A New Version of Sense and Sensibility Is Coming

2025 saw the beginning of production on another new screen adaptation of a Jane Austen story besides Netflix’s Pride and Prejudicea remake of Sense and Sensibility is also in the works.

The film is directed by Georgia Oakley (who is, sadly, completely unfamiliar to me both as director and writer), and bestselling author Diana Reid wrote the screenplay (ditto).

Elinor is played by Daisy Edgar-Jones, Marianne by Esmé Creed-Miles, Margaret by Bodhi Rae Breathnach, and Mrs. Dashwood by Caitríona Balfe. Outside the Dashwood family, we’ll have George MacKay as Edward Ferrars, Frank Dillane as John Willoughby, and Herbert Nordrum as Colonel Brandon.

2026 Adaptation SnS Mashup

I’ve seen Balfe in a few random episodes of Outlander, but otherwise the core cast is unknown to me. (Well, technically I have seen Dillane as a 16-year-old version of Tom Riddle in Harry Potter and the Half-Blood Prince 15+ years ago, but don’t remember a thing of such a fleeting experience.) It’s actually rather refreshing to get to see a production without preconceptions.

Also starring will be Fiona Shaw as Mrs. Jennings, whom I really like as Mrs. Croft in the 1995 Persuasion and as Maarva in Andor. (I always forget her truly excellent performance as Aunt Petunia in the Harry Potter adaptations because the character is so repulsive.) The funny marvelous thing is that Shaw has also been cast in Netflix’s Pride and Prejudice as Lady Catherine de Bourgh. Her performances alone should be worth seeing both new versions!

The new S&S adaptation by Focus Features and Working Title Films is in post-production at this writing. The shooting started in July 2025 and, according to IMDB, the U.S. and U.K. release dates are set in September 2026.

Yay! Good times for us Jane Austen fans. 🙂

Images via IMDB, mashup by Eppu Jensen: Esmé Creed-Miles. Frank Dillane by Jesse Grant / Getty Images. Daisy Edgar-Jones by Faye Thomas. George MacKay by David M. Bennett / Getty Images.

A New Version of Pride and Prejudice Is in Preproduction

Ooh! A new version of Jane Austen’s Pride and Prejudice is in the works!

Netflix is producing the 6-episode adaptation. Author Dolly Alderton will adapt and Euros Lyn direct. Of the cast so far announced are Olivia Colman as Mrs. Bennet—which will be a fantastic performance, I’m sure—plus Emma Corrin as Elizabeth Bennet and Jack Lowden as Mr. Darcy.

Netflix PnP Mashup

At this writing the new P&P series is only in preproduction, so lots of unknowns remain, including release date. According to Netflix, production is slated to start in the UK this year, but that’s all so far.

Wow, I’ve been wanting another Jane Austen adaptation for a while, so this is great! Not necessarily P&P, though, it’s been done so many times, but I’ll take it. 🙂

As I said, I firmly believe Colman will be great, and I seem to remember good things about Corrin (Princess Diana in The Crown and Cassandra Nova in Deadpool & Wolverine). Lowden, however, is completely new to me; I have no idea what kind of an actor he might be.

Another complete unknown to me is writer Dolly Alderton. However, I’ve seen the work of director Euros Lyn in Doctor Who and Torchwood as well as Broadchurch and Sherlock (the latter with Martin Freeman and Benedict Cumberbatch). Broadchurch, especially, was fantastic, and he and Colman worked together in that.

Very promising! Looking forward to hearing more about this adaptation.

Images via IMDB, mashup by Eppu Jensen: Olivia Colman. Emma Corrin. Jack Lowden.

News on a Red Sonja Reboot

If I ever heard of a Red Sonja reboot project, I must’ve immediately forgotten it, for the fate of movie projects is unknowable and often fickle, and that is multiplied for genre projects starring women.

Now, though, it sounds like Millennium Media’s Red Sonja is due for release later this year in the UK and Ireland. This version is directed by M.J. Bassett and written by Tasha Huo and Roy Thomas on the basis of Robert E. Howard’s original comic book characters. Matilda Lutz plays Sonja.

