Quotes: Wheresoever Is Learning, There Is Controversy

 

“The truth is, said she, wheresoever is learning, there is most commonly also controversy and quarreling; for there be always some that will know more, and be wiser than others; some think their arguments come nearer to truth, and are more rational than others; some are so wedded to their own opinions, that they never yield to reason; and others, though they find their opinions not firmly grounded upon reason, yet for fear of receiving some disgrace by altering them, will nevertheless maintain them against all sense and reason, which must needs breed factions in their schools, which at last break out into open wars, and draw sometimes an utter ruin upon a state or government.”

– Margaret Cavendish, Duchess of Newcastle, The Blazing World and Other Writings

There is nothing new under the sun, not even disagreements.

Cavendish, Margaret, Duchess of Newcastle. The Blazing World and Other Writings. Edited by Kate Lilley. London: Penguin, 2004 [originally published 1666; reprint with a new chronology and further reading], p. 202.

(This quote comes from my 21 new-to-me SFF authors reading project.)

This post has been edited for clarity.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

Race: Fundamentals

150914BuryThis is a very, very, very basic introduction to the question of race from a historical perspective. If you’ve studied any world history, human genetics, or even just had your eyes open in the past decade, there’s probably nothing here you don’t already know. Everything I have to say has been said before, so why say it again? I have two reasons.

First, there are some more obscure and complicated things I want to talk about concerning race and history and it would be useful to have some basic points covered for future reference.

Second, there are some people who don’t know the basics of race, even some very intelligent people (even some Supreme Court justices), so it can’t hurt to say these things again.

Race is like money.

No, really, hear me out on this.

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Add Eight Ostrich Teams and Call It a Procession

Or: Some History behind Ostrich Riding, Part 3 of 7

Background: I ran into two historical images from California with ostriches used as transportation. That got me wondering about the history of ostrich riding. And that lead me down quite a rabbit hole.

I’ve divided my findings into separate posts (find them with the ostrich riding tag). Warning: serious early history and language nerdery ahead in Serious Academic Voice.

TL;DR – Tracing ostrich riding to a 3rd century BCE tomb find (a statue of Arsinoe II) from Egypt doesn’t hold up. The use of various ostrich products in human material culture dates back thousands of years. A few ancient depictions involve humans handling ostriches; however, extant sources don’t tell us whether ostriches were merely hunted or whether they were also tamed in the ancient world. The most promising source seems to be a description of a magnificent parade put together by Arsinoe II’s husband-brother Ptolemy II. This Grand Procession included eight chariots drawn by pairs of ostriches, and the ostriches may have been ridden by boys in costumes.

Below is the long story.

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I Want an Iwan

Well, no I don’t actually want one. I don’t have room for one to begin with, and I don’t live in the right climate anyway. That doesn’t change the fact that iwans are cool. Literally.

An iwan is a large room with a vaulted ceiling that has walls on three sides and the fourth side open to the air. They were built in the heat of Mesopotamia to create large shady spaces that were still open to light and air. The earliest iwans are thought to have been constructed under the Parthian empire in the first or second centuries CE. One of the earliest examples to survive into modern times was at Ctesiphon on the Tigris River, built by the Sasanian empire in the sixth century CE. Unfortunately, the building fell into poor repair over time and was destroyed by wars in the twentieth century, but in these old photographs you can still see enormous vaulted space.

 

Photograph of a Sasanian iwan at Ctesiphon, photograph 1864, Wonders of the Past vol. 2
Sasanian iwan, from Wonders of the Past vol. 2 via Wikimedia (photograph 1864). Note the people standing on top of the roof vault for a sense of scale.
Photograph of the same iwan from half a century later showing ongoing decay, currently San Diego Air and Space Museum
Photograph of the same iwan from half a century later showing ongoing decay via Wikimedia (photograph currently San Diego Air and Space Museum)

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That’s a Large-Ass Egg, All Right!

Or: Some History behind Ostrich Riding, Part 2 of 7

Background: I ran into two historical images from California with ostriches used as transportation. That got me wondering about the history of ostrich riding. And that lead me down quite a rabbit hole.

I’ve divided my findings into separate posts (find them with the ostrich riding tag). Warning: serious early history and language nerdery ahead in Serious Academic Voice.

TL;DR – Tracing ostrich riding to a 3rd century BCE tomb find (a statue of Arsinoe II) from Egypt doesn’t hold up. The use of various ostrich products in human material culture dates back thousands of years. A few ancient depictions involve humans handling ostriches; however, extant sources don’t tell us whether ostriches were merely hunted or whether they were also tamed in the ancient world.

Below is the long story.

Continue reading →

How Easy It Is to Be Wrong about Early History on the Internet

Or: Some History behind Ostrich Riding, Part 1 of 7

Background: I ran into two historical images from California with ostriches used as transportation. That got me wondering about the history of ostrich riding. And that lead me down quite a rabbit hole.

I’ve divided my findings into separate posts (find them with the ostrich riding tag). Warning: serious early history and language nerdery ahead in Serious Academic Voice.

TL;DR – Tracing ostrich riding to a 3rd century BCE tomb find from Egypt is rubbish, but the concept is, indeed, ancient.

Below is the long story.

Continue reading →

Recommended Reading: Homer, The Quarrel of Achilles and Agamemnon

150928IliadOne of my weaknesses as a writer is dialogue, particularly dialogue that needs to carry subtext. I’m not good at writing the kinds of things that people say when they’re not actually saying what they’re saying. When I need inspiration for how to write a scene in which people say one thing while really conveying something else, the place I look is the argument between Achilles and Agamemnon in book 1 of the Iliad (lines 101-244).

