R.I.P. Dame Maggie Smith

Actor Dame Maggie Smith has passed at the age of 89.

I’m most fond of her role as Dowager Countess Violet Crawley in Downton Abbey. It is one of the best in that franchise—most of the characters are interesting and all of the acting is fantastic, but hers topped it by far. Already two years ago, you could tell from the footage of the second movie, Downton Abbey: A New Era, that she was getting very old and fragile. I remember thinking at the time that I wouldn’t be surprised if that was to be her last performance. (It wasn’t, but almost.)

I also love her snarky Professor Minerva McGonagall from the Harry Potter movies. In addition, in the non-SFFnal work of hers I’ve seen she’s always been consummate, even if the roles themselves might sometimes be lukewarm.

Rest in peace, Dame Maggie. You will be missed.

Image: giffed screenshot from Downton Wars: Episode 2 – The Evil Butler Strikes Back, found via Primogif

Trailer for Megalopolis, with Thoughts

The first trailer for Megalopolis by director Francis Ford Coppola is out:

Megalopolis (2024) Official Trailer – Adam Driver, Giancarlo Esposito, Nathalie Emmanuel by Lionsgate Movies on YouTube

Strictly speaking, this is, in fact, the second iteration for a trailer. There was a bit of a kerfuffle, for the first version of the trailer was taken down because it included fake quotes from critics, which reportedly may have been algorithmically generated.

I have to say that I’m not wowed. It’s very pretty to look at, beautifully cinematic, even breathtaking at times. However, it really doesn’t seem to be a movie for me.

We’re not in the 80s or 90s anymore, when just about any SFFnal movie was sure to get my eyeballs simply by existing. Then, for a while during and after the aughts, handsome effects and CGI often got me to see a movie I wouldn’t necessarily have seen at the theater otherwise. Now we have reached a saturation point. For a good long while I have just not been able to be bothered about seeing a new release at the theater unless there’s something special about it, or a movie hits a very particular interest of mine.

(I will certainly not take the trouble, if trailers merely make a movie look like a whole bunch of men doing man-things and relegates women to the sidelines. It’s one thing to place your story in a society where minorities aren’t formally given recognition by the society, but there’s a huge difference between writing or filming those minorities in a dismissive way and a respectful way. I found Oppenheimer, for example, a wonderful example of the latter.)

Even reading that Megalopolis is loosely based on Roman history (the Catilinarian Conspiracy in 63 BCE involving an aristocrat attempting to overthrow the Republic) didn’t make it more interesting to me. Granted, the time stop gimmick is slightly interesting, but I confess that it, too, lost its appeal by the end of the trailer.

It is a shame I won’t see more of Nathalie Emmanuel, whose work in the Fast & Furious franchise and in Game of Thrones I’ve liked. Perhaps I’ll find Megalopolis in the library, if it’s ever imported to Finland. At this writing it doesn’t look like it, but we’ll see.

Megalopolis opens on September 27, 2024.

Captain America: Brave New World Teaser Trailer

To drum up interest for Captain America: Brave New World, Marvel came out with a short teaser trailer:

Captain America: Brave New World Official Teaser by Marvel Entertainment on YouTube

Sam’s comment to President Ross (“I have to admit, I’m still getting used to the new look.”) reads to me as a suitably lighthearted way to acknowledge the change in actors from William Hurt to Harrison Ford. RIP, Mr. Hurt.

Obviously the story somehow weaves in shifts in global power—there are a lot of Asian faces, but not many specifics at this stage—and the Red Hulk. The latter is completely unfamiliar to me, so it should be interesting to see how Marvel is able to introduce us non-comic readers to the character. (As far as I can tell, their track record so far is hit or miss.)

I am looking forward to learning what (beside wings!) Anthony Mackie’s Sam Wilson brings to Captain America the character and the franchise. It’s been quite a while since we properly saw him in action. Looks very cool so far!

At this writing, BNW is expected to release on February 14, 2025.