At this writing, IMDB doesn’t list much information and has only 10 photos for the production, including a poster.

IMDB 2025 Red Sonja Poster

Interestingly, IMDB also lists Roy Thomas as an uncredited writer for the comic book. Thomas’s latest big-name project is Deadpool & Wolverine.

I hazily remember the previous adaptation from 1985 starring Brigitte Nielsen. ‘Twas the time when there were so few SFFnal movies and tv series in the boonies where I grew up that you pretty much had to see everything coming your way if you wanted to see anything. If I recall, it was like the 80s Conan adaptations—Conan the Barbarian in 1982 and Conan the Destroyer in 1984—which is to say pretty campy, but attempting very, very, very earnestly to bring epic fantasy to screen.

Bassett’s version is filmed in Bulgaria and Greece, and reportedly will have a different tone from male-gaze versions of the character. While both of these details sound promising, and while I would love to see more genre projects led and directed by women, somehow I seem to doubt the movie will be released on the big screen here in Finland. We’ll see.

Image via IMDB

Release Date for the Murderbot Series Is Announced

In a press release last week, Apple TV+ announced the release date for their Murderbot adaptation. Yay! (The last I blogged about the series wasn’t even a year ago, so the production is moving right along…! Anyway.)

The first two installments of the 10-episode series will be streamed on Friday, May 16. This double feature will be followed by new episodes every Friday through July 11, 2025.

They also released the first two photos of actor and executive producer Alexander Skarsgård as Murderbot, one with helmet on and the other with helmet off.

Apple TV Murderbot Skarsgard2
Apple TV Murderbot Skarsgard1

There really isn’t much detail in these photos; I wish there was a little more. Stylistically they’re not too far off of what I imagined on the basis of the books, except that Murderbot’s armor looks too flimsy. (Maybe they’ve written in a reason for that?)

This February’s press release also describes the series as a comedic thriller, which is interesting in itself. Yes, there are comedic elements, and yes, there is suspense and combat—in fact, I remember being flabbergasted when Murderbot exploded into action literally on page two of All Systems Red. I mean, it wasn’t a surprise that some fighting would be involved, but that quickly? It was an unusual attention-grabbing move to barely introduce your main character, never mind the world, before sweeping your readers into a fray with large hostile life forms with big teeth. Not to mention the trouble at the DeltFall survey site and the threat of EvilSurvey that steadily mounts through the book. Makes me wonder exactly which aspect, the comedy or the thrill, has Apple TV decided to focus on, or if both feature equally, whether they’ll be able to pull off a nice balance.

The IMDB entry for Murderbot reveals another two tiny tidbits: there will be a spaceship named Twodor and a named side character Venenek, neither of which appear in Martha Wells’s original writings. I’m sure IMDB will fill in more info as the release draws nearer.

One thing is sure: this spring will be a great time to re-read Murderbot. Not that there’s ever a bad time. 🙂

Images via Apple TV+

Some Thoughts on The Hunt for Gollum Adaptation

The news has been out for a good long while now: a new live-action Middle-Earth movie is in the works, set to be released in 2026 and produced by Peter Jackson, Fran Walsh, and Philippa Boyens. It’s provisionally called The Lord of the Rings: Hunt for Gollum, and Andy Serkis will both direct and play Gollum. Apparently it’ll be the first of multiple films by Warner Bros. based on Tolkien’s books, and told from Gollum’s perspective.

Since this fall has been surprisingly full of Tolkien for us (we both re-read LotR in addition to our two trips to Tampere, first to see the John Howe exhibit and then the theatrical adaptation), we ended up talking about the upcoming Gollum movie and our misgivings with it. Below are some of those thoughts.

Erik

I’m not excited for The Hunt for Gollum. Nothing about the character of Gollum or the long and mostly fruitless search for him, as described in the book, sounds like promising material for further on-screen exploration. I fear that this film will turn into more overstuffed action/fantasy/comedy like the Hobbit trilogy. At best I hope to enjoy the settings, costumes, props, and other details that were made with such love and dedication by the production team on the earlier Middle-Earth films. Still, I’m always ready to be pleasantly surprised.

