I saw the first season well after it had broadcasted. It’s clear that it merely scraped the surface of the story, but I liked it enough to want more. The writing managed quite well to avoid infodumps while giving us enough to understand any given situation. Most of the cast was new to me, but I enjoyed their performances. Detective Miller was the most boring character of all; I liked the crew of the Rocinante, though, especially Nagata and Burton.
Season 2 will be out February 8, 2017.
Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.
A new Arrival screen ad is out! (Published today, in fact!) In an atypical move, the trailer (if you can call it that) starts with several completely unrelated clips of people in an experimental situation:
…except that, of course, the clips aren’t unrelated. They show two strangers with no shared language trying to figure out what they have in common. It’s quite clever; see for yourself.
Two weeks to go till opening night!
Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.
It’s now just over a week until Doctor Strange opens. (Gosh, November is so close!) There are a bunch of trailers on the InterTubes, for instance the official ones by Marvel:
I have to say I know next to nothing about Doctor Strange. The character was referred to from time to time in the translated X-Men I read in my youth in Finland, but “odd name” and “magic user of some sort” was pretty much what I got out of them.
The cast is something to look forward to. I loved Chiwetel Ejiofor in Serenity and The Martian, and Benedict Cumberbatch should be marvelous (I’d listen to him pretty much just reading a phone book). Mads Mikkelsen looks like the quintessential bad guy. Perhaps too much so; I fear I might find his character too corny, but we’ll see.
Tilda Swinton I’m conflicted over. I’ve enjoyed her past performances. Her character in this movie, The Ancient One, has been gender-swapped, which is really cool. However, apparently the role is whitewashed. I guess we’ll see.
I also know nothing of the director Scott Derrickson; again, we’ll see. It’s been such a slow latter half of the year, movie-wise, that I’m looking forward to Doctor Strange even if I’m not sure whether it’s exactly my cup of tea.
Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.
The anthology Hidden Youth, with Erik’s story “How I Saved Athens from the Stone Monsters”, is expeced in November. We don’t know exactly when yet, but we know that the file has been sent to the printer. It’s very exciting—almost there!
I rounded up some of the artwork commissioned for the collection, but first here’s my headcanon picture for “Stone Monsters.”
In the beginning of “Stone Monsters,” there’s a scene where Mnestra, one of the protagonists who works as a flute girl, uses her veil to try and attract customers. I don’t think it was Erik’s intention, but the scene immediately brought to my mind this amazing, dynamic Greek statue we’d seen years ago at The Met:
When thinking about “Stone Monsters,” this is the image that I connect with the story. Unfortunately the dancer’s veil is drawn so close that we can’t see her face. That’s where the Hidden Youth artists come to the rescue. I just happened to see this sneak peek by Paula Arwen Owen of her papercut illustration for “Stone Monsters” on Twitter:
That’s eggplant and egg, all right, with a herma in the background. 🙂 Love it!
Then I was curious and went looking for Hidden Youth art. Others have also posted glimpses of their work in progress. For example, Ellen Million:
They all look so great—can’t wait to have the book in my hands!
Images: Bronze statuette by Eppu Jensen (Greece; c. 3rd-2nd century BCE; bronze). Papercutting by Paula Arwen Owens via Twitter. Attic room by Ellen Million via Instagram. Two girls by Thio Wina Oktavia via Twitter. Dormitory by Kat Weaver via Twitter. Street seller by A. D’Amico via Twitter. Leaning girl by Jay Bendt via Tumblr. Under clouds by Charis Loke via Twitter.
In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.
Included are shots of practice runs of some of the vehicle stunts. The skill of those production designers, explosion experts, cinematographers, stunt people, and drivers is staggering.
A puppetry troupe in Malaysia has been working to revive interest in the local traditional shadow puppet theatre, called wayang kulit, by performing a version of Star Wars using classical techniques of puppet-building, storytelling, and presentation. The performance, called Perperangan Bintang, retells the beginning of A New Hope, fusing elements from the movie with elements from the wayang kulit repertoire, which also revolves around tales of a young hero who must free a princess from an evil warlord. Here Sangkala Vedah confronts Puteri Leia.
