Living Vicariously Through Social Media: Red Lights in the Vatican

In his work, video director, photographer, and art director Aishy plays with color and light. One of his most striking projects is the Red Lights: Vatican series. Interior views from St. Peter’s Basilica in Vatican City become striking and very different from their everyday state.

Instagram Aishy St Peters Basilica Dome

Aishy’s work is often described as having a sci-fi or cyberpunk flair. However, what his Vatican photos remind me of is how ancient Mediterranean statues and buildings in their original state were not the bland off-white or grey we currently know, but vibrantly painted.

Instagram Aishy St Peters Basilica Vault

And to get back to the cyberpunk idea: wouldn’t it be more interesting—or at the very least less ubiquitous—if your next dystopia were not visually mostly black or grey, but eyeball-bustingly garish in color? Surely that could also be quite dystopic, right?

There are some specific examples I can think of. The throne room in Star Wars: Episode VIII – The Last Jedi, for starters, looks magnificently arresting. I’m just a little tired of red (or the combination of red and black). Sure, it’s a strong color often linked to strong emotions, but it tends to be overused. How about orange instead, like the Las Vegas of Blade Runner 2049? Or in Jupiter Ascending? Perhaps purple, turquoise, or chartreuse?

Just tone down the use of those ever-present blacks and greys, thanks.

(As a sidenote, the ancestry festival in Star Wars: Episode IX – The Rise of Skywalker delighted me for its happy colors, even if the planet itself was another desert.)

Images by Aishy via Instagram: Dome. Vaulted ceiling.

Ancient Greek Clay Cooker for Multiple Dishes

Look at this amazing ancient multi-tier clay cooker:

Imgur TheRainbowegoSweet007 Delos Cooker

There seems to be frustratingly little information available online. I haven’t been been able to track down full details for this apparatus, but some sources call it an anthrakia. Considering that anthrakia means ‘a heap of burning coals’ it sounds at least plausible (but as I said I don’t know). Apparently it’s from 500 BCE or so (although one source says 2nd c. BCE), and was found on the island of Delos, Greece.

Delos was one of the most sacred places of ancient Greece—claimed to be the birthplace of Artemis and Apollo—and a busy trade center for centuries if not millenia. It looks like the only images of this cooker come from the Archaeological Museum of Delos. No-one seems to have posted the associated text, though, so I still don’t know quite as much as I’d like.

Such an ingenious arrangement, though, isn’t it? The oven has space for a hand-held grill and an area at the front for raking coals into (I assume). Above the oven, there is an opening to rest a frying pan on. As if that’s not enough, above that to the back of the cooker there are tube-like stands for three cooking pots, through which the pots also have access to heat from the oven. You could have five dishes cooking at the same time. And it looks like the cooker is also portable.

It’s impressive both from the point of view of functionality and design—the oven-stove-grill combo seems to have been made as one piece. (Or possibly two pieces, if the pedestal that looks like an upside-down plant pot was made separately.)

Not bad for a 2,000+ year-old kitchen gadget, right? I can almost hear the sizzling of frying food.

With that, I’ll wish our readers in the U.S. a Happy Thanksgiving! 🙂

Image via TheRainbowegoSweet007 on Imgur

Theatrical Adaptation of LotR in Tampere

Our fall is forming up to include a bit more J.R.R. Tolkien than usual: besides seeing The Art of John Howe in Tampere, we have tickets to see a theatrical adaptation of Taru sormusten herrasta (The Lord of the Rings)—also in Tampere.

There is a short but handsome trailer:

Taru Sormusten herrasta – Tampereen Teatteri & Tampere-talo by TampereenTeatteriTT on YouTube

(Note: There’s no captioning, and it’s only in Finnish, but mostly the trailer is non-verbal. In the beginning, the text reads Experience the world’s best-known adventure. At the end, while raising his staff Gandal says You cannot pass!)

Tampere Theatre, Tampere Hall, and Tampere Philharmonic Orchestra, among others, have worked for four years to create the adaptation. I haven’t heard the reason why the play runs only about two months (Aug 22 to Sept 21, 2024 and Dec 18, 2024 to Jan 11, 2025); you’d think a slightly longer run might be warranted for such a large production. I do know it’s staged at Tampere Hall instead of Tampere Theatre’s own, beautiful historical building because the latter is under renovations. I also know that the production team had to make their own Finnish translation from scratch and that no songs were allowed due to limitations posed by The Tolkien Estate.

The sets and props look fantastic, as does the lighting and video projections. I’m not sure I agree with the Elven costuming, though; their profiles look a little too much like the female Hobbit / villager Hobbit profiles. Otherwise the wardrobe looks fabulous. You can’t tell about the soundscape on the basis of the trailer alone, but I have high hopes. I hope the Hall also works for the adaptation as a performance space.

We can’t wait to see it!

