I randomly ran into a collection of recreations of Persian or Iranic women’s clothing from different eras, from ancient times to a few hundred years ago. Below are the five oldest outfits.
They seem to be images of modern interpretations based on artwork of various kinds: statuettes, carvings, reliefs, paintings, and drawings.
Aren’t they fascinating? The images clearly come from a print publication, but apart from that I unfortunately don’t have any source information.
I don’t know much about these eras and areas, but I can’t escape the impression that these recreations may be relatively old and, perhaps, not entirely reliable. For instance, the Sassanian dress seems very polyester-like (too shiny). On the other hand, a lot of the draping looks very plausible. It would be so interesting to read an analysis on each outfit by the researchers / creators.
I’ve long been into early history, specifically of textiles and clothing, usually the older the better. Sadly, it’s an area that we tend to have very spotty evidence. I’m so glad digitization and the Internet help get more information out to interested audiences. There are so many more sources and preserved fragments than many may realize, and now we get to see them!
Found via The Real Iran on Tumblr. My Tumblr source doesn’t unfortunately give any more info, but it sounds like the cup was found in the Bronze Age site of Shahr-e Sūkhté (or Shahr-e Sukhteh) in Sistan, southeastern Iran.
Just reading the Wikipedia page for Shahr-e Sūkhté makes my imagination run—a large trading route hub with connections to Mesopotamia, Central Asia, and India with rich material culture would make an excellent setting for historical or speculative fiction. (For example, among the archaeological finds from the Burnt City is apparently the world’s first artificial eyeball.)
Finding real-world inspiration like this is when I really wish I was a writer!
How would you like to make beer and get college credit for it? Students at Stanford got to do just that. Their final project for Professor Li Liu’s course Archaeology of Food: Production, Consumption and Ritual involved practical experiments with ancient brewing techniques and materials. The oldest “recipe” they tried is 5,000 years old:
“Liu, together with doctoral candidate Jiajing Wang and a group of other experts, discovered the 5,000-year-old beer recipe by studying the residue on the inner walls of pottery vessels found in an excavated site in northeast China. The research, which was published in Proceedings of the National Academy of Sciences, provided the earliest evidence of beer production in China so far.”
The materials for the ancient Chinese beer contained millet, barley, Job’s tears (Chinese pearl barley), and traces of yam and lily root parts. The students tried other combinations as well. Watch a short video explaining the experiments:
Stanford students recreate 5,000-year-old Chinese beer recipe by Stanford
Professor Liu’s research also shows it’s possible that barley (a very popular beer grain even today) may have been introduced to China from western Asia hundreds of years before previously thought and specifically for brewing instead of a food crop.
Fascinating! It shows that as long as we have records—or material remnants, not just written word—there have been people interested in the minutiae of food and food production. I for one am grateful to be able to enjoy the fruits of such a long history of delicious experiments.
This post has been edited.
Geeks eat, too! Second Breakfast is an occasional feature in which we talk about food with geeky connections and maybe make some of our own. Yum!
Besides being an awesome name for a band, paleolithic Siberian unicorn is an apt description of an animal otherwise known as Elasmotherium.
Elasmotherium was a prehistoric relative of the rhinoceros that ranged across central Asia and eastern Europe. It stood over 2 meters tall at the shoulder and its body was as long as 4.5 meters. Its distinguishing feature was an enormous horn on its face. The exact size and shape of the horn have never been determined, since no horn remains have been found, but the bony basis for the horn can be clearly seen on preserved skulls.
Elasmotherium was long thought to have gone extinct over 350,000 years ago, but recent work on a skull found in Kazakhstan has shown that the animal survived until at least 29,000 years ago. That puts living Elasmotheria in the middle of the upper (more recent) paleolithic (40,000-10,000 years ago). Humans certainly lived alongside them and may have depicted them in cave art.
Some have speculated that Elasmotheria survived even longer and may have been the inspiration for fantastical animals including unicorns, as described by eastern European legends, and the Chinese qilin. It’s impossible to verify such ideas, but they’re fun to think about.
Image: Elasmotherium via Wikimedia (c. 1920; painting; by Heinrich Harder)
Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.
In an article at SAPIENS, archaeologist Stephen E. Nash discusses the difficulty of interpreting prehistoric life due to the fact that artifacts made of perishable materials are so rarely preserved to be found. It’s a quick, fascinating read, but what jumped at me was this image of a split-twig figurine that Dr. Nash shared:
Found in Dolores Cave near Gunnison, Colorado, and at 4,500 years old it’s apparently the oldest and easternmost example of an artifact style found in dry cave environments across the American West. It’s unknown whether the figurine had ritualistic (or magical) uses or whether it was a child’s toy.
Regardless of what its function was, the figurine is an intriguing example of Stone Age material culture. Like Dr. Nash points out, much of the coverage of prehistoric cultures concentrates on artifacts made of nonperishable materials—stone, bone, shells, metal, or the like. It’s exhilarating to see something that could basically have been the equivalent of a twig toy horse.
The Visual Inspiration occasional feature pulls the unusual from our world to inspire design, story-telling, and worldbuilding. If stuff like this already exists, what else could we imagine?