Living Vicariously Through Social Media: Swans in a Winter Wonderland

Reportedly, the Swan Spring wetland park in Ili, Xinjiang, China, has some amazing winter settings. This scene definitely qualifies:

Tumblr F Yeah Chinese Garden Swan Spring Screenshot

I don’t like cold very much, but I do like the look of clean, white snow, and I love blue. This shot is astoundingly beautiful. I’m so sorry I don’t know who filmed the clip this is from.

Here in Massachusetts we have way too much snow for pandemic comfort at the moment. Some of it is pretty, yes, but instead of the graceful swans we have chunky wild turkeys, LOL! Ohwell; at least we’ll get plenty of physical activity by shoveling.

Found via Fuck Yeah Chinese Garden on Tumblr. (Follow the link for a short video.)

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Protagonists with Radical Acceptance Decide to Let Adversity Wash over Them

Fantasy and science fiction author Vida Cruz tackles an aspect in SFF that was new to me: that BIPOC protagonists are often seen by (white, Western) editors and readers as inactive, and why that’s false.

(I’ve written elsewhere a little about teaching myself to read novels in English after I started learning the language in 7th grade, how it’s so effortless to me now because I took the time and trouble then, and how reading mostly Anglo-American literature has shaped my thinking and expectations of stories.)

Cruz’s thread starts here. I’ve unraveled it below:

***

I want to talk about how western editors and readers often mistake protags written by BIPOC as “inactive protagonists.” It’s too common an issue that’s happened to every BIPOC author I know.

Often, our protags are just trying to survive overwhelming odds. Survival is an active choice, you know. Survival is a story. Choosing to be strong in the face of the world ending, even if you can’t blast a wall down to do it, is a choice.

It’s how we live these days.

Western editors, readers, and writers are too married to the three-act structure, to the type of storytelling that is driven by conflict, to that go-getter individualism. Please read more widely out of your comfort zone. A lot of great non-western stories do not hinge on these.

Sometimes I wonder if you’re all so hopped up on the conflict-driven story because that’s exactly how your colonizer ancestors dealt with people different from them. Oops, I said it, sorry not sorry. Yes, even this mindset has roots in colonialism, deal with it.

If you want examples of non-conflict-driven storytelling google the following: kishoutenketsu, johakyu, daisy chain storytelling/wheel spoke storytelling. There was another one whose name I forgot but I will tweet it when I recall it.

Anyway, I think there is a space in literature and beyond for stories about radical acceptance or that have a radical acceptance aesthetic. Accepting the things you cannot change but dealing with them in your own way. No pyrotechnics but plenty of potential for drama.

What you want in a story is drama. Conflict does not necessarily equate to drama. Conflict is driven by two or more forces colliding. If a protagonist decides to let the force wash over them instead, that does not mean the protagonist is inactive.

Once again, I repeat: SURVIVING IS A DECISION. BIPOC based in Western countries do it all the time. Us third worlders do it all the time. But of course if you grew up white in a Western country, being mired in hopeless systems will be hard for you to grasp.

And if you’re a BIPOC author, listen: you may be already as good, if not better, than most of the competition out there. You keep getting rejected not because your story sucks but because white editors do not know how to read your work. Keep trying.

Last but not least, we don’t just need diverse demographics for everything, WE NEED DIVERSE STORIES. Get your colonizer heads out of your asses and seek out other traditions. End rant.

I found the other storytelling structure! It’s called Robleto and is of Nicaraguan origin.

Thank you for coming to my TED Talk.

One last! Another type of story that everyone loves (or pretends not to love) but no one will publish in the west is FLUFF. YES THAT’S RIGHT, FANFICTION FLUFF. SUCK ON THAT.

It has been pointed out several times so I will amend the thread to say: all my points apply for disabled, neurodivergent, and chronically ill protagonists, too. Our way of showing agency is DEFINITELY different from yours so please be mindful of that.

***

For me, the main point Cruz makes is:

“What you want in a story is drama. Conflict does not necessarily equate to drama. Conflict is driven by two or more forces colliding. If a protagonist decides to let the force wash over them instead, that does not mean the protagonist is inactive.”

– Vida Cruz on Twitter

This reminds me of my frustration with the Halle Berry -led SF series Extant (which I referred to in an earlier post). I’ve asked myself whether they really wrote her merely feeling and flailing around or whether it is my misreading. Granted, it was some years ago now, but I don’t think I misinterpreted it; Extant lacked self-awareness or self-examination. (Or perhaps the writers’ room was forced to put out such claptrap by people higher up in the production.)

Possible examples of stories with radical acceptance / survival protagonists that do come to mind include the novels The Sound of Stars by Alechia Dow (Black protag) and Among Others by Jo Walton (disabled protag).

Anything you can think of? Please share! The concept is something I’m still mulling over, so more examples would help.

