Some Thoughts on The Hunt for Gollum Adaptation

The news has been out for a good long while now: a new live-action Middle-Earth movie is in the works, set to be released in 2026 and produced by Peter Jackson, Fran Walsh, and Philippa Boyens. It’s provisionally called The Lord of the Rings: Hunt for Gollum, and Andy Serkis will both direct and play Gollum. Apparently it’ll be the first of multiple films by Warner Bros. based on Tolkien’s books, and told from Gollum’s perspective.

Since this fall has been surprisingly full of Tolkien for us (we both re-read LotR in addition to our two trips to Tampere, first to see the John Howe exhibit and then the theatrical adaptation), we ended up talking about the upcoming Gollum movie and our misgivings with it. Below are some of those thoughts.

Erik

I’m not excited for The Hunt for Gollum. Nothing about the character of Gollum or the long and mostly fruitless search for him, as described in the book, sounds like promising material for further on-screen exploration. I fear that this film will turn into more overstuffed action/fantasy/comedy like the Hobbit trilogy. At best I hope to enjoy the settings, costumes, props, and other details that were made with such love and dedication by the production team on the earlier Middle-Earth films. Still, I’m always ready to be pleasantly surprised.

For films that fill in more of the story we haven’t yet seen on screen, I’d be more excited about an exploration of Sauron’s attacks to the north. The appendices to The Lord of the Rings mention that Sauron’s forces at Dol Guldur assaulted Lothlorien and ravaged the lands of the Mirkwood Elves while an army of his allies from the east came against the Men of Dale and the Dwarves of Erebor. In the end, Sauron’s forces were defeated. Galadriel, Celeborn, and Thranduil cleansed Mirkwood and overthrew Dol Guldur while Bard II of Dale and Thorin III of Erebor pushed Sauron’s allies back to the east. There is plenty of scope here for big action set pieces, drama between the folk of Middle-Earth, and the return of some favorite characters. At the same time, there is enough blank canvas that for new characters to join the cast without feeling like they were squeezing out Tolkien’s story. It would be nice to see what was happening to places and people we know from The Hobbit and The Lord of the Rings while Sauron’s main offensive against Gondor was going on.

I could also enjoy a movie set in the Shire in the years after The Hobbit. A light-hearted comedy of Hobbit manners about the Sackville-Bagginses and their designs on Bag End could intertwine with the growing up of Frodo, Merry, Pippin, and Sam and the forging of the friendships that would be tested in the crucible of war far from home. A movie like this could give appropriate scope to Jackson’s taste for slapstick comedy while also allowing hints of the slowly creeping darkness of the ring and its effects on Bilbo to show through.

Eppu

My very first thought was: why would we want to see this particular story? Andy Serkis’s performance as Gollum will always be stellar, and I’m always up for seeing more of Weta’s work, but otherwise I’m quite unsure why this story was picked and why it should excite us.

Firstly, there isn’t that much to go on in LotR. According to Appendix B, Aragorn and Gandalf searched for Gollum together a few separate times, and the whole process takes them some 16 years.* In the second chapter of book two, The Council of Elrond, we get the most detail. There’s first a reference to a long and hopeless search. (Gandalf says that they went to the Mountains of Shadow and “the fences of Mordor”, where they guessed that “he dwelt there long in the dark hills; but we never found him, and at last I despaired”.)

Aragorn is the one to actually catch him: apparently he by chance found Gollum’s footprints leading away from Mordor and caught him somewhere in the Dead Marshes. Then followed an unpleasant walk to Mirkwood, and, finally, Gandalf questioning Gollum there.

What I see so far is a long, tedious, and possibly uneventful beginning followed by sleeplessness, stink, and cruelty (Aragorn himself says that Gollum “bit me, and I was not gentle […] making him walk before me with a halter on his neck, gagged, until he was tamed by lack of drink and food”).

A very skilled writing team is required to make something exciting out of that.