Quotes: If Wolverine Can Weep at a Movie


In honor of the movie Deadpool & Wolverine coming out next week, here’s a lovely tidbit concerning an earlier Wolverine movie. Sir Patrick Stewart apparently had the following to say on seeing Logan for the first time with an audience at the Berlin Film Festival in 2017:

“It was Hugh [Jackman] and [director] James Mangold and myself, and when it got to the last 10 minutes of the movie, it was emotional and intense, and I could feel myself getting choked up. Then I looked over at Hugh and he was wiping his eyes, and I thought if Wolverine can weep at a movie, Charles Xavier can do the same thing. Then Hugh reached over and grabbed my hand and we held hands for the rest of the movie.”

-Sir Patrick Stewart

HUGE props for Hugh Jackman and Sir Patrick—it’s not always easy being a man and showing emotion in the Anglo-American world, never mind when you’re supposedly this tragic tougher-than-nails superhero. (Sorry, sorry, bad pun very much intended!)

IMDB Logan Stewart and Jackman

(I do appreciate Sir Patrick so much—he’s such a humane and decent man, not to mention a superb actor!)

Lang, Brent. “Patrick Stewart on ‘Logan,’ Harvey Weinstein and Returning to ‘Star Trek’.” Variety, December 05, 2017.

Image via IMDB

Deadpool & Wolverine Official Teaser Trailer

Deadpool isn’t one of my favorite superheroes; the stories tend to be too explicitly violent, and the humor is about half and half hit or miss for me. I’m therefore not really following any DP news, so the fact that the third DP movie is called Deadpool & Wolverine was, well, news to me. It also made me perk up my ears, so to speak—Hugh Jackman’s performance as the mutant superhero that goes snikt was fabulous and got me to care about the character more than I otherwise would have.

The first trailer for DP&W was released last month:

Deadpool & Wolverine | Official Teaser | In Theaters July 26 by Marvel Entertainment on YouTube

Looks like the violence isn’t going to be any less gory this time either (even if the trailer itself was relatively clean as DP movies go). The bratty humor is also still there, as you’d expect—gotta keep the fans happy and the character consistent, right? But what I can’t yet figure out is how they’ll interweave the X-Men and DP.

It’s always a joy to see Morena Baccarin and Hugh Jackman. According to IMDB, however, Patrick Stewart will make an appearance, presumably as Professor Xavier, as will Jennifer Garner as Elektra. Whoa. I’ve mixed feeling about Matthew Macfadyen on the basis of past productions of his, so we’ll see what he makes of the Marvel Cinematic Universe.

It should also be interesting to see how, exactly, is Marvel going to untangle (if at all?) their multiverse mess, which certainly hasn’t gotten easier with Jonathan Majors being dropped from the role of Kang. DP&W might actually hold my interest longer than the previous DPs. Here’s hoping!

At this writing, the movie is set to release on July 26, 2024.

Three Trailers for Villeneuve’s Dune: Part Two

At some point in 2023 when I wasn’t looking, three trailers for Villeneuve’s Dune: Part Two were published.

Part Two, trailer one:

Dune: Part Two | Official Trailer by Warner Bros. Pictures on YouTube

Here’s trailer two:

Dune: Part Two | Official Trailer 2 by Warner Bros. Pictures on YouTube

And trailer three reasonably recently (from mid-December):

Dune: Part Two | Official Trailer 3 by Warner Bros. Pictures on YouTube

Wow, trailer three’s music deviates quite strongly from the other two. (Too much ululation in the others?) Other than that, it’s clear we have a war coming—as those who’ve read the books know—and the Bene Gesserit looks to have a larger role. The emperor (Christopher Walken) also makes an appearance, but it isn’t clear how much we’ll be seeing him.

I did also notice how strongly the Fremen-eye blue stands out in the otherwise very sepia-toned environment. And is it just me, or have the Harkonnen gone even more monochrome than in Part One?

At this writing, the release date is set to March 1, 2024.

Random Thoughts on The Marvels

In no particular order. Spoiler warnings in effect.