Also, any suggestions on a concise name for protagonists like this? I’m drawing a blank for the moment.

Story Time is an occasional feature all about stories and story-telling. Whether it’s on the page or on the screen, this is about how stories work and what makes us love the ones we love.

Living Vicariously Through Social Media: An Undersea Roundabout in the Faroe Islands

The Faroe Islands—an autonomous region of Denmark—has built bridges and tunnels before to connect the numerous islands or islets and its 50,000-some residents. Never before, however, have they dug an undersea tunnel as deep or as long as the brand-new Eysturoyartunnilin, nor built an undersea roundabout.

Eysturoyartunnil Interior Green

The roundabout is part of a tunnel measuring about 11 km (6.8 miles), the third sub-sea tunnel in the islands. It connects the islands of Streymoy and Eysturoy, and reaches at its deepest 187 meters (roughly 200 yards) below sea level. At this writing the tunnel’s been in use for about a month.

Eysturoyartunnil Map

The roundabout comes with art—sculptures and light effects—designed by the Faroese artist Tróndur Patursson. You can read more about the tunnel at BBC or the P/F Eysturoyar- og Sandoyartunnil project website.

Eysturoyartunnil Interior Blue

Oh, my goodness. It’s obviously not a solution that suits every location, and I assume the cost plus know-how involved can also be a deterrent, but what a feat of engineering and vision it is. This is yet another reason why it’s (pandemic aside) exciting to be living now!

Found via Kristina Háfoss on Twitter.

Images: Map by P/F Eysturoyar- og Sandoyartunnil. Interior images by Estunlar.fo via BBC.

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Cephalopodic Human Figures Drawn by Bored Children in 13th-Century Novgorod

Erik Kwakkel, Professor of Book History & Director, School of Information, UBC, Vancouver, Canada, shares all sorts of interesting tidbits online. Among the older ones—posted over seven years ago now and dating from the Middle Ages—are some wonderful children’s drawings made on birch bark.

This piece of bark is from among a large find made near the city of Novgorod, Russia, from the 13th century.

Tumblr Erik Kwakkel C13th Novgorod Birch Bark Drawing

Isn’t it interesting? Look at the eyebrows and the noses! And the torsos! Incredibly cephalopodic, in a charming way. And the hands look like rakes. The figures are clearly identifiable as humans, but the customary ways of drawing some of the details seems to have changed over the centuries quite a bit.

Check out Kwakkel’s Tumblr or Twitter for more book history particulars.

Image via Erik Kwakkel on Tumblr

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Quotes: We Humans Need Cinema, as a Collective Experience

Director Denis Villeneuve (whom I know from Arrival and Blade Runner 2049) talks about the decision made by Warner Brothers to release their new movies concurrently in theaters plus their streaming platform in an interview with Variety:

“I strongly believe the future of cinema will be on the big screen, no matter what any Wall Street dilettante says. Since the dawn of time, humans have deeply needed communal storytelling experiences. Cinema on the big screen is more than a business, it is an art form that brings people together, celebrating humanity, enhancing our empathy for one another — it’s one of the very last artistic, in-person collective experiences we share as human beings.

“Once the pandemic is over, theaters will be filled again with film lovers.

“That is my strong belief. Not because the movie industry needs it, but because we humans need cinema, as a collective experience.”

This is a hairy situation. I fully agree with Villeneuve in that the theater experience—both movies and traditional plays, not to mention concerts of all varieties—was created with the physical presence of masses in mind, and, indeed, it benefits enormously from our physicality.

Technology has drastically changed how many things can be achieved digitally instead of physically. However, the fact has not changed that we are physical beings and crave physical experiences. There’s nothing quite like being drawn into a story and hearing the crowd around you reacting to it with you. (Think of sports events if you’re a sports fan.)

At the same time, however, I cannot but applaud the decision from an accessibility point of view. Personally, I literally understand and enjoy movies much, much better when I can access subtitling or captioning (and this is before the reduced hearing that’s in my family’s genes has really affected me; subtitles will only get more important for me in the future). And despite the theaters Erik and I usually visited in the Before Times being physically accessible, I have also visited theaters that aren’t, or theaters that have inaccessible bathrooms, or theaters that have bad seating.

Of course, one doesn’t have to have a disability or chronic conditions to enjoy streaming brand new movies. Coming from a large family I know herding kids in and out of theaters isn’t always easy. And there have been times I might have wanted to see a movie, but it would’ve meant slogging back out after a long day, waiting for a bus to take me downtown (or riding my bike in the wind and the rain) and all of it back again afterwards, so instead I stayed comfortably home.

There are a number of ways in which streaming content immediately on release day will benefit ordinary folks of all kind. At the same time, I do hope, most fervently, that movies made for the big screen do not disappear. For me, like for Villeneuve, they’re one of the major cultural features of 20th and 21st centuries.