You know what I would rather see? For instance:

  • anything do do with the Hobbits arriving into Eriador (1050, c. 1150 of Third Age) and settling first Bree-land (c. 1300) and then the Shire; also the Stoors leaving the Angle and some returning to Wilderland (1356)
  • the heyday of Osgiliath (before the city was burned and its palantir lost in 1437)
  • Gondor and Arnor renew communcations and form an alliance (1940)
  • the fall of Arnor and the northern kingdom; how the heirlooms of Arnor are given to Elrond’s safekeeping (1976)
  • Dwarves live and mine in Moria and eventually are driven out
  • Thorin I leaves Erebor and goes north to the Grey Mountains (2210)
  • excavations of Great Smials (begun 2683), Bandobras Took defeats Orcs in the Northfarthing (2747), Gandalf comes to aid Hobbits (2758)
  • life in Dale, the coming of Smaug (2770)
  • Thráin II and Thorin wander westwards (from Moria?) and settle in southern Ered Luin beyond the Shire (2799-2802)
  • how and where Aragorn’s mother Gilraen (born 2907) lived in the north, her wedding to Arathorn, son of Arador (2929); death of Arador (2930) and birth of Aragorn (2931), Gilraen’s travels to Imladris with Aragorn after the death of her husband (2933)
  • The Fell Winter when many northern rivers are frozen, incl. the Baranduin (Brandywine) (2911)
  • Gandalf and Balin visit Bilbo in the Shire (2949)
  • Aragorn meets Gandalf and their friendship begins (2956), Aragorn’s journeys in the Wild begin in earnest, including time in Rohan and in Gondor in disguise (2957-2980)
  • Balin leaves Erebor and enters Moria (2989), the end of Balin and the Moria Dwarf colony (2994)
  • The Scouring of the Shire and the Battle of Bywater after the destruction of the Ring
  • King Elessar rides north, lives by Lake Evendim for a while, including meeting his Hobbit friends on the Brandywine Bridge, Elanor, daughter of Samwise, becomes a maid of honor to Queen Arwen (1436 Shire Reckoning)
  • Samwise, Rose, and Elanor ride to Gondor, stay there a year (1442 S.R.); Elanor marries Fastred of Greenholm (1451 S.R.), they have a child, Elfstan Fairbairn (1454 S.R.), and later move to Undertowers on the Tower Hills (1455 S.R.); Rose dies and Sam rides to Tower Hills and gives the Red Book to the Fairbairn’s keeping before leaving for the Grey Havens (1482 S.R.)

(All pulled from Appendix B of The Lord of the Rings.)

So much could be told about the the Shire’s early history. The tidbits on fighting with Orcs, a company of Hobbit archers sent to assist the King in the north, and the Fell Winter are tantalizing. Or the later history, too, especially focusing on Sam, Merri, and Pippin and their families.

There also has got to be a lot of unmentioned history behind details like “Gondor and Arnor renew communcations and form an alliance”, but I can see the (probably economic or marketing) reasons for focusing on characters we’ve already seen on the screen.

So, you could go with “Thráin II and his son Thorin wander westwards. They settle in the South of Ered Luin beyond the Shire”, or “Gandalf and Balin visit Bilbo in the Shire”, and keep a reasonable connection to events in the movie adaptations. The latter took place some eight years after the events of The Hobbit and 40 years before Balin sets out for Moria—surely a lot of leeway for embellishment there.

I also would really love to see the scouring of the Shire. Understandably the sequence would take a lot of reworking, since Jackson et al. chose to kill off Saruman and Wormtongue already at Isengard, but that kind of major revamping is hardly new to the team.

In any case, we’ll reserve final judgment until we know more. Here’s hoping it’ll be good.

*) Appendix B lists three years to do with the hunt for Gollum. First, in the year 3001, “Gandalf seeks for news of Gollum and calls on the help of Aragorn.” Second, in 3009, “Gandalf and Aragorn renew their hunt for Gollum at intervals during the next eight years, searching in the vales of Anduin, Mirkwood, and Rhovanion to the confines of Morder. At some time during these years Gollum himself ventured into Mordor, and was captured by Sauron.” Third, in 3017, “Gollum is released from Mordor. He is taken by Aragorn in the Dead Marshes, and brought to Thranduil in Mirkwood.”

Theatrical Adaptation of LotR in Tampere

Our fall is forming up to include a bit more J.R.R. Tolkien than usual: besides seeing The Art of John Howe in Tampere, we have tickets to see a theatrical adaptation of Taru sormusten herrasta (The Lord of the Rings)—also in Tampere.

There is a short but handsome trailer:

Taru Sormusten herrasta – Tampereen Teatteri & Tampere-talo by TampereenTeatteriTT on YouTube

(Note: There’s no captioning, and it’s only in Finnish, but mostly the trailer is non-verbal. In the beginning, the text reads Experience the world’s best-known adventure. At the end, while raising his staff Gandal says You cannot pass!)

