Intertextuality—besides being an excellent Scrabble word—is a useful tool for thinking about literature and storytelling.
Intertextuality is when one literary work refers to or places itself in the context of another work. While different thinkers have used the term in different ways, it is often used to refer to cases in which the meaning of the later work is shaped by or depends upon knowledge of the first.
To make things a little more concrete, take the example of Arthurian legend. The early literary versions of King Arthur’s tales come from several different authors across several centuries, each of whom took certain basic ideas about a legendary king and his family and followers, and added in new characters, told new stories, or shifted the tales to new settings. Each of these literary works was engaged in intertextuality, drawing on a set of characters, stories, and ideas that their audience already knew while adding something new and different to the mix.
Or, to take it a step further, Monty Python and the Holy Grail is intertextual with the whole lot. The movie features such staple characters of Arthurian legend as King Arthur, Sir Lancelot, and Sir Gawain, and references to Camelot and the Holy Grail. Even though Monty Python’s take on the Arthurian legendarium goes in a very different direction than the traditional tales, it explicitly places itself in relationship to them. You don’t exactly have to know Arthurian legend in order to appreciate Holy Grail, but many of the jokes are built around subverting or parodying standard parts of the mythology.
By contrast, although Star Wars also makes use of Arthurian ideas—a farm boy who discovers his secret destiny, a magical sword, a wise mentor who disappears partway through the story—it is not intertextual with Arthurian legend in the same way that Holy Grail is. Star Wars does not have characters named Arthur or Lancelot. There is no planet Camelot. Even though Star Wars invokes some Arthurian themes, it does not use them to reproduce or comment on the Arthurian legends themselves: Luke does not become king, assemble a round table of Jedi knights, or go in search of a mystical cup.
We live in a great age of intertextuality, an age of cinematic universes, boundless fan fiction, and knowing parodies. It’s a useful idea to have at hand for thinking and talking about the stories in the world around us.
Images: Still from Monty Python and the Holy Grail via IMDb. Still from Star Wars IV: A New Hope via IMDb.
Story Time is an occasional feature all about stories and story-telling. Whether it’s on the page or on the screen, this is about how stories work and what makes us love the ones we love.
Thanks! This actually help me differentiate “intertextuality” from the often-mis(and over-)used “meta.”
Happy to help! It’s a concept that took me a while to grasp, too.
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