Eppu’s Worldcon 75 Highlights

A random assortment of memorable moments, thoughts, views, and quotes from our time at Worldcon 75 in Helsinki.

From the panel: Always Connected, It’s Mandatory with Effie Seiberg, Fred C. Moulton, Jo Lindsay Walton, Kristina K., and Tommi Helenius

  • I missed who said it and whether there were further details, but one panelist mentioned a study with the finding that merely having a cell phone on your desk, even if it’s off, lowers your ability to concentrate by about 20 percent.

The tidbit certainly gives food for thought. If true, it gives an added bonus my decision to keep my phone out the way on a small side table. Phone out of direct line of sight: +2 to concentration roll!

From the panel: Pronouns, Who Needs Gender Pronouns with Cenk Gokce, Johanna Sinisalo, Catherine Lundoff, Kelvin Jackson, and John Chu

  • Johanna Sinisalo shared a story from producing the freebie anthology given to congoers, Giants at the End of the World. The translator for a story she was editing asked the gender of a very minor character that passes by in the background in order to use the correct pronoun, so she passed the question on to the author. Their reply was: “Who knows?”
  • John Chu continued on the effect that grammatical details like that have on thinking: in English you have to specify, whereas in languages that have different pronoun systems, speakers may specify the gender of their characters.
  • There was an audience comment on the 3rd person singular pronoun it used of people (in reference to a panelist who remarked that that’s possible in some dialectal uses in some languages). In the commenter’s view, people want to contain multitudes, and using it of people would be taking something away.

Clearly, defining characters’ gender matters greatly to some people and not so much to others (like the “Who knows?” Finnish author). Of course, not all writing nor all works of fiction are or should be the same, or created for the same purpose. For example, when the mood takes me, I’m delighted to read fluffy comfort lit that at other times would drive me to distraction. I think the variety that exists is fantastic, and limiting our expressions—especially in speculative fiction—is, well, limiting. We as a species do indeed contain multitudes.

Instagram Lada ladule_b W75 Fandom Is Family

Autographs: I got my copy of Maresi by Maria Turtschaninoff signed.

Maresi w Author Autograph

From the panel: Editor’s Dream with Thoraiya Dyer, Masumi Washington, Katrina Archer, and Robert S. Malan

  • Katrina Archer, a Canadian copyeditor who works with both Canadian and American writers, mentioned that she creates a style sheet for each individual story. She includes, among others, notes on word selections (in consultation with the authors) and the dictionary and spellings used.

Self-evident, when you think about the pragmatics of editing. I’m going to steal that idea to apply for my various projects.

From the panel: Reviewing 101 with Juan Sanmiguel, Markku Soikkeli, John Clute, and Fred Lerner

  • Fred Lerner, by his own description “a recovering librarian” (yay librarians!), quoted Sturgeon’s Law (to the effect of: 90% of everything is crap) and noted that it therefore follows 10% is of use, so if a reviewer cannot find that 10% maybe they should do something different.

I’ll have to try and remember this. Not that I review things that often, but to vet other reviewers. (Also, note to self, a related critique panel mentioned Mary Robinette’s method which I believe is the one she tweets about here.)

In the exhibits hall: On guest of honor Nalo Hopkinson’s table, a puzzle featuring her book covers had been set out for passersby to work on. Irresistible! And a really inventive, unintrusive promo method.

Patreon Nalo Hopkinson W75 Book Cover Puzzle

Made it: There’s photographic proof I was at Worldcon!

From the panel: Jack of All Trades, Master of Several with Carl, Roseanne Rabinowitz, and Jani Saxell

  • Carl remarked that “external brains” (=tech) can help us branch out because looking up information is very easy.
  • Jani Saxell noted that as SF operates at the edges of the new and strange, you cannot prepare for everything; there should be a place for generalists in SFnal stories.

As a Jill of Many Trades myself, I found the topic fascinating. I’d note that finding information may have gotten much easier, but a lot still depends on an individual’s ability to sift the useful from useless and absorbing the appropriate bits.

Seen in person: We’ve streamed it a few times before, so we knew the routine, but it was surprisingly exciting to be able to attend the Hugo Awards ceremony.

Instagram writer_aki Aki Parhamaa W75 Hugo Awards

Seen in person: I also had several nice random meetings with both old friends (some of whom I haven’t seen in over 15 years) and new-to-me people. For example, on Friday we saw a Finnish journalist and fan Jussi Ahlroth on morning tv talking about the con and later that day actually met him. Cool. 🙂

Speaking of cool: Did you know that John Howe (yes, THAT John Howe!) was at Worldcon?!?

Instagram writer_aki Aki Parhamaa W75 John Howe

From the panel: Older Women in Genre Fiction with Catherine Lundoff, Delia Sherman, Liisa Rantalaiho, and Helena McCallum

  • The panel noted among other things that women’s bodily needs aren’t usually present in stories. Older women don’t have to deal with e.g. menstruation, but they do have physical ailments due to age. Elizabeth Moon was mentioned as someone who is great at describing the difficulty of getting going in the morning, for example. The panelists also talked about how, just like in real life, older women in stories are often hiding in plain sight (i.e., ignored).
  • Liisa Rantalaiho noted: Older women have sex.