Erik’s random thoughts:

  • The beginning and ending of this movie felt rushed. The beginning had to get the audience caught up on a bunch of streaming shows that not everyone has seen. The ending felt like it ran out of time to properly wrap up both story elements and emotional beats. As ridiculous and entertaining as the musical number on Aladna was, maybe a minute or two of that runtime could have been better spent on other parts of the movie.
  • Even though we have watched most of the relevant streaming shows (we’ve seen WandaVision and Ms. Marvel; we gave up on Secret Invasion after they fridged their third woman in as many episodes), I still felt as though I was missing out on some backstory. It’s like there’s half a movie we all missed somewhere along the way.
  • Iman Vellani is fantastic as Kamala Khan / Ms. Marvel, and she plays brilliantly off both Brie Larson and Teyonah Parris. Carol Danvers may be drivingf this movie’s story, but Kamala is its big, goofy, awkwardly earnest teenaged heart.
  • I think I counted two white men with speaking roles—three at a stretch if you include the stinger (and not getting into complicated questions about South Asian identities). At the same time, the movie doesn’t make any kind of issue about gender or race; people are just people. We’ve come a long way from the blazing white maleness of Iron Man, even from movies like Black Panther and Captain Marvel which showcased the diversity of their representation and made it a feature of the movie. The Marvel Cinematic Universe is better for reaching a place where a movie full of people who aren’t white men is unremarkable.
  • With Guardians of the Galaxy, Thor: Ragnarok, and now The Marvels, the MCU is fully committing to the idea that space is big, colorful, weird, and often kind of silly, and I love it.
  • It was great to see the heroes find their strength not by force of will or emotional epiphany but with practice, and especially by practicing together.
  • Having flerken kittens tentacle-eat people as an evacuation strategy was already pretty funny, but setting it to a song from Cats was comedy genius.

Eppu’s random thoughts:

  • It’s too bad that I’ve never read any Carol Danvers stories. It seems there’s a lot of potential in the character—or a lot of comic book storylines that could’ve been tapped—but for some reason she hasn’t gotten another movie for herself; hardly any time at all, in fact, even in the movies that she has been in.
  • Like MCU’s Peter Parker (Tom Holland), the new Ms. Marvel Kamala Khan (Iman Vellani) actually feels like a teenager. Good job writing and acting that aspect. (So good, in fact, that we almost gave up on Ms. Marvel the series.) Also Khan’s mother Muneeba (Zenobia Shroff) is a treasure!
  • It’s DELIGHTFUL that we had a proper training montage! I was so satisfied to see how exactly the Marvels figured out how to take advantage of their inadvertent swapping-places-snafu, even to the extent of tagging in and out while juggling.
  • I guess it’s an indication of how few women I’m used to seeing in the MCU that I kept being astonished at how many female characters we got not only to see but to hear. (“She got lines! And she got lines, too!”)
  • Teyonah Parris as Monica Rambeau felt the most one-dimensional of the three protagonists. Apart from still suffering from Auntie Carol abandoning her in her childhood, what did she have going on in her life? Not much, as I recall. (Well, work, but don’t they all have that.)
  • In the MCU, there’s a distinct testosterone-and-big-guns strain (e.g., the Avengers and Iron Man movies), another that’s kookier but mostly sticks with humans (Ant-Man, Doctor Strange), and a third that’s waaaay out there (Guardians of the Galaxy, Thor: Ragnarok). I used to think there’s room for all kinds of takes, from serious to silly, but at least in The Marvels the different veins seem almost to quarrel. The result is a mix where the various styles pull in different directions and don’t quite cohere. I would’ve wanted to see a higher quality, more polished movie. Perhaps the writers are still recuperating from the cumulative effects of the pandemic and the Hollywood writer’s strike. (I know I haven’t bounced back all the way yet, and I didn’t even have to strike.)

Image: Screenshot from The Marvels via IMDb

Official Trailer for The Marvels Has Even More Space Kittens!

An official trailer for The Marvels is out:

Marvel Studios’ The Marvels | Official Trailer by Marvel Entertainment on YouTube

Aaah – it’s looking strongly like a learning to work together story! Aaah! 🙂

Otherwise, from this trailer, it’s difficult to tell whether there’s much more than your usual ‘find problem, hit to solve’ solutions all too prevalent in the Marvel Cinematic Universe. Dar-Benn both looks and sounds corny, but that could be a case of trailers always lying.

