Three rings for the Elven-kings under the sky…
Third time pays for all…
Once the number three, being the third number be reached…
Dynamic Text- Monty Python: Holy Hand Grenade by Furnace1717 on YouTube
…it shall be heretowith known as the third anniversary of Co-Geeking.
Following are a few high points from the past year for us:
Erik: My favorite post of the past year is What Makes a Fantasy World Feel European?, in which I tried to dig into some of the deeper elements of worldbuilding that keep imagined worlds tied to European models, even when some of the surface details are changed up. There is a great deal more that could be said on this subject, but I think the pattern I explored of cultural and economic integration combined with political fragmentation is useful for us to keep in mind when reading, writing, or thinking about secondary-world fantasy fiction.
Eppu: Like last year, I have a tie again. Firstly, Good Night, Cassini, Good Work, I’ll Most Likely Kill You in the Morning, for I continue to be flabbergasted over the amazing photos sent by the Cassini mission to Saturn. Secondly—and, interestingly, completely at the other end of human history—is the Ancient Clay Cup Animation of a scene laid out on a clay cup at the Bronze Age site of Shahr-e Sūkhté (or Shahr-e Sukhteh) in Sistan, southeastern Iran.
A Trio of Heroes
(a favorite geeky thing that happened this year)
Eppu: Black Panther the movie! It was visually beautiful and skillfully constructed (both storywise and with respect to the effects), but the absolute best thing about it was the humanity in the story. Like Erik said in our random thoughts post, “Black Panther feels like the movie we most need in 2018: a meditation on the temptations of division, resentment, and revenge and the hard choice of embracing a flawed and fractured world with hope.” Plus so. Many. Awesome. Women!
Erik: Superheroes aren’t just for white men any more. Although there have been non-white- and female-led superhero movies in the past, as aficionados will eagerly point out, the past year has felt like a corner being finally turned. Wonder Woman, Thor:Ragnarok, and Black Panther all showed that getting people who aren’t white and male into significant roles in front of and behind the camera can lead to superhero movies that are both artistically awesome and financially successful, and the follow-up to Infinity War looks set to hand the massive Marvel Cinematic Universe over to a cast that is, at the least, a bit less overwhelmingly white and male than we’ve had so far. We haven’t reached anything like parity yet, but this past year was a good step.
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