I was checking something about the cozy fantasy genre the other day when I suddenly fell into a deeeep rabbit hole.
(And, by the way, long post warning. This post is not far from the dreaded “Let me tell you about my character” trope, so read or skip accordingly… TL;DR: Playing around with cozy gnomecore-themed photographs to make moodboards for my latest D&D character.)
Continue readingEvery now and then you read snippets where an overused truism is poked and prodded in a way that nudges something loose.
“His features, his gestures, his long black braid: All these had become as familiar to me as if I had known them my entire life long, yet I had first encountered him only a few days ago. I did not understand it. Was this what kinship meant? A sense, deep in your bones, that the person next to you is part of you? Inextricable from what you are? That you could not be who you are without their existence as part of the architecture of your very self?
“We are none of us one thing alone and unchanging. We are not static, or at rest. Just as a city or a prince’s court or a lineage is many people in one, so is a person many people within one, always unfinished and always like a river’s current flowing onward ever changing toward the ocean that is greater than all things combined. You cannot step into the same river twice.”
– Catherine in Cold Magic by Kate Elliott
I remember being kinda stunned one time, years ago now, when talking to a coworker and she said she never re-reads books. I find that unfathomable, to be honest. It’s a bit like never eating the same food twice.
Strictly speaking, of course, the two examples are different, since repeatedly cooking the same dishes makes the kind of pragmatic sense that re-reading does not and cannot offer. But if you eat your favorite foods more than once, why wouldn’t you read your favorite books more than once? It’s so exhilarating to gain a deeper or a wider understanding of a work or phenomenon you think you thoroughly know already, because you have changed.
Elliott, Kate. Cold Magic. London: Orbit, 2010, p. 384-385.
Image by Eppu Jensen
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If I ever heard of a Red Sonja reboot project, I must’ve immediately forgotten it, for the fate of movie projects is unknowable and often fickle, and that is multiplied for genre projects starring women.
Now, though, it sounds like Millennium Media’s Red Sonja is due for release later this year in the UK and Ireland. This version is directed by M.J. Bassett and written by Tasha Huo and Roy Thomas on the basis of Robert E. Howard’s original comic book characters. Matilda Lutz plays Sonja.
At this writing, IMDB doesn’t list much information and has only 10 photos for the production, including a poster.
Interestingly, IMDB also lists Roy Thomas as an uncredited writer for the comic book. Thomas’s latest big-name project is Deadpool & Wolverine.
I hazily remember the previous adaptation from 1985 starring Brigitte Nielsen. ‘Twas the time when there were so few SFFnal movies and tv series in the boonies where I grew up that you pretty much had to see everything coming your way if you wanted to see anything. If I recall, it was like the 80s Conan adaptations—Conan the Barbarian in 1982 and Conan the Destroyer in 1984—which is to say pretty campy, but attempting very, very, very earnestly to bring epic fantasy to screen.
Bassett’s version is filmed in Bulgaria and Greece, and reportedly will have a different tone from male-gaze versions of the character. While both of these details sound promising, and while I would love to see more genre projects led and directed by women, somehow I seem to doubt the movie will be released on the big screen here in Finland. We’ll see.
Image via IMDB
Does your bathtime need some extra cute fantasy accessories? Check out these Lord of the Rings rubber duckies!
Here’s Gandalf the Grey. “A wizard is never late, nor is he early. He bathes precisely when he means to.”
Or here’s Eowyn, ready to defend your bathtime from any pesky interfering Nazgul.
You can see the whole selection in the Tubbz section of Just Geek.
We don’t have a bathtub, so I’m not in the market for bath toys myself, but I still think they’re neat.
(Note: We have no relationship with this product or company.)
Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.
We’ve probably all seen endless examples of stereotypical fantasy Elves: those slim, tall, tranquil, ethereal, Art Nouveau-esque figures that glide effortlessly through a major convocation or battle field carnage alike. The type that for example various Weta artists immortalized for Peter Jackson’s Lord of the Rings and Hobbit trilogies.
I’ve been hankering for something slightly different for a while. (At least in depictions of taller Elves; ElfQuest Elves and other Elves smaller in stature already start with some variety.) Here’s what I’ve come across.
Some illustrators make their Elves with non-stereotypical weaponry or gear. Pavel Hristov’s Steppe Elf carries a whopper of an axe and chews on a stalk of grain. There are also tassels hanging from the piece of cloth on his waist; those don’t seem to go with the Elf stereotype.
What neat details!