For films that fill in more of the story we haven’t yet seen on screen, I’d be more excited about an exploration of Sauron’s attacks to the north. The appendices to The Lord of the Rings mention that Sauron’s forces at Dol Guldur assaulted Lothlorien and ravaged the lands of the Mirkwood Elves while an army of his allies from the east came against the Men of Dale and the Dwarves of Erebor. In the end, Sauron’s forces were defeated. Galadriel, Celeborn, and Thranduil cleansed Mirkwood and overthrew Dol Guldur while Bard II of Dale and Thorin III of Erebor pushed Sauron’s allies back to the east. There is plenty of scope here for big action set pieces, drama between the folk of Middle-Earth, and the return of some favorite characters. At the same time, there is enough blank canvas that for new characters to join the cast without feeling like they were squeezing out Tolkien’s story. It would be nice to see what was happening to places and people we know from The Hobbit and The Lord of the Rings while Sauron’s main offensive against Gondor was going on.

I could also enjoy a movie set in the Shire in the years after The Hobbit. A light-hearted comedy of Hobbit manners about the Sackville-Bagginses and their designs on Bag End could intertwine with the growing up of Frodo, Merry, Pippin, and Sam and the forging of the friendships that would be tested in the crucible of war far from home. A movie like this could give appropriate scope to Jackson’s taste for slapstick comedy while also allowing hints of the slowly creeping darkness of the ring and its effects on Bilbo to show through.

Eppu

My very first thought was: why would we want to see this particular story? Andy Serkis’s performance as Gollum will always be stellar, and I’m always up for seeing more of Weta’s work, but otherwise I’m quite unsure why this story was picked and why it should excite us.

Firstly, there isn’t that much to go on in LotR. According to Appendix B, Aragorn and Gandalf searched for Gollum together a few separate times, and the whole process takes them some 16 years.* In the second chapter of book two, The Council of Elrond, we get the most detail. There’s first a reference to a long and hopeless search. (Gandalf says that they went to the Mountains of Shadow and “the fences of Mordor”, where they guessed that “he dwelt there long in the dark hills; but we never found him, and at last I despaired”.)

Aragorn is the one to actually catch him: apparently he by chance found Gollum’s footprints leading away from Mordor and caught him somewhere in the Dead Marshes. Then followed an unpleasant walk to Mirkwood, and, finally, Gandalf questioning Gollum there.

What I see so far is a long, tedious, and possibly uneventful beginning followed by sleeplessness, stink, and cruelty (Aragorn himself says that Gollum “bit me, and I was not gentle […] making him walk before me with a halter on his neck, gagged, until he was tamed by lack of drink and food”).

A very skilled writing team is required to make something exciting out of that.

You know what I would rather see? For instance:

  • anything do do with the Hobbits arriving into Eriador (1050, c. 1150 of Third Age) and settling first Bree-land (c. 1300) and then the Shire; also the Stoors leaving the Angle and some returning to Wilderland (1356)
  • the heyday of Osgiliath (before the city was burned and its palantir lost in 1437)
  • Gondor and Arnor renew communcations and form an alliance (1940)
  • the fall of Arnor and the northern kingdom; how the heirlooms of Arnor are given to Elrond’s safekeeping (1976)
  • Dwarves live and mine in Moria and eventually are driven out
  • Thorin I leaves Erebor and goes north to the Grey Mountains (2210)
  • excavations of Great Smials (begun 2683), Bandobras Took defeats Orcs in the Northfarthing (2747), Gandalf comes to aid Hobbits (2758)
  • life in Dale, the coming of Smaug (2770)
  • Thráin II and Thorin wander westwards (from Moria?) and settle in southern Ered Luin beyond the Shire (2799-2802)
  • how and where Aragorn’s mother Gilraen (born 2907) lived in the north, her wedding to Arathorn, son of Arador (2929); death of Arador (2930) and birth of Aragorn (2931), Gilraen’s travels to Imladris with Aragorn after the death of her husband (2933)
  • The Fell Winter when many northern rivers are frozen, incl. the Baranduin (Brandywine) (2911)
  • Gandalf and Balin visit Bilbo in the Shire (2949)
  • Aragorn meets Gandalf and their friendship begins (2956), Aragorn’s journeys in the Wild begin in earnest, including time in Rohan and in Gondor in disguise (2957-2980)
  • Balin leaves Erebor and enters Moria (2989), the end of Balin and the Moria Dwarf colony (2994)
  • The Scouring of the Shire and the Battle of Bywater after the destruction of the Ring
  • King Elessar rides north, lives by Lake Evendim for a while, including meeting his Hobbit friends on the Brandywine Bridge, Elanor, daughter of Samwise, becomes a maid of honor to Queen Arwen (1436 Shire Reckoning)
  • Samwise, Rose, and Elanor ride to Gondor, stay there a year (1442 S.R.); Elanor marries Fastred of Greenholm (1451 S.R.), they have a child, Elfstan Fairbairn (1454 S.R.), and later move to Undertowers on the Tower Hills (1455 S.R.); Rose dies and Sam rides to Tower Hills and gives the Red Book to the Fairbairn’s keeping before leaving for the Grey Havens (1482 S.R.)

