Some Thoughts on The Hunt for Gollum Adaptation

The news has been out for a good long while now: a new live-action Middle-Earth movie is in the works, set to be released in 2026 and produced by Peter Jackson, Fran Walsh, and Philippa Boyens. It’s provisionally called The Lord of the Rings: Hunt for Gollum, and Andy Serkis will both direct and play Gollum. Apparently it’ll be the first of multiple films by Warner Bros. based on Tolkien’s books, and told from Gollum’s perspective.

Since this fall has been surprisingly full of Tolkien for us (we both re-read LotR in addition to our two trips to Tampere, first to see the John Howe exhibit and then the theatrical adaptation), we ended up talking about the upcoming Gollum movie and our misgivings with it. Below are some of those thoughts.

Erik

I’m not excited for The Hunt for Gollum. Nothing about the character of Gollum or the long and mostly fruitless search for him, as described in the book, sounds like promising material for further on-screen exploration. I fear that this film will turn into more overstuffed action/fantasy/comedy like the Hobbit trilogy. At best I hope to enjoy the settings, costumes, props, and other details that were made with such love and dedication by the production team on the earlier Middle-Earth films. Still, I’m always ready to be pleasantly surprised.

For films that fill in more of the story we haven’t yet seen on screen, I’d be more excited about an exploration of Sauron’s attacks to the north. The appendices to The Lord of the Rings mention that Sauron’s forces at Dol Guldur assaulted Lothlorien and ravaged the lands of the Mirkwood Elves while an army of his allies from the east came against the Men of Dale and the Dwarves of Erebor. In the end, Sauron’s forces were defeated. Galadriel, Celeborn, and Thranduil cleansed Mirkwood and overthrew Dol Guldur while Bard II of Dale and Thorin III of Erebor pushed Sauron’s allies back to the east. There is plenty of scope here for big action set pieces, drama between the folk of Middle-Earth, and the return of some favorite characters. At the same time, there is enough blank canvas that for new characters to join the cast without feeling like they were squeezing out Tolkien’s story. It would be nice to see what was happening to places and people we know from The Hobbit and The Lord of the Rings while Sauron’s main offensive against Gondor was going on.

I could also enjoy a movie set in the Shire in the years after The Hobbit. A light-hearted comedy of Hobbit manners about the Sackville-Bagginses and their designs on Bag End could intertwine with the growing up of Frodo, Merry, Pippin, and Sam and the forging of the friendships that would be tested in the crucible of war far from home. A movie like this could give appropriate scope to Jackson’s taste for slapstick comedy while also allowing hints of the slowly creeping darkness of the ring and its effects on Bilbo to show through.

Eppu

My very first thought was: why would we want to see this particular story? Andy Serkis’s performance as Gollum will always be stellar, and I’m always up for seeing more of Weta’s work, but otherwise I’m quite unsure why this story was picked and why it should excite us.

Firstly, there isn’t that much to go on in LotR. According to Appendix B, Aragorn and Gandalf searched for Gollum together a few separate times, and the whole process takes them some 16 years.* In the second chapter of book two, The Council of Elrond, we get the most detail. There’s first a reference to a long and hopeless search. (Gandalf says that they went to the Mountains of Shadow and “the fences of Mordor”, where they guessed that “he dwelt there long in the dark hills; but we never found him, and at last I despaired”.)

Aragorn is the one to actually catch him: apparently he by chance found Gollum’s footprints leading away from Mordor and caught him somewhere in the Dead Marshes. Then followed an unpleasant walk to Mirkwood, and, finally, Gandalf questioning Gollum there.

What I see so far is a long, tedious, and possibly uneventful beginning followed by sleeplessness, stink, and cruelty (Aragorn himself says that Gollum “bit me, and I was not gentle […] making him walk before me with a halter on his neck, gagged, until he was tamed by lack of drink and food”).

A very skilled writing team is required to make something exciting out of that.