This Elven marksman explorer by L3monJuic3 has more typical weaponry—bow and arrow—but unlike her, stereotypical Elves are rarely seen carrying backpacks loaded with mundane items like shovels and cauldrons. Elves do typically eat and presumably have other bodily needs, right, even in the more highfalutin high fantasy worlds?
The Elf war captain Kürbu by Dauntless1942 not only has an atypical name but also atypical armor and polearm:
The helmet somewhat reminds me of Bronze Age Celtic work, but could also nod towards ancient Eurasian steppe cultures.
Other illustrators have tweaked the professions their Elves take up. BootstheBishop drew an artificer—who’s a Sea Elf…
…and Rina Smorodina created a wandering Elf mage with an owl familiar:
I cannot think off the top of my head any tinkerer nor wanderer type Elves (except for Drizzt Do’Urden in Forgotten Realms), but I don’t consider myself terribly well-read as far as fantasy goes. Anyway, for me these alternative takes were delightful.
Closest to my heart, however, are illustrations of Elves in non-stereotypical environments, especially among birches, in addition to ones showing different body shapes and happy demeanors.
I love all kinds of birches, but they don’t tend to feature in art much, never mind in SFFnal art. I know of two exceptions of the latter: a trailer for season 1 of Andor and a since-scrapped computer game in development. Now I have two to add.
This birchwood Elf by Andrius Matijosius may be a little scruffy-looking, but I love how his cape mimicks birch bark and arrows resemble leaf-topped trunks.
He seems also to be wearing some kind of long knitted robe underneath the cape, which strikes me as sensible in cool fall weather.
The Gate of Forest Elf Castle by ZAHD&ART also features fall colors. I love this birch-lined alley. A forest of birches with their white trunks lined up always looks so striking.
(Next, though, artists, how about depicting birch woods in the summer? Please and thank you!)
Moving to physical characteristics. Un Lee’s illustration of an Elf company is marvellous! Lee wanted to create a varied group much like the Dwarves in the Hobbit but with Elves instead.
They are absolutely fantastic! No unrealistic and boring copy-paste Elves here; each individual is exactly that, an individual.
Besides uniform body shapes, stereotypical Elves come in a fairly narrow range of moods. This portrait of an ancient Elf by eccentric_bee is serene on the surface, yes, but it looks to me that there’s joy underneath that’s often missing in depictions of Elves. Love it!
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It’s been ten years since a Lionsgate screen adaptation of The Odyssey by Homer was announced. Sadly, that project didn’t get off the ground.
Now there are news of a Christopher Nolan adaptation. Nolan is to write, produce, and direct a “mythic action epic”, with backing from Universal Pictures.
Unlike the ill-fated Lionsgate project, this time more than one actor were reportedly already attached by the time the adaptation was announced. (At this writing: Zendaya, Tom Holland, Anne Hathaway, Robert Pattinson, Matt Damon, Charlize Theron, and Lupita N’yongo—gosh!) On the basis of the big-name initial cast, it sounds likely that this time there will actually be a movie.
Also, judging by the current publicity poster, there will be some ship action (maybe even ship-vs-monster action!) and in IMAX, no less. Writing in Nolan’s movies is either a hit or miss for me, but at least there’s usually been something interesting to see, so the sailing scenes might look truly magnificent. On the other hand, action sequence special effects in recent block busters have sometimes been—shall we kindly say—too implausible (and sometimes just badly made) for my enjoyment. I’m hoping that the effects teams, Nolan, other producers, and the studio can strike a sensible balance.
At this writing, the release day is set to July 17, 2026.
Image: a Greek penteconter ship by Gary Todd via Flickr (CC0 1.0 Universal), edited by Eppu Jensen
Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.
Food for thought for a new year:
“You learned better and you got on with things. You learned that you were what you were, and tried to be the best version of that person, because you were never going to be anybody else. And you stopped envying other people because everyone had problems you didn’t know about.”
–Sister Clara in Paladin’s Strength by T. Kingfisher
I can’t think when I’ve last felt envious of another person. I’m sure it has happened, and relatively recently, too; I just can’t remember it. Which means—I hope, at least!—it can’t have been a very strong emotion or moment, which is a good thing.
In any case, more of the best version of myself for the coming year would also be great, not just for me but for the people around.
Kingfisher, T. Paladin’s Strength. Dallas: Argyll Productions, 2021, p. 200.