Tampere Theatre, Tampere Hall, and Tampere Philharmonic Orchestra, among others, have worked for four years to create the adaptation. I haven’t heard the reason why the play runs only about two months (Aug 22 to Sept 21, 2024 and Dec 18, 2024 to Jan 11, 2025); you’d think a slightly longer run might be warranted for such a large production. I do know it’s staged at Tampere Hall instead of Tampere Theatre’s own, beautiful historical building because the latter is under renovations. I also know that the production team had to make their own Finnish translation from scratch and that no songs were allowed due to limitations posed by The Tolkien Estate.

The sets and props look fantastic, as does the lighting and video projections. I’m not sure I agree with the Elven costuming, though; their profiles look a little too much like the female Hobbit / villager Hobbit profiles. Otherwise the wardrobe looks fabulous. You can’t tell about the soundscape on the basis of the trailer alone, but I have high hopes. I hope the Hall also works for the adaptation as a performance space.

We can’t wait to see it!

DIY Illusionary Labyrinth Wall from the Movie Labyrinth

This is so epic and ingenious! Jen and John at Epbot built in their home a DIY version of the illusionary labyrinth wall from the movie Labyrinth for a theme party. You remember, the one with the worm? “Come inside, meet the missus!”

Epbot Jen John Labyrinth Wall

Here are a couple of behind-the-scenes photos:

Epbot Jen John Labyrinth Wall Behind Scenes1
Epbot Jen John Labyrinth Wall Behind Scenes2

As you can see, they built a small temporary wall to make a small hallway to step into. The opening between the rooms was partially covered with faux brick panels. Careful painting and lighting complete the illusion. (They even added the worm! Squee!)

Go ahead and visit Jen and John’s post for a video of John stepping through the opening—it’s really impressive! And other posts document the build process (one, two, three), the guest costumes, and a final reveal.

Such commitment – not to mention planning and building skills. Kudos!

A Wondrous Jaina Proudmoore by Ibelinn Cosplay

Ibelinn Cosplay from Norway made an absolutely astoundingly accurate cosplay outfit of Jaina Proudmoore. Take a look:

Imgur Ibelinn Cosplay Jaina Proudmoore

Everything looks like an exact match: the layers, the embellishments, the shading, the shapes—down to the stupid-awkward blocky shape of the World of Warcraft cloaks. It’s almost uncanny!

She shares more photos of her version of Jaina on Imgur, including the staff for the outfit, and more Ibelinn cosplays on Instagram. I highly encourage you to visit and admire!

Image by Ibelinn Cosplay via Imgur

News on the Murderbot Screen Adaptation, with Thoughts

You might know that a screen adaptation of The Murderbot Diaries, a series (of mostly novellas) written by Martha Wells, is under development by Apple TV+. Behind the production are brothers Chris and Paul Weitz, who will write, direct, and produce, and Wells will serve as consulting producer.

The release date has not been publicized yet, but according to Reactor, the episode scripts have already been written. Presumably, the tv series will be based on All Systems Red, the first installment of the book series.

As I love Murderbot, I started off highly suspicious. (Suspicious of any adaptations, that is; I have no special qualms with Apple TV.) This team seems to get it, though. Their pitch reads as follows:

“‘Murderbot’ is an action-packed sci-fi series, based on the award-winning books by Wells, about a self-hacking security android who is horrified by human emotion yet drawn to its vulnerable ‘clients.’ Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.”

When comparing this one-paragraph description to some other write-ups about the adaptation, a few things stand out. Firstly, Murderbot is not a robot. Furthermore, Murderbot never describes itself as a he (but doesn’t object to it). Also, Murderbot is horrified by human emotion and bored with human drama in real life and certainly not drawn to the emotion; if Murderbot is drawn to anything non-media-related, it’s its job of protecting clients, particularly certain kinds of clients (the smart, or small and soft kind). Finally, Murderbot does emphatically not want to live like a human, it wants to be left alone to consume media (which is only a tiny fraction of living like a human).

The adaptation team does get Murderbot; those other writers don’t. (The only iffy detail that copy includes is calling Murderbot an android; The Murderbot Diaries use the word construct. An android is less wrong than a robot, IMO.)

Since December 2023, when Apple TV+ announced the ten-episode Murderbot adaptation, I’ve kept an eye out for more detailed news. Initially, casting was left almost entirely open; only Alexander Skarsgård as Murderbot was announced. Now we know a little more: Noma Dumezweni will play Dr. Mensah.

