here, here, and here.) In essence, how I understand it, silence means space, and space means respect to other people.

Accordingly, at the abovementioned autograph session, when it came my turn I said my hellos, presented the author with my book, and waited silently. It wasn’t until the author asked me “Did you read it?” that I realised they expected me to say something else. And I had thought I was being courteous not to burden them with yet another dose of chitchat on a weekend full of being “on” at a busy con. I can’t remember for sure, since it was a kind of a deer in the headlights moment for me, but I think I was able to stutter my way to an exit without actually breaking into a run. In any case, not terribly smooth on my part.

I’ve also had a previously friendly person walk away from me when, in the middle of a presentation, I (I’m guessing “merely”) nodded to them to acknowledge their presence and silently continued to listen to the speaker (I’m guessing instead of starting a conversation with the friendly person). Although it’s been years, I still find that an utterly, completely, and thoroughly puzzling reaction.

Over the years, I’ve built a store of strategies and stock exchanges I can pull out if needed, but it’s been hard to try and perform—for it is essentially a performance—in a way that feels unnatural and at times even rude to me. Even after 10+ years, I still can’t bring myself to commit to it wholeheartedly. I suspect I’ll always be the odd, quiet one in Anglo-American contexts, but that’s my background and temperament.

So: yes, cultural assumptions and perspectives are difficult to convey, whether in writing or otherwise. Adding surface details to a fictional culture is easy, and it can be a fantastic tool for both creating distance from the everyday world and deepening the invented one. I love seeing glimpses of the practicalities that fictional characters deal with; I would find—and have found—stories seriously lacking without them. Never, though, should the surface glitter be where invention on the part of author ends; that is as unsatisfying as a lack of external cultural markers.

Being a truly exceptional author has, for me, come to mean not only the ability to create layered, nuanced worlds (or convey the complexities of everyday life in historical fiction). In addition, skilled authors I enjoy the most are able to avoid massive infodumps and to suggest underlying cultural values subtly, as inseparable part of narration and dialogue. And that’s a very challenging thing to do. It sometimes takes me more than one read-through to feel I’m beginning to understand a story. Then again, worthwhile things often are the most difficult ones.

Image via The Autodidactic Hacker

In Live and Active Cultures we talk about cultures and cultural differences.

Three Favorite Jane Austen Screen Adaptations

July 18, 2017, marked the 200th anniversary of the death of Jane Austen, my favorite (deceased) author.

JASNA Truth Universally Acknowledged Book Always Better

To honor her work, we rewatched all of the screen adaptations that we could easily get our hands on.

Jane Austen Rewatch Owned Adaptations

Here, in short, are three of my absolute favorites. (For links to the complete reviews, visit my post A Jane Austen Rewatch Project for the 200th Anniversary of Her Passing.)

Sense and Sensibility (anonymously published in 1811) is by far my favorite Austen novel, and my favorite adaptation is the Andrew Davies miniseries (directed by John Alexander; 2008). It stars Hattie Morahan and Charity Wakefield as Elinor and Marianne. Both were new to me, but I was familiar with the significant male actors: Dan Stevens (Mr. Edward Ferrars) is in the first few seasons of Downton Abbey, David Morrissey (Colonel Brandon) portrays the confused faux-Doctor in the Doctor Who Christmas special “The Next Doctor”, and Dominic Cooper (Mr. Willoughby) as young Howard Stark scratches science to see if it bleeds in Marvel Cinematic Universe’s Captain America: The First Avenger and Agent Carter (and rules as King Llane Wrynn in the Warcraft movie).

It was a gutsy choice of Davies to begin the series with Willoughby’s explicit seduction of a 15-year-old girl, an event which happens very much off-screen in the novel and most adaptations, but becomes the crux of the plot.

The series does have some issues. For example, the Devonshire “cottage” that the financially strained Dashwood ladies had to accept was turned into a literal cottage instead of a good, solid house from the novel. The events are condensed, sure, but their pace doesn’t feel rushed like in the movie versions. Most of the writing, acting, propping, and costuming are solid to excellent.

Jane Austen Rewatch Three Favorites

Emma (1815) was the fourth and last of Austen’s works to be published during her lifetime, and the Emma miniseries from 2009 (adapted by Sandy Welch, directed by Jim O’Hanlon) outshines the other adaptations. (Unsuprisingly, the miniseries format serves Austen’s nuance much better than the movie length.)

The version has several strengths, starting with excellent casting. Romola Garai stars as Emma Woodhouse, and Jonny Lee Miller (who has more recently – and deservedly – starred as Sherlock Holmes in the series Elementary) as Mr. Knightley. Miller’s is by far the most enjoyable Mr. Knightley performance I’ve seen. Mr. Knightley is often played as rather curt and strict, which I find not just offputting but a mistake.

All major characters are introduced at the beginning of episode 1, which helps people new to Austen. Moreover, this version does the epilogue clearly and succinctly, without massive infodumping. In addition, I immensely enjoy the music, the set dressing, costuming and propping, and other visuals. It’s a thoroughly, thoroughly enjoyable Emma. In fact, if the same team were to make other Austen adaptations, I’d go to great lenghts to see them.