You know what I would rather see? For instance:

  • anything do do with the Hobbits arriving into Eriador (1050, c. 1150 of Third Age) and settling first Bree-land (c. 1300) and then the Shire; also the Stoors leaving the Angle and some returning to Wilderland (1356)
  • the heyday of Osgiliath (before the city was burned and its palantir lost in 1437)
  • Gondor and Arnor renew communcations and form an alliance (1940)
  • the fall of Arnor and the northern kingdom; how the heirlooms of Arnor are given to Elrond’s safekeeping (1976)
  • Dwarves live and mine in Moria and eventually are driven out
  • Thorin I leaves Erebor and goes north to the Grey Mountains (2210)
  • excavations of Great Smials (begun 2683), Bandobras Took defeats Orcs in the Northfarthing (2747), Gandalf comes to aid Hobbits (2758)
  • life in Dale, the coming of Smaug (2770)
  • Thráin II and Thorin wander westwards (from Moria?) and settle in southern Ered Luin beyond the Shire (2799-2802)
  • how and where Aragorn’s mother Gilraen (born 2907) lived in the north, her wedding to Arathorn, son of Arador (2929); death of Arador (2930) and birth of Aragorn (2931), Gilraen’s travels to Imladris with Aragorn after the death of her husband (2933)
  • The Fell Winter when many northern rivers are frozen, incl. the Baranduin (Brandywine) (2911)
  • Gandalf and Balin visit Bilbo in the Shire (2949)
  • Aragorn meets Gandalf and their friendship begins (2956), Aragorn’s journeys in the Wild begin in earnest, including time in Rohan and in Gondor in disguise (2957-2980)
  • Balin leaves Erebor and enters Moria (2989), the end of Balin and the Moria Dwarf colony (2994)
  • The Scouring of the Shire and the Battle of Bywater after the destruction of the Ring
  • King Elessar rides north, lives by Lake Evendim for a while, including meeting his Hobbit friends on the Brandywine Bridge, Elanor, daughter of Samwise, becomes a maid of honor to Queen Arwen (1436 Shire Reckoning)
  • Samwise, Rose, and Elanor ride to Gondor, stay there a year (1442 S.R.); Elanor marries Fastred of Greenholm (1451 S.R.), they have a child, Elfstan Fairbairn (1454 S.R.), and later move to Undertowers on the Tower Hills (1455 S.R.); Rose dies and Sam rides to Tower Hills and gives the Red Book to the Fairbairn’s keeping before leaving for the Grey Havens (1482 S.R.)

(All pulled from Appendix B of The Lord of the Rings.)

So much could be told about the the Shire’s early history. The tidbits on fighting with Orcs, a company of Hobbit archers sent to assist the King in the north, and the Fell Winter are tantalizing. Or the later history, too, especially focusing on Sam, Merri, and Pippin and their families.

There also has got to be a lot of unmentioned history behind details like “Gondor and Arnor renew communcations and form an alliance”, but I can see the (probably economic or marketing) reasons for focusing on characters we’ve already seen on the screen.

So, you could go with “Thráin II and his son Thorin wander westwards. They settle in the South of Ered Luin beyond the Shire”, or “Gandalf and Balin visit Bilbo in the Shire”, and keep a reasonable connection to events in the movie adaptations. The latter took place some eight years after the events of The Hobbit and 40 years before Balin sets out for Moria—surely a lot of leeway for embellishment there.

I also would really love to see the scouring of the Shire. Understandably the sequence would take a lot of reworking, since Jackson et al. chose to kill off Saruman and Wormtongue already at Isengard, but that kind of major revamping is hardly new to the team.

In any case, we’ll reserve final judgment until we know more. Here’s hoping it’ll be good.

This post has been edited to correct a typo.

*) Appendix B lists three years to do with the hunt for Gollum. First, in the year 3001, “Gandalf seeks for news of Gollum and calls on the help of Aragorn.” Second, in 3009, “Gandalf and Aragorn renew their hunt for Gollum at intervals during the next eight years, searching in the vales of Anduin, Mirkwood, and Rhovanion to the confines of Mordor. At some time during these years Gollum himself ventured into Mordor, and was captured by Sauron.” Third, in 3017, “Gollum is released from Mordor. He is taken by Aragorn in the Dead Marshes, and brought to Thranduil in Mirkwood.”

Gnome Frost Mage Transmog Tweak

A lot of the time, the new trading post transmog items are a different, fun take on World of Warcraft gear. They’ve allowed me to tinker with my looks, including this cute version of a Gnome fortune-hunter.

WoW Dragonflight Frost Mage Transmog1

I made it for my frost mage, who in my head canon is very academic and very girly and very neat, ergo the polished, fancy outfit completely at odds with adventuring life. But, hey, she gets to carry a chest bursting with jewels on her back!