Murderbor Mashup Dumezweni Skarsgard

In addition, David Dastmalchian will play Gurathin. Ratthi will be played by Akshay Khanna, Arada by Tattiawna Jones, Pin-Lee by Sabrina Wu, and Bharadwaj by Tamara Podemski.

Murderbor Mashup Dastmalchian Wu Jones Khanna Podemski

Having once spent a sleepless night watching part of The Legend of Tarzan, I know Skarsgård will have no trouble keeping his face SecUnit expressionless. (That is confirmed by stills I’ve seen of The Northman. I’ve also seen him in Godzilla vs. Kong, but I have no memory of his character.) The only productions I’ve seen Dumezweni in are two episodes of Doctor Who and two episodes of Only Murders in the Building. (And I know she was well-reviewed for her role as Hermione in the stage play Harry Potter and the Cursed Child.) What I remember of her impresses me, though; I’m glad she got cast as Dr. Mensah.

Dastmalchian I remember from the Ant-Man movies and Dune: Part One. (IMDB tells me I’ve also seen him in Blade Runner 2049 and an episode of CSI, but again, no memory.) Wu I’ve seen in one episode of Abbot Elementary and Jones in one ep of Murdoch Mysteries; Khanna and Podemski are completely new to me.

As the two core characters of All Systems Red, Murderbot and Dr. Mensah should have a lot of screen time, so I’m delighted that actors of renown have been cast for the roles—indeed, the big names bode well for the adaptation, I hope.

At this point, there’s still one thing that bothers me: I haven’t seen enough of Skarsgård’s work to tell whether he can creditably do nuance, and a lot is riding on that, since Murderbot is all about nuance.

On the surface, there’s as much action as in any generic mindless sci-fi action story, but the focus in Murderbot stories is not the what (the action), but the why and how: why do the events of the story unfold as they do, how do people work, how does Murderbot work, and how does it slot itself into this world it doesn’t fully comprehend (or care about). If the writer’s room doesn’t understand that—or isn’t allowed to fully feature the nuance—the adaptation is less likely to be a success. I fervently hope it will be good!

Images: Mashup 1: Noma Dumezweni via BazBam on Twitter and Alexander Skarsgård by Thierry Sollerot via Flickr (CC0 1.0 Universal). Mashup 2: David Dastmalchian by Gage Skidmore via Flickr (CC BY-SA 2.0). Sabrina Wu by Jordan Ashleigh via IMDB. Tattiawna Jones via IMDB. Akshay Khanna by East Photography via IMDB. Tamara Podemski by Thosh Collins via IMDB. Mashups by Eppu Jensen.

Living Vicariously Through Social Media: Streetpatching with Mosaics

Ememem is a France-based visual artist known for repairing small areas in urban environments with colorful mosaics. He calls his technique flacking.

Wikimedia Edwige redige Flacking in Lyon

Since 2016 he’s been anonymously patching cracks in Lyon and Paris, and other European cities for instance in Norway, Scotland, Germany, Italy, and Spain.

My Modern Met ememem-street-mosaic-art-4

He typically works at night. His efforts are usually discovered in the morning as people start their day. Most of his efforts seem to focus on street surfaces, but some retaining walls or building walls also get some Ememem love.

My Modern Met ememem-street-mosaic-art-2

Ememem’s repairs are absolutely delightful! They remind me a lot of visible mending or quilting. I wish this type of repair were more common, but I understand the financial realities of why not.

Note: According to Wikipedia, Ememem has refused to confirm his age and gender. However, on his own site, the Ememem English-language press kit consistently uses the pronoun he, so I have therefore adopted that usage.

Images: Mosaic in blues by Edwige rédige via Wikimedia (CC BY-SA 4.0). Orange-green mosaic and wall repair both via My Modern Met.

An Inventive Pine Cone Dress

While browsing for cosplay and Halloween inspiration, I’ve seen pictures of some inventive plant outfits, including dandelions and mushrooms. Sheila’s pine cone dress takes the cake, however.

Red Shoes Red Wine Sheila Pine Cone Dress

The base layer is a black cotton dress, onto which she added about 300 individually painted felt scales. In addition to the paint job, Sheila stuffed about 200 scales with cotton balls for the skirt portion.