The Amazing Colors of an Ancient Perfume Bottle

So much of what survives of ancient art has lost the colors it originally held—statues have lost their paint, pigments have faded, textiles have weathered. One of the few materials that holds its color well over time is glass. Just look at this ancient Greek glass perfume bottle and see!

This type of bottle, called an alabastron, was used to store small quantities of valuable liquids like perfumed oil. Like this one, they typically had pointed or rounded bottoms and were kept in wooden or metal stands or hung from loops. The bright colors of this bottle are made from layers of colored glass and gold, bent around one another and blown into shape.

The swirling colors of this bottle almost make me think of 1960s psychedelia. It can be startling to find an ancient object that has kept its color and be reminded that it was created and used in a world that was equally colorful.

Image: Alabastron via Metropolitan Museum of Art (found Greece, currently Metropolitan Museum, New York; 1st c. BCE; glass)

Light Academia: Love of Optimism, Joy, and Happy Endings

I posted about dark academia about a year ago when I learned of the phenomenon. Time for a sibling post of sorts: since then, I’ve discovered the style light academia.

According to Aesthetics Wiki, light academia favors positive themes in general, “focusing on optimism, sensitivity, joy, gratitude, friendship, motivation, and happy endings.” (Naturally still associated with the love of learning.)

Etsy HeatDigitalClub Watercolor Light Academia Clipart Bundle Sm

Apparently, the term was coined on Tumblr already in 2019. (Man, I must’ve been hanging around the wrong side of Tumblr not to have heard about it then!) Also, apparently cottagecore can overlap with light academia, as can a romanticized view of coffee shops as places for people-watching and studying.

Sounds like neutrals, earthy colors, white, gold, and pastels are especially favored. One article lists movies and shows with light academia aesthetics, including classics like Little Women, but also newer productions like Bridgerton, the 2005 version of Pride & Prejudice or the 2022 Netflix adaptation of Persuasion. There are, of course, playlists and recommended activities or crafts. Some people even sell light academia mystery boxes on online platforms! I’ve found out that there are also other, established flavors I hadn’t heard of before: green academia and chaotic academia.

(Good grief, I feel officially old! At least there doesn’t seem to be any academia cores.)

While I love reading, knowledge, and learning, I confess I’m a little perplexed by this dissecting of various aspects of campus / university life into separate aesthetics. (Not to even mention the fact that Finnish universities by and large look quite different from these Anglo-American-style ones.) But I guess that’s what we humans do—we create endless groupings out of the same elements.

Image: light academia watercolor clipart by Anna Zhar at HeatDigitalClub on Etsy

World’s First eVTOL Taxi Is Now on the Market

According to Reuters, Chinese drone maker E Hang Holdings has started selling an eVTOL taxi on Taobao, a Chinese online shopping platform. EHang was certified for traffic by China’s aviation authority in October 2023.

EHang 216-S Airborne

The model, EH216-S, is an unmanned vehicle with 16 rotors and capacity for two passengers. Its maximum speed is 130 kilometres per hour and range 30 kilometres. It retails for about €300,000 (depending on exchange rates).

At first glance, around 300,000 euros sounds quite steep. Then again, in the U.S. market at least, pickup trucks can go for almost $100,000. That’s not even mentioning exotic cars, sports cars, and other specialized vehicles.

The bottleneck at the moment surely is the combo of safety regulations and pragmatics (the lack of infra). It seems that charging points for electric vechicles are being built so slowly, I cannot imagine what it would take to try and fit the maintenance facilities and parking spaces for flying cars, let alone flying electric cars, into our cities in a larger scale. Plus, what it would take to figure out how, in practice, they would fit into existing traffic patterns. It looks, though, that we might have to resolve those questions sooner than I thought.

Image by EHang

Living Vicariously Through Social Media: Flowering Cacti

Just look at the mass of flowers on these cacti:

Tumblr mutant-distraction Flowering Cacti

I grew up essentially on a flood plain. While I have visited a few, and know that a lot of deserts are not mostly smooth sand dunes like the Tatooine and Dune stereotype would have us believe, I’ve never actually experienced deserts as a living environment. This is a fabulous glimpse—especially after the long and cold winter Finland had this year.

Image via mutant-distraction on Tumblr

Living Vicariously Through Social Media: Streetpatching with Mosaics

Ememem is a France-based visual artist known for repairing small areas in urban environments with colorful mosaics. He calls his technique flacking.

Wikimedia Edwige redige Flacking in Lyon

Since 2016 he’s been anonymously patching cracks in Lyon and Paris, and other European cities for instance in Norway, Scotland, Germany, Italy, and Spain.

My Modern Met ememem-street-mosaic-art-4

He typically works at night. His efforts are usually discovered in the morning as people start their day. Most of his efforts seem to focus on street surfaces, but some retaining walls or building walls also get some Ememem love.

