Virtual 3D Tour of the Tomb of Pharaoh Ramesses VI

The Egyptian Tourism Authority has released an amazing virtual 3D tour of the tomb of Pharaoh Ramesses VI. Known as Tomb KV9 or Tomb of Memnon, it’s located in the east Valley of the Kings. Ramesses VI ruled during the 20th dynasty (mid to late 12th century BCE).

Matterport Ramesses VI Tomb KV9 Corridor

There are a couple of different views to play with, plus a highlights tour.

Matterport Ramesses VI Tomb KV9 Dollhouse View

Some modern amenities like wooden walkboards, handrails, and electric lights are visible, but the additions are reasonably unintrusive. You start on floor 3 and make your way down the long ramp to floor 1.

Matterport Ramesses VI Tomb KV9 Burial Chamber

It really is quite breathtaking! The screencaps above can’t really adequately capture the ambience.

Visit the tour for the full experience!

Found via Colossal.

Images: screencaps of the virtual 3D tour via Matterport

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

The First Villeneuve Dune Trailer Is Out

The first trailer for director Denis Villeneuve’s Dune is making its rounds, and it sure looks shiny:

Dune Official Trailer by Warner Bros. Pictures on YouTube

We don’t see many women doing much of anything, just standing, staring, emoting, and kissing, which is complete, utter, and total hooey compared to the book; I hope it’s just a case of trailers always lie.

At least Mother Gaius Helen Mohiam is prominently monologuing, but we hear nothing of Lady Jessica or Chani. As Charlotte Rampling is playing the Mother, Rebecca Ferguson Jessica, and Zendaya Chani, I have no doubt we’ll see stellar performances for the main female roles.

Timothée Chalamet plays Paul. I’ve only seen him as Laurie in the newest Little Women (2019, directed by Greta Gerwig) and apparently in Interstellar; I didn’t like his version of the former and remember nothing of the latter, so he’s a big unknown as far as I’m concerned. I saw someone critique him as being an okay choice for young Paul at the beginning but not having enough gravitas (to paraphrase) for the older Paul Muad’Dib. Plausible, I agree; I guess we’ll have to wait and see.

Oscar Isaac I’m looking very much forward to, if for nothing else then to see whether he has the range to play Duke Leto. Stellan Skarsgård, Javier Bardem, and David Dastmalchian I would also expect to do just fine if not directed to be too hammy. But the rest… Well. I get that Jason Momoa, Josh Brolin, and Dave Bautista are big names, but I find them uninspiring choices. Again, I guess we’ll have to wait and see.

I’ve also seen the two previous big screen adaptations (the 1984 movie directed by David Lynch and the 2000 miniseries directed by John Harrison). Both had some flaws that to me weighed the adaptations down more than the positives could buoy them, so I’m looking forward to Villeneuve’s version. It certainly looks gorgeous.

At the same time, I agree with an online contact who elsewhere said that they’d like something that’s more relevant to 2020s than to the time the story was written (1965).

At this writing, Dune is set to be released on December 18, 2020.

I doubt we two will see it in the theater unless there’s significant improvement in the local covid-19 numbers, so I’m hoping for an early release to either streaming services or disc.

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Artemisia: Between Greece and Persia

We know little about the life of Artemisia I (early 5th c. BCE – ca. 460 BCE) apart from one event, but that event and her participation in it give us a valuable insight into how Greeks lived at the frontiers of the Persian Empire.

Artemisia was the daughter of Lygdamis I, the first satrap of the city of Halicarnassus under Persian rule. Halicarnassus was a city on the coast of Anatolia, modern-day Turkey, one of many culturally Greek cities on the eastern shore of the Aegean Sea in the region more broadly known as Ionia. Like other such cities, Halicarnassus’ population was a mixture of local peoples—mainly Carians from the surrounding mountains, in the case of Halicarnassus—and the descendants of Greek settlers and merchants who had migrated to the Anatolian coast over several centuries. Artemisia’s family was a product of such interactions, as her father, Lygdamis, was of mixed Greek and Carian ancestry, and her mother was from Crete.