Red Shoes Red Wine Sheila Pine Cone Dress on Dressform

Tremendous, isn’t it? Apparently Sheila didn’t just decide to do a generic pine cone, she selected a pine variety local to her area. That meant sewing a citrine bead (to mimic the thorny bits) to the tip of each scale. That’s committing on an original design!

Visit Sheila’s blog for all the details.

Images by Sheila at Red Shoes. Red Wine.: In the park. On a dressform.

In Making Stuff we share fun arts and crafts done by us and our fellow geeks and nerds.

Acoustic Cha Cha Cha in Klingon

Jen Usellis, who goes by the name The Klingon Pop Warrior jenbom, worked with Michael Lubetsky to translate Finland’s 2023 Eurovision song by Käärijä into Klingon. The results are pretty marvellous. Here’s the video:

Cha Cha Cha (Klingon Version, Acoustic) – Klingon Pop Warrior Eurovision 2023 Cover by The Klingon Pop Warrior jenbom on YouTube

Usellis writes:

“At the beginning of May of 2023, I was completely burned out. Then I watched Eurovision and this awesome Finnish dude with a bowl cut, a lime green bolero, and a name that’s a multi-level pun (Käärijä = wrapper) reminded me why I love performing and gave me some desperately needed inspiration with a song called ‘Cha Cha Cha.’ […]

“We had a fun day in the recording studio and I hope that fans of Käärijä, of which I am one, will catch the small details musically, in the translation effort, and in the accompanying lyric video.

“It’s my sincere hope that Käärijä fans who know nothing about Star Trek or Klingon enjoy this acoustic cover as much as my nerdy Trekkie fans.”

Wow—they got the spirit down pat! I mean, Klingons aren’t my cup of tea, but as far as I can tell, bang on. And how amazing is it that cha means ‘torpedoes’ in Klingon?

Cha cha cha! 🙂

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Creatures Trailer and Final Trailer for Dungeons & Dragons: Honor Among Thieves

Paramount Pictures is trying to drum up interest for their D&D movie with a short creatures video and a final trailer.

Dungeons & Dragons: Honor Among Thieves | Meet The Creatures (2023 Movie) by Paramount Pictures on YouTube

Clearly by creatures they really mean monsters. The big fish-like critter at the 4-5 second mark interests me most, because it’s the least media sexy and I can’t think of what it could be. Or why they’d include it! But I could’ve done without the brain monsters, though—urgh, blech.

The final trailer really sounds like a puff piece, though:

Dungeons & Dragons: Honor Among Thieves | Final Trailer (2023 Movie) by Paramount Pictures on YouTube

I’m perfectly willing to be entertained by a D&D movie that turns out to be better than my expectations, but “Best movie of the year”? Please.

More exciting is the 3-minute “Let the Games Begin” clip:

Dungeons & Dragons: Honor Among Thieves | Let the Games Begin Clip (2023 Movie) by Paramount Pictures on YouTube

That’s more like it, even if it doesn’t tell us why our intrepid adventurers end up on the arena, let alone competing with at least two other groups.

Looks like Dungeons & Dragons: Honor Among Thieves opens today, if it already hasn’t in your neck of the woods. I really hope it’s at least a little good.

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Second Trailer for Dungeons & Dragons: Honor Among Thieves

A brand-new trailer is out for Dungeons & Dragons: Honor Among Thieves!

Dungeons & Dragons: Honor Among Thieves | NEW Trailer (2023 Movie) by Paramount Pictures on YouTube

We’re not seeing much new plotwise, just some beefed-up scenes from the first trailer. Glimpses of the Red Wizards and the orifice are on par with the typical medieval-inspired D&D worlds, but WHAT ON EARTH is going on with that broomhead wall?!?

Dungeons and Dragons Honor Among Thieves Screencap House

The roof looks properly thatched, but I have serious doubts of the durability of the facade. There’s obviously plenty of timber available in this area of the world for framing the house with, so the little detail above the door must be decorative. Perhaps there wasn’t quite enough to do the whole outer wall? Or the straw is there for easy repairs?? The original builders blew all of their money on framing and had to make do for cladding???

Anyway, if a trailer commentary can be so easily stolen by funky set design, the question arises whether the trailer in question really did fulfil its function or not… I hope we’ll get another, better one before the release day.

According to IMDB, Dungeons & Dragons: Honor Among Thieves is now expected on April 07, 2023, but the trailer still says “this March”, so go figure.

Image: screencap from Dungeons & Dragons: Honor Among Thieves

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