(All pulled from Appendix B of The Lord of the Rings.)

So much could be told about the the Shire’s early history. The tidbits on fighting with Orcs, a company of Hobbit archers sent to assist the King in the north, and the Fell Winter are tantalizing. Or the later history, too, especially focusing on Sam, Merri, and Pippin and their families.

There also has got to be a lot of unmentioned history behind details like “Gondor and Arnor renew communcations and form an alliance”, but I can see the (probably economic or marketing) reasons for focusing on characters we’ve already seen on the screen.

So, you could go with “Thráin II and his son Thorin wander westwards. They settle in the South of Ered Luin beyond the Shire”, or “Gandalf and Balin visit Bilbo in the Shire”, and keep a reasonable connection to events in the movie adaptations. The latter took place some eight years after the events of The Hobbit and 40 years before Balin sets out for Moria—surely a lot of leeway for embellishment there.

I also would really love to see the scouring of the Shire. Understandably the sequence would take a lot of reworking, since Jackson et al. chose to kill off Saruman and Wormtongue already at Isengard, but that kind of major revamping is hardly new to the team.

In any case, we’ll reserve final judgment until we know more. Here’s hoping it’ll be good.

*) Appendix B lists three years to do with the hunt for Gollum. First, in the year 3001, “Gandalf seeks for news of Gollum and calls on the help of Aragorn.” Second, in 3009, “Gandalf and Aragorn renew their hunt for Gollum at intervals during the next eight years, searching in the vales of Anduin, Mirkwood, and Rhovanion to the confines of Morder. At some time during these years Gollum himself ventured into Mordor, and was captured by Sauron.” Third, in 3017, “Gollum is released from Mordor. He is taken by Aragorn in the Dead Marshes, and brought to Thranduil in Mirkwood.”

Living in the Science-Fictional Now: Smart Contact Lenses Powered by Solar Cells and Blinking

Move over, flying cars. Also, 3d-printing living cells onto internal organs, your moment in the limelight is over. For here come smart contact lenses.

Despite its unfortunate publishing date—Apr 1st—the article in IEEE Spectrum on smart contact lenses powered by solar cells and blinking seems to refer to a genuine invention.

An article in the journal Small on March 13, 2024, by Erfan Pourshaban et al. introduces a self-contained on-the-eye power source. Their device combines flexible silicon solar cells with an electrochemical harvester based on the principle of metal-air batteries. This harvester is activated by the blinking motion and uses tear electrolytes for the harvesting. Finally, the two energy generators were integrated with a power management circuit for a stable voltage and to compensate for weak solar cell performance under low-light conditions.

According to Pourshaban et al., their self-standing power pack could even power drug delivery systems, diabetic sensors, or readout sensors in smart contact lenses.

Wiley Online Library Pourshaban et al Fig4
Integrated power pack for a smart contact lens by Pourshaban et al.; a) Exploded view of the flexible power pack’s components, b) circuit diagram of the entire power pack, c) PDMS-encapsulated power management circuit and the flexible solar cell mounted on an eyeball replica, and d) power pack’s electrical status under natural eye blinking conditions.