Lygdamis passed his power down to Artemisia’s husband, of whom we know nothing else except that he died soon thereafter, and Artemisia herself came to power in his place, probably acting as regent for their young son Pisindelis. Artemisia ruled Halicarnassus as a satrap, or local governor, on behalf of the Persian kings. Her most famous deeds came in this role.

When the Persian king Xerxes mounted his invasion of Greece in 480 BCE, he called upon the Ionian Greek cities to furnish warships for the campaign. Despite Athenian efforts to persuade the Ionians to defect or hold back in the fighting, Ionian Greek ships and their crews participated eagerly in the Persian invasion.

As satrap of Halicarnassus, Artemisia had the responsibility to furnish her share of ships for the fleet, but she went even further, personally commanding her own contingent and serving Xerxes as an adviser during the campaign. The historian Herodotus describes her this way:

She led the forces of Halicarnassus, Cos, Nisyurs, and Calyndus, crewing five ships. Of all the ships in the fleet, besides the Sidonians, hers were considered to be the best, and of all the allies she gave the king the best advice.

– Herodotus, Histories 7.99

(All translations my own)

Herodotus credits Artemisia with an exceptional display of skill and cunning in the midst of the Persian naval defeat at the battle of Salamis:

I cannot say exactly how any other ship, whether Greek or barbarian, did in that battle, but this is what happened to Artemisia and won her even greater respect in the eyes of the king. The Persian fleet was in chaos and an Athenian ship was bearing down on Artemisia’s. There was nowhere for her to flee to since her ship was hemmed in by friendly ships and close to the enemy lines, so she made a decision which turned out very well for her. Pursued by the Athenian, she rammed a friendly ship at full speed. This ship was crewed by the Calyndians and carried not only many Calyndian men but also their king, Damasythimus. I cannot say whether there had been some quarrel between Artemisia and Damasythimus when they were stationed at the Hellespont, or if she had planned to attack him, or if it was just by chance that the Calyndian ship was nearby. In any case, when Artemisia rammed and sank that ship it turned out well for her in two ways. In the first place, when the Athenian captain saw her ship sink one of the barbarians, he thought she was either on the Greek side or was coming over to their side, so he broke off and turned his attention elsewhere, and so she got away. In the second place, even though she was doing harm to his own fleet, she won high praise from Xerxes.

They say that as the king was watching the battle and saw her ship ram the other one, someone by his side said: “My lord, do you see what a good fight Artemisia is putting up and how she has sunk one of the enemy’s ships?”

The king asked it if was really Artemisia and the bystander confirmed it, since he knew the markings of her ship well and assumed that the ship she destroyed must be an enemy. As I said, all this turned out to her benefit, since no one from the Calyndian ship survived to accuse her.

In response to this observation, it is reported that Xerxes remarked: “My men have become women, and my women have become men!”

– Herodotus, Histories 8.87-89

Artemisia displayed similar shrewdness when, after the defeat of his fleet, Xerxes consulted his advisers on how to continue the war in Greece. When the general Mardonius offered to remain in Greece and keep fighting while Xerxes himself returned to Persia, Artemisia offered this advice:

When consulted on the question of what to do, Artemisia said: “Sire, it is hard to give good advice in such a case, but what seems best to me is for you to march home and leave Mardonius and whatever troops wish to remain with him here, if he is willing to undertake this task. If Mardonius is successful and accomplishes what he says he can, the credit for it will belong to you, since he is your servant. If he is wrong and things go against him, it will be no great disaster for you and your house. As long as you and your line endure, the Greeks will often face great struggles, and no one will much care if anything happens to Mardonius, nor will defeating your servant count as a great victory for the Greeks. You, however, will depart having accomplished what you set out to do, which was to burn Athens.”

Xerxes was delighted with this advice, since he had been thinking exactly the same thing. He was gripped with such fear that he would not have stayed in Greece even if all the men and women in the world had recommended it. He thanked Artemisia for her advice and entrusted her with taking his children to Ephesus, since he had some of his illegitimate children with him.