WoW Dragonflight Frost Mage Transmog2

The Love Witch’s Boots are rather, uh, extravagant on their own, but fortunately I only need their curly tips and a little of the magenta stripe to shop up from under the Mooncloth Robe hem.

Here is her set in Wowhead’s Dressing Room.

Images: World of Warcraft screencaps

Official Trailer for Renegade Nell

A new(ish) series on Disney+ caught my eye: Renegade Nell. Here’s an official trailer:

Renegade Nell | Official Trailer | Disney+ by Disney Plus on YouTube

Looks at least borderline interesting; even if 18th-century England or outlaws aren’t really my cup of tea, stories of women with unusual lives can be intriguing. Here there is also a hint of magic in the shape of a spirit called Billy (Billy? really, though?!?) that seems to grant Nell her extraordinary powers.

Other than the trailer, so far I’ve only the Frock Flicks post on the series to judge by. Have you seen Renegade Nell? What did you think—is it worth seeing?

First Trailer for Thunderbolts*, Plus Thoughts

Thunderbolts* has now the honor of the most recent movie trailer release within the Marvel Cinematic Universe:

Marvel Studios’ Thunderbolts* | Teaser Trailer | Only In Theaters May 2025 by Marvel Entertainment on YouTube

(I guess the asterisk is a thing? At least it is appended to the name not just on YouTube but also in IMDB.)

First thought: huh? I had thought a version of the Fantastic Four was coming next. I must’ve gotten my notes mixed up, or missed an update somewhere. Second thought: Thunderbolts? Huh? This says absolutely nothing to me. At least I can recognize most of the MCU characters in the trailer: from Black Widow, there’s Yelena Belova (faux-sister to Natasha Romanoff), the Red Guardian, and the Taskmaster (Dreykov’s daughter Antonia), then Ava / Ghost (from Ant-Man and the Wasp) plus Bucky Barnes.

I kinda love how at the 1:05 mark when the building explodes, Yelena just matter-of-factly turns and starts walking calmly away, almost a bored look on her face. Or maybe it’s a here-we-go-again face? Anyway. Also, that Bucky had his metal arm in the dishwasher.

It’s hard to grasp what’s supposed to go on other than these bad guys who are not necessarily bad guys entirely through faults of their own perhaps now trying to be good-ish guys are being hunted by even more bad guys? Maybe?

I don’t care for the character Valentina Allegra de Fontaine—the corporate suit lady towards the end (earlier seen in The Falcon and the Winter Soldier, Black Widow, and Black Panther: Wakanda Forever)—so I’m miffed we’ll see more of her. Meh.

Otherwise, this trailer has a little of the same feel I get from the early MCU ensemble stories. If we’re really lucky, the movie might capture some of the same magic.

At this writing, Thunderbolts* is set to release on May 02, 2025.

Living in the Science-Fictional Now: Smart Contact Lenses Powered by Solar Cells and Blinking

Move over, flying cars. Also, 3d-printing living cells onto internal organs, your moment in the limelight is over. For here come smart contact lenses.

Despite its unfortunate publishing date—Apr 1st—the article in IEEE Spectrum on smart contact lenses powered by solar cells and blinking seems to refer to a genuine invention.

An article in the journal Small on March 13, 2024, by Erfan Pourshaban et al. introduces a self-contained on-the-eye power source. Their device combines flexible silicon solar cells with an electrochemical harvester based on the principle of metal-air batteries. This harvester is activated by the blinking motion and uses tear electrolytes for the harvesting. Finally, the two energy generators were integrated with a power management circuit for a stable voltage and to compensate for weak solar cell performance under low-light conditions.

According to Pourshaban et al., their self-standing power pack could even power drug delivery systems, diabetic sensors, or readout sensors in smart contact lenses.

Wiley Online Library Pourshaban et al Fig4
Integrated power pack for a smart contact lens by Pourshaban et al.; a) Exploded view of the flexible power pack’s components, b) circuit diagram of the entire power pack, c) PDMS-encapsulated power management circuit and the flexible solar cell mounted on an eyeball replica, and d) power pack’s electrical status under natural eye blinking conditions.

