Early Iranian Spindle Whorls

We all know that everyday tasks aren’t really made lighter by having eye-pleasing tools to work with. But there clearly is some innate yearning in humanity to not just modify but also to decorate our environment.

Earlier we’ve blogged about Minoan mugs from ca. 1,500 BCE, a Bronze Age cup with an attempt at animation, a Minoan octopus flask, a brilliantly colored ancient Greek glass perfume bottle, a monster mosaic from a 3rd c. BCE Greek city in Italy, a statuette of girls playing knucklebones from ca. 330 BCE, and a Maya vase with a rabbit scribe, and many other examples.

Here’s one more case in point: Iranian spindle whorls from the early islamic period c. 700s-900s CE. They are made from incised bone and carved with intricate designs.

Tumblr theinternetarchive Iranian Spindle Whorls

A spindle is a hand tool for making yarn, basically a long thin stick around which the freshly formed yarn can be wound. A spindle whorl is a weight attached to the bottom of a spindle. Whorls provide more torque and a longer spin time—purely functional, in other words.

Many, many spindle whorls found around the world have been carefully shaped, which is to be expected—you do want your tools not just to work, but work well for the purpose. In addition, so many of extant spindle whorls are also beautifully decorated.

You could perhaps argue that the small surface makes for a quick and easy art project. However, most whorls are round or spherical, which makes for a more challenging surface to decorate.

Spinning must have been an unending task for our predecessors. Spindles—and, by extension, spindle whorls—were the most basic, utilitarian tool you could imagine. And yet, we find innumerable people throughout history wanting to decorate their whorls. Little details like this make me love humanity all over again, despite all the awful we’re also capable of.

Images by The Cleveland Museum of Art, mashup via theinternetarchive on Tumblr

Nan Madol: A Megalithic Palace in the Pacific

On the eastern coast of the island of Pohnpei, part of the Federated States of Micronesia, are the remains of a gigantic complex of megalithic structures. These structures stand along the coast of the island and on nearly a hundred artificial islands just offshore. This site is called Nan Madol.

Platform and enclosure wall, photograph by Uhooep via Wikimedia (Nan Madol; c. 1100-1200 CE; stone)

The structures of Nan Madol were first built in the 1100s CE and served as an administrative and ceremonial center for the Saudeleur ruling dynasty that held power over Pohnpei from approximately 1100 CE to the early 1600s. They were constructed using columns of volcanic rock that formed natural geometric shapes. By carefully jointing these stones together, the people of Pohnpei created large structures stable enough that many walls still stand today.

Wall with opening, photograph by Patrick Nunn via Wikimedia (Nan Madol; c. 1100-1200 CE; stone)

Nan Madol is one of many sites around the world that remind us that cultures capable of coordinated labor, careful planning, and social complexity are not the product of only one environment or part of the world.

Swimmers of the Sahara

Thousands of years ago, the Sahara desert was not the dry, sandy place it is now. There was a time when northern Africa was wet and green. Most of what we know about climate changes in the past comes from the study of geology and paleontology, but one small indicator of a wetter ancient Sahara comes from the people of the time themselves.

There are numerous rock paintings and carvings in the Sahara, showing that people once lived in places that are now inhospitable desert. Several pieces of rock art show animals that could not survive in the Sahara in its modern desert state. One interesting painting, from a cave in southwestern Egypt, shows people floating or swimming in water.

Swimmers from the Cave of Swimmers, photograph by Ronald Unger via Wikimedia (Wadi Sura, Egypt; c. 8000-5000 BCE; rock painting)

Anthropologists have speculated that the swimmers represent souls of the dead floating in the primordial waters of the afterlife, in an early version of what would become the mythology of ancient Egypt. Whether this speculation is true or not, however, it must be the case that floating in water was something the people of the ancient Sahara could imagine, an experience that is hardly possible in the region today.

Winter is Coming, and He’s Got a Hare to Share

Winter is upon us here in the northern hemisphere. We’re settling in for cold days and long, dark nights. Here’s how the winter season was imagined in late Roman Britain.