I haven’t seen much mainstream reporting on this, but it sounds very exciting to me! The technology has so far been tested on a curved platform that emulates the human eyeball with a 3d-printed eyelid. A long way is still needed for any actual human use, I’d imagine, but the treatment of various eye-related complaints such as glaucoma, dryness, chronic ocular surface inflammation, and vision issues might become much easier. There may also be potential for more science-fictional uses, like in-eye displays.

What an amazing time we live in!

Image by Pourshaban et al. via Wiley Online Library

R.I.P. Dame Maggie Smith

Actor Dame Maggie Smith has passed at the age of 89.

I’m most fond of her role as Dowager Countess Violet Crawley in Downton Abbey. It is one of the best in that franchise—most of the characters are interesting and all of the acting is fantastic, but hers topped it by far. Already two years ago, you could tell from the footage of the second movie, Downton Abbey: A New Era, that she was getting very old and fragile. I remember thinking at the time that I wouldn’t be surprised if that was to be her last performance. (It wasn’t, but almost.)

I also love her snarky Professor Minerva McGonagall from the Harry Potter movies. In addition, in the non-SFFnal work of hers I’ve seen she’s always been consummate, even if the roles themselves might sometimes be lukewarm.

Rest in peace, Dame Maggie. You will be missed.

Image: giffed screenshot from Downton Wars: Episode 2 – The Evil Butler Strikes Back, found via Primogif

World’s First eVTOL Taxi Is Now on the Market

According to Reuters, Chinese drone maker E Hang Holdings has started selling an eVTOL taxi on Taobao, a Chinese online shopping platform. EHang was certified for traffic by China’s aviation authority in October 2023.

EHang 216-S Airborne

The model, EH216-S, is an unmanned vehicle with 16 rotors and capacity for two passengers. Its maximum speed is 130 kilometres per hour and range 30 kilometres. It retails for about €300,000 (depending on exchange rates).

At first glance, around 300,000 euros sounds quite steep. Then again, in the U.S. market at least, pickup trucks can go for almost $100,000. That’s not even mentioning exotic cars, sports cars, and other specialized vehicles.

The bottleneck at the moment surely is the combo of safety regulations and pragmatics (the lack of infra). It seems that charging points for electric vechicles are being built so slowly, I cannot imagine what it would take to try and fit the maintenance facilities and parking spaces for flying cars, let alone flying electric cars, into our cities in a larger scale. Plus, what it would take to figure out how, in practice, they would fit into existing traffic patterns. It looks, though, that we might have to resolve those questions sooner than I thought.

Image by EHang

News on the Murderbot Screen Adaptation, with Thoughts

You might know that a screen adaptation of The Murderbot Diaries, a series (of mostly novellas) written by Martha Wells, is under development by Apple TV+. Behind the production are brothers Chris and Paul Weitz, who will write, direct, and produce, and Wells will serve as consulting producer.

The release date has not been publicized yet, but according to Reactor, the episode scripts have already been written. Presumably, the tv series will be based on All Systems Red, the first installment of the book series.

As I love Murderbot, I started off highly suspicious. (Suspicious of any adaptations, that is; I have no special qualms with Apple TV.) This team seems to get it, though. Their pitch reads as follows:

“‘Murderbot’ is an action-packed sci-fi series, based on the award-winning books by Wells, about a self-hacking security android who is horrified by human emotion yet drawn to its vulnerable ‘clients.’ Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.”

When comparing this one-paragraph description to some other write-ups about the adaptation, a few things stand out. Firstly, Murderbot is not a robot. Furthermore, Murderbot never describes itself as a he (but doesn’t object to it). Also, Murderbot is horrified by human emotion and bored with human drama in real life and certainly not drawn to the emotion; if Murderbot is drawn to anything non-media-related, it’s its job of protecting clients, particularly certain kinds of clients (the smart, or small and soft kind). Finally, Murderbot does emphatically not want to live like a human, it wants to be left alone to consume media (which is only a tiny fraction of living like a human).

The adaptation team does get Murderbot; those other writers don’t. (The only iffy detail that copy includes is calling Murderbot an android; The Murderbot Diaries use the word construct. An android is less wrong than a robot, IMO.)