It’s already certain there will be from some excellent dialogue between Kamala Khan, Monica Rambeau, and Carol Danvers; I’m so ready for that. And even more space kittens….?!?

Star Wars: A Personal Reflection

Star Wars Day is coming soon (May the Fourth be with you!), so I’ve been thinking about how I got into that universe. My route in was a bit odd.

I’m a little bit too young to have been caught up by the original movies. I wasn’t even born yet for the first one. I vaguely remember when The Empire Strikes Back was a thing. Return of the Jedi is the first movie trailer I can actually remember seeing on tv. Even if I had been old enough to go to the movies, though, I wouldn’t have gone to see Star Wars then. It just wasn’t a thing I was interested in.

That doesn’t mean I wasn’t aware of Star Wars. Star Wars merchandise was all over my childhood. Friends had Star Wars lunchboxes and t-shirts. I saw the posters and the toys. Before I was reading on my own, I could recognize Darth Vader and Yoda. Some of the neighborhood kids staged a recreation of a scene from Return of the Jedi. (As the youngest of the group, I was cast as an Ewok. I had no idea what that meant, but all it required me to to was run around and scream unintelligibly, which was about the limit of my acting ability at that age.)

Star Wars lunch box (not mine). Photograph by jeffisageek via Flickr under Creative Commons

When I did discover science fiction, it wasn’t Star Wars but old reruns of the original Star Trek that lit up my young brain. I was completely hooked on Star Trek and, with the stubborn, stupid loyalty of the very young, decided that there was only room in my life for one Star franchise. For years I scoffed at the Star Wars memorabilia around me and snootily dismissed anyone else’s interest in the movies.

I was nearly in junior high before I finally decided to give Star Wars a try. Oddly enough, though, my first experience of Star Wars was not with the movies themselves. In my school library I found a set of picture books that told the story of the original trilogy movies (the only movies there were at the time) illustrated with stills from the films. My memory of the books is hazy, but at a best guess they were The Star Wars Storybook, The Empire Strikes Back Storybook, and the Return of the Jedi Storybook. I decided to give them a shot.

To my surprise, I enjoyed them, enough to hop on my bike, ride over to the local video rental shop, and check out the movies themselves. It was a weird experience. In a sense, I felt like I had always known these stories. I certainly couldn’t remember a time when I hadn’t known that there were heroes named Luke and Leia who fought a villain in a black helmet while accompanied by a couple of shiny droids. Reading the books filled in the details of a story that already felt familiar. By the time I actually saw Star Wars on screen, I knew who the characters were and what was going to happen. Watching those movies for the first time already felt like revisiting old friends.

Weirdly, one thing that wasn’t spoiled for me until I read the books was the Skywalker family tree. I can still remember the shock of finding out that Darth Vader was Luke’s father and then that Leia was his sister. That may be hard to believe in today’s world of fan sites and social media, but I made it through more than a decade of knowing who those characters were without knowing how they were related. Somehow, in all the years of my childhood, I never heard any of my friends who were into Star Wars put on a deep voice and say “Luke, I am you father.”

Star Wars has a special place in modern pop culture because it is special. It is one of the few stories we all know, even if we’ve never seen it. Whether you love it or not, and however you may feel about the prequel and sequel trilogies or any of the vast outpouring of other media in the Star Wars universe, it’s a story that we all have our own stories about.

In Seen on Screen, we discuss movies and television shows of interest.

A Competence Porn Viewing List

The other day, fueled by our discussion on what to watch after dinner, I started musing about a certain mood of mine and what connects the works I gravitate towards when in that mood. I landed on the term competence porn without realizing it is an existing term. (There’s even a Wikipedia article on competence porn.)

