This year marked the 30th anniversary of the release of Labyrinth by director Jim Henson. This past weekend FantomEvents ran some special Labyrinth showings in theaters. We didn’t go due to schedule issues (=work, work, work) but instead watched it at home.
As a geeky kid of the 80s, I have very fond memories of the movie. It’s mostly because of its visuals, but I do like the fantastic lines—great for learning English with—and voice acting as well.
Sarah: “Did you say ‘Hello’?”
Worm: “No, I said ‘allo’, but that’s close enough.”
(The worm was one of my very first tastes of dialectal / regional English!)
If my memory serves, the puppetry effects in Labyrinth are mostly better than in The Dark Crystal, Jim Henson’s previous fantasy movie. (Note to self: Find out if I can rent / streamThe Dark Crystal. Local library to the rescue!)
Some of the songs, too, have become long-time favorites, especially “As the World Falls Down” by David Bowie.
As a kid, I didn’t really understand how someone could like Bowie’s music, but that one song opened my eyes. (Ears?) I still love it, and the ballroom scene with its floating props.
A puppetry troupe in Malaysia has been working to revive interest in the local traditional shadow puppet theatre, called wayang kulit, by performing a version of Star Wars using classical techniques of puppet-building, storytelling, and presentation. The performance, called Perperangan Bintang, retells the beginning of A New Hope, fusing elements from the movie with elements from the wayang kulit repertoire, which also revolves around tales of a young hero who must free a princess from an evil warlord. Here Sangkala Vedah confronts Puteri Leia.
The wisest thing I ever heard said about the Muppets (and just how often do you get to use that phrase, anyway?) came from a college classmate. This was back in the heyday of Muppet movies based on classic literature: you know, Muppet Treasure Island, Muppet Christmas Carol, Muppet Wizard of Oz, and the like. One evening over zucchini and pasta in the dining hall a bunch of us were complaining about how the contemporary Muppet oeuvre was so disappointing to those of us who had grown up watching the original Muppet Show on tv.
“I don’t want to see Muppets be actors,” someone said. “I want to see Muppets be Muppets.”
Well, there’s a new Muppet show on tv this fall. I haven’t seen any episodes, but here’s the trailer for the show.
I know a lot can happen between the proof-of-concept pitch for a show and when it actually goes on the air, but to me this looks like Muppets being actors. It’s Muppet The Office. Muppet 30 Rock. That’s not what I’m interested in watching.
Now, to be fair, the old Muppet Show was far from perfect. We’ve been rewatching some of it via Netflix lately; a lot of the material was already dated at the time and it hasn’t aged well. On the other hand there are things that transcend time and shine as brightly now as they did forty years ago. Mahna Mahna, for instance, is one perfectly formed comic gem.
Check out this Hugga Wugga sketch and watch how even a fuzzy purple alien can experience pride, anger, confusion, exasperation, smugness, surprise, fury, and shock.
The Muppets just aren’t what they used to be, but don’t despair. There are other places to find the three keys of Muppetociousness. Here are some of the true heirs to the Muppet mantle:
Community
Ostensibly a sit-com about community college students, Community flirts with chaos and pushes the boundaries of what a sit-com can do while staying grounded in the emotional reality of the characters. Here’s how a friendly game of paintball goes down at Greendale Community College.
The claymation studio that brought us Chicken Run and The Curse of the Were-Rabbit knows how to make wonderful comedy out of such ordinary things as a dog who’s at the end of his rope trying to deal with mischievous little bunnies.
I don’t think all of Pixar’s work quite measures up to the best of the Muppets, but sometimes they can really deliver the goods. Here’s one to take you all the way back.
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