This figure comes from a floor mosaic at Chedworth Villa in western Britain. Each corner of the mosaic had a little allegorical figure representing one of the seasons. Winter appears bundled up in warm layers with a hooded cloak, carrying a hare in one hand (the reward of a hunt), and a symbolic leafless branch in the other.

Wishing you a warm, cozy, and cheerful winter season!

Image: Winter from Chedworth dining room floor, photograph by Pasicles via Wikimedia (Chedworth Roman Villa; 4th c. CE; mosaic)

A Peek into Color Gothic Aesthetics

I was browsing a ren faire board the other day for research. Someone there was asking for inspiration and advice, saying they usually dress “quite gothic”, which I somehow misread as “white gothic”.

That would be really interesting, I thought, and wanted to check whether it’s a thing… And of course it is! Known as white goth or ice goth: instead of the ubiquitous black, dressing only (or mostly) in white, but spiky or moody, sometimes puffy or lacy or ruffly, too.

Then I poked around some more. I already knew that various flavors of goth aesthetic exist, of course, but I was specifically interested in color-based ones. Apart from red and purple goth, less immediately obvious colors such as pastel goth (especially pink goth looks big), blue, and green goth do seem to exist. Yellow, orange, and brown goth seem marginal (with varying levels of recognition), but there doesn’t seem to be gold, silver, or bronze goth, per se.

Color Goth Styles Mashup

The most intriguing find, I think, emerged from my yellow goth search. There seems to be some interest in dressing styles inspired by bugs, including bees. One seller on Etsy even used both the word bee and goth in their sweater description. (Personally, I couldn’t call that sweater goth style, but you do you.) Below is a bee-inspired ensemble by EJ on Pinterest that the user labeled as “yellow Y2K goth outfit”:

Pinterest EJ Yellow Y2K Goth Outfit

So, there’s bee goth now? Bee core? (Buzz core???)

Live and learn!

Images: Mashup by Eppu Jensen: red and black outfits by hystericb0y on Tumblr; purple goth by sabikuma on tiktok, found via peri on Pinterest; blue goth by dogmaz on Tumblr; green goth via Yasmin on Pinterest; white goth via Mabel Manley on Pinterest. Yellow Y2K goth outfit (bee goth) by EJ on Pinterest.

ESA’s Video Flying Over Xanthe Terra on Mars

The European Space Agency has released a new three-plus-minute Mars flyover video based on images transmitted by the Mars Express orbiter.

According to Phys.org,

ESA’s Mars Express takes viewers on a flight over Xanthe Terra, a highland region just north of the equator. The film is a mosaic created from images taken during single-orbit observations by Mars Express’s High Resolution Stereo Camera (HRSC). The images were combined with topography information from a digital terrain model (DTM) to create a three-dimensional view of the Martian landscape. The main feature in this video is Shalbatan Vallis, a 1300 km-long (~800 mi) outflow channel that transitions from the Southern Highlands to the Northern Lowlands.

ESA Xanthe Terra Mars Express Screencap

(Note: The image above is merely a screencap; follow the text links to see the video on ESA’s site.)

There are two amazing things about this video. First, as large as the area clearly is, compared to the rotating image of the planet in the very beginning, the features we see are completely dwarfed by Valles Marineris (the huge canyon south of Xanthe Terra). And second, the amount of detail is surprisingly ample. I wonder how much an exogeologist would be able to deduce?

I’ve said it before, and I’m sure I’ll say it again: it is a very good time to be a space geek. 🙂

(Also interesting to me, at least, is that since the video is silent, my brain started playing the main theme from the movie Gravity. Space imagery must be accompanied by majestic music now?)

Found via File 770.

When the So-Called High Art Falls Entirely Flat

I’m not a huge high art aficionado, but at times it can be fun to visit a museum. Then there’s art I do not understand. At all.

Content note: this post contains one f bomb.

Case in point: the Ouroboros Steak, a project designed by Andrew Pelling, Orkan Telhan, and Grace Knight. On the Design Museum website, the project is described like this:

“Ouroboros Steak is a DIY meal kit for growing gourmet steaks from of one’s own cells. It comes as a starter kit of tools, ingredients and instructions that enable users to culture their own cells into mini steaks, without causing harm to animals.