Finally, Persuasion is a novel of pressures, choices, and second chances, posthumously published in 1817. The 1995 movie version of Persuasion is excellent. The screenplay is by Nick Dear, and Roger Mitchell directed Amanda Root as Anne Elliot and Ciarán Hinds as Captain Wentworth. I really like Root’s understated and considerate version of Anne; Hinds works well enough even if a few scenes tend towards hammy.

Although the picture quality is grainy, the soundtrack is nice and there are subtitles (not a given on older DVDs). The props, locations, and costuming are also great. This is my favorite version so far—in an ideal world, of course, we would be due another adaptation.

For links to the complete mini-reviews of these and all of the other adaptations, visit my post A Jane Austen Rewatch Project for the 200th Anniversary of Her Passing.

Images: Book is always better screencap from JASNA website. Both DVD images by Eppu Jensen.

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

Black Panther Official Trailer

The Black Panther official trailer dropped yesterday and it’s looking mighty shiny:

Marvel Studios’ Black Panther – Official Trailer by Marvel Entertainment

Judging by this trailer and some of the tidbits we saw in the teaser trailer, this might well be the visually most astounding Marvel Cinematic Universe movie to date. (And that’s saying something, since we’ve visited Thor, Loki et al.’s domain and the deep corners of space…) Also, the Wakandan design ethos looks deep—like it rises from a long line of traditional crafts still practiced, and acknowledges the country’s history. Wonderful!

Four months to go.

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Flashback Friday: AFR 115: Don’t Die So Close to Me

In the morning, my logic brain was busy blocking the day and arranging my To-Do list, when the art brain suddenly burst out with “Don’t stand– Don’t stand in– Don’t stand in the fire!”

AFR115

The joke comes from Erik’s previous online comic, Away from Reality. AFR is a World of Warcraft fan comic, and this one, number 115, is called “Don’t Die So Close to Me”.

Of course, having been jolted out of my multitasking-while-not-realising-it state, I had to sing the whole thing. Multiple times. 🙂

“Young warrior, the subject of mob abilities.

He’s tanking so badly, he doesn’t even see.

He got too distracted. He full of rage inside.

He should have been moving–

Instead he stood and died.

 

Don’t stand– Don’t stand in– Don’t stand in the fire!

Don’t stand– Don’t stand in– Don’t stand in the fire!”

(The tune is “Don’t Stand So Close to Me” by The Police.)

While my To-Do list probably would be in a better state had I finished it at one go, my day was definitely made. Thank you, art brain. 😀

Image: Away from Reality #115: “Don’t Die So Close to Me” by Erik Jensen

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On Unacceptable Behavior on Co-Geeking

On one hand, I cannot believe I need to state this explicitly; on the other, I cannot believe I didn’t think it needed to be stated explicitly. This is, after all, the Internet…

***

With one notable exception (see bigotry rule, below), no-one has or will be excluded from commenting on Co-Geeking for their opinions. Debating views that don’t line up with ours can be stimulating, but we refuse to play pigeon chess. This is because discussion is impossible when one party either hijacks the discussion, refuses to listen, or condescends to or mocks the others. If you ignore a boundary we set, you’re done here. We call this the behavior rule.

Now, everyone can have a bad day, which is why we give people some leeway. Repeatedly ignoring social clues in the first stage and explicit policy statements in the second stage, however, will get you banned. The only acceptable response after being called out on boundary-transgressing behavior is to stop. No means no.

And then the exception: If you think a person or a whole group of people are inferior solely due to their perceived race or ethnicity, sex or gender, orientation, religion, or the like, and proceed to flaunt your prejudice within our social media presence, we will ban your biased ass to the moon and back. This is because beliefs which cause harm to others need not be tolerated and we as the individuals running this blog are not obligated to give a platform to anybody. We call this the bigotry rule.

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Annihilation Teaser Trailer

The opening volume of Jeff VanderMeer’s Southern Reach trilogy, Annihilation, will hit the big screens in February 2018. The teaser trailer looks wonderful:

Annihilation (2018) – Teaser Trailer – Paramount Pictures

Writer / director Alex Garland seems to be doing a good job on the basis of the little we see. Certainly the effects and scenery are breathtaking. And the cast looks so awesome!

I’ve read the trilogy, but since it leans more towards horror than I’d like my speculative fiction to be, I’m not sure I want to see the movies. I do applaud VanderMeer’s mindfulness, though: he donates part of his royalties from the novels to environmental causes.

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Quotes: Believing All That Matters Is What They Want

On his blog, author Jason Sanford talks about story submission and publication data, specifically with SFF genre in mind. He refers to an essay, an interview, and his experience as editor, and talks about how men tend to submit many more stories than women, even when their stories were “totally inappropriate” (in Jason’s words). His conclusion?

“In the case of why male authors are far more likely to not read a magazine or their guidelines before submitting, and are more likely to submit multiple stories in a short time frame, I think it ties in with them not seeing the motivations of others and believing all that matters is what they want.

“But if you’re submitting your stories to an editor, what you want isn’t what lands the acceptance. It’s what the editor wants. Otherwise, an author is merely wasting everyone’s time.”

– Jason Sanford

I’ve no comment on the data and survey side of the post, being a not-numbers person. What struck me was that this is the strongest-worded remark I’ve seen—and note that it really isn’t—saying a number of male authors behave in a blatantly self-centered manner and suggesting they change.

Sanford, Jason. “The Submissions Men Don’t See.” Jasonsanford.com, September 24, 2017.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.