Another fascinating panel through and through. Elizabeth Moon’s name came up in other panels, too; clearly I need to look her up.

Seen in person: Speaking of looking people up, I found a few other new-to-me authors and artists to try. I often do that if I like what someone’s said at a panel or program item.

The end is nigh: At some point during the con, signs for marking the end of the line (when queueing into program rooms) appeared for people to hold up and pass on. Of course it would’ve been nicer if long lines hadn’t happened at all, but it was a practical and humorous solution to an annoying facilities problem.

Instragram Tiina Vastamaa tiinatupuna W75 End of Line Please Queue Here

From the panel: Gender and “Realistic History” with Cheryl Morgan, Thomas Årnfelt, Gillian Pollack, Jo Walton, and Scott Lynch

  • Jo Walton said that women are left out when canons get formed; if you go looking for women in extant documents, they are there.
  • Thomas Årnfelt mentioned a few examples of women’s occupations gleaned from 12th c. Parisian tax documents: various positions in food and textile industries, barber, goldsmith, locksmith, and night guard, among others.
  • Cheryl Morgan talked about how people have been constructing gender(s) in many various ways in history / around the world. E.g. beer brewing and tavern keeping are now seen as male professions, when in fact they were purely women’s work at one point. Another example she gave is that a man couldn’t work in Nelson’s army (or Napoleon’s?? can’t make out my handwriting) if he didn’t know how to sew.

Lively discussion and many, many examples. I kept missing references writing down others. I wish this panel had been videotaped!

Seen in person: A live astronaut. All three presentations / panels with Kjell Lindgren were fascinating! Here’s the video of The Kjell & Jenny Show: A NASA Astronaut and his PAO where Kjell talks about the astronaut selection and preparation process.

The Kjell & Jenny Show: A NASA Astronaut and his PAO by Worldcon 75

Once upon a time on a lunch break: I ate at the Messukeskus Hesburger fast food joint (also fondly known as Hese) purely out of nostalgia. And was proud of myself, both as a Finn and an introvert, for sharing a table and a conversation with a total stranger. I don’t typically do that. At the same place my top half was also, memorably but unfortunately, splattered with hot chocolate. Oh well. Accidents happen, and I wasn’t scalded.

From the panel: Pullantuoksuinen – Writing While Multilingual with Nina Niskanen, Aliette de Bodard, Emmi Itäranta, Ken Liu, and Jakob Drud

  • Emmi Itäranta commented that juggling two languages simultaneously is sometimes a hindrance (if you find a fantastic phrase in one language but not the other), but it also makes you a better writer because it forces you to be more specific in your meaning.
  • Ken Liu noted that it’s perhaps more important to explain a cultural concept for yourself than the audience.

I have a bad habit of code-switching out of pure sloth with Erik since he knows Finnish so well. Perhaps I ought to try and stick to one language at a time. Apart from making puns; that I won’t give up. 😀

From the panel: On the Care and Feeding of Secondary Characters with Fiona Moore, Carrie Patel, Mur Lafferty, Teresa Nielsen Hayden, and Diana ben-Aaron

  • “Knowing why characters exist tends to make them flat. Try not to know that.”

Really great quote. If you know who said it, please let me know! (Jo Walton???)

Another choice quote:

“I liked the way everyone was pleasant and polite. Panelists seemed to get along well with each other, even when they disagreed. Audiences seemed appreciative. The whole thing was good, low-tension fun. I sometimes think the discussions on the Internet leave people with a really wrong idea of what the experience of attending a convention is like. Problems are few, attitudes are positive, and people laugh and smile a lot.”

– Greg Hullender commenting at File 770

There were problems, and I witnessed some true clueless behavior first hand, but on the whole I agree with Greg. I saw so many examples of people greeting each other, sharing small moments of connection, helping each other out in general, troubleshooting tech issues, sharing tips and smiles, and giving up their seats to those who needed it or who might enjoy a panel more. Fandom definitely is my family. ❤

From the panel: Book Blogs with Cora Buhlert, Teresa Nielsen Hayden, Shaun Duke, and Thomas Wagner

  • Shaun Duke of The Skiffy and Fanty Show (I think—please correct me if I’m attributing this to the wrong person) said some authors don’t seem to understand how the Internet works. Apparently he’s chosen not to review some people because he’s seen how they’ve treated other fans and reviewers online.

Yup. Rep gets around.

160204dingy

Images: Fandom Is Family by Lada (ladule_b) via Instagram. Maresi by Eppu Jensen. Nalo Hopkinson puzzle by Nalo Hopkinson via Patreon. Art of the Snapshot panel audience by Baron Dave Romm (david_e_romm) via Instagram. Hugo Awards ceremony collage by Aki Parhamaa (writer_aki) via Instagram. John Howe by Aki Parhamaa (writer_aki) via Instagram. End of Line by Tiina Vastamaa (tiinatupuna) via Instragram. Dingy bird via MTV.

How It Happens is an occasional feature looking at the inner workings of various creative efforts.

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2 thoughts on “Eppu’s Worldcon 75 Highlights

  1. Pingback: WorldGone

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