– Herodotus, Histories 8.102-103

Now, Herodotus—a fellow Halicarnassian—may be accused of partiality and playing up Artemisia’s involvement in the war effort, but the kinds of deeds he attributes to her are telling. Artemisia was actively engaged in Xerxes’ war, but she was also politically canny and willing to seize her own advantage when it came. Given the opportunity to demonstrate her utility to the king, she took it and personally led her forces as part of the Persian fleet. Finding herself in a difficult position in battle, she saved herself at the cost of a friendly ship. When consulted for her advice, she told the king what he wanted to hear and was rewarded with an important commission.

Many Greeks were in positions like Artemisia’s when it came to the Persian Empire. Persia was large, powerful, rich, and right at the Greeks’ doorstep. Persia was a huge market both for Greek exports and for the services of Greek artists, crafters, and mercenaries. For all that historians have tended to celebrate the Athenians and Spartans for resisting Persian invasions in 490 and 480-479, far more Greeks worked for the Persian kings than ever fought against them.

The boundary between Greece and Persia was porous. Many people went back and forth across it as their own interests dictated. While modern narratives have tended to paint the division between Greece and Persia in stark terms, the reality was much more gray than black and white. Not everyone who negotiated the space between Greece and Persia did it with the skill and panache that of Artemisia, but she was far from alone.

Image: A modern artist’s impression of Artemisia, detail from “Die Seeschlacht bei Salamis” via Wikimdeia (Maximillianum, Munich; 1868; oil on canvas; by Wilhelm von Kaulbach)

History for Writers looks at how history can be a fiction writer’s most useful tool. From worldbuilding to dialogue, history helps you write.

Rating: Castle, Season 8

The eighth and final season of Castle, sadly, is a bit of a flop. Here’s our rating for this season’s episodes:

  1. “XY” – 1.5
  2. “XX” – 0
  3. “PhDead” – 4
  4. “What Lies Beneath” – 5
  5. “The Nose” – 5
  6. “Cool Boys” – 3
  7. “The Last Seduction” – 6.5
  8. “Mr. and Mrs. Castle” – 3
  9. “Tone Death” – 8
  10. “Witness for the Prosecution” – 6.5
  11. “Dead Red” – 7.5
  12. “The Blame Game” – 4.5
  13. “And Justice for All” – 6
  14. “The G. D. S.” – 3
  15. “Fidelis ad Mortem” – 4
  16. “Heartbreaker” – 4
  17. “Death Wish” – 4.5
  18. “Backstabber” – 3.5
  19. “Dead Again” – 8
  20. “Much Ado About Murder” – 5
  21. “Hell to Pay” – 5
  22. “Crossfire” – 1.5

This season’s average is 4.5, the lowest of any season of Castle, and the problems are not hard to spot. Squeezed between the attempt to wring just a bit more drama and action out of some old and used-up plotlines (the conspiracy around Beckett’s mother’s murder gasps its last; intrigue shenanigans throw Castle and Beckett’s relationship back into will-they-or-won’t they spasms) and the introduction of new characters and story ideas that don’t get room to develop (Hayley Shipton, a British ex-spy who gets caught in the orbit of Castle’s expanding private investigator business), there just isn’t much room for this season to stretch its legs.

Shake-ups in the production also mean we lose Captain Gates and don’t see much of Dr. Parish, two of our favorite side characters. There were even rumors going into this season that Beckett might not return, which would have been disastrous. Fortunately, that didn’t come to pass, but Beckett spends so much time this season angsting about the conspiracy-that-will-not-die and her relationship with Castle, we lose a lot of the spark she used to bring to the series.

The bottom of the barrel this season comes with the opening two-parter, “XY” (1.5) and “XX” (0), in which we separately follow Beckett on the run from the endless conspiracy and Castle trying to find her. The conspiracy episodes of Castle never work well for us, and this one feels particularly like a desperate attempt by the writers’ room to concoct another arc story, having done several to death already. There was a time when continuity between episodes was a rarity on tv and arc stories were new and exciting. Now every series has an arc, and we’re more excited to see standalone episodes that have a satisfying beginning, middle, and end.