I haven’t seen much mainstream reporting on this, but it sounds very exciting to me! The technology has so far been tested on a curved platform that emulates the human eyeball with a 3d-printed eyelid. A long way is still needed for any actual human use, I’d imagine, but the treatment of various eye-related complaints such as glaucoma, dryness, chronic ocular surface inflammation, and vision issues might become much easier. There may also be potential for more science-fictional uses, like in-eye displays.

What an amazing time we live in!

Image by Pourshaban et al. via Wiley Online Library

R.I.P. Dame Maggie Smith

Actor Dame Maggie Smith has passed at the age of 89.

I’m most fond of her role as Dowager Countess Violet Crawley in Downton Abbey. It is one of the best in that franchise—most of the characters are interesting and all of the acting is fantastic, but hers topped it by far. Already two years ago, you could tell from the footage of the second movie, Downton Abbey: A New Era, that she was getting very old and fragile. I remember thinking at the time that I wouldn’t be surprised if that was to be her last performance. (It wasn’t, but almost.)

I also love her snarky Professor Minerva McGonagall from the Harry Potter movies. In addition, in the non-SFFnal work of hers I’ve seen she’s always been consummate, even if the roles themselves might sometimes be lukewarm.

Rest in peace, Dame Maggie. You will be missed.

Image: giffed screenshot from Downton Wars: Episode 2 – The Evil Butler Strikes Back, found via Primogif

Theatrical Adaptation of LotR in Tampere

Our fall is forming up to include a bit more J.R.R. Tolkien than usual: besides seeing The Art of John Howe in Tampere, we have tickets to see a theatrical adaptation of Taru sormusten herrasta (The Lord of the Rings)—also in Tampere.

There is a short but handsome trailer:

Taru Sormusten herrasta – Tampereen Teatteri & Tampere-talo by TampereenTeatteriTT on YouTube

(Note: There’s no captioning, and it’s only in Finnish, but mostly the trailer is non-verbal. In the beginning, the text reads Experience the world’s best-known adventure. At the end, while raising his staff Gandal says You cannot pass!)

Tampere Theatre, Tampere Hall, and Tampere Philharmonic Orchestra, among others, have worked for four years to create the adaptation. I haven’t heard the reason why the play runs only about two months (Aug 22 to Sept 21, 2024 and Dec 18, 2024 to Jan 11, 2025); you’d think a slightly longer run might be warranted for such a large production. I do know it’s staged at Tampere Hall instead of Tampere Theatre’s own, beautiful historical building because the latter is under renovations. I also know that the production team had to make their own Finnish translation from scratch and that no songs were allowed due to limitations posed by The Tolkien Estate.

The sets and props look fantastic, as does the lighting and video projections. I’m not sure I agree with the Elven costuming, though; their profiles look a little too much like the female Hobbit / villager Hobbit profiles. Otherwise the wardrobe looks fabulous. You can’t tell about the soundscape on the basis of the trailer alone, but I have high hopes. I hope the Hall also works for the adaptation as a performance space.

We can’t wait to see it!

Trailer for Megalopolis, with Thoughts

The first trailer for Megalopolis by director Francis Ford Coppola is out:

Megalopolis (2024) Official Trailer – Adam Driver, Giancarlo Esposito, Nathalie Emmanuel by Lionsgate Movies on YouTube

Strictly speaking, this is, in fact, the second iteration for a trailer. There was a bit of a kerfuffle, for the first version of the trailer was taken down because it included fake quotes from critics, which reportedly may have been algorithmically generated.

I have to say that I’m not wowed. It’s very pretty to look at, beautifully cinematic, even breathtaking at times. However, it really doesn’t seem to be a movie for me.

We’re not in the 80s or 90s anymore, when just about any SFFnal movie was sure to get my eyeballs simply by existing. Then, for a while during and after the aughts, handsome effects and CGI often got me to see a movie I wouldn’t necessarily have seen at the theater otherwise. Now we have reached a saturation point. For a good long while I have just not been able to be bothered about seeing a new release at the theater unless there’s something special about it, or a movie hits a very particular interest of mine.

(I will certainly not take the trouble, if trailers merely make a movie look like a whole bunch of men doing man-things and relegates women to the sidelines. It’s one thing to place your story in a society where minorities aren’t formally given recognition by the society, but there’s a huge difference between writing or filming those minorities in a dismissive way and a respectful way. I found Oppenheimer, for example, a wonderful example of the latter.)