Serving exactly what it sounds like, the Quotes feature excerpts other people’s thoughts.

Latest Wonder Woman 1984 Teaser

Warner Brothers has released a new 60-second Wonder Woman 1984 teaser:

WONDER WOMAN 1984 – CCXP :60 by Warner Bros. Picture on YouTube

We see a few new scenes and voiceovers. I assume it’s Diana’s mother who says in the first half of the video “This world is not yet ready for all you will do” as a lead-in to some amazing stunts, like lassoing the tail of an airplane or a bolt of thunder(!).

I confess I’m sceptical of how well those kinds of stunts might work; I mean that I have a hard time imagining them not looking ridiculous. I guess we’ll see. (Eventually. We’ve been too busy to talk about when we might want to see WW84.)

2020 has been a difficult year for the performing arts, too. Apparently, to recoup some of the losses, Wonder Woman 1984 will be shown in selected theaters in the U.S. and concurrently streamed on HBO Max. The release date here is December 25, 2020.

Hey, look! We found a thing on the internet! We thought it was cool, and wanted to share it with you.

Living Vicariously Through Social Media: Inspiration for Moria Doors

Sophie Berry on Twitter shared this amazing photo of a church door flanked by two trees that have basically grown into the wall:

Twitter Sophie Berry St Edwards Stow-in-the-Wold Back Door

Apparently it’s thought to be the inspiration for the doors of Moria in Tolkien’s Lord of the Rings. No surprise there. How incredible!

Image via Sophie Berry on Twitter.

Out There is an occasional feature highlighting intriguing art, spaces, places, phenomena, flora, and fauna.

Nordic Myth and Magic School Vølurheim

Artist Even Amundsen has been doodling character portraits for teachers at a hypothetical Harry Potter -style Scandinavian myth and magic school. He calls the school Vølurheim.

The names of the Professors include very Scandi monikers such as Hulda Kvænangsdottir, Dagfinn Snauholt, and Kari Sigfridsdotter. Amundsen has even come up with a background for everyone.

The portraits are fabulous in every sense – and as a bonus, the outfits are very reminiscent of historical Scandinavian garb and folk costumes. Below are some of my favorite characters.

Ragnhild Stubbemoen is the Professor of Dragon Lore and Care:

ArtStation Even Amundsen Volurheim Ragnhild

Apparently she’s taught at Vølurheim for 79 years already—and by the looks of her, she’s ready for another 80.

Mumrikk Stigandur is the Professor of Herbology:

ArtStation Even Amundsen Volurheim Mumrikk

Amundsen said he’s “heavily inspired” by Snufkin (Snusmumriken in Swedish or Nuuskamuikkunen in Finnish) from the Moomin stories. You can definitely see the resemblance!

Professor of Defense Against the Dark Arts and veteran warlock of the Troll Wars is called Grimstav Draugsleiven. His portrait really shows his survival capabilities:

ArtStation Even Amundsen Volurheim Grimstav

Magnificent, isn’t it? (Elemental shaman in WoW, anyone?)

Even Mehl Amundsen is a freelance concept artist from Norway who has worked for studios like Ubisoft, Blizzard, Riot, Axis Animation, and Wizards of the Coasts, among others. You can see more of his work at ArtStation.

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

Make Your Own Superhero Snowflakes

Some awesome people’s skills include puzzling out how to have paper snowflakes come out gorgeous. You remember the ones we made in elementary school: fold a piece of paper in sixths or eights, go to town with scissors, unfold the paper, and Bob’s your uncle. Mine weren’t always that decorative, but the ones below sure are.

Sonia Harris designed five template patterns for free download (personal use only): Batman, Iron Man, Punisher, Storm from X-Men, and Wonder Woman.

Sonia Harris Mashup by Eppu

Laughing Squid shared designs by Abby Bartels from Fun.com. (Note: My browser gives me a security warning about Fun.com, so proceed with discretion.) My favorites are Captain America and Iron Man; also included are Batman, Harley Quinn, Hulk, Joker, and Thor.

Laughing Squid Bartels Captain America
Laughing Squid Bartels Iron Man

Thanks to these templates even I could do some scissor magic for this end-of-the-year season!

Images: mashup of Sonia Harris’s snowflakes from her photos by Eppu Jensen. Captain America and Iron Man by Abby Bartels via Laughing Squid.

In Making Stuff occasional feature, we share fun arts and crafts done by us and our fellow geeks and nerds.

May You Have as Restful and Relaxing a Thanksgiving as Possible

With this awesome geeky Perler bead wreath, I wish our U.S. readers as restful and relaxing a Thanksgiving as possible under the circumstances.

Minted Strawberry Aki Perler Bead Geeky Xmas Wreath

May the writers’ room have an exceedingly boring 2020 season ender in store for all of us. The world sure could use a respite from the coronavirus.

Stay safe!

Image and tutorial by Aki at Minted Strawberry

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