Fortunately, this season hasn’t entirely lost the Castle magic, and we do get a few good old quirky murder-of-the-week episodes. The two best of this season, both at 8, are of this kind; “Tone Death” takes the team into the seamy underbelly of competitive a capella singing, and “Dead Again,” about a safety inspector who keeps surviving what should be fatal attacks, prompting Castle to wonder whether they’ve stepped into a superhero’s origin story. These episodes have the fun mystery caper action we expect from the series.

It’s not the best way to close out the series, but it seems like the production had some troubles behind the scenes at the end. We can be glad for the good episodes we did get this season, even if it’s one we’ll only be rewatching selectively.

Image: Beckett and the boys, from “Tone Death” via IMDb

In the Seen on Screen occasional feature, we discuss movies and television shows of interest.

A Helsinki Location in The Last of Us Part II Cover Version

Game Music Collective is a Finland-based orchestra, band, and studio production company lead by cellist Lukas Stasevskij. As the name implies, they produce and perform game and other soundtracks.

Their latest project is a cover version of Ellie’s song “Through the Valley” from the PlayStation4 game The Last of Us Part II. The music video for the cover was filmed in Helsinki, Finland.

THE LAST OF US 2 OST – Through the Valley REAL LIFE ELLIE’S SONG [4K] Shawn James Guitar Cover(2020) by Game Music Collective on YouTube

The original song was written by Shawn James; the Game Music Collective version features Mokka Laitinen (vocals and guitar), Sujari Britt (cello), Leonardo Carrillo (oboe), and Eeti Nieminen (drums).

Pretty neat, isn’t it? (Although strictly speaking I would’ve been happier to see outdoor locations, too.) #FinlandNerd 🙂

Found via Helsingin uutiset (NB. Finnish only).

An occasional feature on music and sound-related notions.

Quotes: A Human Being with Hope Can Continue on Far Longer

In The Light Brigade, what I consider her most mature work yet, Kameron Hurley gives her protagonist Dietz this monologue about hope’s role in shaping human behavior:

“There’s a huge mental release in knowing there is an end to pain. A human being with hope can continue on far longer than one without. Did you know those who are mildly depressed see the world more accurately? Yet they don’t live as long as optimists. Aren’t as successful. It turns out that being able to perceive actual reality has very little long-term benefit. It’s those who believe in something larger than themselves who thrive. We all seem to need a little bit of delusion to function in the world. That belief can be about anything, too. Could be a god, a corporation, a society, like our various militaries instill. A sense of belonging. Could be national pride. Or the desire to make the world a better place. Or see the world burn. Personal or political. But … something bigger. Something greater.”

– Dietz in Kameron Hurley’s The Light Brigade

We’re six to seven months into the covid-19 pandemic, depending on your definition of the epidemic start date in the western world. I could use some mental release right about now, and I know I’m not alone.

Alas, as far as we know, nothing specific is in the pipe to be released very soon. But there is hope!

Obi-Wan Patience

The good news is that by all accounts SARS-CoV-2 will respond to a vaccine. The bad news is that we need to wait and be patient, stay home as much as possible; and when we cannot, keep a safe distance, practice good sneezing hygiene, wear masks, and wash our hands.

Star Wars Stay on Target

Stay on target. Stay safe. We will prevail.

Hurley, Kameron. The Light Brigade. New York: Saga Press, 2019, p. 116.

Images: Obi-Wan Patience via Giphy. Stay on Target via Giphy.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

A Bird in the Hand

The fall is coming, and for a lot of us this fall will be bringing anxiety and stress. So, for a moment of relaxation, enjoy this scene of hunting wildfowl in the marshes, from the tomb of Nebamun, a scribe who lived around 1350 BCE in Egypt.

Hunting scene from the tomb of Nebamun, photograph by Marcus Cyron via Wikimedia (currently British Museum, London; c. 1350 BCE; paint on plaster)

And for added joy, just look at that cat! Have you ever seen a cat so happy as when it has two birds in its claws and a third in its teeth?