Since December 2023, when Apple TV+ announced the ten-episode Murderbot adaptation, I’ve kept an eye out for more detailed news. Initially, casting was left almost entirely open; only Alexander Skarsgård as Murderbot was announced. Now we know a little more: Noma Dumezweni will play Dr. Mensah.

Murderbor Mashup Dumezweni Skarsgard

In addition, David Dastmalchian will play Gurathin. Ratthi will be played by Akshay Khanna, Arada by Tattiawna Jones, Pin-Lee by Sabrina Wu, and Bharadwaj by Tamara Podemski.

Murderbor Mashup Dastmalchian Wu Jones Khanna Podemski

Having once spent a sleepless night watching part of The Legend of Tarzan, I know Skarsgård will have no trouble keeping his face SecUnit expressionless. (That is confirmed by stills I’ve seen of The Northman. I’ve also seen him in Godzilla vs. Kong, but I have no memory of his character.) The only productions I’ve seen Dumezweni in are two episodes of Doctor Who and two episodes of Only Murders in the Building. (And I know she was well-reviewed for her role as Hermione in the stage play Harry Potter and the Cursed Child.) What I remember of her impresses me, though; I’m glad she got cast as Dr. Mensah.

Dastmalchian I remember from the Ant-Man movies and Dune: Part One. (IMDB tells me I’ve also seen him in Blade Runner 2049 and an episode of CSI, but again, no memory.) Wu I’ve seen in one episode of Abbot Elementary and Jones in one ep of Murdoch Mysteries; Khanna and Podemski are completely new to me.

As the two core characters of All Systems Red, Murderbot and Dr. Mensah should have a lot of screen time, so I’m delighted that actors of renown have been cast for the roles—indeed, the big names bode well for the adaptation, I hope.

At this point, there’s still one thing that bothers me: I haven’t seen enough of Skarsgård’s work to tell whether he can creditably do nuance, and a lot is riding on that, since Murderbot is all about nuance.

On the surface, there’s as much action as in any generic mindless sci-fi action story, but the focus in Murderbot stories is not the what (the action), but the why and how: why do the events of the story unfold as they do, how do people work, how does Murderbot work, and how does it slot itself into this world it doesn’t fully comprehend (or care about). If the writer’s room doesn’t understand that—or isn’t allowed to fully feature the nuance—the adaptation is less likely to be a success. I fervently hope it will be good!

Images: Mashup 1: Noma Dumezweni via BazBam on Twitter and Alexander Skarsgård by Thierry Sollerot via Flickr (CC0 1.0 Universal). Mashup 2: David Dastmalchian by Gage Skidmore via Flickr (CC BY-SA 2.0). Sabrina Wu by Jordan Ashleigh via IMDB. Tattiawna Jones via IMDB. Akshay Khanna by East Photography via IMDB. Tamara Podemski by Thosh Collins via IMDB. Mashups by Eppu Jensen.

Living in the Science-Fictional Now: 3d-Printing Living Cells onto Internal Organs Is Imminent

A team of University of New South Wales researchers have unveiled a small and flexible device for 3d-printing living cells onto internal organs. The experimental robot named F3DB could, according to the UNSW Sydney newsroom, “potentially be used as an all-in-one endoscopic surgical tool”.

YouTube UNSW Community F3DB

The UNSW Medical Robotics Lab team to pioneer this device is led by Dr. Thanh Nho Do and include among others Mai Thanh Thai, Dr. Hoang-Phuong Phan, and Professors Nigel Lovell and Jelena Rnjak-Kovacina. The device was demonstrated inside an artifical colon and on a pig’s intestine.

The technology isn’t yet commercially viable, but potentially within 5-7 years it could. You can access videos of F3DB in action via the UNSW Sydney newsroom.

Wow—3d-printing inside a human body. Not just within my lifetime, but plausibly in less than 10 years. Makes the various 3d-printed cultivated foods that are in development (e.g. fish fillets) sound like child’s play.

I’m flabbergasted.

Image: screencap from F3DB all-in-one endoscopic surgical tool by UNWS Community on YouTube