An article from August 2018 produced thinky-thoughts!
Oren Ashkenazi lists “Eight Absurdities We Force on Female Characters”. Among them is this gem:
“[S]torytellers also have to constantly remind the audience how hot their female characters are, right? At least that seems to be the case, based on how often authors emphasize their female leads’ looks. Of course, this dual need makes writing women much harder, since readers don’t typically appreciate their stories being interrupted with reminders about a character’s sexy bod.”
Because Men Are Strong, Women Are Pretty, right?!? Gah!
Instead of an exhausted and exasperated rant, here’s my contribution to join the Smurfette Principle, Dainty Combat, et al.
A male protagonist gets to protag; a female protagonist has things happen to her.
The male protagonist is at the center of the story. He gets to make key decisions, call the shots, lead teams (successfully), and propel the plot forward.
In contrast, a female protagonist reacts to what’s happening around and/or to her. In addition, all too often women’s story arcs are marked as of less importance or condemned outright. (Or branded as a “women’s genre”, often with a sneer, like romance.)
One of the first that I remember noticing on screen is J.J. Abrams’s Fringe. Anna Torv’s protagonist character Olivia Dunham, an FBI agent, started out by actively investigating potential paranormal phenomena, but in later seasons she was pushed aside in favor of the father-son drama and relationship wrangling between characters played by Joshua Jackson and (always excellent) John Noble. Egad—as if we don’t have enough!
And just the latest I’ve had the misfortune to see is the tv series Extant. Despite its gorgeous visuals, high production values, and Halle Berry as the lead, the writing keeps her guessing, defending herself against gaslighting, physically running, flailing, and emoting. Two episodes from the end I was done; I didn’t want to finish that crap.
(To be fair, I’ve also come across stories that dreadfully misrepresent men. As one example, I’ve had my fill—to the fracking brim!—of stories of damaged middle-aged alcoholics who are just trying to hang on.)
This post has been edited for clarity.
Story Time is an occasional feature all about stories and story-telling. Whether it’s on the page or on the screen, this is about how stories work and what makes us love the ones we love.
I was also annoyed that Oliva was almost side lined by the Father-Son drama in Fringe, but I think eventually they got the show back on track.
I can’t remember the last season(s). Perhaps it’s a good time to rewatch.
Yeah, I was going to rewatch the whole thing, but Netflix took it down.
That’s a shame.