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

The Royal Huntress Owl Quilt

This magnificent quilt is not exactly new anymore, but it’s still very much worth sharing.

At the Houston International Quilt Market & Festival in 2018, “The Royal Huntress” quilt by Karlee Porter won third place in the alternative techniques category.

Sulky Karlee Porter The Royal Huntress

Just look at the incredible detailing in this closeup:

Sulky Karlee Porter The Royal Huntress Detail

Apparently it took over 450 hours to make, and no wonder. The meticulous piecing, incredibly detailed quilting and multiple accents all serve a purpose in the overall design. Serious kudos!

As an image, it kind of reminds me of druids in World of Warcraft. It’s also the kind of sewing I’d like to do; to be quite honest, though, I know I don’t have the skill nor patience. Especially the latter. 🙂

Found via Sulky blog.

This post has been edited.

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

Aiming for Alpha Centauri with Light-driven Nanocraft

Some people say we’re living through a golden age of science fiction and fantasy, and I for one agree. I’d also argue that we’re living through a golden age of science and exploration, especially of space.

Breakthrough Starshot is a new-to-me initiative whose aim is to “demonstrate proof of concept for ultra-fast light-driven nanocrafts, and lay the foundations for a first launch to Alpha Centauri within the next generation.”

Breakthrough Starshot Light-driven Art image3

Alpha Centauri would be reachable within a reasonable timeframe if unmanned space flight could reach 20 % of the speed of light. Ultra-light craft with solar sails could, they calculate, reach and fly by the system in just over 20 years.

The Breakthrough Initiatives were founded in 2015 by Yuri and Julia Milner to “explore the Universe, seek scientific evidence of life beyond Earth, and encourage public debate from a planetary perspective.”

Judging by their News section, however, Breakthrough Listen—which is “a $100 million program of astronomical observations in search of evidence of intelligent life beyond Earth” directed from UC Berkeley—is currently producing the most interesting results.

The board of Breakthrough Initiatives consists of three people as of this writing: Stephen Hawking, Mark Zuckerberg (yes, of the Facebook reputation), and Yuri Milner (an Israeli-Russian physicist, entrepreneur, and capitalist).

I must say that the initiative sounded more exciting to me prior to checking who the board are. Then again, who knows—after all, SpaceX has had its share of successes despite having essentially started as a millionnaire pet project. At least the Breakthrough Listen data is supposed to be open to the public.

Found via Helsingin Sanomat (NB. Finnish only).

This post has been edited for clarity.

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Second Trailer for Wonder Woman 1984

A new trailer for Wonder Woman 1984 is out:

Wonder Woman 1984 – Official Main Trailer by Warner Bros. Pictures on YouTube

I don’t know about you, but for me the most delightful thing in the trailer was the quick glimpse of young Diana running into an arena with other amazons. She was an absolute joy in the first movie!

Pedro Pascal, the actor for the male antagonist Max Lord, does a very good job—I’m repulsed by the character already; I just hope the performance isn’t too huge a hock of ham. I’ve only seen Pascal in Kingsman: The Golden Circle (plus a smattering of smaller roles in a variety of tv series), so I don’t have much to go by.

Robin Wright and Connie Nielsen reprise their roles; that’s lovely. I did complain, if you remember, that Antiope should be bought back when I was writing about the first trailer. I hope she doesn’t just get shunted into a mere flashback.

What we can tell of Kristen Wiig’s performance looks good, too; I’ve seen her in Ghostbusters and The Martian and enjoyed her voice acting (e.g. How to Train Your Dragon and the Despicable Me series); here’s hoping the trailer doesn’t lie in this respect.

I’m also delighted that Patty Jenkins has been given the chance to write the story and screenplay, not just direct. Here’s hoping she can make 1980s more interesting and less cringe-worthy than when I went through it!

According to IMBD, WW1984 is now set to release October 02, 2020. We’ll see whether the pandemic eats up this premier, too…

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.