My Modern Met ememem-street-mosaic-art-2

Ememem’s repairs are absolutely delightful! They remind me a lot of visible mending or quilting. I wish this type of repair were more common, but I understand the financial realities of why not.

Note: According to Wikipedia, Ememem has refused to confirm his age and gender. However, on his own site, the Ememem English-language press kit consistently uses the pronoun he, so I have therefore adopted that usage.

Images: Mosaic in blues by Edwige rédige via Wikimedia (CC BY-SA 4.0). Orange-green mosaic and wall repair both via My Modern Met.

When a Walrus Shows up at Your Door

There’s been a thing going on in the past month on the Internet about fairies and walruses. If you’re not in the loop, it all started with a poll posted on tumblr by user baddywronglegs that asked respondents to consider which one they would be more surprised to find at their front door, a fairy or a walrus?

The fun of this poll is that it pits two very surprising (in most parts of the world) things against one another, but those things are surprising in two different ways. Fairies don’t exist, but if they did, it would be perfectly plausible for one to knock on your door. Walruses do exist, but the idea that one would survive the trip out of the Arctic, make it to your front door, and knock is beyond belief. What’s more surprising: the most unsurprising surprising thing or the most surprising unsurprising thing?

But, then, surprising things do happen sometimes. Like walruses showing up where they have no business being. A lost walrus found itself on the shores of southeastern Finland in the summer of 2022. It didn’t knock on any doors, but it did take a nap between some beached rowing boats, literally rolled around on someone’s yard in the grass, and posed in front of an emergency vehicle.

Yes, Finland is an Arctic country in the sense that we straddle the Arctic Circle, even though most of our land area is south of it. We do not, however, currently have any coastline in the north; all of our salt water access is to the south and west, i.e., to the Baltic Sea. Visits like this are, therefore, extremely rare. The walrus had to travel all the way around Scandinavia, through the Danish Straits (Kattegat and Skagerrak), and east along the Gulf of Finland to reach Hamina and Kotka.

(Alas, the poor thing turned out to be famished, and died in the middle of an attempted rescue en route to the Wildlife Hospital of Korkeasaari Zoo in Helsinki. It’s since been preserved and it’s on display at the Finnish Museum of Natural History.)

Wikimedia Antti Leppanen Haminan mursu

It’s quite staggering that we live in a place where, theoretically—very much in theory, but nevertheless—a walrus could turn up on the yard! (No sign of fairies, though.)

Images: Screenshot of tumblr post by baddywronglegs. Stuffed walrus in the Natural History Museum of Helsinki by Antti Leppänen via Wikimedia (CC BY 4.0).

Envisioning Persepolis

Persepolis was the ceremonial capital of the Achaemenid Persian Empire. While other cities such as Babylon, Susa, and Ecbatana had royal residences and centers of administration, Persepolis was the symbolic heart of the empire. It was here that one of the central rituals of Achaemenid rule was carried out, the annual presentation of gifts from the peoples of the empire to the king.

Early Persian kings, like Darius I and Xerxes I, built up the palace at Persepolis into an impressive monument suitable for the ceremony. Persepolis was meant to be both imposing and welcoming, asserting the king’s power while also embracing the diverse peoples of the empire in a peaceful ritual in which they were treated as valued members of the empire, not defeated subjects.

It was in part because of Persepolis’ symbolic significance that Alexander the Great burned the palace in his conquest of Persia. The site of the palace was not reoccupied but was left in ruins, which has allowed modern archaeologists to reconstruct the Achaemenid palace in significant detail.

The stills below come from a video exploring a digital reconstruction of the palace, which can be viewed on Wikipedia.

In a wide view, we see the palace complex as it stood at the edge of the hills. The large columned hall in the center is the apadana or throne room where the king received the delegations of gift-bearers from around the empire. To the left is the Gate of All Nations, through which the procession of gift-bearers entered the complex, and to the right are the buildings of the treasury where the ceremonial gifts were stored after the ritual was completed.

A view of Persepolis, still from a video by ZDF/Terra X/interscience film/Faber Courtial, Gero von Boehm/Hassan Rashedi, Andreas Tiletzek, Jörg Courtial via Wikipedia

From a ground-level view we see the Gate of All Nations, erected by Xerxes, which gave admission to the courtyard before the apadana.

The Gate of All Nations, still from a video by ZDF/Terra X/interscience film/Faber Courtial, Gero von Boehm/Hassan Rashedi, Andreas Tiletzek, Jörg Courtial via Wikipedia

Another ground-level view gives us an idea of what it would have been like to approach the apadana, with some human and animal figures for scale.

The north porch of the apadana, still from a video by ZDF/Terra X/interscience film/Faber Courtial, Gero von Boehm/Hassan Rashedi, Andreas Tiletzek, Jörg Courtial via Wikipedia

The whole video is well worth a watch. It can be quite valuable to try to imagine ancient spaces not as the ruins we find them in today but as living places filled with life and activity.