Image by Eppu Jensen
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The news has been out for a good long while now: a new live-action Middle-Earth movie is in the works, set to be released in 2026 and produced by Peter Jackson, Fran Walsh, and Philippa Boyens. It’s provisionally called The Lord of the Rings: Hunt for Gollum, and Andy Serkis will both direct and play Gollum. Apparently it’ll be the first of multiple films by Warner Bros. based on Tolkien’s books, and told from Gollum’s perspective.
Since this fall has been surprisingly full of Tolkien for us (we both re-read LotR in addition to our two trips to Tampere, first to see the John Howe exhibit and then the theatrical adaptation), we ended up talking about the upcoming Gollum movie and our misgivings with it. Below are some of those thoughts.
Erik
I’m not excited for The Hunt for Gollum. Nothing about the character of Gollum or the long and mostly fruitless search for him, as described in the book, sounds like promising material for further on-screen exploration. I fear that this film will turn into more overstuffed action/fantasy/comedy like the Hobbit trilogy. At best I hope to enjoy the settings, costumes, props, and other details that were made with such love and dedication by the production team on the earlier Middle-Earth films. Still, I’m always ready to be pleasantly surprised.
For films that fill in more of the story we haven’t yet seen on screen, I’d be more excited about an exploration of Sauron’s attacks to the north. The appendices to The Lord of the Rings mention that Sauron’s forces at Dol Guldur assaulted Lothlorien and ravaged the lands of the Mirkwood Elves while an army of his allies from the east came against the Men of Dale and the Dwarves of Erebor. In the end, Sauron’s forces were defeated. Galadriel, Celeborn, and Thranduil cleansed Mirkwood and overthrew Dol Guldur while Bard II of Dale and Thorin III of Erebor pushed Sauron’s allies back to the east. There is plenty of scope here for big action set pieces, drama between the folk of Middle-Earth, and the return of some favorite characters. At the same time, there is enough blank canvas that for new characters to join the cast without feeling like they were squeezing out Tolkien’s story. It would be nice to see what was happening to places and people we know from The Hobbit and The Lord of the Rings while Sauron’s main offensive against Gondor was going on.
I could also enjoy a movie set in the Shire in the years after The Hobbit. A light-hearted comedy of Hobbit manners about the Sackville-Bagginses and their designs on Bag End could intertwine with the growing up of Frodo, Merry, Pippin, and Sam and the forging of the friendships that would be tested in the crucible of war far from home. A movie like this could give appropriate scope to Jackson’s taste for slapstick comedy while also allowing hints of the slowly creeping darkness of the ring and its effects on Bilbo to show through.
Eppu
My very first thought was: why would we want to see this particular story? Andy Serkis’s performance as Gollum will always be stellar, and I’m always up for seeing more of Weta’s work, but otherwise I’m quite unsure why this story was picked and why it should excite us.
Firstly, there isn’t that much to go on in LotR. According to Appendix B, Aragorn and Gandalf searched for Gollum together a few separate times, and the whole process takes them some 16 years.* In the second chapter of book two, The Council of Elrond, we get the most detail. There’s first a reference to a long and hopeless search. (Gandalf says that they went to the Mountains of Shadow and “the fences of Mordor”, where they guessed that “he dwelt there long in the dark hills; but we never found him, and at last I despaired”.)
Aragorn is the one to actually catch him: apparently he by chance found Gollum’s footprints leading away from Mordor and caught him somewhere in the Dead Marshes. Then followed an unpleasant walk to Mirkwood, and, finally, Gandalf questioning Gollum there.
What I see so far is a long, tedious, and possibly uneventful beginning followed by sleeplessness, stink, and cruelty (Aragorn himself says that Gollum “bit me, and I was not gentle […] making him walk before me with a halter on his neck, gagged, until he was tamed by lack of drink and food”).
A very skilled writing team is required to make something exciting out of that.
You know what I would rather see? For instance:
(All pulled from Appendix B of The Lord of the Rings.)
So much could be told about the the Shire’s early history. The tidbits on fighting with Orcs, a company of Hobbit archers sent to assist the King in the north, and the Fell Winter are tantalizing. Or the later history, too, especially focusing on Sam, Merri, and Pippin and their families.
There also has got to be a lot of unmentioned history behind details like “Gondor and Arnor renew communcations and form an alliance”, but I can see the (probably economic or marketing) reasons for focusing on characters we’ve already seen on the screen.