I’m most interested in Arrival (based on a story by Ted Chiang and out very soon now!), Altered Carbon by Richard K. Morgan, and Lilith’s Brood by Octavia E. Butler. It would also be great to see Ann Leckie’s Ancillary series, Red Mars by Kim Stanley Robinson, and Daniel José Older’s Bone Street books on screen.
It was also intriguing to see Roadside Picnic by Arkady and Boris Strugatsky on the list, for I’m not used to seeing Eastern bloc SFF authors in the Anglo-American market. According to the all-knowing Internets, Roadside Picnic was turned into a Russian SFF art film Stalker in 1979. I never saw that, but did read the Finnish translation (Stalker: huviretki tienpientarelle) when I was too young to really understand it, so it would be nice to refresh my memory.
Besides works in progress mentioned in Zutter’s list, I’m looking forward to OtherLife. It’s adapted from Kelley Eskridge’s Solitaire (2002), which I read only this year and loved. Unfortunately, OtherLife seems currently to have paused in post-production. We live in hope, though! (I’ve been following the story of its development on Eskridge’s blog; do visit for a glimpse of indie movie projects from a writer’s perspective.)
Anything on your radar that especially tickles your fancy? Do share!
Have you heard of Arrival? It’s a forthcoming science fiction movie about a first contact situation on earth, and the more I read about it the more curious I get.
The story is based on Ted Chiang’s 1998 novella “Story of Your Life,” adapted to screen by Eric Heisserer and directed by Denis Villeneuve. Chiang won both the Nebula and Sturgeon Awards with it.
The main interest for me is that Dr. Louise Banks, the character played by Amy Adams, is a linguist. Since we don’t generally get much screen time, it’s exciting, as is having languages / linguistics as a story focus. There’s also a little bit of Nordic involvement: the score is by Icelandic composer Jóhann Jóhannsson.
I love the fact that for a change the UFO that lands in the U.S. touches down in Montana, not New Frigging York City. That horse is thoroughly, properly dead, ladies and gentlemen of Hollywood. Thank you for not going there.
Judging by the trailer, the movie also avoids one of my pet peeves. It looks like finding a way to communicate with the aliens is going to take a lot of effort and a good, long while. We get glimpses of various graphics on computer screens, but it’s clear that the bulk of the work consists of human effort assisted by computers. In other words, people are doing the actual analyzing while computers number-crunch. Compare it, for instance, with the mothership scene in Close Encounters of the Third Kind (a clip of the scene here). As fascinating as the tonal-color language is, I’m so disappointed with the perfunctory and hand-wavy treatment the linguistic mystery got. I do hope that the Arrival trailer is accurate in acknowledging the effort that not only communication but of all kinds of intellectual work require.
And it may indeed be: The USA Today sneak peek quotes the male lead Jeremy Renner: “It’s big and there are thriller elements and tension, but it’s going to lean much more into a thinking person’s film.” There are also hints that Adams’ character will begin dreaming in the aliens’ language, which is a phenomenon I find fascinating. (I sometimes dream in multiple languages. The highest count I can remember is four.)
I discovered one interesting factoid. In the U.S. trailer, Dr. Banks can be heard commenting on the emerging common language like this: “We need to make sure that they [aliens] understand the difference between a weapon and a tool. Language is messy, and sometimes one can be both.”
The international trailer suggests a different story angle, however. Have a look:
In it, instead of “[w]e need to make sure that they understand,” Dr. Banks says: “We don’t know if they understand the difference between a weapon and a tool [my emphasis].”
I don’t know what to make of the decision, and I can’t wait to see which one the movie actually goes with. Fortunately I don’t have that long to wait: the U.S. release date is November 11, 2016.
Assembled from a number of different sources, none of which have any sort of connection to author Ann Leckie’s writing, we now have an amazing book trailer for her Imperial Radch trilogy:
It was made by bironic, the creator of the goosebump-inducingly glorious video Starships! On the creation process, bironic has this to say:
“A labor of love, nine months in the making. I watched or scanned through about 50 movies and TV shows (plus endless YouTube videos) in the hunt for clips that looked like my headcanon of critical moments, places and characters from the books, while trying not to use hugely recognizable actors and actresses. Not that you’d know it from the final source list, but the research process involved reading and learning a lot about the history of black characters in Western science fiction film and television as well as a crash course in modern African SF/F independent filmmaking, both of which were fascinating.”
Co-Geeking 