There are a lot of good translations of the Iliad available if you want to check it out. I’m especially fond of the Robert Fagels translation for the strength of its poetry. Richmond Lattimore’s version is good if you really want to get close to the rhythms and patterns of the original Greek. The translation on Perseus is older and less readable, but you can pick up the scene I’m talking about around the middle of this page (start after [100]). There are plenty of other choices.

To set the scene: As the Iliad opens, the Trojan war has been going on for ten years and has come to a stalemate. The Greeks are not able to breach the high walls of Troy while the Trojans cannot dislodge the Greeks from their camp on the shore. To break the impasse, the Greeks have begun trying to put pressure on the Trojans by raiding the smaller towns nearby that are allied with Troy. One of these raids carried off a young woman, Chryseis, who was awarded to Agamemnon as his prize. Chryseis’ father Chryses, a priest of Apollo, comes to the Greek camp to ask for his daughter’s return, but Agamemnon refuses and sends him away. Chryses prays to Apollo for aid and Apollo obliges by spreading plague through the Greek camp. After ten days of suffering, the Greek kings gather together to discuss the situation. The seer Chalcas reveals the cause of Apollo’s wrath.

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Dún Aonghasa

Aerial view of Dún Aonghasa. Photograph by Ronan Mac Giollopharaic
Aerial view of Dún Aonghasa, photograph by Ronan Mac Giollopharaic via Wikimedia

While doing some research on northern European hillforts recently, I found myself looking at some pictures of Dún Aonghasa (also known as Dun Aengus). It’s an impressive site. The fort is a series of concentric half-rings backing up onto 100-meter cliffs on the island on Inishmore off the western coast of Ireland. The earliest construction on the site has been dated to around 1100 BCE. Later additions were made around 500 BCE. It is one of the largest well-preserved examples of a type of structure that was built throughout northern and western Europe, from Spain to Sweden, in the prehistoric era.

The "cheveaux de frise," a barrier of jagged stones set up to slow down attackers. Photograph by Herbert Ortner
The “cheveaux de frise,” a barrier of jagged stones set up to slow down attackers, photograph by Herbert Ortner via Wikimedia

There has been disagreement in the scholarship about the function of Dún Aonghasa and similar forts. While often identified as fortified settlements, some have suggested that they were actually sites of religious ritual. It has to be said that if Dún Aonghasa and sites like it were religious sanctuaries, they were amazingly well-defended ones. I think it is more likely that sites that were originally built for defense were centuries later repurposed as ceremonial sites, much like how medieval castles built for defense have centuries later become museums and tourist attractions.

The walls of Dún Aonghasa and the cliffs of Inishmore. Photograph by Jal74
The walls of Dún Aonghasa and the cliffs of Inishmore, photograph by Jal74 via Wikimedia

It may be hard to believe that such an enormous fortification was built in so remote a place, but forts like Dún Aonghasa were once fairly common across western and northern Europe. Most, however, have been lost to decay, erosion, and the reuse of stones. It is only in remote places like Inishmore that they still survive.

Thoughts for writers

Just a simple thought today: the world is full of interesting possibilities. Fortresses don’t have to look like medieval castles. Religious sites don’t have to look like cathedrals or Greek temples. History is huge and there are amazing things out there to inspire your imagination.

History for Writers is a weekly feature which looks at how history can be a fiction writer’s most useful tool. From worldbuilding to dialogue, history helps you write. Check out the introduction to History for Writers here.

The Case of the Missing Roman Railroads

150824AeliopileThe Roman empire had a problem. It was just too big. When a crisis developed on one frontier, it could take weeks for the emperor to hear about it, then months or even years to move troops and supplies into position to deal with it. The large frontier army consumed supplies which had to be delivered at great expense from the agricultural heartlands. The roads built by the Roman army helped make all this travel faster and easier, but if the Romans had built railroads they could have made it much easier still. A Roman empire with railroads might not have fallen apart in the fifth century CE. So why didn’t the Romans build them?

The obvious answer is that they didn’t have the technology of steam power, nor the resources of coal and iron needed to build a functioning railroad. It’s a good answer, but like many such obvious answers it’s missing something.

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Visual Inspiration: Ostrich Riding

Last week, I shared the image of an ostrich cart. There must’ve been random serendipity rays in the air, because this week I happened on a photo of someone actually riding an ostrich:

Man riding an ostrich at the Cawston ostrich farm, South Pasadena, California. Via Elle Decor, June 2014, p. 67.
Man riding an ostrich at the Cawston ostrich farm, South Pasadena, California. Via Elle Decor, June 2014, p. 67.

Cawston ostrich farm. Postcard by Detroit Photographic Company; South Pasadena, California, unknown date. From the collection of Marc Walter, published in An American Odyssey: Photos from the Detroit Photographic Company, 1888-1924, by Marc Walter and Sabine Arqué (Taschen, 2014). Found in Elle Decor magazine, June 2014, p. 67.

Huh. I used to think that the various tallstrider or hawkstrider type mounts in World of Warcraft were based more on fantasy than fact. I’m sure large birds come with a host of training and handling issues, but apparently it’s not as far-fetched as I thought. On the other hand, having grown up two hours south of the Arctic Circle and traveled in Lapland multiple times, seeing reindeer doesn’t make me bat an eye. Just goes to show how our experiences influence our sense of normal. 🙂

The Visual Inspiration occasional feature pulls the unusual from our world to inspire design, story-telling, and worldbuilding. If stuff like this already exists, what else could we imagine?