“Commissioned for the exhibition Designs for Different Futures at the Philadelphia Museum of Art, the project is a critical commentary on the lab-grown meat industry and critiques the industry’s claims to sustainability.”

Judging by the museum website metadata, the… product… is also listed for the 2020 Beazley Designs of the Year competition.

Err, what? Art? Product? Gourmet?!?!?!? What the fuck did I just read???

I… just… What?!? I can’t even decide whether the name is clever or artsy-fartsy pseudo-intellectual crap. Or whether the project might be just a boredom-induced crude joke??? If it were, it would be in highly, EXTREMELY poor taste to not take the health implications of cannibalism into account DURING a pandemic. Unless that’s supposed to be a part of the project???

Just can’t fathom this, in any shape, size, or form!

(WHAT?!????)

Image via Designmuseum.org

Imagine Being Surrounded by Maps

The Villa Farnese is a gorgeous Renaissance palace in central Italy, built in the early 1500s and richly elaborated with sculptures and frescoes. One of the rooms in the villa features a map of the world filling the wall at one end, with detailed maps of the continents on the other walls, under a ceiling decorated with constellations. Standing in this room, the magnates of the villa could see the whole world, as it was known to scientists and cartographers of the day.

The map room at Villa Farnese, photograph by Etienne (Li) via Wikimedia (Caprarola, Italy; completed 1574; fresco; by Giovanni Antonio de Varese)

Looking at this space, it occurs to me that a room like this would make an excellent setting for a scene in a fantasy or historical story. Many such stories play out over long distances, and knowing how one territory or city relates to the others around it as well as to the shapes of the land can make a huge difference in understanding the stakes and possibilities in play.

Africa, from the map room at Villa Farnese, photograph by Jean-Pierre Dalbèra via Wikimedia (Caprarola, Italy; completed 1574; fresco; by Giovanni Antonio de Varese)

In a visual medium like tv or movies, it could be very helpful to have a visual in the background while characters are discussing important movements or plans, but even in text, putting your characters in such a place could give you an opportunity to describe them looking at the map, tracing routes of travel or the borders between nations, and arguing for their plans.

Europe, from the map room at Villa Farnese, photograph by Ulrich Mayring via Wikimedia (Caprarola, Italy; completed 1574; fresco; by Giovanni Antonio de Varese)

Maps make everything better!

Kangina: Half a Year’s Worth of Fresh Grapes from a Pile of Mud

Kangina are traditional, ecological, and effective northern Afghani mud-straw containers for keeping fresh fruit good longer. They work best with a particular type of grapes with thick skins and a late harvest.

Wikipedia Voice of America Kangina

Freshly formed bowls are first baked in the sun for a few hours. The fruit is then placed inside, another bowl is placed on top, and the join sealed with more mud.

Atlas Obscura Stefanie Glinski Kangina Pile

The kangina are then stored in a cool, dry place for up to five or six months. To open, you gently crack the kangina halves apart. (Seen, for example, in this Voice of America video.)

Definitely not quick or low-effort, but still an impressive way to preserve fruit and introduce variety into your winter diet, isn’t it? Perhaps not the best containers for a party of intrepid D&D adventurers to carry with them, either, but certainly an inspired method of storing food they could run into while resting between quests.

Images: Grapes in a kangina by Voice of America via Wikipedia. A storage pile of kanginas by Stefanie Glinski via Atlas Obscura.

Repurposing Old Wind Turbine Blades as Bike Shelters

Apparently, for a good long while, retired wind turbine blades were difficult to deal with. (Sounds like recyclable blades have since been created.) They were made of materials that can’t easily be recycled and are bulky to just dump.

Repurposing used blades has been an obvious solution. But as what? Among others, they’ve been turned into utility poles, playground equipment, bridge girders, and park benches, for example. In addition, in Aalborg, Denmark, sections of old, disused wind turbine blades have been set up as bike shelters.

WEF Siemens Gamesa Turbine Bike Shelter

This is an older project by now, but I thought it clever and worth noting. Also, it’s cool how the shape of the repurposed section nods just a tiny bit towards the Art Nouveau spirit.

Image by Siemens Gamesa, found via World Economic Forum