So, you could go with “Thráin II and his son Thorin wander westwards. They settle in the South of Ered Luin beyond the Shire”, or “Gandalf and Balin visit Bilbo in the Shire”, and keep a reasonable connection to events in the movie adaptations. The latter took place some eight years after the events of The Hobbit and 40 years before Balin sets out for Moria—surely a lot of leeway for embellishment there.
I also would really love to see the scouring of the Shire. Understandably the sequence would take a lot of reworking, since Jackson et al. chose to kill off Saruman and Wormtongue already at Isengard, but that kind of major revamping is hardly new to the team.
In any case, we’ll reserve final judgment until we know more. Here’s hoping it’ll be good.
This post has been edited to correct a typo.
*) Appendix B lists three years to do with the hunt for Gollum. First, in the year 3001, “Gandalf seeks for news of Gollum and calls on the help of Aragorn.” Second, in 3009, “Gandalf and Aragorn renew their hunt for Gollum at intervals during the next eight years, searching in the vales of Anduin, Mirkwood, and Rhovanion to the confines of Mordor. At some time during these years Gollum himself ventured into Mordor, and was captured by Sauron.” Third, in 3017, “Gollum is released from Mordor. He is taken by Aragorn in the Dead Marshes, and brought to Thranduil in Mirkwood.”
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Our fall is forming up to include a bit more J.R.R. Tolkien than usual: besides seeing The Art of John Howe in Tampere, we have tickets to see a theatrical adaptation of Taru sormusten herrasta (The Lord of the Rings)—also in Tampere.
There is a short but handsome trailer:
Taru Sormusten herrasta – Tampereen Teatteri & Tampere-talo by TampereenTeatteriTT on YouTube
(Note: There’s no captioning, and it’s only in Finnish, but mostly the trailer is non-verbal. In the beginning, the text reads Experience the world’s best-known adventure. At the end, while raising his staff Gandal says You cannot pass!)
Tampere Theatre, Tampere Hall, and Tampere Philharmonic Orchestra, among others, have worked for four years to create the adaptation. I haven’t heard the reason why the play runs only about two months (Aug 22 to Sept 21, 2024 and Dec 18, 2024 to Jan 11, 2025); you’d think a slightly longer run might be warranted for such a large production. I do know it’s staged at Tampere Hall instead of Tampere Theatre’s own, beautiful historical building because the latter is under renovations. I also know that the production team had to make their own Finnish translation from scratch and that no songs were allowed due to limitations posed by The Tolkien Estate.
The sets and props look fantastic, as does the lighting and video projections. I’m not sure I agree with the Elven costuming, though; their profiles look a little too much like the female Hobbit / villager Hobbit profiles. Otherwise the wardrobe looks fabulous. You can’t tell about the soundscape on the basis of the trailer alone, but I have high hopes. I hope the Hall also works for the adaptation as a performance space.
We can’t wait to see it!
Out There highlights intriguing art, places, phenomena, flora, and fauna.
Last month we saw an exhibit of fantasy art by John Howe in Tampere-talo, Tampere, Finland. Titled The Art of John Howe: Journeys through the worlds of J.R.R. Tolkien, the exhibit is the first time that Howe’s work has been comprehensively displayed in Finland.
Over 250 original works were presented, from pencil drafts to finished color paintings and sculpture, along with sketchbooks and even some metal armor belonging to Howe. Some images were also enlarged into murals or banners, and a number of video screens scattered around the exhibit looped captioned interviews.
Apart from various illustrations of The Lord of the Rings and The Hobbit, on display were for example works on mythical topics or sagas, like Beowulf and Arthurian legends. Also various architectural or creature studies were included.
The exhibit space was partitioned into irregular areas. Walls framed your route in interesting ways, and the murals created striking views. In one corner there was even a video with flying dragons projected up on the wall high above the framed artworks so that the dragons were visible from a distance. The art pieces had enough room, and no area was too small—clearly accessibility was planned in.
There was no predetermined loop, merely a path suggested by the layout, which made it easy to pick your preferred viewing order and to avoid the occasional crowd. It was also easy to double back without first having to finish the whole route.
Color and lighting were used in a fascinating way. Most spot lights were warm orangey-brown or in the blue-purple range. Otherwise the hall was surprisingly dark, but not unsafely so. It was very interesting from a mood point of view.
Visitors were encouraged to take photos. Unfortunately, the ceiling lights reflected on the glass, which made photographing individual framed artworks difficult.
It was great seeing the complexity, detail, and vividness of Howe’s art in person, not to mention the variety of his work. We were absolutely delighted to be able to visit!
Images by Eppu Jensen
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