Even reading that Megalopolis is loosely based on Roman history (the Catilinarian Conspiracy in 63 BCE involving an aristocrat attempting to overthrow the Republic) didn’t make it more interesting to me. Granted, the time stop gimmick is slightly interesting, but I confess that it, too, lost its appeal by the end of the trailer.

It is a shame I won’t see more of Nathalie Emmanuel, whose work in the Fast & Furious franchise and in Game of Thrones I’ve liked. Perhaps I’ll find Megalopolis in the library, if it’s ever imported to Finland. At this writing it doesn’t look like it, but we’ll see.

Megalopolis opens on September 27, 2024.

The Art of John Howe in Tampere

Last month we saw an exhibit of fantasy art by John Howe in Tampere-talo, Tampere, Finland. Titled The Art of John Howe: Journeys through the worlds of J.R.R. Tolkien, the exhibit is the first time that Howe’s work has been comprehensively displayed in Finland.

2024 08 13 Howe Exhibit1

Over 250 original works were presented, from pencil drafts to finished color paintings and sculpture, along with sketchbooks and even some metal armor belonging to Howe. Some images were also enlarged into murals or banners, and a number of video screens scattered around the exhibit looped captioned interviews.

2024 08 13 Howe Exhibit2
2024 08 13 Howe Exhibit3

Apart from various illustrations of The Lord of the Rings and The Hobbit, on display were for example works on mythical topics or sagas, like Beowulf and Arthurian legends. Also various architectural or creature studies were included.

2024 08 13 Howe Exhibit4

The exhibit space was partitioned into irregular areas. Walls framed your route in interesting ways, and the murals created striking views. In one corner there was even a video with flying dragons projected up on the wall high above the framed artworks so that the dragons were visible from a distance. The art pieces had enough room, and no area was too small—clearly accessibility was planned in.

2024 08 13 Howe Exhibit5

There was no predetermined loop, merely a path suggested by the layout, which made it easy to pick your preferred viewing order and to avoid the occasional crowd. It was also easy to double back without first having to finish the whole route.

Color and lighting were used in a fascinating way. Most spot lights were warm orangey-brown or in the blue-purple range. Otherwise the hall was surprisingly dark, but not unsafely so. It was very interesting from a mood point of view.

2024 08 13 Howe Exhibit6
2024 08 13 Howe Exhibit7

Visitors were encouraged to take photos. Unfortunately, the ceiling lights reflected on the glass, which made photographing individual framed artworks difficult.

2024 08 13 Howe Exhibit8

It was great seeing the complexity, detail, and vividness of Howe’s art in person, not to mention the variety of his work. We were absolutely delighted to be able to visit!

Images by Eppu Jensen

Visual Inspiration: Late Babylonian Clay Map

Recently I ran into this Late Babylonian map of the world on a clay tablet from the British Museum:

BM Late Babylonian World Map
The Map of the World, Late Babylonian (found Abu Habba (Sippar), currently British Museum; c. 6th c. BCE; clay)

The map shows the world as a disc surrounded by the circular “Bitter River”. Babylon is marked as a rectangle, the river Euphrates flows south in the middle, and small circles show cities or districts.

The curator’s comment in the BM catalog says that according to the tablet it was copied from an earlier one. Clearly there was an established practice by 6th c. BCE—this object is quite recent in Mesopotamian terms, after all.

Obviously, the map was meant to be more conceptual than realistic. However, there are many notes (and even some time / linear measurements) which make it more usable. (Please visit BM and read the item description; it’s quite fascinating.)

BM Late Babylonian World Map Drawn Plate
The Map of the World, Late Babylonian (found Abu Habba (Sippar), currently British Museum; c. 6th c. BCE; drawing of clay tablet)

What an intriguing map, isn’t it?

As the fragment is approximately 12 by 8 cm (approx. 3″ x 5″), it’s believable that it could’ve easily been transported if desired. Which makes it quite plausible that intrepid adventurers in a story or role-playing campaign in a similar setting could carry around maps made in the same style. There could quite well be professional mapmakers and a developed cartography for your world, even if writing doesn’t happen on sheets of paper as we know it.

Images: The Trustees of the British Museum (CC BY-NC-SA 4.0)