In alphabetical order, here is my short viewing list:

  • Charlie’s Angels (2019)
  • Elementary
  • Leverage
  • Ocean’s Eight
  • Rogue One
  • Wonder Woman

And a back-up list with works that fulfill some criteria, fail others, but that I nevertheless often like to watch when in that mood of mine:

  • Black Widow
  • Captain Marvel
  • Miss Marple (the series with Joan Hickson)
  • Murdoch Mysteries
  • Star Wars VII-IX (specifically Rey’s storyline)

There seems to be surprisingly much variance in the use of the term competence porn, so rather than dissect the alternatives, here is what I mean by it:

  • Typically has multiple competent, intelligent characters of different skills or areas of expertise working together, often towards a fairly big goal.
  • Involves complex problem-solving. Can but need not include a heist.
  • It helps if women are being awesome,
  • and/or, it helps if the characters are learning to work together.
  • It needs to be fun on some level. (Maybe?)

There’s a somewhat nebulous aspect I haven’t yet been able to quite define for myself. For example, on the surface, the action flick Gunpowder Milkshake fills the above requirements—it has multiple competent and intelligent characters, lots of problem-solving, women being awesome, and learning to work together, and yet I cannot count it as competence porn for my purposes. I guess it’s an aspect of fun? Or a lack of despair / despondency / dejection / melancholy / gloom?

Anyway, I’ll talk a little about why I’ve placed each of the works above onto my viewing list.

1. Charlie’s Angels

IMDB Charlies Angels 2019 Poster

I find the protagonist Elena (played by Naomi Scott) very irritating; on the other hand, Jane and Sabina (Ella Balinska’s and Kristen Stewart’s characters) plus Boz and Bosley (Elizabeth Banks and Djimon Hounsou) are great. Stewart has a bad rep, I guess, and I guess primarily from the Twilight movies (the only things I have seen her in), but on the basis of her performance here I’d suggest she does have skills but was just badly directed in that series. Anyway, it’s a learning to work together story, which I like a lot, and all the women down to the side characters are awesome.

2. Elementary (2012-2019)

IMDB Elementary s2 e12 The Diabolical Kind

A modernized version of Sherlock Holmes set loose in New York City with a gender-flipper Watson. Both Jonny Lee Miller and Lucy Liu are fantastic as the detective duo, and the smart NYPD cast, Captain Gregson and Detective Bell (played by Aidan Quinn and Jon Michael Hill), also contribute their fair share. The Ms. Hudson and Moriarty versions were also interesting, but all in all there are too few women. (Still half of the population, hello?) Nevertheless, the astounding cases, quality acting, and scenes of real NYC in all its glitter and grime continue to keep my interest despite some less successful story lines.

3. Leverage (2008-2012)

IMDB Leverage Group Shot

Yes, yes, yes—ticks all the boxes despite some unevenness in the writing. If only it didn’t have Nate nor the actor, Timothy Hutton; I’m so fed up with wallow-y man pain (and, whoo boy, does he wallow) with or without alcohol, but it’s infinitely worse with.

The three youngsters should’ve had a series of their own; THAT would’ve been great, and I would throw money at it!

4. Ocean’s Eight

IMDB Oceans Eight Poster

Yes, yes, YES! (Despite Sandra Bullock, Anne Hathaway, and Helena Bonham Carter, who all are far from favorites of mine.) Cate Blanchett, Mindy Kaling, and Rihanna were fabulous. The heist is simply staggering, and it helps it’s also a learning to work together story in part.

5. Rogue One

IMDB Rogue One Poster

Although in the beginning we only see a glimpse of Jyn Erso’s childhood and we hear little of how she lived afterwards, it’s clear that she can handle herself, backwards and blindfolded if needs be. I enjoy seeing just how the Rogue One group slowly comes together to run their desperate mission. It needs more women, though.

Rogue One is clearly the least fun of my six competence porn stories, which makes it really hard to put into words why it’s on my list. I just know that it is.

6. Wonder Woman

IMDB Wonder Woman Shot

There are some plotholes and/or weaknesses I’d rather do without, but the learning to work together aspect of the story nevertheless makes the movie work for me. And—need I say it?—SO many awesome women. I could spend more time seeing Amazon action on Themyscira!

Do you have a competence porn viewing or reading list? If so, I’d like to hear yours.

Images via IMDB: Charlie’s Angels. Elementary (s. 2, ep. 12, “The Diabolical Kind”). Leverage. Ocean’s Eight. Rogue One. Wonder Woman.

In Seen on Screen, we discuss movies and television shows of interest.